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Gary Oldman on The Dark Knight Rises and Tinker, Tailor’s Master Spy Smiley: He’s ‘Like Jazz’

At the center of Tomas Alfredson’s marvelously taut espionage thriller Tinker, Tailor, Soldier, Spy (based on the John Le Carré novel previously adapted into a celebrated 1979 British miniseries) is an unusually understated turn by Gary Oldman as George Smiley, a recently retired career spy of few words quietly trying to uncover a mole within British intelligence. Oldman acknowledges a departure of sorts from the wild, often manic characters he built much of his career on — Sid Vicious, Count Dracula, Beethoven, DEA agent Stansfield of Leon, to name a few. Some of Oldman’s best-known roles are, as he described to Movieline this week in Los Angeles, more rock ‘n’ roll. “Smiley,” he explained, “is jazz .”

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Gary Oldman on The Dark Knight Rises and Tinker, Tailor’s Master Spy Smiley: He’s ‘Like Jazz’

The 9 Most Scathing Critical Responses to New Year’s Eve

We may remember this as the week David Fincher and Scott Rudin went to war on movie critics, but think of it this way: If critics couldn’t get an early look at Garry Marshall’s New Year’s Eve , then how would any of us ever know what a soul-rending atrocity it is? I mean, even Pete Hammond hated this movie ! He was in some fine company, too:

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The 9 Most Scathing Critical Responses to New Year’s Eve

Video: Watch the Old Milwaukee Commercials Will Ferrell Filmed For Free

If you’re a big Hollywood star, why go overseas to shoot a cheesy foreign commercial for millions of dollars when you could just go to Davenport, Iowa, and shoot an equally cheesy domestic commercial for free? That’s what Will Ferrell figured recently when he approached the Pabst Brewing Co. out of the blue and offered his services for an Old Milwaukee ad campaign pro bono.

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Video: Watch the Old Milwaukee Commercials Will Ferrell Filmed For Free

REVIEW: Jonah Hill, The Sitter Offer (Mostly) Inoffensive, Forgettable Fun

Having begun his career as American independent film’s great hope with delicate, languid features like George Washington and All the Real Girls , David Gordon Green has devoted the last few years to turning out goofball stoner comedies that, aside from their hip and very current casts, could seem like forgotten oddball ’80s artifacts discovered in a box of dusty VHS tapes at a garage sale. While it’s not a career trajectory anyone who went googly-eyed over his early output would have guessed for him, there’s an unmistakable undercurrent of glee to these recent films that suggests Green — who still works with many of the crew members with which he started, including composer David Wingo and DP Tim Orr — is having a great time making exactly the type of movies he wants to.

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REVIEW: Jonah Hill, The Sitter Offer (Mostly) Inoffensive, Forgettable Fun

REVIEW: The Material Girl Channels Wallis Simpson, and Her Stuff, in W.E.

Even though it’s something of a slick mess, Madonna’s W.E. is just the kind of movie you’d expect from an artist who once, with a delightful lack of irony, declared herself a material girl. A weirdly sympathetic portrait of Wallis Simpson, the woman for whom a king gave up his throne, W.E. is the story of a life told through stuff: Evening gloves, cocktail shakers, baubles from Cartier, little hats trimmed with netting. It’s as if Madonna went back in time and forgot to talk to actual people, to find out how they lived and what they thought — but she sure did a lot of shopping.

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REVIEW: The Material Girl Channels Wallis Simpson, and Her Stuff, in W.E.

WATCH: Vintage Hard Copy Segment Unearths Dragon Tattoo Mystery

The Girl With the Dragon Tattoo Tumblr Mouth Taped Shut recently unearthed a startling artifact: A vintage segment of the investigative news program Hard Copy exploring the case of one Harriet Vanger, a teenager who went missing decades ago from her family estate in Hedeby Island, Sweden. Watch the unsettling VHS -era report after the jump, complete with your favorite commercials from ’80s primetime television.

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WATCH: Vintage Hard Copy Segment Unearths Dragon Tattoo Mystery

Battleship Preview: Expect ‘Big, Fun Escapism’ for Your Inner 12-Year-Old

On a June visit to the Film 44 offices in Santa Monica, Battleship director Peter Berg laid out his vision for the May 18, 2012 epic actioner. ” Battleship is intended to be a piece of big, fun escapism,” he explained, playing snippets of footage in the cozy darkness of his editing suite. “It’s not to say we don’t take ourselves seriously; we do aspire for a certain level of emotion and reality, but this is not a film that’s meant to traumatize.”

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Battleship Preview: Expect ‘Big, Fun Escapism’ for Your Inner 12-Year-Old

REVIEW: New Year’s Eve is the Movie Equivalent of a Plastic-Wrapped American Cheese Slice

Who are these beautiful, sharply dressed, slightly orange people gliding so effortlessly through a glittery, postcard-worthy version of New York in New Year’s Eve ? They’re stars, of course, a galaxy of stars of varying luminescence. New Year’s Eve is Garry Marshall’s follow-up to last year’s Valentine’s Day , which he also directed, and like that film it uses its titular holiday as a ruthless star delivery system in which a menagerie of assembled celebs sprints through a collection of interconnected narrative threads that briskly accelerate from alleged comedy to syrupy sentimentality.

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REVIEW: New Year’s Eve is the Movie Equivalent of a Plastic-Wrapped American Cheese Slice

What to Expect When You’re Expecting Trailer: What Did You Expect?

Just when you thought that a movie could not accommodate more stars and subplots than tomorrow’s Garry Marshall-directed New Year’s Eve , Lionsgate has unveiled the trailer for What to Expect When You’re Expecting . The film, an adaptation of the popular ’80s pregnancy guide, packs Jennifer Lopez, Elizabeth Banks, Cameron Diaz, Matthew Morrison, Anna Kendrick, Chris Rock, Thomas Lennon, Dennis Quaid, Wendi McLendon-Covey, the hot Brazilian from Love Actually and more actors into a sprawling tale of hormonal outbursts, catty jealousy, dads unafraid to wear Baby Björns and infants. Lots and lots of infants. Judge the trailer for yourself below.

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What to Expect When You’re Expecting Trailer: What Did You Expect?

REVIEW: Theron, Reitman and Cody Combine For Stark, Sublime Young Adult

I don’t pretend to be a feminist or even understand feminism beyond accepting the fundamental concept of gender equality. That has always seemed straightforward enough, despite the vagaries and complications evident in myriad cultural examples from Michele Bachmann to Margaret Cho to Diablo Cody, the stripper-turned-scribe whose three produced screenplays to date — Juno , Jennifer’s Body and this week’s Young Adult — make up some of contemporary cinema’s rangier ruminations on feminism. Or at least what I think is feminism.

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REVIEW: Theron, Reitman and Cody Combine For Stark, Sublime Young Adult