Tag Archives: beer

Epitome Of A Bad Mother: Woman And Her Hoodrat Friend Force Beer And Cocaine Onto Her Toddler And Baby

Now can we start testing people or something before we let them take their babies home from the hospital? A Connecticut mother was arrested after she forced her 4-year-old son to chug a bottle of beer – and gave her 10-month-old daughter booze and cocaine, police said. Juliette Dunn, 29, who lives in Success Village, Conn., was sitting with a friend Lisa Jefferson on a playground when another mom flagged down officers and complained that she was feeding her child beer, the Connecticut Post reported. When cops approached, they spotted an empty 40-ounce Steele Reserve beer on the ground next to the 4-year-old boy and a baby bottle that smelled like alcohol. Witnesses told officers that earlier that day Jefferson had told her son to chug the beer – and then called him an alcoholic when he finished, according to the report. The children were taken to a local hospital where they tested positive for alcohol and the 10-month-old tested positive for cocaine. When being interviewed by a social worker, the 4-year-old mentioned that he liked “Natural Ice beer, Budweiser beer, but didn’t like the taste of Dog-Bite beer,” police told the newspaper. Wow… just… wow. Source

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Epitome Of A Bad Mother: Woman And Her Hoodrat Friend Force Beer And Cocaine Onto Her Toddler And Baby

THG Caption Contest Winner: The Obamas in Ireland

In Friday’s THG Caption Contest , we asked you to come up with the best one for this photo of the President and Mrs. Obama in Ireland. Our winner is James . Nice work! The winning entry appears below . Honorable mentions go out to Heather and Melissa . Thanks to all for playing as always and best of luck in THG’s next Caption Contest! “If this beer was any darker would Trump ask to see it’s birth certificate?”

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THG Caption Contest Winner: The Obamas in Ireland

‘American Idol’ Producer Hints At Giving Judges A Vote

Executive Producer Ken Warwick also says Pia Toscano may have an album out before this season’s winner. By Gil Kaufman “American Idol” producer Ken Warwick Photo: MTV News “American Idol” has a problem. No, it’s not the fact that it’s getting increasingly hard for a woman to win on the show. It’s the good kind of problem, one where recently booted contestant Pia Toscano is getting the kind of media attention — and high-profile bookings — that are usually reserved for the show’s winner. Which is why in a call with reporters on Wednesday (April 20), “Idol” Executive Producer Ken Warwick suggested that in a break with the past, it’s not out of the question that we will see music from Toscano well before the eventual season 10 champion releases his or her debut in November. He also revealed that while he won’t be tweaking the formula this year, it’s possible there could be more big changes in store for “Idol” in the future, including taking a cue from ratings rival “Dancing With the Stars.” “That’s the nature of the business,” Warwick said of the desire to strike while the iron is hot. “If we’ve got a rising star that the record companies and [‘Idol’ parent company] CKX think are marketable now, they will try to get records out.” Warwick pledged that under the tutelage of record-industry veteran and season 10 mentor Jimmy Iovine, the rule this year is to make a star out of the singers no matter when they leave the competition. And while he doesn’t know what Iovine’s plans are for Toscano at the moment, he said if he were a record honcho instead of TV producer, he’d want to get some music out while the buzz on Toscano is still strong. “It used to be in the old days, that was a concern of ours,” he said of cannibalizing the buzz on the eventual winner by releasing music from other finalists earlier on. “As time’s gone on, we realized what we’re seeing so often is that the big star is not the winner, but from the top five or top 10, so it’s unfair to hold someone back so we can promote someone else.” With so much talk about how online voting has continued the trend toward young-girl “Idol” watchers pushing male singers to the top while female ones get booted early, Warwick said producers will have a “long discussion” about that situation after this season and see if any tweaks need to be made to correct that trend. Among the potential changes is taking a page from the “DWTS” book and letting judges have a vote alongside the audience. “We are going to have discussion about how we can keep it fair,” he said, adding later about the possibility of a judge’s vote, “That’s just one of the ideas … solutions on the table. There are a number.” For this season, though, the current system will remain in place. “If people want to vote for kids, then I’m certainly not going to start fiddling with the votes or doing anything that’s untoward,” he said, adding to the chorus of laments about Toscano’s early exit. “Maybe change the voting system slightly next year. Maybe we limit the amount of SMS votes or online votes.” Warwick also responded to the upcoming competition from “The Voice” and ex-“Idol” judge Simon Cowell’s fall launch of the American version of “X Factor” by noting that there are a slew of shows with three-judge panels and he can’t be bothered to worry about the other shows on the horizon. “I’m not worried. I’m sure the premiere of one will dent us a little bit. … I’m not about to change anything radically to try and keep up with something I haven’t seen yet and hasn’t been proven.” With a lackluster track record of breaking male stars, Warwick said his job is to make the show, and then, hopefully at the end of it, hand the record company a singer with a 20 million- to 30 million-person following. “What they do from then on has absolutely nothing to do with me,” he said. But have there been mistakes made in the past with the marketing or positioning of some of the male winners? Yes, Warwick said, most definitely. Has the best singer always won, no, not necessarily. “What it illustrates for me is that from the top five upwards, there’s usually a star in there somewhere; it just is a question of luck, who picks them up, where they go, what song they release.” So while not every “Idol” winner is a star, lots of “Idol” contestants have become stars. “It doesn’t bother me this year if another guy [wins]. … I am pretty sure that whoever comes out of this series is gonna break,” he said, giving props to Interscope Geffen A&M chairman Iovine’s skills at minting stars. Don’t miss “Idol Party Live” every Thursday at noon on MTV.com for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol’ In 60 Seconds Related Photos ‘American Idol’ Season 10 Performances

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‘American Idol’ Producer Hints At Giving Judges A Vote

Beastie Boys’ Original ‘Fight For Your Right’ Revisited: Meet Ricky Powell

With ‘Fight’ short film set to premiere Wednesday (April 20), here’s a look back at the beer-soaked history of the 1986 video. By James Montgomery Adam Yauch, Ricky Powell and Mike D in 1986 Photo: MTV News You get the feeling that, back in their hell-raising License To Ill heyday, the Beastie Boys derived some sort of perverse pleasure from blindsiding unsuspecting interviewers with profanities or non sequiturs. Or at least by dumping beer on them. Sufficed to say, they’ve mellowed some in recent years ( their vocabulary has improved , too), but back in the day, the Beasties lived to torment the media, and they did so by any means necessary. Take, for example, this rather revelatory bit of tape shot on December 31, 1986, at MTV’s 6th annual “Rock ‘N Roll New Year’s Eve Ball” (a party so huge that both Brian Setzer and the Georgia Satellites were in attendance). In it, a poor MTV News field producer corners the Beasties and attempts to ask them about their plans for 1987 — plans that included a headlining tour and a new video to shoot for “No Sleep Till Brooklyn” — and gets doused by a Budweiser, making a valiant attempt to shield the microphone from a soaking, with little success. And while it’s oddly compelling to watch a train wreck like this unfold, the reason we dug the tape out of our archives occurs just moments later, when the same producer, still wet with cheap beer, asks the MCs about their infamous “(You Gotta) Fight For Your Right (To Party)” video — the same video that serves as the inspiration for the band’s “Fight For Your Right Revisited” short film , which premieres Wednesday (April 20) at midnight on MTV2, mtvU and Palladia. Specifically, the interviewer asks the Boys about casting “the geeky guys” for the video, which gives them the opportunity to introduce “the man who played the main nerd,” their photographer-friend Ricky Powell (presumably right around the time “your girl got di–ed” by him.) And then, they pour beer on his head, too. But not before Powell curses on-air and then professes his love for “Black women with blonde hair.” So, yeah, it’s a pretty amazing bit of tape, even 25 years later. In celebration of just how far the Beastie Boys have come — and in anticipation of “Fight For Your Right Revisited” — we’re rolling it out for you right now. Enjoy — and wear a poncho! Don’t miss “Fight for Your Right Revisited” on Wednesday (April 20) at midnight on MTV2, mtvU, VH1 Classic and Palladia. Related Photos Beastie Boys: A Career Retrospective Related Artists Beastie Boys

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Beastie Boys’ Original ‘Fight For Your Right’ Revisited: Meet Ricky Powell

NBA All-Stars LeBron James, Dwight Howard, More Talk Hoops, Hip-Hop

‘They say all rappers want to be basketball players, [and] all basketball players want to be rappers,’ says wife of Carmelo Anthony, La La Vazquez. By Alvin Blanco, with reporting by Rahman Dukes LeBron James Photo: MTV News Hip-hop and sports are practically kindred spirits, especially when it comes to basketball. At this year’s NBA All-Star Weekend , a number of hoop stars, and the wife of one player in particular, wholeheartedly agreed with this observation. “They always say all rappers want to be basketball players, [and] all basketball players want to be rappers,” La La Vazquez, wife of New York Knick Carmelo Anthony and ex-MTV VJ, told MTV News. Over the years, a number of NBA players have actually become rappers on the side. Besides four championships — three with the Los Angeles Lakers, one with the Miami Heat — Shaquille O’Neal also managed to release four albums. The first, 1993’s Shaq Diesel, went platinum and the third, 1996’s You Can’t Stop the Reign, featured a pair of verses from the Notorious B.I.G. on its title track. More recently, L.A. Laker Ron Artest has embarked on a rap career, while his teammate Kobe Bryant once kicked rhymes on R&B singer Brian McKnight’s “Hold Me.” Not every player necessarily has rap dreams to go along with their hoop dreams, though. “Every player except me wants to be a rapper,” said Dwight Howard of the NBA’s Orlando Magic. “I don’t want to do the rap thing.” Howard did add though about his fellow NBA stars, “We love music. We love hip-hop and we support it.” LeBron James, who is famously and charitably good friends with Jay-Z, mentioned how basketball players are frequently name-checked in song. For example, on Jay-Z’s “Empire State of Mind,” the MC rhymes, “Jesus paying LeBron, I’m paying Dwyane Wade.” This synergy between players and rappers ultimately boils down to mutual respect. “We all came from nothing,” Boston Celtic Kevin Garnett told us. “The appreciation factor for each other, the fact you gotta grind and work hard to get where you at, it’s similar. It’s a very similar industry.” Garnett’s teammate and fellow All-Star Rajon Rondo added, “We respect those guys the way they respect us. It kind of goes hand in hand. Rappers love to come see us play. We love to see them perform.” What do you think of the ongoing love between hip-hop and hoops? Sound off in the comments!

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NBA All-Stars LeBron James, Dwight Howard, More Talk Hoops, Hip-Hop

‘Drive Angry’ Stars Discuss Film’s Most Outrageous Moments

‘I’m still kind of amazed that they let me drink beer out of somebody’s skull,’ Nicolas Cage marvels to MTV News. By Kara Warner Amber Heard Photo: MTV News If the trailers haven’t already sold the fact that “Drive Angry” is outrageous , in every sense of the word, allow the cast of the film — Nicolas Cage, Amber Heard, Billy Burke and William Fichtner — to expand on the subject, particularly the scenes they thought would be left on the cutting-room floor. “I’m still kind of amazed that they let me drink beer out of somebody’s skull,” Cage admitted to MTV News recently of his character’s most over-the-top antics. “That that’s still in the movie, and it’s a credit to [director] Patrick Lussier that he had the guts to go in the most far-out places.” “Only in our movie, in the world of ‘Drive Angry,’ ” Heard said. “I wanted it to look good, like, ‘My cup runneth over,’ ” Cage explained of the big moment. “I wanted the beer to come sploshing out of the eye sockets.” Burke, who plays a very disturbed and psychotic cult leader hell-bent on infant sacrifice in the film, said he figured that one of the film’s climactic scenes would receive a less intensely violent edit. “I thought that we would probably change sacrificing a baby to maybe a lamb or something like that,” Burke said. “I didn’t think that we’d actually go forward with wanting to kill a baby, but we did, and that’s the kind of movie this is. So if you can’t take that, for the fun and spirit in which it’s intended, then you shouldn’t go see this movie,” he advised. For scene-stealer Fichtner, who plays the mysterious character the Accountant, he was most surprised that a very racy/violent love scene made the cut. “There was one scene in the movie, we all know which one I’m talking about [a ‘creative’ sex scene in which Cage engages in a gunfight with a naked woman still on top of him] where I thought, ‘Wow, that’s interesting,’ ” he said. “That’s a challenge.” In addition to the outrageousness of wrapping your head around what happens in that scene, Fichtner said he has great respect for the actors and stunt coordinators who made it happen. “Patrick [Lussier] did an amazing job and so did Charlotte [Ross] and Nic,” he said. “It’s much more than just a sex scene.” Check out everything we’ve got on “Drive Angry.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘Drive Angry’ Stars Discuss Film’s Most Outrageous Moments

‘Drive Angry’ Stars Discuss Film’s Most Outrageous Moments

‘I’m still kind of amazed that they let me drink beer out of somebody’s skull,’ Nicolas Cage marvels to MTV News. By Kara Warner Amber Heard Photo: MTV News If the trailers haven’t already sold the fact that “Drive Angry” is outrageous , in every sense of the word, allow the cast of the film — Nicolas Cage, Amber Heard, Billy Burke and William Fichtner — to expand on the subject, particularly the scenes they thought would be left on the cutting-room floor. “I’m still kind of amazed that they let me drink beer out of somebody’s skull,” Cage admitted to MTV News recently of his character’s most over-the-top antics. “That that’s still in the movie, and it’s a credit to [director] Patrick Lussier that he had the guts to go in the most far-out places.” “Only in our movie, in the world of ‘Drive Angry,’ ” Heard said. “I wanted it to look good, like, ‘My cup runneth over,’ ” Cage explained of the big moment. “I wanted the beer to come sploshing out of the eye sockets.” Burke, who plays a very disturbed and psychotic cult leader hell-bent on infant sacrifice in the film, said he figured that one of the film’s climactic scenes would receive a less intensely violent edit. “I thought that we would probably change sacrificing a baby to maybe a lamb or something like that,” Burke said. “I didn’t think that we’d actually go forward with wanting to kill a baby, but we did, and that’s the kind of movie this is. So if you can’t take that, for the fun and spirit in which it’s intended, then you shouldn’t go see this movie,” he advised. For scene-stealer Fichtner, who plays the mysterious character the Accountant, he was most surprised that a very racy/violent love scene made the cut. “There was one scene in the movie, we all know which one I’m talking about [a ‘creative’ sex scene in which Cage engages in a gunfight with a naked woman still on top of him] where I thought, ‘Wow, that’s interesting,’ ” he said. “That’s a challenge.” In addition to the outrageousness of wrapping your head around what happens in that scene, Fichtner said he has great respect for the actors and stunt coordinators who made it happen. “Patrick [Lussier] did an amazing job and so did Charlotte [Ross] and Nic,” he said. “It’s much more than just a sex scene.” Check out everything we’ve got on “Drive Angry.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘Drive Angry’ Stars Discuss Film’s Most Outrageous Moments

It’s Not Just In The Black Community…Lack Of “Good Men” Is “Universal”

Not so long ago, the average American man in his 20s had achieved most of the milestones of adulthood: a high-school diploma, financial independence, marriage and children. Today, most men in their 20s hang out in a novel sort of limbo, a hybrid state of semi-hormonal adolescence and responsible self-reliance. This “pre-adulthood” has much to recommend it, especially for the college-educated. But it’s time to state what has become obvious to legions of frustrated young women: It doesn’t bring out the best in men. “We are sick of hooking up with guys,” writes the comedian Julie Klausner, author of a touchingly funny 2010 book, “I Don’t Care About Your Band: What I Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux-Sensitive Hipsters and Other Guys I’ve Dated.” What Ms. Klausner means by “guys” is males who are not boys or men but something in between. “Guys talk about ‘Star Wars’ like it’s not a movie made for people half their age; a guy’s idea of a perfect night is a hang around the PlayStation with his bandmates, or a trip to Vegas with his college friends…. They are more like the kids we babysat than the dads who drove us home.” One female reviewer of Ms. Kausner’s book wrote, “I had to stop several times while reading and think: Wait, did I date this same guy?” For most of us, the cultural habitat of pre-adulthood no longer seems noteworthy. After all, popular culture has been crowded with pre-adults for almost two decades. Hollywood started the affair in the early 1990s with movies like “Singles,” “Reality Bites,” “Single White Female” and “Swingers.” Television soon deepened the relationship, giving us the agreeable company of Monica, Joey, Rachel and Ross; Jerry, Elaine, George and Kramer; Carrie, Miranda, et al. But for all its familiarity, pre-adulthood represents a momentous sociological development. It’s no exaggeration to say that having large numbers of single young men and women living independently, while also having enough disposable income to avoid ever messing up their kitchens, is something entirely new in human experience. Yes, at other points in Western history young people have waited well into their 20s to marry, and yes, office girls and bachelor lawyers have been working and finding amusement in cities for more than a century. But their numbers and their money supply were always relatively small. Today’s pre-adults are a different matter. They are a major demographic event. What also makes pre-adulthood something new is its radical reversal of the sexual hierarchy. Among pre-adults, women are the first sex. They graduate from college in greater numbers (among Americans ages 25 to 34, 34% of women now have a bachelor’s degree but just 27% of men), and they have higher GPAs. As most professors tell it, they also have more confidence and drive. These strengths carry women through their 20s, when they are more likely than men to be in grad school and making strides in the workplace. In a number of cities, they are even out-earning their brothers and boyfriends. Still, for these women, one key question won’t go away: Where have the good men gone? Their male peers often come across as aging frat boys, maladroit geeks or grubby slackers—a gender gap neatly crystallized by the director Judd Apatow in his hit 2007 movie “Knocked Up.” The story’s hero is 23-year-old Ben Stone (Seth Rogen), who has a drunken fling with Allison Scott (Katherine Heigl) and gets her pregnant. Ben lives in a Los Angeles crash pad with a group of grubby friends who spend their days playing videogames, smoking pot and unsuccessfully planning to launch a porn website. Allison, by contrast, is on her way up as a television reporter and lives in a neatly kept apartment with what appear to be clean sheets and towels. Once she decides to have the baby, she figures out what needs to be done and does it. Ben can only stumble his way toward being a responsible grownup. So where did these pre-adults come from? You might assume that their appearance is a result of spoiled 24-year-olds trying to prolong the campus drinking and hook-up scene while exploiting the largesse of mom and dad. But the causes run deeper than that. Beginning in the 1980s, the economic advantage of higher education—the “college premium”—began to increase dramatically. Between 1960 and 2000, the percentage of younger adults enrolled in college or graduate school more than doubled. In the “knowledge economy,” good jobs go to those with degrees. And degrees take years. Today’s pre-adult male is like an actor in a drama in which he only knows what he shouldn’t say. He has to compete in a fierce job market, but he can’t act too bossy or self-confident. He should be sensitive but not paternalistic, smart but not cocky. To deepen his predicament, because he is single, his advisers and confidants are generally undomesticated guys just like him. Single men have never been civilization’s most responsible actors; they continue to be more troubled and less successful than men who deliberately choose to become husbands and fathers. So we can be disgusted if some of them continue to live in rooms decorated with “Star Wars” posters and crushed beer cans and to treat women like disposable estrogen toys, but we shouldn’t be surprised. Relatively affluent, free of family responsibilities, and entertained by an array of media devoted to his every pleasure, the single young man can live in pig heaven—and often does. Women put up with him for a while, but then in fear and disgust either give up on any idea of a husband and kids or just go to a sperm bank and get the DNA without the troublesome man. But these rational choices on the part of women only serve to legitimize men’s attachment to the sand box. Why should they grow up? No one needs them anyway. There’s nothing they have to do. They might as well just have another beer. Discuss… Via WSJ

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It’s Not Just In The Black Community…Lack Of “Good Men” Is “Universal”

Maci Bookout on Beer Bong Pics: So Long Ago!

Teen Mom Maci Bookout isn’t letting recent controversy over her underage drinking pics get her down, insisting she’s “grown up” a lot since then. Photos of Maci hitting the beer bong hit the web last week, thanks to the sleuths at TMZ … who caught up with Bookout last night in NYC. No hard feelings toward the site, though. Maci cheerfully explained, “I was on vacation, Bentley wasn’t with me and I was having a beer.” “It’s obviously something I don’t do anymore because I’ve grown up since then.” Obviously. She’s now a mature 19, not merely 18 … Maci Bookout Reflects on Drinking Pics

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Maci Bookout on Beer Bong Pics: So Long Ago!

Scott Dangerfield’s ‘American Idol’ Audition Wows Jennifer Lopez

‘You might be my favorite so far,’ J.Lo tells the unassuming student teacher in Milwaukee. By Adam Graham Scott Dangerfield auditions on Wednesday’s “American Idol” Photo: FOX Sometimes talent catches you off guard, and Scott Dangerfield came into his Milwaukee audition on Wednesday’s (January 26) “American Idol” episode without a hard-luck tale or a weepy backstory. But he left elevated on a cloud of praise and was dubbed by Jennifer Lopez as her “favorite” contestant thus far. The first thing the judges noticed about Dangerfield, an unassuming 22-year-old student teacher in Milwaukee, was his lips, and how he appeared to be wearing lipstick. Blushing, he wiped off his lips. “I was kissing one of the girls backstage!” Dangerfield said, prompting Jackson to make a crack about a potential love connection. “More than one destiny is going to be made for me today,” Dangerfield joked. With his shaggy haircut, black framed glasses and bookish outfit — he wore a button-down shirt with the sleeves rolled up and a casual pair of shorts — Dangerfield gave off a slight Clay Aiken vibe, albeit cooler than the season-two contestant. And when he sang, it was similarly surprising: He did Amos Lee’s 2005 song “Dreamin’ ” and infused it with his rich, soulful tone, made smoother by his easygoing style. There were no nerves on display as he sang, and Dangerfield sailed through the audition. The judges were floored. “You might be my favorite so far,” Lopez beamed. “I swear! Wow!” She pushed for a quick vote, giddily bouncing in her chair and repeating “I want to vote!” like a toddler trying to get her way. Yes, Dangerfield managed to turn J.Lo into a pile of mush. Following Lopez’s yes vote, Randy Jackson offered one of his trademark over-the-top endorsements — “hundred million percent yes” is just the same as “100 percent yes,” Randy — and Steven Tyler chimed in by saying, “We’ve been waiting all day for you.” But Lopez still wasn’t finished gushing: “Keep the hair, keep the glasses, I like all of it,” she said, reiterating, “You’re my favorite.” In the hallway outside the judges’ room, Dangerfield was greeted by a group of friends, to whom he bragged about Lopez’s praise, saying it almost caused him to faint. But he had earned his right to gloat: Unlike his namesake Rodney, this Dangerfield got plenty of respect. What did you think of “American Idol” on Wednesday? Let us know in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Artists Jennifer Lopez

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Scott Dangerfield’s ‘American Idol’ Audition Wows Jennifer Lopez