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Beyonce’s ‘Countdown’ Video: Watch A Sneak Peek!

Retro-tinged 4 clip premieres Thursday. By Jocelyn Vena Beyonc

Joe Jonas Gets ‘Love’ From Lil Wayne On Remix

Young Money honcho injects some swagger into Jonas’ second Fast Life single. By Jocelyn Vena Joe Jonas Photo: Imeh Akpanudosen/ Getty Images After dropping his second solo single, “Just in Love,” last month, Joe Jonas decided to hop back on the Fast Life track, but this time with some love from Lil Wayne . A Weezy-approved remix was released on Monday morning (October 3). “I’m just in love with you baby,” Wayne shouts at the top of the track, which for the most part stays the same, except for a few shout-outs from Weezy. Soon after Joe’s single came out in September, the Jonas Brother followed up the dance track with a sexy video. The “Just in Love” clip features the singer frolicking around Paris with a beautiful French model. Weezy returns halfway through the track to throw down a verse with his signature swagger. “Hey Joe, I got you/ Ain’t no love like the one I got/ I’m a prisoner of love/ Got my heart on lock,” he raps. “It’s like a star from the sky fell from by side/ And she tell me that it’s mine/ And I say that’s fine/ She look like a butterfly/ Smell like a flower/ I don’t need nothing/ Nothing but her/ And the smile on her face.” As the track closes out, Wayne has this final message for the lady he loves: “I’m just in love with you/ Ever since you came into my life/ My life has changed for the better.” When Joe spoke to Ryan Seacrest on Monday, he told the KIIS-FM host how he felt about the superstar rapper. “Lil Wayne, I’ve always been a huge fan. He’s always been one of those artists who’s been killing it for the longest time,” Jonas said. “Like many artists, I wanted to work with him somehow. I met him three years ago when Russell Brand hosted the VMAs.” Joe recalled meeting Wayne back then. “I remember walking up to him [and introducing myself] … and he just goes, he’s like ‘JOOONAS! What you doing man?’ and he gave me the biggest bro hug. This project came along. He wanted to be a part of it and he made this remix and he killed it.” Fast Life, Joe’s first-ever solo album, hits the streets on October 11. Share your thoughts on the Weezy remix of Joe’s “Just in Love” in the comments! Related Artists Joe Jonas Lil Wayne

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Joe Jonas Gets ‘Love’ From Lil Wayne On Remix

Lady Gaga, Tony Bennett ‘Tramp’ It Up In New Video

Classy clip, featuring a blue-haired Gaga, hit the Web on Monday. By James Montgomery Lady Gaga Photo: FilmMagic Of the current crop of pop superstars, perhaps none is better suited to take on “The Lady Is a Tramp” than Lady Gaga — and we definitely don’t mean that in a bad way. After all, the song — first performed on Broadway in the1937 musical “Babes in Arms,” a production better known for the standards it featured, like “Tramp” and “My Funny Valentine,” than it’s rather brief run on the Great White Way — has been covered by the likes of Lena Horne, Ella Fitzgerald and Shirley Bassey over the years, and requires a certain quality that only those stars possessed: a brassy, beguiling bite, one that comes across both in their voices and the way they carry themselves away from the stage. In short, they have to be able to embody the titular Tramp. And now, Gaga got her shot, in an updated version of the song that appears on Tony Bennett’s chart-topping Duets II album . A video for the song premiered online Monday (October 3), and, yes, Gaga plays the role to perfection, vamping and camping alongside Bennett, blue hair bobbing along to the beat. In a floor-length black-lace dress, she belts out the chorus, flits and flirts through lines like “I love the free, fresh wind in my hair” and “I’m so broke” (and even professes her love for the Yankees, which probably explains her behavior at Citi Field last season ) does the prerequisite pouting and even scats a bit. Bennett seems to love every minute of it, trading vocal couplets, laughing when Gaga steals his handkerchief and taking her on a slow dance at song’s end. And thanks to the backing of a roaring big band, this new version of “Tramp” is not only a welcome addition to the lengthy list of cover versions, but, in some way, it takes the song into new territory too. A lot of that is thanks to Gaga, who gives her all and really, truly becomes the Tramp. What did you think of Gaga and Tony’s video? Let us know in the comments! Related Videos MTV First: Lady Gaga Related Artists Lady Gaga Tony Bennett

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Lady Gaga, Tony Bennett ‘Tramp’ It Up In New Video

Michael Jackson Immortal Album Due November 21

LP will feature Jackson songs and mash-ups from Cirque du Soleil show of same name. By Gil Kaufman Michael Jackson The Immortal World Tour Photo: Sunshine Sachs/ Cirque du Soleil The second posthumous Michael Jackson album is slated to hit stores on November 21. But unlike last year’s Michael, which featured unreleased tracks from the late pop icon, Immortal will serve as the soundtrack to the just-launched Cirque du Soleil show of the same name. The album, sorry, “musical tapestry,” is entitled Michael Jackson The Immortal World Tour, and it will feature reworked versions of some of Jackson’s most beloved hits, mash-ups and never-before-released outtakes of the late King of Pop’s tunes. Among the latter is an alternate take on the Jackson 5 staple “ABC” and a choir-assisted rendition of “They Don’t Care About Us.” The visually stunning show — in the tradition of previous Cirque musicals featuring the music of Elvis and the Beatles — kicked off in Montreal on Sunday and is slated to travel throughout North America and the rest of the world. It will hit 60 North American cities before wrapping up in June in Chicago and taking up a residency at the Mandalay Bay Resort & Casino in Las Vegas. Cirque writer/director Jamie King recently told Billboard that the idea was to be as inventive as possible with the MJ arrangements, treating them like Cirque did the “Love” soundtrack to the Beatles show, in which the Fab Four’s tunes were reshaped in previously unheard ways to create a seamless mixtape of trippy sounds. “Definitely all the hits that the fans want to hear are there,” King said. ” ‘Beat It,’ ‘Thriller,’ ‘Wanna Be Startin’ Somethin’ ‘ — the big, iconic songs are there, with some other songs mixed and matched throughout. There’s some younger Michael in there as well, ‘Ben,’ the Motown stuff. … It’s a mixed bag of tricks in terms of songs. It’s a music-driven show, so we’re making sure the music is the narrative that drives us and takes us on the journey.” The collection will come in several versions , including a deluxe $50 set that features the CD, a T-shirt and show program. It will feature more than 40 of Jackson’s greatest hits. In a statement, Kevin Antunes, musical designer of the Cirque du Soleil show, added, “Michael’s legacy as the greatest entertainer of our lifetime is inspiring beyond words. It was clear from the start that Michael’s voice and overall musical essence was the sole/soul source of creative energy driving the project. From the studio to the stage, there’s an undeniable integrity and resolute truth in Michael’s vocal performances that are highlighted in the Immortal arrangements. It was built with love and respect for Michael’s music, his family and his millions of fans around the world.” Among the songs included on the deluxe version are: “Working Day and Night,” “Ben,” “Shake Your Body (Down to the Ground),” “Beat It/ Jam/ State of Shock,” “Remember the Time/ Bad,” “Man in the Mirror,” “Can You Feel It/ Don’t Stop Til You Get Enough/ Billie Jean/ Black or White,” “Human Nature/ Speechless,” “Wanna Be Startin’ Somethin’,” “I’ll Be There,” “Gone Too Soon” and “Is It Scary/ Thriller/ Ghost/ Somebody’s Watching Me/ Threatened.” In other MJ news, in the midst of the manslaughter trial of former Jackson physician Conrad Murray , the Michael Forever tribute concert is slated to take place in Cardiff, Wales, on October 8. The show, hosted by Jamie Foxx , will feature performances from the Black Eyed Peas , , Ne-Yo, Cee Lo Green , Jennifer Hudson , Leona Lewis, Craig David, Pixie Lott, Alexandra Burke, Alien Ant Farm, Motown legend Smokey Robinson and the first live performance by Jackson sibling LaToya in more than 20 years. Related Videos Cirque Du Soleil’s Michael Jackson The Immortal World Tour Related Artists Michael Jackson

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Michael Jackson Immortal Album Due November 21

Drake Takes Center Field In ‘Headlines’ Video

Drizzy puts Toronto hometown on full display in latest Take Care clip. By Rob Markman Drake (file) Photo: Getty Images All Drake cares about is money and the city that he’s from, and in his “Headlines” video Drake puts both on full display. Standing center field in Toronto’s Rogers Centre, Drizzy adjusts his black Toronto Blue Jays baseball cap as the stadium’s scoreboard is lit up with the title of his October 24 album, Take Care. The Young Money soldier released the clip on Sunday through his October’s Very Own blog , three weeks before his sophomore LP is set to drop. Directed by OVO crew members Lamar Taylor and Hyghly Alleyne, “Headlines” doesn’t necessarily follow a narrative but instead places Drake in a few different scenes, performing his rhymes for the camera and contemplating his comeback. “I might be too strung out on compliments, overdosed on confidence,” the MC spits as he emerges from a blockade of his stoic-looking crew embers. From there, we see Drake rapping in front of a rundown building with the letters “OVOXO” sprayed in graffiti on the wall, and then spitting his verse in a high-rise elevator. Interestingly enough, no other members of the Young Money team appear in the video; no cameos from Lil Wayne, Nicki Minaj or Cash Money’s Birdman. It is a family affair, however. By the start of the second verse, Drake sits at the head of a dining table, puffing on a cigar with an assortment of wine bottles scattered about. Members of his team sit with him in a “Sopranos”-style, La Cosa Nostra scene. It isn’t the over-the-top video Kanye West directed for Drizzy’s “Best I Ever Had” . Instead “Headlines,” like the previously released “Marvins Room” video (also from Take Care ), is set in Canada and gives a more intimate look into who the superstar rapper really is. As the clip comes to a close, Drake is once again standing center field in Roger’s Centre as the stadium’s dome opens to reveal Toronto’s skyline. Who says you can’t go back home? Drake ~ Headlines (Official Video) from OctobersVeryOwn on Vimeo . What do you think of Drake’s new video? Tell us in the comments! Related Artists Drake

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Drake Takes Center Field In ‘Headlines’ Video

Lady Gaga, Bruce Springsteen Help Sting Celebrate His 60th

Former Police-man’s star-studded birthday show also featured Billy Joel, will.i.am and Mary J. Blige. By Gil Kaufman Lady Gaga performs with others at Sting’s 60th birthday concert Photo: Getty Images Most people turn 60 with a quiet party among friends or maybe a surprise bash put together on the DL by their spouses that features a hilarious slideshow or funny video. Not Sting . The former Police frontman and solo star plugged in and played with everyone from Lady Gaga to Mary J. Blige and Bruce Springsteen in celebration of his 60th birthday on Saturday night at the Beacon Theater in New York. The event, a charity fundraiser for the anti-poverty group the Robin Hood Foundation , included Gaga on piano banging out a jazzy cover of the Police’s “King of Pain,” giving the sedate ballad the same kind of electric energy she brings to her own key-thumper “You and I,” according to Rolling Stone . She traded lines with Sting on a stage packed with up to 20 musicians, including a string section and backup singers, who helped the eternally youthful singer work his way though his 30-plus-year catalog of hits. Among the other highlights: Stevie Wonder doing a duet with Sting on “Fragile,” will.i.am throwing a freestyle rap and bits of the BEP’s “I Gotta Feelin’ ” into the Police’s “Walking on the Moon,” Billy Joel marking a rare return to the stage for renditions of “Every Little Thing She Does Is Magic” and “Don’t Stand So Close to Me,” Rufus Wainwright singing “Wrapped Around Your Finger,” and Sting teaming up with his son Joe for a moving rendition of the tune Sting wrote about his own relationship with his pops, “Why Should I Cry For You?” One of the highlights of the evening was the mini-set with Springsteen, who waltzed out with his guitar to sing the sedate death-row ballad “I Hung My Head,” which featured a raucous guitar solo. He also performed a solo version of “Fields of Gold” on 12-string guitar and harmonica, with one verse sung a cappella. Sting came out to sing “Can’t Stand Losing You” with the Boss, with the two men leaning in to each other and howling the lyrics into the same microphone. The night ended with the party’s guests trading lines on “Every Breath You Take,” with Gaga nodding to her piano icon, Joel, while singing the line “Can’t you see/ You’re the one for me.” Sting closed out the show with a solo acoustic version of “Message in a Bottle,” which was followed by wife Trudie Styler surprising him with a dozen bagpipers and a confetti drop that got the one-named rock icon misty. “Thank you a million times,” he told the crowd as he and the missus danced together onstage. Related Artists Lady Gaga Sting

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Lady Gaga, Bruce Springsteen Help Sting Celebrate His 60th

Lady Gaga, Bruce Springsteen Help Sting Celebrate His 60th

Former Police-man’s star-studded birthday show also featured Billy Joel, will.i.am and Mary J. Blige. By Gil Kaufman Lady Gaga performs with others at Sting’s 60th birthday concert Photo: Getty Images Most people turn 60 with a quiet party among friends or maybe a surprise bash put together on the DL by their spouses that features a hilarious slideshow or funny video. Not Sting . The former Police frontman and solo star plugged in and played with everyone from Lady Gaga to Mary J. Blige and Bruce Springsteen in celebration of his 60th birthday on Saturday night at the Beacon Theater in New York. The event, a charity fundraiser for the anti-poverty group the Robin Hood Foundation , included Gaga on piano banging out a jazzy cover of the Police’s “King of Pain,” giving the sedate ballad the same kind of electric energy she brings to her own key-thumper “You and I,” according to Rolling Stone . She traded lines with Sting on a stage packed with up to 20 musicians, including a string section and backup singers, who helped the eternally youthful singer work his way though his 30-plus-year catalog of hits. Among the other highlights: Stevie Wonder doing a duet with Sting on “Fragile,” will.i.am throwing a freestyle rap and bits of the BEP’s “I Gotta Feelin’ ” into the Police’s “Walking on the Moon,” Billy Joel marking a rare return to the stage for renditions of “Every Little Thing She Does Is Magic” and “Don’t Stand So Close to Me,” Rufus Wainwright singing “Wrapped Around Your Finger,” and Sting teaming up with his son Joe for a moving rendition of the tune Sting wrote about his own relationship with his pops, “Why Should I Cry For You?” One of the highlights of the evening was the mini-set with Springsteen, who waltzed out with his guitar to sing the sedate death-row ballad “I Hung My Head,” which featured a raucous guitar solo. He also performed a solo version of “Fields of Gold” on 12-string guitar and harmonica, with one verse sung a cappella. Sting came out to sing “Can’t Stand Losing You” with the Boss, with the two men leaning in to each other and howling the lyrics into the same microphone. The night ended with the party’s guests trading lines on “Every Breath You Take,” with Gaga nodding to her piano icon, Joel, while singing the line “Can’t you see/ You’re the one for me.” Sting closed out the show with a solo acoustic version of “Message in a Bottle,” which was followed by wife Trudie Styler surprising him with a dozen bagpipers and a confetti drop that got the one-named rock icon misty. “Thank you a million times,” he told the crowd as he and the missus danced together onstage. Related Artists Lady Gaga Sting

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Lady Gaga, Bruce Springsteen Help Sting Celebrate His 60th

Kanye West Makes Paris Fashion Week Debut

West unveils womenswear collection before star-packed crowd, including Lindsay Lohan, Jared Leto and Ciara. By James Montgomery Kanye West at his Paris Fashion Week debut Photo: Antonio de Moraes Barros/ WireImage Kanye West made his Paris Fashion Week debut Saturday night (October 1), launching a womenswear line with a high-profile show that was sexy, swaggering and, of course, incredibly stylish. Before an audience that included fashion heavyweights like Vogue Editor in Chief Anna Wintour, designer Alexander Wang and photographer Terry Richardson — not to mention celebs like Lindsay Lohan, Jared Leto and Ciara — West paraded a host of different looks, from daringly cut dresses and color-block pants to body-hugging tracksuits and high-end hoodies. West draped his models in flowing fabrics, leather and fur, propped them up on beaded stilettos and even gave each a matching “Yeezi” nameplate chain to wear on the catwalk. And for an artist to whom subtlety is often a foreign concept, West displayed an unerring attention to the tiny details, as evidenced by the collection’s artfully beaded ensembles, knitted tops and even fur-covered backpacks — all of which had the crowd murmuring with approval. For a more detailed account of all the looks, check out the MTV Style blog, which was in attendance and kept a running diary of West’s fashion debut. Though it was his first-ever showing, West’s bow was also one of the most-hyped events of Paris’ annual fashion week, with bloggers hyping stories that he had spent 14,000 pounds on fabric and trimmings at London haberdasheries and speculating that his show would feature only the models he mentioned in his song “Christian Dior Denim Flow.” The actual location for the show was kept a closely guarded secret, with invitations being mailed the day before the event, a move that only further added to the frenzy. And given the buildup, it seemed only natural (and, in keeping with Fashion Week tradition) for West to start his show some 45 minutes after the supposed 9:30 p.m. start time. But that didn’t seem to bother those lucky enough to gain entry into Paris’ Lycee Henri IV (a posh secondary school taken over by West’s team for the event), who chatted beneath soft purple lighting while waiting for the first models to walk. At show’s end, West emerged to applause, wearing a simple white T-shirt, black pants and a pair of Jordans. After taking his bow, he posed for photos backstage with his models, and speculation began that his collection (which doesn’t yet have a name) might actually be called Yeezi, as the nameplates seemed to hint. For complete coverage of Kanye West’s Paris Fashion Week debut , check out the MTV Style Blog . Related Photos Kanye West Debuts ‘Dw’ Line At Paris Fashion Week Related Artists Kanye West

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Kanye West Makes Paris Fashion Week Debut

Michael Jackson Showed ‘No Signs Of Life’ When EMTs Arrived

ER doctor, medical-equipment expert and a former patient of Dr. Conrad Murray’s all testify on day four of manslaughter trial. By Kara Warner Paramedic Richard Senneff takes the stand in the Dr. Conrad Murray involuntary manslaughter trial Photo: Pool/ Getty Images The prosecution presented more incriminating evidence and witness testimony during day four in the manslaughter trial against former Michael Jackson doctor Conrad Murray. Witnesses who took the stand Friday (September 30) included medical-equipment expert Bob Johnson; Robert Russell, a former patient of Murray’s; paramedics Richard Senneff and Martin Blount; and ER doctor Richelle Cooper. Johnson’s testimony proved to be particularly interesting in that he claimed the device Murray was using to monitor Jackson’s pulse and blood oxygen level, a pulse oximeter, was an inferior model that did not feature an alarm that would have alerted Murray to Jackson’s cardiac arrest the moment it occurred. The alarm feature is a point of contention for the prosecution because they intend to prove that Murray showed gross negligence in administering a dose of the highly potent anesthetic propofol and then leaving Jackson in a room alone, attached to a device that lacked the proper monitoring capabilities. Johnson was followed by Russell, a patient who Murray operated on twice after he suffered a heart attack and had to have several stents placed in his heart. Russell testified that while he was pleased with the results of his surgeries, Murray became unresponsive and distant in June 2009, when he canceled two follow-up appointments with Russell. The last time he had any contact with Murray was via a voicemail the doctor left claiming Russell’s heart was “repaired” and that he was leaving on sabbatical. The message was left approximately 30 minutes before Jackson’s bodyguard Alberto Alvarez called 911. Fireman and paramedic Richard Senneff took the stand next to discuss the specific details involved in his attempts to resuscitate Jackson on the day of his death, particularly the fact that had Murray called 911 at the moment he found Jackson unconscious, the EMTs might have been able to save him. Senneff explained that when he arrived on the scene, only four minutes after they received the 911 call, Murray was “frantic” and that he had to ask the doctor three times what Jackson’s health condition was before Murray answered that there was none, despite the fact that he had been hooked up to an IV that was hanging nearby. “Simply, that did not add up to me, doctors in the house, IV pole, IV hooked up to the patient; it simply did not seem normal,” he said, before adding that Murray lied to him about giving Jackson any medications, including propofol. Senneff also alleged that there were inconsistencies in Murray’s claim that he called 911 immediately, given the fact that when the EMTs arrived and attempted CPR, Jackson’s skin was “very cool to the touch” and his eyes dilated. When asked if he witnessed any signs of life in Jackson, Senneff said, “No, I did not.” When Senneff’s colleague Martin Blount took the stand, he also told the court that he did not see any signs of life from Jackson when they arrived on the scene, and added that he witnessed Murray sweeping bottles of Lidocaine into a black bag before Jackson was taken out of the room. The final witness to testify Friday was Dr. Richelle Cooper, the attending ER physician who treated Jackson when he arrived at the hospital. Cooper recounted asking Murray for a full list of the medications Jackson was taking, as well as what he claimed had happened to cause Jackson’s heart failure. Cooper said Murray thought Jackson was only dehydrated from his long rehearsals and revealed that the pop star was taking anti-anxiety drug Lorazepam, Flomax for an enlarged prostate and Valium. There was no mention of propofol. Murray has pleaded not guilty to the charge of involuntary manslaughter. He faces four years in prison and the loss of his medical license. Related Artists Michael Jackson

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Michael Jackson Showed ‘No Signs Of Life’ When EMTs Arrived

T.I. Drops ‘I’m Flexin’,’ His First Post-Prison Track

Big K.R.I.T. produced the song and is featured on the chorus. By Alvin Blanco T.I. Photo: Getty Images T.I. just completed his 11-month prison sentence Thursday, and he’s already dropping musical heat. On Friday (September 30), the Atlanta rapper released his first post-prison single, “I’m Flexin’,” featuring Big K.R.I.T. The song was originally due for release Monday , but instead, fans are getting an end-of-the-week treat. The multitalented K.R.I.T., whose debut album’s release has been pushed back to next year, handles the song’s chorus and production, while T.I. delivers three verses with a double-time flow, using the song to assert that he is officially back. “My hustle grand, my money long, my spot on top but y’all want that/ My position vacant, my crown away but my throne is empty, I own that,” he spits on the second verse over the instrumental’s nimble drums, keys and electric guitars. T.I. appeared on New York radio station Hot 107, giving his first interview since being released from prison. During his chat, T.I. gave praise to the current movement in his hometown of Atlanta with the surge of new rappers and said that the city needs his help. Later Friday, Tip will celebrate his birthday at Atlanta’s Club Esso. Since his return to a halfway house to finish his federal sentence, Tip has appeared on songs with 2Chainz (“Spend It” remix), Future (“Magic” remix) and Young Jeezy (“F.A.ME.”). But “I’m Flexin’,” which was released via Tip’s TrapMuzik.com website, is the first song credited as his own. Also made available was an excerpt from the trap rapper’s upcoming novel, “Power & Beauty: A Love Story of Life on the Streets,” co-written with David Ritz, which will be released October 18. As for more music, a message Thursday on Tip’s Twitter reveals that fans can expect a few more remixes from the “Rubberband Man” shortly. “N!*%$ in Paris already a dun-datta…pending Ye&J’s approval. ‘Sleezy’ w/Ke$ha & ‘Magic’ w/Future too…what else???” he tweeted. “The record is hot,” DJ Drama, T.I.’s longtime collaborator , told MTV News about “I’m Flexin’ ” earlier this week. “Big K.R.I.T. deserves it. He’s been working for a long time. So they’re both fans of each other, so sh– is definitely gonna be a nice sound for the ear.” What do you think of “I’m Flexin’ “? Share your reviews in the comments! Related Artists T.I. Big K.R.I.T.

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T.I. Drops ‘I’m Flexin’,’ His First Post-Prison Track