I haven’t had my sweet sweet nobody, Sophie Turner , on the site in a long time. I almost forgot just how perfect she is, aside from being unemployed of course. Here she is looking amazing for a night out on the town with the girls. What I wouldn’t give to be a fly on the wall in that limousine. Can flies masturbate? Anyhow, the woman knows hot to fill out a really tight dress, this is exactly what the dude who designed this outfit had in mind. I have a very special place in my pants heart for this beauty.
I haven’t had my sweet sweet nobody, Sophie Turner , on the site in a long time. I almost forgot just how perfect she is, aside from being unemployed of course. Here she is looking amazing for a night out on the town with the girls. What I wouldn’t give to be a fly on the wall in that limousine. Can flies masturbate? Anyhow, the woman knows hot to fill out a really tight dress, this is exactly what the dude who designed this outfit had in mind. I have a very special place in my pants heart for this beauty.
I haven’t had my sweet sweet nobody, Sophie Turner , on the site in a long time. I almost forgot just how perfect she is, aside from being unemployed of course. Here she is looking amazing for a night out on the town with the girls. What I wouldn’t give to be a fly on the wall in that limousine. Can flies masturbate? Anyhow, the woman knows hot to fill out a really tight dress, this is exactly what the dude who designed this outfit had in mind. I have a very special place in my pants heart for this beauty.
This past week, Movieline has spotlighted a number of Tribeca Film Festival filmmakers and trailers of their fest premieres. This weekend, we’re sharing more. If you’re in New York and want to see some films at the festival (or if you are looking for a taste of Tribeca from afar), here is a sneak glimpse of more of this year’s offerings from the festival’s World Narrative Competition and World Documentary Competition . Today’s spotlights include two features from Tribeca’s World Narrative Competition, Jack and Diane as well as Yossi . And from the World Documentary Competition, Movieline is featuring Downeast , Wavumba and The World Before Her . Be in the know and check them out — and share your thoughts on these and other Tribeca films. Jack and Diane by director Bradley Rust Gray – U.S. [World Narrative Competition] Synopsis : Tomboy Jack and bubbly Diane fall head over heels in love one hot summer in New York City. But neither Jack’s tough exterior nor Diane’s demure innocence prepare them for the intensity of their feelings. When Diane reveals she must leave the city for school in Europe at the end of the summer, Jack pushes her away. As Diane struggles to maintain their budding romance, she must also try to conceal from Jack the increasingly dark and violent visions that have begun to plague her. [Courtesy of Tribeca Film Festival] Comments by Bradley Rust Gray… Jack and Diane quick pitch : Girl eats girl. Girl feels sorry about eating girl. Girl misses girl. There’s some gum chewing in the middle. …and why it’s worth seeing at Tribeca : It’s quite likely the only film playing in New York next week which has an animated vagina in it. Thoughts about the trailer : We were trying to capture that awkward budding moment when two people have just exposed their hearts to each other; they feel vulnerable, sensitive, and excited – all feelings which the film re-engages with in different ways. [Read Movieline’s review of Jack and Diane here .] Yossi by director Eytan Fox – Israel [World Narrative Competition] Synopsis : Returning to the role that won him TFF’s Best Actor award in Eytan Fox’s Yossi & Jagger in 2003, Ohad Knoller gives another extraordinary performance as Yossi, a closeted gay man living a solitary existence in Tel Aviv. A perennially sad, workaholic doctor, Yossi has his quiet world shaken when a middle-aged woman walks out of his past and into his examination room. Their brief but emotionally charged reunion unnerves Yossi enough to make him spontaneously leave Tel Aviv. On the desolate roads of southern Israel, a chance encounter with a group of lively soldiers ignites Yossi’s desire to awaken from his emotional slumber. [Courtesy of Tribeca Film Festival] Comments by Eytan Fox… Yossi quick pitch : Yossi is a follow up to a film I made 10 years ago. It’s a character study of Yossi, of his psyche and soul. As the film starts, he is still suffering from post-traumatic stress due to the death of his lover during the war. He remains in the closet, so he is also at war with himself. As a cardiologist, he has essentially exchanged one army for another, because being a doctor also involves consistently dealing with crises and difficult issues. You even have a uniform! Ultimately, the film is about Yossi eventually processing the horrible things that have happened to him, things he has long repressed, and finding ways to escape the very difficult places that he has been in for years. He finally discovers a new way to define himself and create a new life. …and why it’s worth seeing at Tribeca : This is our world premiere for Yossi . I would say people should see it for Ohad Knoller’s performance. I’m just so impressed and moved by what he did with the character of Yossi again, ten years later. I don’t want to insult any other actors of mine or characters of mine, but I don’t think I’ve ever loved a character as much as Yossi as played by Ohad. Thoughts about the trailer : I think most American films are big on taglines, so I have some for Yossi . “It’s never too late to start your life” or “It’s never to too late to start again.” These might seem like clichés, but it takes a lot of hard work to change your life. You have to understand what you need to change, be brave and work to love yourself. Downeast by directors David Redmon and Ashley Sabin – U.S. [World Documentary Competition] Synopsis : The slogan on the ‘Welcome to Maine’ sign leading into Gouldsboro reads “Open for Business,” but the recent closure of the sardine canning factory has brought this small coastal town to a total standstill. Its laid-off residents — mostly 70-year-olds — just want to get back to work, so when Italian immigrant Antonio Bussone arrives from Boston aiming to open a new lobster processing plant, most of the local labor welcomes him with open arms. After all, they’re sick of sending their lobsters to Canada when there’s a ready-and-willing workforce to process them at home. So why is tapping into federal relief funds to finance the plant turning into the biggest struggle of Antonio’s life? [Courtesy of Tribeca Film Festival] Comments provided by David Redmon and Ashley Sabin… Downeast quick pitch : Downeast is a poetic exploration of Antonio Bussone’s tireless efforts to build a factory amidst conflict, navigate a faceless banking system, and employ a stagnant workforce that resides on the coast of Maine. …and why it’s worth seeing at Tribeca : The economic crises played out in the streets and suites of New York City. Downeast shows its impact on the lives of every day workers and those who press forward against the odds. Thoughts about the trailer : The trailer shows the tensions involved in opening a factory when multiple interests are involved. Wavumba by director Jeroen van Velzen – The Neterhalnds [World Documentary Competition] Synopsis : Mysticism and color reign in this stunning documentary, steeped in the fishermen lore of Kenya. Dutch filmmaker Jeroen van Velzen explores his visceral memories of an early youth spent in coastal Kenya, where a reverence for the sea reigns high. Via the locals’ enigmatic recitation of a well known folktale, we are introduced to a spirit-filled island, to which a fisherman’s visit has the magic to alternately bless or curse his bounty. [Courtesy of Tribeca Film Festival] Comments by Jeroen van Velzen… Wavumba quick pitch : Wavumba is a film about an old fisherman, Mashoud, who wants to catch a big shark as he did in the old days. Mashoud brings me into a world where fantasy, belief and reality cannot be differentiated from one another. …and why it’s worth seeing at Tribeca : Not everyone has a childhood like mine, but every child grows up with amazing stories or myths he believes in. That makes this film more than just my personal discovery. By bringing you into the Kenyan reality, which is bound to other laws than ours, I want to wake up that feeling of magic you had as a child. Thoughts about the trailer : In the trailer I want convey the main story lines of the film. The reasons for heading back to Kenya and making the film are personal, but by following Mashoud on his quest to catch a big shark and by listening to myths told by an old Kenyan story teller I want to take people on a journey with me back to the world which inspired me. The World Before Her by director Nisha Pahuja – Canada [World Documentary Competition] Synopsis : Young, beautiful, and ambitious, Ankita and Ruhi compete in the Miss India pageant for the chance at a career in the beauty industry, one of the few opportunities for women to find success and empowerment in contemporary India. On the opposite end of the spectrum from Miss India is Durga Vahini, the women’s wing of the Hindu fundamentalist movement. Filming for the first time within a Durga Vahini camp, director Nisha Pahuja offsets the pageant narrative with that of camp leader Prachi, a fiery and compelling figure expressing a very different voice in the debate over women’s issues. [Courtesy of Tribeca Film Festival] Comments by Nisha Pahuja… The World Before Her quick pitc h: The World Before Her looks at The Miss India beauty contest and a Hindu fundamentalist camp for girls — two competing ideas of India playing themselves out on the bodies of young women. …and why it’s worth seeing at Tribeca : There’s a lot more to the film than women in bikinis and women with guns – what’s happening in India really is a mirror that shows the West back to itself. We deal with two of the most critical and defining issues of the day – fundamentalism and capitalism. We also look at the struggles that women in India continue to face. Thoughts about the clip : In this clip you will meet Prachi our key fundamentalist character. She has a very complex relationship with her father and in this clip she expands on that relationship. In so doing Prachi points to the larger reality of female infanticide – still practiced in India. Read all of Movieline’s Tribeca 2012 coverage here .
This past week, Movieline has spotlighted a number of Tribeca Film Festival filmmakers and trailers of their fest premieres. This weekend, we’re sharing more. If you’re in New York and want to see some films at the festival (or if you are looking for a taste of Tribeca from afar), here is a sneak glimpse of more of this year’s offerings from the festival’s World Narrative Competition and World Documentary Competition . Today’s spotlights include two features from Tribeca’s World Narrative Competition, Jack and Diane as well as Yossi . And from the World Documentary Competition, Movieline is featuring Downeast , Wavumba and The World Before Her . Be in the know and check them out — and share your thoughts on these and other Tribeca films. Jack and Diane by director Bradley Rust Gray – U.S. [World Narrative Competition] Synopsis : Tomboy Jack and bubbly Diane fall head over heels in love one hot summer in New York City. But neither Jack’s tough exterior nor Diane’s demure innocence prepare them for the intensity of their feelings. When Diane reveals she must leave the city for school in Europe at the end of the summer, Jack pushes her away. As Diane struggles to maintain their budding romance, she must also try to conceal from Jack the increasingly dark and violent visions that have begun to plague her. [Courtesy of Tribeca Film Festival] Comments by Bradley Rust Gray… Jack and Diane quick pitch : Girl eats girl. Girl feels sorry about eating girl. Girl misses girl. There’s some gum chewing in the middle. …and why it’s worth seeing at Tribeca : It’s quite likely the only film playing in New York next week which has an animated vagina in it. Thoughts about the trailer : We were trying to capture that awkward budding moment when two people have just exposed their hearts to each other; they feel vulnerable, sensitive, and excited – all feelings which the film re-engages with in different ways. [Read Movieline’s review of Jack and Diane here .] Yossi by director Eytan Fox – Israel [World Narrative Competition] Synopsis : Returning to the role that won him TFF’s Best Actor award in Eytan Fox’s Yossi & Jagger in 2003, Ohad Knoller gives another extraordinary performance as Yossi, a closeted gay man living a solitary existence in Tel Aviv. A perennially sad, workaholic doctor, Yossi has his quiet world shaken when a middle-aged woman walks out of his past and into his examination room. Their brief but emotionally charged reunion unnerves Yossi enough to make him spontaneously leave Tel Aviv. On the desolate roads of southern Israel, a chance encounter with a group of lively soldiers ignites Yossi’s desire to awaken from his emotional slumber. [Courtesy of Tribeca Film Festival] Comments by Eytan Fox… Yossi quick pitch : Yossi is a follow up to a film I made 10 years ago. It’s a character study of Yossi, of his psyche and soul. As the film starts, he is still suffering from post-traumatic stress due to the death of his lover during the war. He remains in the closet, so he is also at war with himself. As a cardiologist, he has essentially exchanged one army for another, because being a doctor also involves consistently dealing with crises and difficult issues. You even have a uniform! Ultimately, the film is about Yossi eventually processing the horrible things that have happened to him, things he has long repressed, and finding ways to escape the very difficult places that he has been in for years. He finally discovers a new way to define himself and create a new life. …and why it’s worth seeing at Tribeca : This is our world premiere for Yossi . I would say people should see it for Ohad Knoller’s performance. I’m just so impressed and moved by what he did with the character of Yossi again, ten years later. I don’t want to insult any other actors of mine or characters of mine, but I don’t think I’ve ever loved a character as much as Yossi as played by Ohad. Thoughts about the trailer : I think most American films are big on taglines, so I have some for Yossi . “It’s never too late to start your life” or “It’s never to too late to start again.” These might seem like clichés, but it takes a lot of hard work to change your life. You have to understand what you need to change, be brave and work to love yourself. Downeast by directors David Redmon and Ashley Sabin – U.S. [World Documentary Competition] Synopsis : The slogan on the ‘Welcome to Maine’ sign leading into Gouldsboro reads “Open for Business,” but the recent closure of the sardine canning factory has brought this small coastal town to a total standstill. Its laid-off residents — mostly 70-year-olds — just want to get back to work, so when Italian immigrant Antonio Bussone arrives from Boston aiming to open a new lobster processing plant, most of the local labor welcomes him with open arms. After all, they’re sick of sending their lobsters to Canada when there’s a ready-and-willing workforce to process them at home. So why is tapping into federal relief funds to finance the plant turning into the biggest struggle of Antonio’s life? [Courtesy of Tribeca Film Festival] Comments provided by David Redmon and Ashley Sabin… Downeast quick pitch : Downeast is a poetic exploration of Antonio Bussone’s tireless efforts to build a factory amidst conflict, navigate a faceless banking system, and employ a stagnant workforce that resides on the coast of Maine. …and why it’s worth seeing at Tribeca : The economic crises played out in the streets and suites of New York City. Downeast shows its impact on the lives of every day workers and those who press forward against the odds. Thoughts about the trailer : The trailer shows the tensions involved in opening a factory when multiple interests are involved. Wavumba by director Jeroen van Velzen – The Neterhalnds [World Documentary Competition] Synopsis : Mysticism and color reign in this stunning documentary, steeped in the fishermen lore of Kenya. Dutch filmmaker Jeroen van Velzen explores his visceral memories of an early youth spent in coastal Kenya, where a reverence for the sea reigns high. Via the locals’ enigmatic recitation of a well known folktale, we are introduced to a spirit-filled island, to which a fisherman’s visit has the magic to alternately bless or curse his bounty. [Courtesy of Tribeca Film Festival] Comments by Jeroen van Velzen… Wavumba quick pitch : Wavumba is a film about an old fisherman, Mashoud, who wants to catch a big shark as he did in the old days. Mashoud brings me into a world where fantasy, belief and reality cannot be differentiated from one another. …and why it’s worth seeing at Tribeca : Not everyone has a childhood like mine, but every child grows up with amazing stories or myths he believes in. That makes this film more than just my personal discovery. By bringing you into the Kenyan reality, which is bound to other laws than ours, I want to wake up that feeling of magic you had as a child. Thoughts about the trailer : In the trailer I want convey the main story lines of the film. The reasons for heading back to Kenya and making the film are personal, but by following Mashoud on his quest to catch a big shark and by listening to myths told by an old Kenyan story teller I want to take people on a journey with me back to the world which inspired me. The World Before Her by director Nisha Pahuja – Canada [World Documentary Competition] Synopsis : Young, beautiful, and ambitious, Ankita and Ruhi compete in the Miss India pageant for the chance at a career in the beauty industry, one of the few opportunities for women to find success and empowerment in contemporary India. On the opposite end of the spectrum from Miss India is Durga Vahini, the women’s wing of the Hindu fundamentalist movement. Filming for the first time within a Durga Vahini camp, director Nisha Pahuja offsets the pageant narrative with that of camp leader Prachi, a fiery and compelling figure expressing a very different voice in the debate over women’s issues. [Courtesy of Tribeca Film Festival] Comments by Nisha Pahuja… The World Before Her quick pitc h: The World Before Her looks at The Miss India beauty contest and a Hindu fundamentalist camp for girls — two competing ideas of India playing themselves out on the bodies of young women. …and why it’s worth seeing at Tribeca : There’s a lot more to the film than women in bikinis and women with guns – what’s happening in India really is a mirror that shows the West back to itself. We deal with two of the most critical and defining issues of the day – fundamentalism and capitalism. We also look at the struggles that women in India continue to face. Thoughts about the clip : In this clip you will meet Prachi our key fundamentalist character. She has a very complex relationship with her father and in this clip she expands on that relationship. In so doing Prachi points to the larger reality of female infanticide – still practiced in India. Read all of Movieline’s Tribeca 2012 coverage here .
‘Jack still dies,’ director says of the 3-D re-release which he says ‘reinvents’ the 1997 flick. By Kevin P. Sullivan James Cameron Photo: MTV News When “Titanic” hits the big screen again on April 4, the ship will be changing course and heading directly into the audience. Director James Cameron has been one of 3-D’s biggest proponents for years now and has suggested in the past that any film is open for a three-dimensional makeover. It only makes sense, then, that he put his money where his mouth is and converted his own “Titanic.” Cameron spoke with MTV UK about the process and why the real reward of the re-release is the chance to see his blockbuster on the silver screen again after 15 years. The director insisted that the movie remains as it was back in 1997, except for the added dimension. “It ends the same way. The ship still sinks. Jack still dies. Oops, I hope I didn’t spoil it,” he said. As Cameron has said before, he believes that the 3-D element of the re-release plays a supporting role. He simply wants people to see “Titanic” as it was meant to be seen: in a theater. “I think the first thing you should think of, the most important thing, is that you’re going to see it in a movie theater, which is really fundamentally different for anyone who is under a certain age. It hasn’t been in a theater for 15 years, so people know it from video. But they haven’t taken that ride where you commit to the three hours, and you’re going to go on that emotional rollercoaster, and you’re going to come out of the end of the movie in a certain mental, emotional state. It’s very different.” That isn’t the say that the 3-D doesn’t add anything. Cameron sees the conversion as a way to reinterpret the experience. “The 3-D is a kind of way of doing that, a way of reinventing the film, and the 3-D does add something to the experience that was never there before, an immediacy, even an intimacy, which is interesting.” Luckily for Cameron, he had originally shot “Titanic” in a way that was conducive to a 3-D conversion. “Even though I wasn’t shooting it as a 3-D movie 15 years ago, my particular style is to use wider lenses and to wrap the actors in the scenery,” Cameron said. “Because the ship — I don’t like to use the term that it was a character — but the environment was constantly informing what was happening, the elegance, the beauty of the ship, the gilt-edged luxury juxtaposed with steerage third class. All those themes are really manifested in the physicality of the ship. The style of seeing all of that when you convert it to 3-D, it just has this lucidity. You just feel like you’re there.” Are you planning on seeing the 3-D re-release of “Titanic”? Leave your comment below! Check out everything we’ve got on “Titanic.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .
The beauty of Mixed race (or bi-racial) women is unpredictable. No matter the mixture, Black is ALWAYS beautiful and can lend some incredible genetic material to ”other” races. Turn the page for “The Beauty Of Black Women”
Jessica Simpson had a busy night few watched on NBC, rewarding winners on The Biggest Loser and then judging aspiring designers on the premiere of Fashion Star . “People across America can change their lives, and I think Conda and Kim are setting such great examples,” Jess said on the former, promoting her own products. In addition to a year’s supply of BeautyMint products, the winning pair scored free Simpson-brand clothes, shoes and necklaces with diamond butterfly charms. “Any time you get discouraged, look down at your butterfly,” she encouraged Conda Britt and Kim Stone, both single moms triumphantly fitting into size 10s. “These girls have lost so much weight and it just shows how determined they are to feel good,” Simpson said. “To be able to be a part of that is very special.” Speaking of special, Jessica Simpson posed nude in Elle recently. And, last night also marked the premiere of NBC’s Fashion Star , hosted by Elle Macpherson. Featuring Simpson, Nicole Richie and John Varvatos as mentors who both meet with contestants behind the scenes and offer opinions, the show made its debut. It’s unclear how long it’ll be around, but it debuted. Sort of like The Voice , but with clothes, aspiring designers send out a look and hope that buyers from Saks Fifth Avenue, H&M and Macy’s will want the creations. Of the designers who get no offers from the three, the mentors save one and the buyers decide who’s out. It’s as confusing as it sounds, but oh-so-stylish!
Lindsay Lohan struck someone while driving away from a club early this morning, and then fled the scene, but it looks like no charges will be filed. The 25-year-old actress was in her new Porsche when she left the Sayers Club in Hollywood just after midnight when the scene became chaotic. She was driving out of the parking lot when she was blocked by celebrity gossip photographers and bystanders around the nearby Hookah Lounge. Lindsay made contact with the manager of the Hookah Lounge with her car and then peeled out, prompting a police investigation … we thought. Cops were called, came to the scene and interviewed people inside the Hookah Lounge – including the manager who was struck – and then left. It turns out LiLo may have been the one who called police to protect herself from the paparazzi, and that’s why cops showed up in the first place. The manager may not have suffered an injury, but if he did, Lindsay could be charged with a hit and run (not to mention a probation violation). For now, it looks like case closed, as no one has complained of an injury, however it could be reopened if the person struck presses charges. [Photo: Fame/Flynet]
Typically, Kim Kardashian is fine with anything south of the border. But only if it makes her money. Hence the reality star’s anger over a billboard in Mexico, located just south of California, that features a photo of Kim in a bikini and the words: “No arriesgue su belleza, ni su salud.” Translation: Don’t risk your beauty or your health . As TMZ reports, however, the doctor behind this sign never asked permission to use Kim’s likeness , responding to a question over that illegal maneuver by simply telling the site “Obviously I did not speak to Kim Kardashian. I do not have her number,” and then hanging up when informed of why he violated the law. Kim’s legal team is on the case, which means this large-breasted former sex tape star is now involved in yet another feud. She continues to go at it with Kris Humphries over their divorce, and finds herself in war of words with Jon Hamm .
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