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James Franco’s General Hospital Psychodrama, Lesbian-Werewolf Romance Lead Tribeca 2012

Tribeca time already? Believe it: The 11th edition of the Manhattan-based film festival has announced the first half of its 2012 program, led in part by James Franco’s General Hospital behind-the-scenes psychodrama (!), the loooonnnng -gestating lesbian-werewolf romance Jack and Diane (!!), a hipster-crisis apocalypse thriller (!!!) and a fairly awesome-sounding Val Kilmer/Harmony Korine collaboration ( swoon… faint… thud ) — all joined by nearly four dozen other dramatic and documentary selections in three categories. They will follow the April 18 opening-night world premiere of The Five-Year Engagement . Read on for the full Competition and Viewpoints selections, and keep an eye on Movieline for more about Tribeca 2012 as events warrant. WORLD NARRATIVE COMPETITION All In (La Suerte En Tus Manos) Directed by Daniel Burman, written by Daniel Burman and Sergio Dubcovsky (Argentina)—International Premiere Professional poker player Uriel has been on a real hot streak—with the ladies—since his marriage fizzled out. But in between growing his online gambling business and helping to raise his kids, Uriel has rediscovered his old pre-marriage flame, Gloria…. Starring the great Valeria Bertuccelli (XXY) and Oscar®-winning songwriter Jorge Drexler, this romantic comedy from Daniel Burman (Lost Embrace) unfolds in the acclaimed director’s signature style: poignant, natural, and bitingly funny. In Spanish with subtitles. Beyond the Hill (Tepenin Ardi) Directed and written by Emin Alper (Turkey, Greece)—North American Premiere Faik, a proud old forester, is having trouble with nomads grazing their livestock on his land. For revenge, he and his hulking farm hand Mehmet snatch a goat to butcher for a family holiday, unwittingly sparking a dire blood feud. Debuting Turkish director Emin Alper creates an atmosphere of skin-crawling terror in this psychological drama by withholding, not showing, the escalating acts of violence that hurtle these feuding farmers toward a shocking confrontation. In Turkish with subtitles. First Winter Directed and written by Benjamin Dickinson (USA)—World Premiere In this extraordinary debut feature, a blackout of apocalyptic proportions strands a group of Brooklyn hipsters in a remote country farmhouse with no heat and no electricity during the coldest winter on record. At first, it’s all sex and drugs and acoustic guitars. But as the days go on and the food supply dwindles, struggles of power, jealousy, and desire threaten the group’s ability to work together in order to survive. The Girl Directed and written by David Riker (USA, Mexico)—World Premiere From the director of La Ciudad comes this moving drama about a single mother (Abbie Cornish) caught in emotional quicksand after losing her job and custody of her son. Desperate to earn cash for her custody battle, she makes the daring choice to help smuggle illegal immigrants over the border. A deep connection to a young Mexican girl will take her on a life-changing journey and force her to confront her past. In English, Spanish with subtitles. Jack and Diane Directed and written by Bradley Rust Gray (USA)—World Premiere Tomboy Jack and bubbly Diane fall head over heels in love one hot summer in New York City. When Diane reveals she must leave the city for school in Europe, their budding love is tested. Weaving horror elements into a distinctive and fresh yet timeless and universal first-love story, TFF alum Bradley Rust Gray (The Exploding Girl) brings his unique vision to this idiosyncratic story of the joys and terrors of first love. A Magnolia Pictures release. Nancy, Please Directed by Andrew Semans, written by Will Heinrich and Andrew Semans (USA)—World Premiere Paul’s life is good. He has a gig teaching literature at Yale, and he just moved in with his longtime girlfriend, finally shedding his casually sinister roommate, Nancy. There’s just one thing. Paul left an item of great importance at his old apartment, and Nancy doesn’t want to give it back.… Paul’s life is about to unravel. Debuting director Andrew Semans skillfully orchestrates a minor annoyance into an all-consuming obsession in this smart, stunning psychodrama. Postcards From the Zoo (Kebun Binatang) Directed by Edwin, written by Edwin, Daud Sumolang, and Titien Wattimena (Indonesia)—North American Premiere Acclaimed Chinese-Indonesian director Edwin (Blind Pig Who Wants To Fly) returns with a gorgeous, dreamlike fairy tale set inside Jakarta’s wondrous Ragunan Zoo. Abandoned in the zoo as a little girl and raised among the wild menagerie, Lana finally embarks outside the peculiar confines she has always known—and into the seedier side of Jakarta—when she falls in love with a charming magician. In Indonesian with subtitles. Una Noche Directed and written by Lucy Mulloy (UK, Cuba, USA)—North American Premiere Fed up with catering to the privileged tourist class, Cuban teens Raul and Elio are tantalized by the promise of a new life in Miami. Accused of assaulting a foreigner, Raul has no choice but to flee, but Elio must decide whether his own escape is worth abandoning his beloved sister. Brimming with the nervous energy of Havana’s restless youth and evocative cinematography of the sun-bleached capital, Una Noche follows one sweltering day, full of hope and fraught with tensions, that burns to a shocking climax. In Spanish with subtitles. Unit 7 (Grupo 7) Directed by Alberto Rodriguez, written by Rafael Cobos and Alberto Rodriguez (Spain)—International Premiere Unit 7 is a semi-official police detail with a seemingly impossible mission: kick Seville’s most vicious drug trafficking ring out of town ahead of a major international expo. By any means necessary. As they slip outside the bounds of the law in the name of duty, two officers fueled by violence, lies, and ambition end up on opposing paths. Spanish superstar Mario Casas (Neon Flesh) stars in this adrenaline-pumping action thriller. In Spanish with subtitles. War Witch (Rebelle) Directed and written by Kim Nguyen (Canada)—North American Premiere At 14, Komona has lived through horrors that eclipse any adult’s worst nightmares. In this mesmerizing, otherworldly drama, shot entirely in the Congo, she confides to the baby growing inside of her the harrowing story of her life since rebel warlords stormed her village. Fortified by eerily mystical powers and the warming friendship of an albino boy, the sensitive girl battles through this dire, war-ravaged world enchained as a child soldier. In French, Lingala with subtitles. While We Were Here Directed and written by Kat Coiro (USA)—World Premiere Jane (Kate Bosworth) and her English husband travel to Naples hoping to reinvigorate their silently disintegrating marriage and escape a personal tragedy that hangs heavily between them. When Jane, facing writer’s block, takes a day trip to a beautiful island off the coast, she meets a young American man living a hermetic life on the island. As the two embark on an unlikely emotional affair, Jane faces some drastic changes in her life. Yossi (Ha-Sippur Shel Yossi) Directed by Eytan Fox, written by Itay Segal (Israel)—World Premiere Returning to the role that won him TFF’s Best Actor award in Eytan Fox’s Yossi & Jagger in 2003, Ohad Knoller is extraordinary as Yossi, a closeted gay man living a solitary existence in Tel Aviv. A chance encounter with a group of soldiers ignites Yossi’s desire to live an open, fulfilling life. Written and directed with uncommon honesty and compassion by Fox, this is a deeply moving film about the power of second chances. In Hebrew with subtitles. WORLD DOCUMENTARY COMPETITION Ballroom Dancer Directed and written by Christian Bonke and Andreas Koefoed (Denmark)—North American Premiere In 2000, Slavik Kryklyvyy became the World Latin American Dance Champion. Enduring success seemed assured, but instead Slavik’s career sputtered… until redemption seemed possible with his new partner and lover, Anna. But will Slavik’s unwavering ambition prove toxic to their romance? Subtly depicting the pair’s shifting relationship through gestures, glances, and the dance itself, Ballroom Dancer begins as a comeback story and evolves into a movingly intimate tragic romance. In Russian, English with subtitles. Downeast Directed by David Redmon and Ashley Sabin (USA)—World Premiere Gouldsboro, Maine. Hit hard by the closure of the sardine canning factory, its laid-off residents—mostly 70-year-olds—just want to get back to work. So why is Italian immigrant Antonio Bussone having so much trouble getting federal funds to open a new lobster processing plant? Charged with the spirit of a generation that still gives it 110 percent, this poignant and poetic documentary sheds new light on the trying task of putting America back to work. Fame High Directed and written by Scott Hamilton Kennedy (USA)—World Premiere Scott Hamilton Kennedy’s follow-up to his Oscar®-nominated The Garden captures all the drama, competition, heartbreak, and triumph among a group of struggling students at the Los Angeles County High School for the Arts. From the nail-biting freshman auditions to the spectacular senior graduation performance, this endearing coming-of-age documentary is a tribute to discovering your passion and deciding whether you have the talent to take it to the next level. The Flat (Hadira) Directed and written by Arnon Goldfinger (Israel, Germany)—North American Premiere At age 98, director Arnon Goldfinger’s grandmother passed away, leaving him the task of clearing out the Tel Aviv flat that she and her husband shared since immigrating to Palestine from Nazi Germany in the 1930s. In this emotionally riveting documentary, Goldfinger follows the hints they left behind in a lifetime’s collection of documents to investigate long-buried family secrets and uncover the mystery of his grandparents’ painful past. In Hebrew, German, English with subtitles. High Tech, Low Life Directed by Stephen Maing (USA, China)—World Premiere With the Chinese government employing 40,000 “internet police,” more than half a million websites are blocked in the country. Local TV stations only publicize “the good news.” The rising tide of censorship has aroused a wave of citizen reporters committed to investigating local news stories and crime scenes. This timely and probing documentary tracks rogue bloggers Zola and Tiger Temple as they risk political persecution to become China’s uncensored eyes and ears. In Mandarin with subtitles. The List Directed by Beth Murphy (USA)—World Premiere After leading rebuilding teams in war-torn cities in Iraq, Kirk Johnson returned to America to establish and advocate for a growing number of Iraqi citizens now targeted by radical militias because they aided the U.S. in the reconstruction effort. TFF alum Beth Murphy (Beyond Belief) creates an affecting portrait of an unlikely but passionate humanitarian who has championed the cause of Iraqi refugees largely ignored by the U.S. government. In English, Arabic with subtitles. Off Label Directed by Michael Palmieri and Donal Mosher (USA)—World Premiere The term “off-label” refers to the use of pharmaceuticals in any way counter to their prescribed dosage and function. Weaving together the powerful, personal stories of misdiagnosed patients, professional guinea pigs, recreational drug users, and soldiers struggling with PTSD, Michael Palmieri and Donal Mosher (October Country) expose the breadth of off-label drug use and take us on an emotional road trip through an overmedicated, misdiagnosed, and drug-addled America. Planet of Snail Directed by Seung-Jun Yi (South Korea)—North American Premiere Deaf and blind, Young-Chan lives in a quiet, isolated world in his small apartment. But when Soon-Ho, an empathetic woman compromised by a spinal disability, comes into his life, a unique love story begins. Poetic and gently paced, Planet of Snail brings to life the sensual world shared by this special couple, and illustrates that the greatest beauty can be found in the smallest and most unlikely love stories. In Korean with subtitles. The Revisionaries Directed by Scott Thurman, written by Jawad Metni and Scott Thurman (USA)—World Premiere Once in a decade, the 15 members of the Texas State Board of Education meet in Austin to revise the textbook standards for five million schoolchildren. Led by Don McLeroy, a Young-Earth Creationist and Evangelical Christian, the panel implements standards that will ultimately go into effect in science and history textbooks for schoolchildren across the nation. The Revisionaries is a galvanizing peek behind the curtain at the politicization of education. The Virgin, the Copts and Me (La Vierge, les Coptes et Moi) Directed by Namir Abdel Messeeh, written by Namir Abdel Messeeh, Nathalie Najem, and Anne Paschetta (France, Qatar)—North American Premiere In his feature debut, French-Egyptian filmmaker Namir Abdel Messeeh sets out to investigate the phenomenon of supposedly miraculous Virgin Mary apparitions in Egypt’s Coptic Christian community. But when the secular director faces opposition from skittish producers and his Coptic family, Namir turns the camera on his wonderfully smart-alecky mother and reimagines his film as a touching, uniquely hilarious portrait of family and heritage. In Arabic, French with subtitles. Wavumba Directed by Jeroen van Velzen, written by Jeroen van Velzen and Sara Kee (Netherlands)—North American Premiere Mysticism and color reign in this stunning documentary steeped in the fishermen lore of Kenya. Revisiting a childhood fairy tale of a spirit-filled island with the magic to either bless or curse a fisherman’s journey, Dutch filmmaker Jeroen van Velzen explores his memories via Masoud, a real-life legend of shark fishing. His glory days long gone, Masoud relives his youth through grandiose stories told with swaggering pride and heartbreaking nostalgia. In English, Swahili with subtitles. The World Before Her Directed by Nisha Pahuja (Canada)—World Premiere Weaving together the seemingly opposing stories of the Miss India beauty pageant and a fundamentalist Hindu camp for girls, director Nisha Pahuja illuminates the situation of women across contemporary India, drawing surprising parallels in the way women are perceived and the opportunities that are afforded them in both modernizing and traditional cultures. The World Before Her is a riveting, thoughtful profile of the fundamental contradictions of a country in transition. In English, Hindi, Marathi, Gujarati with subtitles. VIEWPOINTS Babygirl Directed and written by Macdara Vallely (Ireland, USA)—World Premiere, Narrative For as long as she can remember, Bronx teenager Lena has watched her mom Lucy squander her life on a series of deadbeat men. When Victor, her mom’s latest boy toy, starts hitting on Lena, she sets up a trap to expose Victor for the creep he is… but the plan backfires. Macdara Vallely crafts a heartfelt drama about the emotional highs and lows in the moment between childhood and adulthood. Benji Directed by Coodie and Chike (USA)—World Premiere, Documentary In 1984, 17-year-old Ben Wilson was a symbol of everything promising about Chicago: a sweet-natured youngster from the city’s fabled South Side, and America’s top high school basketball prospect. His senseless murder on the day before his senior season devastated the city of Chicago and sent ripples of anguish nationwide. A stirring portrait of a phenom admired both on the court and off, Benji tells the story of a legend who might’ve been. Burn Directed by Tom Putnam and Brenna Sanchez (USA)—World Premiere, Documentary Detroit is burning. Meet the men and women charged with saving the once-roaring American city that many have written off as dead. With vast stretches of forsaken buildings left as kindling, they face one of the worst arson rates in the world. From executive producer Denis Leary, Burn drives us straight into the heart-pounding fire and introduces us to the characters and controversies that make up the most overworked and underequipped firehouse in the country. Caroline and Jackie Directed and written by Adam Christian Clark (USA)—World Premiere, Narrative When Caroline throws a surprise birthday party for her sister Jackie, what starts as an evening with friends devolves into a night that will change everything, as their bond is tested by the emotional mayhem only sisters can wring. Injecting his dinner-party-gone-wrong story with genuine tension, first-time filmmaker Adam Christian Clark strips away the layers of Caroline and Jackie’s fraught relationship right up until the film’s raw and moving conclusion. Certain People (Katinkas Kalas) Directed by Levan Akin, written by Lisa Östberg (Sweden)—World Premiere, Narrative A small group of friends—upper-class, art world bohemians in their thirties—gather at Katinka’s summer house to celebrate her birthday. Suddenly during dinner, Katinka’s brother arrives with Linda, a blonde game show hostess whose brusque and liberated manners are entertaining and fresh… at first. During the course of the evening Linda stretches the group’s invisible social rules of hospitality. Contempt starts to grow, and hidden prejudices flare up. In Swedish with subtitles. Consuming Spirits Directed and written by Chris Sullivan (USA)—World Premiere, Narrative Nearly 15 years in the making, Chris Sullivan’s Consuming Spirits is a meticulously constructed tour de force of experimental animation. Shooting frame by frame in 16mm, Sullivan seamlessly blends together a range of techniques into a distinct, signature visual style. In the process, he constructs a hypnotic, layered narrative, a suspenseful gothic tale that tracks the intertwined lives of three kindred spirits working at a local newspaper in a Midwestern rust belt town. Cut Directed by Amir Naderi, written by Amir Naderi, Abou Farman, Shinji Aoyama, Yuichi Tazawa (Japan)—U.S. Premiere, Narrative Award-winning Iranian filmmaker and TFF alum (Vegas: Based on a True Story) Amir Naderi travels to Tokyo to tell this striking, fiercely unconventional tale of a struggling young filmmaker, Shuji. Desperate to create great cinema, Shuji obtains financing for a few utterly forgettable pictures from his brother—who got the money from the mob. Now Shuji must repay his debts and test his love of the movies by working as a human punching bag for yakuza thugs. In Japanese with subtitles. Death of a Superhero Directed by Ian Fitzgibbon, written by Anthony McCarten (Ireland, Germany)—U.S. Premiere, Narrative Donald is a teenager with extraordinary talents, wild daydreams, and a bright future as an artist of fantastical graphic novels. But when Donald discovers that a very real enemy is trying to kill him, an unorthodox psychologist tries to help him find the light in an otherwise dark world. Thomas Brodie-Sangster and Andy Serkis star in this exceptionally honest drama about discovering life, love, and death. A Tribeca Film release. El Gusto Directed and written by Safinez Bousbia (Algeria, Ireland, UAE)—North American Premiere, Documentary A rhythmic cocktail of European and Arabic traditions, chaabi music was the heart and soul of cosmopolitan Algiers in the 1940s, but the war of independence with France tore apart the peaceful Muslim and Jewish communities that came together to play this unique music. A group of over-the-hill but still fiery musicians reunites after five decades apart in this spirited, gorgeously shot documentary about music’s power to transcend cultural boundaries. In French, Arabic with subtitles. Fairhaven Directed and written by Tom O’Brien (USA)—World Premiere, Narrative Jon is well past his glory days on the football field and searching for meaning in the small town of Fairhaven. When his friend Dave comes home for his father’s funeral, the limits of friendship are tested as the past is uncovered. This thoughtful meditation on love, loss, and minor triumphs reminds us that sometimes the most important things in life are the little moments we cherish forever. The Fourth Dimension Directed by Harmony Korine, Alexey Fedorchenko, and Jan Kwiecinski, written by Harmony Korine, Alexey Fedorchenko, Jan Kwiecinski, Oleg Loevsky, and Yaroslava Pulinovich (USA, Poland, Russia)—World Premiere, Narrative A motivational speaker named Val Kilmer (played by Val Kilmer) delivers a sermon at a roller rink. A Russian scientist builds a time machine in his apartment. Four friends stumble upon an abandoned village in the Polish countryside. All are in search of the fourth dimension—whether they know it or not. Weird, ominous, cool, compelling: These three short films could only be inspired by the creative vision of Harmony Korine and Vice Media’s Eddy Moretti. In English, Polish, Russian with subtitles. Francophrenia (or: Don’t Kill Me, I Know Where the Baby Is) Directed by Ian Olds and James Franco, written by Ian Olds and Paul Felten (USA)—North American Premiere, Narrative James Franco stunned the film world when he committed to a regular gig on General Hospital, but the Oscar®-nominated actor had a clever trick up his sleeve. While shooting a key GH episode, Franco brought along a film crew. TFF award winner Ian Olds (Fixer, 2009) then repurposed Franco’s behind-the-scenes footage into an experimental psychological thriller set amid the spectacle of a celebrity’s escalating paranoia, creating a mind-bending exploration of identity. Journey to Planet X Directed by Josh Koury and Myles Kane (USA)—World Premiere, Documentary By day Eric Swain and Troy Bernier are a couple of mild-mannered, middle-aged desk jockeys from Florida, but their wildest dreams come to life after hours when they get together to make fantastical sci-fi movies with the help of a green screen, amateur actors, and retro-futuristic computer graphics. As they embark on their most ambitious production yet, this hip and heartwarming documentary shows how boundless imagination can hilariously stretch the limits of DIY moviemaking. On The Mat Directed and written by Fredric Golding (USA)—World Premiere, Documentary Achieving greatness in high school wrestling requires a level of devotion unmatched perhaps by any other sport. That greatness has become a yearly expectation at Lake Stevens High, winner of seven Washington state championships in the past 10 years. Narrated by Lake Stevens wrestling alum Chris Pratt (Moneyball), this riveting documentary follows the team over the course of a season as they fight through injuries and academic issues to maintain their school’s legacy. Resolution Directed by Justin Benson and Aaron Scott Moorhead, written by Justin Benson (USA)—World Premiere, Narrative Michael is committed to getting his best friend Chris to sober up and put his life back on track. But what begins as an attempt to save his friend’s life quickly takes an unexpected turn as the two friends confront personal demons, the consequences of past actions, and forces beyond their control. Expertly balancing dark humor, heart, and thrills, Resolution is an utterly unique cinematic experience that defies genre classification. Room 514 Directed and written by Sharon Bar-Ziv (Israel)—North American Premiere, Narrative When a young, idealistic military investigator confronts an elite soldier with accusations of unnecessary violence against a Palestinian man in the Occupied Territories, her quest for justice ends up having far-reaching consequences. Director Sharon Bar-Ziv’s feature debut is a gritty minimalist drama that provides a raw, direct look at the psyche of contemporary Israeli culture as shaped by the effects of the ongoing conflict. In Hebrew, Russian with subtitles. Rubberneck Directed by Alex Karpovsky, written by Alex Karpovsky and Garth Donovan (USA)—World Premiere, Narrative Months after a one-night-stand-gone-nowhere with a sexy coworker, sad-sack Boston scientist Paul still finds himself increasingly consumed with obsessive thoughts toward his uninterested colleague. As his impulses become increasingly irresistible, and the repercussions of his actions snowball, the tension mounts. Indie stalwart Alex Karpovsky directs this slow-burn psychosexual character study. Sexy Baby Directed by Jill Bauer and Ronna Gradus (USA)—World Premiere, Documentary In the age of runaway social media and “sexting,” raunchy rap songs on pop radio and hardcore pornography at the click of a mouse—what’s it like to be a woman? A girl? A teenage boy? A parent? Following a middle-aged former porn star, a young woman undergoing a controversial surgery, and a 12-year-old girl who’s growing up faster than her parents can handle, Sexy Baby is a startling look at America’s increasingly sex-saturated culture. Stones in the Sun (Woch nan Soley) Directed and written by P. Benoit (USA, Haiti)—World Premiere, Narrative In the 1980s, in the midst of increasing political violence, a young couple, two sisters, and a father and son are driven from Haiti to New York, where they must confront the truths of their interlocked pasts. In her impassioned, penetrating feature film debut, Haitian director P. Benoit steers clear of clichés about immigrants and refugees, authentically tapping into the reality of the unique Haitian-American experience. In English, Haitian Creole with subtitles. Supporting Characters Directed by Daniel Schechter, written by Tarik Lowe and Daniel Schechter (USA)—World Premiere, Narrative In this funny and authentic take on modern relationships, best friends Darryl (Tarik Lowe) and Nick (Alex Karpovsky) are a film editing duo hired to rework a movie in crisis, only to find themselves increasingly consumed with reworking their own personal lives. While Nick begins to question his stable relationship after receiving attentions from the film’s flirtatious starlet, Darryl finds himself falling hard for tempestuous dancer Liana (Melonie Diaz). Town of Runners Directed by Jerry Rothwell (UK)—World Premiere, Documentary Over the past two decades the small, rural Ethiopian town of Bekoji has been the unlikely home to numerous Olympic champion long-distance runners, whose athletic success has paved the way for a generation of young Ethiopians searching for a better future. With a keen artistic eye, TFF award winner Jerry Rothwell (Donor Unknown) follows two teenage track hopefuls who face the challenge of growing up and striving for greatness in a developing nation. In Amharic, Oromo with subtitles. Turn Off the Lights Directed by Ivana Mladenovic, written by Ivana Mladenovic and Bianca Oana (Romania)—World Premiere, Documentary After years behind bars, three young men begin to rediscover lives of aggression and excess in their raucous Roma community. Among them is Alex, a captivating figure with a disturbingly blasé attitude toward violence, women, and guilt. In this absorbing documentary, offering a rare peek into contemporary Roma culture, Alex and his fellow ex-cons reconcile the outside world with the gray-shaded areas of morality with which they all struggle. In Romanian with subtitles. Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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James Franco’s General Hospital Psychodrama, Lesbian-Werewolf Romance Lead Tribeca 2012

Shauna Theel: FLASHBACK: Fox News On Gas Prices In 2008

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Following GOP strategy , Fox News is again blaming the Obama administration for rising gasoline prices — a claim that has been repeatedly debunked by energy analysts. But back in the summer of 2008, when the average U.S. gasoline price hit a record high of $4.11, Fox said that “no President has the power to increase or to lower gas prices.” In 2008, Fox’s coverage occasionally even mirrored the facts:… Broadcasting platform : YouTube Source : Media Matters for America Discovery Date : 05/03/2012 15:39 Number of articles : 2

Shauna Theel: FLASHBACK: Fox News On Gas Prices In 2008

Reason.tv: Adam Winkler on Racism, Ron Paul and the Battle over the Right to Bear Arms

http://www.youtube.com/v/WeFOLzJLk3U

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“Part of the way African Americans were kept as second class citizens in America was by denying them access to guns,” says Adam Winkler, author of Gunfight: The Battle over the Right to Bear Arms in America , “I think America is a violent society not because of our guns, but because of our culture.” Winkler sat down with Reason.tv’s Tracy Oppenheimer to “tell the amazing story of America’s complicated… Broadcasting platform : YouTube Source : Reason Magazine – Hit & Run Discovery Date : 05/03/2012 18:12 Number of articles : 2

Reason.tv: Adam Winkler on Racism, Ron Paul and the Battle over the Right to Bear Arms

Report: Demi Moore Out of Rehab, Off on Secret Vacation

Demi Moore has checked out of Cirque Lodge in Utah and has embarked on a private vacation, sources tell E! News. The actress checked into this famous rehab facility not long after suffering a seizure on January 23 that was brought on by the ingestion of a foreign substance. (Listen to the 911 call placed on her behalf now.) What is the actress up to now? Not much. “She’s in no rush to get back to L.A.,” says an insider who reports the star is “on vacation” and adds: “She’s on total lockdown and only talking to a small group of people.” There’s still no official word on why Moore was seeking help, but E! moles confirm the time away was spent working on addiction issues and an eating disorder. We sincerely hope it helped.

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Report: Demi Moore Out of Rehab, Off on Secret Vacation

American Idol Results: Are the Top 13 Are…

It took two hours and far too many performances, but American Idol named its 13 finalists tonight, with 10 chosen by viewers and three Wild Cards selected by the judges. Let’s get right to the results, shall we? Voted on by America: Phillip Phillips Jessica Sanchez Joshua Ledet Heejun Han Shannon Magrane: Skylar Laine Elise Testone Colton Dixon Jermaine Jones Wild Cards Randy: Erika Van Pelt J.Lo: Jeremy Rosado Steven: Deandre Brackensick Did your favorite make the cut? Who are you most and least happy to see advance?

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American Idol Results: Are the Top 13 Are…

Old Racists, Ex-Colleagues Among Harvey Weinstein’s Latest Enemies

What week for Harvey Weinstein: Win a truckload of Oscars on Sunday, re-up on a PR war with the MPAA on Tuesday, and then today — as his company’s other notable French import Intouchables prepares for its U.S. premiere in New York City — start a trans-Atlantic flame war with France’s most infamously racist old coot. It’s like Linsanity, but for Hollywood megalomaniacs! Weinsanity! And there’s more . First though, here’s the notorious, ultra-conservative French nationalist and political firebrand asshole Jean-Marie Le Pen weighing in on Intouchables , the blockbuster buddy flick about (per a Weinstein Co. statement) “a wealthy, physically disabled risk taker, the picture of established French nobility, who lost his wife in an accident and whose world is turned upside down when he hires a young, good-humored, black Muslim ex-con as his caretaker.” I don’t know how one exclaims, ” Say whaaaa? ” in French, but it probably sounds something like this: That aforementioned Weinstein Company statement translates: “France is like this handicapped person stuck in this wheelchair, and we are going to have to wait for the help of these suburb youngsters and the immigration in general. I don’t subscribe to this point of view. It’s a movie, a novel. And we have to take it that way and not like an example for the future. It would be a disaster if France would find itself in the same situation as this poor handicapped person.” On the one hand, this is just Le Pen being Le Pen. Big deal. On the other, check out Harvey being Harvey — i.e. waiting a full month after the interview aired (he acquired Intouchables ‘ distribution and English-language remake rights last summer) to lay into the easiest, fattest target imaginable on his film’s behalf: “It’s not a surprise to hear such an intolerant statement from the man who founded and was president of the extreme-right, xenophobic, racist National Front party. Le Pen made a repulsive statement, representing a bigoted world view. And right now, Jean-Marie’s daughter, Marine Le Pen, is running for president of France as the leader of the National Front party — and she is fourth in the polls with almost 16% of the population intending to vote for her. That’s frightening to me, and I think it’s important to speak up and speak out against Le Pen and his ideas. That’s why I’m proud to bring THE INTOUCHABLES to American audiences. This movie is based on a true story, and it’s a funny, extremely entertaining illustration of how simple human connection trounces socioeconomic, religious and racial divides.” Perfect . Did I mention Intouchables premieres this evening as the Opening Night film of Lincoln Center’s prestigious Rendez-Vous with French Cinema series and opens May 25 in limited release? Ahem. Meanwhile, all of Harvey’s recent protesting-too-much has received one of its most devastating rebuttals to date from Mark Lipsky, the former indie exec turned filmmaker who got his start in the Weinsteins’ Miramax regime. That experience yielded today’s extraordinary takedown at indieWIRE , where Lipsky further exposed Harvey’s hypocritical, gratuitously self-serving and exploitative handling of his documentary Bully : I hate bullying and always have. I also have an abiding contempt for hypocrisy. If Harvey has, in fact, reformed, he needs to come out and say so publicly. He needs to own his past behavior, admit to his addiction – bullying is an addiction, after all, both to power and dominance – and pledge to never bully anyone again. If he’s looking for ink and controversy (and he certainly is) there’s no more honest or powerful way for him and the film to get it. Harvey, you have a rare opportunity with Bully to actually move the needle and leave the world a better place. I believe that you’d like to see bullying stop. I believe that you “want every child, parent, and educator in America to see “Bully,” and not just for the boxoffice. So get up on that incredibly high horse of yours and use that bully pulpit to assure children, parents and educators everywhere that if you can reform, anyone can. Light a fire, Harvey, for every kid that’s ever bullied someone and for every parent who taught them how. Ouch. Your move, Harvey. Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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Old Racists, Ex-Colleagues Among Harvey Weinstein’s Latest Enemies

Victoria’s Secret’s “Very Sexy” Collection of the Day

Calling a collection “Very Sexy”….pretty bold when the pictures are hardly sexy….but just more of the same recycled crap that Victoria’s Secret seems to produce on the regular…because they are corporate america…a 9 billion dollar industry that can’t push the boundaries of sexy….they are just on the fence…enough skin that husbands can jerk off to their catalogs…I mean at least the good Christian husbands who don’t have the internet…since any dude in his right mind would turn to porn, even if it is the devil’s work, instead of this…even if it is everything wrong in America….uninspired crap… The good news, is they hire, recruit, kidnap, brainwash hot models…who I’d rather see more naked…and who I’ve seen more naked for other gigs…and unfortunatley, that’s good enough for me.

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Victoria’s Secret’s “Very Sexy” Collection of the Day

Uggie Oscar Mania Boosts Jack Russell Adoptions … And Also Risk of Abandonment

The Jack Russell Terrier Club of America loves your Uggie obsession , but a word of warning to those swept up in the hunt for lookalike pets: “Today, Jack Russell terriers are hot! Tomorrow, those of us who are truly devoted to the breed will be paying the price for this surge in popularity with greatly increased use of our rescue system.” [ANI via The Dog Files ]

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Uggie Oscar Mania Boosts Jack Russell Adoptions … And Also Risk of Abandonment

2012 Oscars: Best And Worst Speeches

Meryl Streep and Jean Dujardin won us over, while Bret McKenzie made a critical omission during his acceptance. By Kevin P. Sullivan Meryl Streep wins at the 84th Annual Academy Awards Photo: Kevin Winter/ Getty Images One of the most essential parts of any Oscar night is the speeches. If you win, your job is only halfway done. Now you have to get up onstage in front of a billion people and practice your public speaking. Some are heartfelt, some are funny, and some will go down in history — for better or worse. With so much of the ceremony dedicated to acceptance speeches, it’s important to look back and decide who owned the night and who fell on their face. Here are our best and worst speeches of the 2012 Academy Awards: Best Octavia Spencer for Best Supporting Actress For as predictable as Spencer’s win for Best Supporting Actress was, her speech ended the long road to Oscar night in style. She went with the time-tested acceptance-speech traditions of emotion and honesty. Plus, she thanked the state of Alabama, the only state to get a shout-out during the night. Meryl Streep for Best Actress It came as a big surprise, and no one knew that better than Streep. Her “whatever” attitude almost had us forget the upset win over Viola Davis. It may not have been the most just outcome, but at the very least we got a funny speech instead. Christopher Plummer for Best Supporting Actor As the oldest person to ever win an acting Oscar, Plummer outdid most everyone younger than him and delivered one of the most memorable speeches of the night. It was class all the way for Plummer, who sincerely thanked his wife, daughter and co-star Ewan McGregor. He joked that, in his mother’s womb, “I was already rehearsing my Academy acceptance speech, but it was so long ago, mercifully for you, I’ve forgotten it.” Alexander Payne, Nat Faxon and Jim Rash for Best Adapted Screenplay You have to admit that Angelina Jolie was standing a little oddly, with her right leg out of the high slit in her dress, as she read the names of the nominees. Jim Rash, known for his role on “Community,” also took note and mimicked the strange posture after he won the award for his work on the “Descendants” screenplay. Jean Dujardin for Best Actor A good way to score points as a Frenchman winning an Academy Award in America is to open your speech with, “I love your country!” Dujardin read the rest of his speech to help with his English, but it was the outburst in French at the end of his acceptance that really won us over. Worst Bret McKenzie for Best Song Listen, Bret. We love you, and we’re so happy you won. But there would be no Muppets movie without Jason Segel. He may not have written any of the songs, but he co-wrote the film, put his name on the line and sang “Man or Muppet,” the winning song. At the very least, you should have given the man a simple “thanks.” Kirk Baxter and Angus Wall for Best Editing It’s understandable that you were caught off guard — “The Girl With the Dragon Tattoo” didn’t get a whole lot of nominations — but you need to be a little more prepared than you were. You’re still expected to give a speech. You won just a year ago, so you have enough experience with this kind of thing. Mark Coulier and J. Roy Helland for Best Makeup It’s OK if you write your speech down before you head onto the stage to accept your award. It’s even OK if you read your speech directly from the cards you wrote them on. But please make sure that the speech is a good one if you’re going to do so. The MTV Movies team has the 2012 Oscars covered! Keep it locked at MTV.com all night and beyond for updates on the night’s big winners and the best red-carpet fashion . Join the live conversation by tweeting @MTVNews with the hashtag #Oscars. Related Videos Oscars 2012: The Main Show Oscars 2012: Show Highlights Related Photos Oscars 2012: Winners Oscars 2012: The Main Show Oscars 2012: Parties

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2012 Oscars: Best And Worst Speeches

Bully Trailer: Documentary Loses Appeal of ‘R’ Rating

The trailer for Bully has been released, and the company that produced the film has lost its appeal of the R rating it believes will limit the documentary’s appeal. The film, about the epidemic of adolescent bullying in America, was rated R for “some language,” and The Weinstein Company hoped for a PG-13 rating. It was not to be. Check out the two-minute preview below: Bully Trailer TWC co-chairman Harvey Weinstein and one of the bullied children in the film, Alex Libby, argued that an R rating would be counterproductive in that it would prevent Bully from reaching the adolescent audience that would most benefit from the movie. The studio was planning on screening the documentary at middle and high schools. However, for an MPAA rating to be overturned, a two-thirds vote is required, and Bully was one vote short. Following the decision, Weinstein released a statement saying that he is considering a leave of absence from the MPAA. “We respect the MPAA and their process but feel this time it has just been a bridge too far,” said Weinstein . “I have been through many of these appeals.” “This one vote loss is a huge blow to me personally.

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Bully Trailer: Documentary Loses Appeal of ‘R’ Rating