‘They asked us if we were interested … and we were like ‘hell yeah!” Goulding says of landing ‘Bittersweet’ on ‘Twilight’ film. By James Montgomery “Breaking Dawn – part 2” soundtrack cover Photo: Chop Shop, Atlantic
Atlantic Records shot down double album release, Lu says ahead of a special edition of ‘RapFix Live,’ Wednesday at Brooklyn’s Barclays Center on RapFix.MTV.com By Rob Markman Lupe Fiasco Photo: MTV News
‘Whether right or wrong, some things need to be said in order to start a conversation,’ Lupe says before Wednesday’s 4 p.m. premiere on ‘RapFix Live.’ By Rob Markman Lupe Fiasco’s “Bad Bitch” video Photo: Atlantic
‘The artwork relates to the title and what I’ve been bringing to the game for the past couple of months,’ Wiz tells MTV News of his first-class album art. By Nadeska Alexis Wiz Khalifa’s O.N.I.F.C. Photo: Atlantic
Cake, cake, cake… When it comes to their bikini bodies, Kim and Coco have some of the most enlarged assets on the shoreline. While Coco opts for barely-legal thong bikini bottoms and tiny triangle tops, Kim is a tad more modest when it comes to her sexy swimwear… but only a tad! Who has the most bootylicious backside and bombshell boobs from the Atlantic to the Pacific? Peep the bountiful bootys and weigh in on which banger has the best buns after the flip…
‘When Harry Met Sally … ‘ and ‘Sleepless In Seattle’ writer is not expected to survive the night, TMZ reports. By Josh Wigler Nora Ephron Photo: Nora Ephron, the writer of iconic romantic comedies “When Harry Met Sally … ” and “Sleepless in Seattle” among other hit films, is reportedly “gravely ill” and “not expected to make it through the night.” TMZ reports that family members are currently telling close friends of the writer/director “there is little hope that [Ephron] will recover from her current condition.” The nature of her illness is not currently known, though it’s been reported that Ephron is suffering from leukemia . Word of Ephron’s condition first hit the Internet on Tuesday (June 26) by way of an article published by journalist Liz Smith, a close friend of the legendary Hollywood screenwriter. In the column, Smith writes about Ephron as though she has already passed away, praising her friend’s “grave” and “unexpected” humor. “She never gave the answer I expected to anything. She was grave in her humor, which made it deadly, unexpected, truly funny and dauntingly intelligent,” wrote Smith. “She seemed never to want or expect anything, while always demanding the best from the rest of us. She was — always — right and somehow left the smartest, most ambitious and silliest of us in the dust at her feet.” Shortly after publication of Smith’s column, Ephron’s former close friend Margo Howard wrote on Twitter : “A very accomplished writer died. Nora Ephron, from cancer.” Ephron’s publisher Knopf later told The New York Times that Ephron is “still alive,” according to a tweet from Times writer Julie Bosman . Knopf rep Elizabeth Lindsay said as much in a statement to the Atlantic Wire : “It’s pretty critical. She’s not doing well, but she’s certainly alive … The report she has passed away is not correct.” Stay tuned to MTV News for further updates on Ephron’s condition.
‘He heard the record, he loved it and he also played the guitar on it,’ K.R.I.T. tells ‘RapFix Live’ about ‘Praying Man.’ By Rob Markman, with reporting by Sway Calloway Sway Calloway, Big K.R.I.T. and Ed Lover on “RapFix Live” Photo: MTV News Big K.R.I.T. may be a new artist, but the standout Mississippi MC has an old musical soul. On Tuesday, K.R.I.T. released his debut album, Live From the Underground, and while he features quite a few artists on his LP, the one that stands out the most is blues legend B.B. King . “I think doing a record with B.B. King allowed me the opportunity to blend two different generations across the board and make a song that I hope is extremely impactful,” the King Remembered in Time told MTV News correspondent Sway, Ed Lover and Doctor Dre when he appeared on “RapFix Live” on Wednesday. The record is “Praying Man,” a poignant story-driven rap on which K.R.I.T. rhymes from the perspective of three slaves who are facing death. During the first verse he rhymes as a slave hanging from a tree in a noose and in the second he tells the story of a slave jumps off his captive ship into the Atlantic Ocean. On the final verse, K.R.I.T. spits about a man running from a lynch mob. It’s all pretty deep and a far cry from most of today’s rap fare. “All three of these people are dead, but they’re rappin’ to you as if they didn’t know and the praying man that they’re talking about is death coming to take them from their situation,” the producer/MC explained of the track’s concept. “When I was working on the record I was like, ‘Yo, this would be crazy if I got B.B. King on the song.’ ” Krizzle’s wishful thinking eventually turned into a reality. “I was actually able to make it happen. He heard the record, he loved it and he also played the guitar on it. He gave it his own feel as well,” K.R.I.T. said before he confirmed that he will also shoot a video for the song. “I’m excited for people to hear it and when we do shoot a visual, because I know we got to, it gotta be cinematic.” Coming from the South, K.R.I.T., who built his buzz by releasing a trilogy of free mixtapes , felt it was his duty to tell these types of stories on his album after hearing stories about the civil rights movement from his grandmother. “It’s important that I talk about all that. It’s a lot of people that died for me to have the opportunity that I have now, just the freedom,” he said. “It shouldn’t be forgotten as far as the past is concerned.” What is your favorite song off Big K.R.I.T.’s Live From the Underground ? Let us know in the comments! Related Videos ‘RapFix Live’ Goes Big With K.R.I.T., N.O.R.E And A ‘Yo! MTV Raps’ Reunion Related Artists Big K.R.I.T. B.B. King
The Ridley Scott-directed Sci-Fi thriller awaits its U.S. bow this weekend and momentum appears to be on its side. Across the Atlantic where audiences have already flocked to see the movie, Twentieth Century Fox is already cashing in, with a £6.24M gross last weekend, which translates to just over $9.7M. That figure outshines any of the Alien movies, according to The Guardian which reported the figures. Of course anyone with a television in the English-speaking world and beyond knew last weekend was Britain’s Diamond Jubilee extravaganza and the government tacked on two bank holidays Monday and Tuesday so crowds could join in on the festivities. And while they did, some clearly took a break for some big screen good times because Prometheus tacked on an additional £3.68M ($5.73M) those days, making the pic bigger than the total gross across the pond than any of the Alien movies, according to The Guardian. The longer term impact is challenging to determine since prequels and sequels tend to muster fans to head to the theaters in bigger droves than a film first out of the gate. But for comparisons sake, Gladiator opened in May 2000 with £3.56M ($5.54M) and eventually tallied £31.2M ($48.56M), though Robin Hood opened with £5.75M ($8.95M) but it eventually totaled only £15.6M ($24.28M).