Tag Archives: audience

Social Network, True Grit Surge in Movieline’s Oscar Index

Another busy cycle of hype, hurdles and more Oscar madness has come and gone, leading to an all-new edition of Moveline’s 2010 Oscar Index . This week, the Coen Brothers throw their weathered cowboy hats in the ring, The Social Network builds full steam toward Friday’s opening, and a handful of would-bes slide into the morass of also-rans. Read on, and let’s break it down.

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Social Network, True Grit Surge in Movieline’s Oscar Index

Gleebasing: ‘Spears Is Fierce, Yo’

There is no way to cram six Britney Spears songs into an episode of Glee organically. Or so viewers learned last night when Ryan Murphy materialized in millions of U.S. homes viewers (at once, like Santa Claus), slipped them a gnarled episode that he engineered himself and fled into the night so that his audience could experience a mediocre high with hallucinations of Uncle Jesse from Full House . “Britney/Brittany” was traumatic and disappointing and no doubt left you itching for a hit of Glee , the way Murphy used to make it. Rather than hitting the streets in desperation, review the highs and lows with Movieline below. As always, there will be a pop quiz at the end — so pay attention!

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Gleebasing: ‘Spears Is Fierce, Yo’

Mariah Carey fat picture

The Hero hitmaker Mariah Carey was performing at the 2010 Formula 1 Singtel Singapore Grand Prix on Saturday but was left red-faced during a rendition of Make It Happen after she tripped over in her high-heeled shoes and landed on her behind. Mariah Carey suffered an embarrassing on-stage slip-up during a show in Singapore at the weekend when she fell over mid-song. Carey was helped to her feet by one of her dancers and joked to the audience, “I did that on purpose!” She later called out to

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Mariah Carey fat picture

Introducing Movieline’s Modern Family Family Member of the Week: ‘The Old Wagon’

Nice try with your ensemble format, Modern Family , but your cast is still subject to cutthroat ranking systems. Sawwy . Movieline is initiating a weekly competition for Modern Family ‘s rascal-y relatives: the “Family Member of the Week” tally. We’ll select a grand champion from every show and rank the runners-up afterward. Because declaring losers is fun, see. So who’s the top Pritchett/Delgado/Tucker in this week’s roundup? Buckle up in your Pinto and click through to find out.

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Introducing Movieline’s Modern Family Family Member of the Week: ‘The Old Wagon’

The Trailer for Oscar Frontrunner The King’s Speech Doesn’t Stutter

The last two films to win the Audience Award at the Toronto International Film Festival were Precious and Slumdog Millionaire , so do your best to feign surprise when 2010 winner The King’s Speech winds up on the list of Best Picture nominees next year. If recent history still has you unconvinced of The King’s Speech Oscar bona fides, however, the first trailer for the film will do its best to change your mind.

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The Trailer for Oscar Frontrunner The King’s Speech Doesn’t Stutter

10 Major Health Benefits of Medical Marijuana (infographic)

We know that, illegal or not, we have a significant portion of our audience indulges in weed now and then. We’re not here to cast stones. But legal medical marijuana usage is on the rise, and with good reason. After reading this graphic, you’ll at least be convinced that medical marijuana can help you curb your medical insurance costs. click the link for some amazing facts about marijuana. added by: cclark_productions

National Geographic Picks Up TIFF Audience Favorite The First Grader

National Geographic has stepped into the Toronto movie-buying whirlwind , acquiring theatrical distribution rights to The First Grader , directed by Justin Chadwick ( The Other Boleyn Girl ). The film, which won runner-up for the audience award, tells the true story of an 84-year old former Mau Mau rebel in Kenya who fights to get the education he could never afford. The reaction to this one has been very positive. Word is that it’s even more sensitive and moving than Billy Madison . [ Deadline ]

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National Geographic Picks Up TIFF Audience Favorite The First Grader

Toronto Awards: Audience Applauds The King’s Speech, Jury of Critics Admires Beautiful Boy

Like the Academy, Toronto audiences just can’t resist a well-done, historical dramedy. Or maybe they just love Colin Firth. Regardless, Tom Hooper’s The King’s Speech , in which Firth plays the stuttering King George IV, took the Audience Award at this year’s festival. The diverse jury of international critics ventured into darker territory, awarding Shawn Ku’s school-shooting-aftermath drama Beautiful Boy the prize for the Discovery Program. Also, a surprising number of unofficial consolation prizes were dealt out in the form of distribution deals. Congratulations to the all of the festival winners, which are listed after the jump.

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Toronto Awards: Audience Applauds The King’s Speech, Jury of Critics Admires Beautiful Boy

2010 VMAs: Relive The Blink-And-You-Missed-‘Em Moments!

From Rihanna’s coy reaction to Drake’s ‘Fancy’ set to Katy Perry’s toast, we revisit our favorite split-second moments. By Jim Cantiello Katy Perry sitting next to Rihanna, asking for a refill at the 2010 MTV Video Music Awards Photo: MTV News From Kanye West’s bright red suit to Lady Gaga’s plumed Mohawk, the 2010 Video Music Awards gave viewers plenty to look at. But there were also plenty of blink-and-you-missed-it moments worth revisiting. Here are some of our faves. Jane Lynch’s Surprise! The VMA stage was especially massive this year, with platforms extending and wrapping around the orchestra section of the Nokia Theatre at L.A. Live. So you can’t really blame “Glee” ‘s Jane Lynch for not noticing Rihanna’s surprise entrance happening directly behind her. By the time Lynch realized where Ri’s voice was coming from, she delivered a reaction shot that screamed over-the-top shock and unbridled joy. Who knew Sue Sylvester was such a diehard Rihanna fan?! Rihanna Flips Her Hair at Drake! Speaking of Rihanna, the Bajan beauty had a playful response to Drake’s VMA debut: a sassy “well, isn’t he fancy?” hair flip. Chelsea

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2010 VMAs: Relive The Blink-And-You-Missed-‘Em Moments!

Linkin Park Bring A Thousand Suns To Life In New York

Band plays first show in nearly two years hours after new album hit stores. By James Montgomery Linkin Park’s Chester Bennington performs at Best Buy Theater on Tuesday Photo: Cory Schwartz/ Getty Images Over the past few months, or really, years, Linkin Park fans have been subjected to an unending stream of talk that the band’s new album would be a departure from their hard-riffing roots, instead forging heady, darn-near conceptual new territory from which there was no return. Early reviews of A Thousand Suns only seemed to confirm all that chatter, and it appeared that the Linkin Park of old was gone forever, that the once-snarling Dobermans had been replaced with a group of bespectacled Mr. Peabodys . And this was not good. But those fears can be put to rest. Because on Tuesday night — hours after that new album, A Thousand Suns, hit stores — Linkin Park played their first show in nearly two years (or, as Chester Bennington put it, “two f—ing years”) at the Best Buy Theater in New York. And though the tickets for the show prominently displayed the new album’s name, there was little of its calculated, claustrophobic conceptualism on display. Rather, this was a balls-out rock show, with some rapping and electronic frippery thrown in for additional impact. Or, in other words, it was just like a Linkin Park show of old. In fact, the band played just a handful of tracks from A Thousand Suns, peppering them in throughout a hit-packed, pummeling set. They opened with “The Requiem,” the first track on the album, which featured Mike Shinoda and DJ Joseph Hahn lit in moody silhouette, the former hunched over a synthesizer, repeating — in robo-coated vocals — the de facto mantra of Suns (“God bless us everyone/ We’re a broken people living under loaded gun”) with the latter providing ethereal harmonies. That washed into the sampled Robert Oppenheimer speech from the album, and then, the band now at full force, LP backtracked gloriously, hammering through older tracks like “New Divide,” “Faint,” “No More Sorrow” and “Given Up.” Those were met with thunderous cheers and a sea of fists thrust skyward, and with enough goodwill built up, the band worked the second Suns track into the set, the booming, rattling “Wretches and Kings,” which saw Shinoda and Bennington trade vocals and had the audience nodding along to the gut-punching beat. After a quick “thank you” — their first words to the audience all night — LP threw themselves into “Numb,” and then slowed things down exponentially with another new tune, “Iridescent,” which built slowly and solemnly on a Shinoda-played piano line and was met with a mixture of rapt attention and angry indifference, though most of that came from the tank-top-and-backward-ball-cap aggro set (and, it should be noted, the song climaxed pretty amazingly, with the band going five-wide on the chorus and the guitars soaring to the ceiling). The rest of the set played out in much that same fashion: The older stuff pummeled, peaked and powered (“Numb,” “Bleed It Out,” “In the End”), the new songs soared and stuttered and, yes, slightly mystified (“Burning in the Skies,” “Waiting for the End”), and it was pretty clear that A Thousand Suns was probably going to take a while to win some of the fans over. But, as Shinoda told MTV News last weekend, that’s sort of the point, really. And, perhaps to soothe those still hoping for a return to their Hybrid Theory days, Linkin Park opened their encore with current single “The Catalyst,” which, on this night, was cranked to the max and actually featured a good deal of chugging guitars (Bennington sang the hell out of it too). And then they closed with “What I’ve Done,” the first single off their last album that ticked off fans, Minutes to Midnight. And it’s worth noting that, in the three years since it was released, something rather amazing has happened to the song: It’s become a fan favorite, ranking right up there with their earlier, snarling stuff. There probably wasn’t intent behind the decision to close with it, but it’s not too hard to make the logical leap: Give the new songs time too, and see what happens. Patience is a virtue, after all. Related Photos Linkin Park Perform At Best Buy Theater In New York City Related Artists Linkin Park

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Linkin Park Bring A Thousand Suns To Life In New York