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‘Killing Them Softly’ Scene Stealer Scoot McNairy Discusses Acting With Brad Pitt & Playing Rob Pattinson’s Brother

If you’d like one good reason to see Killing Them Softly in spite of its “F” Cinemascore and anemic opening box-office numbers, I’ll give you a great one:  Scoot McNairy’s portrayal of the tragi-comic hood Frankie in Andrew Dominik’s contemporary film noir is the kind of breakthrough performance that will stick with you long after the financials are forgotten. Killing Them Softly is studded with top-notch acting —  Ben Mendelsohn , Ray Liotta , James Gandolfini and Richard Jenkins  also put in memorable turns — but McNairy’s emotionally dexterous performance as the in-over-his-head Frankie is something to behold, particularly in the tense bar scene where he first encounters Brad Pitt’s mob enforcer character Jackie Cogan. (Even novelist and outspoken cinema curmudgeon Bret Easton Ellis was moved to tweet that “Scoot McNairy is now officially on the radar” after the American Psycho author saw Killing Them Softly. ) McNairy talked to Movieline about shooting those pivotal moments with Pitt, his admiration for Dominik (Cinemascore be damned), and his busy work slate. The Texas native can currently be seen in the Ben Affleck -directed Argo, a job that, he says got with the help of Dominik, and also has a few scenes in the Gus Van Sant -directed   Promised Land , which opens Dec. 28. Next up, are two films with Michael Fassbender , a trip to Australia to appear in  Animal Kingdom director David Michod’s The Rover with Guy Pearce and Robert Pattinson . Movieline: Looking through your credits, I noticed that you’ve done quite a bit of producing as well as acting.   Scoot McNairy:   Yeah, it’s funny. I got into producing from having done commercials for so long. I was financially stable at the time, and I had so much time on my hands that I just got bored and said I can’t be sitting around.  I figured that I could at least be putting together projects or looking for material for me to do. I felt like I should just be generating my own work. Tell me a little bit about yourself. Where are you from and how’d you get into acting? I was born and raised outside of Dallas.  I did some theater when I was a kid.  I’ve always loved movies.  I’ve always been passionate about them.  And it wasn’t until I was 18 that I moved down to Austin, Texas and, just for a hobby, started to take these classes at the Dougherty Art Center.  One day, the director Alex Holdridge came in to one of the classes and said he was casting the lead of his first film, Wrong Numbers . I stuck around after class and read for it.  He called me two weeks later and gave me the part. Nice. I mean, talk about a shoestring budget. We probably made that movie for $2,000, but it got some attention. The film went to the Austin Film Festival and in 2001 won the Grand Jury prize and the Audience award.  Through the process of shooting that movie, I fell in love with cinematography.  I really thought that I wanted to be a cameraman. And that’s what brought me out to California. I went to film school to be a cinematographer. Where did you go? I went to the Art Institute of Los Angeles, but I only did a year of that. Then, for about nine months to a year in L.A., I worked building sets. When I was younger, my trade was carpentry, and I knew a lot about construction.  The guy in the warehouse next to where I worked, Jesus Pedroza, was running a floral business.  He and I always hung out on our smoke breaks, and one day, he asked me to bartend at his friend John Pierce’s agency Christmas party.  It was a really small boutique agency for commercials.  It was $100 or $200 for the night. I needed cash. I took the job. That’s where I met John, who is now my producing partner, my theatrical manager and my personal agent.  He said, “Can I send you out?”  And I said, “Yeah, sure.”  He turned to his friend and said, “This kid will never work, but I like him and I’ll take him on.”  I ended up doing about 15 national spots that first year. (Check out McNairy’s first commercial, directed by Mike Mills for Levi’s.) Wow. And that’s when he was like, “You should be doing TV and movies.” So I got into an acting class and really started to hit it hard.  I got back into theater and started doing plays in L.A.  Still, it was another four years of just doing commercials, and that’s when I had so much time on my hands that I got into producing. Down the line, that led to In Search of a Midnight Kiss .  I’d done a second movie in Austin with Alex, Sexless, in 2003 and then he moved to California and we did Midnight Kiss . I was a producer on that and in 2009 we won the Independent Spirit John Cassavetes Award. I think that gave me a little bit of credibility as far as an actor. And then I went on to do Monsters , which gave me a little bit more credibility. And then Andrew cast me in Killing Them Softly .  He told me, “I’d never seen you, never heard of you.” He cast me from my audition tape.

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‘Killing Them Softly’ Scene Stealer Scoot McNairy Discusses Acting With Brad Pitt & Playing Rob Pattinson’s Brother

Ben Affleck ‘Reluctantly’ Fired Some ‘Argo’ Actors

Ben Affleck ‘s Argo is in the running for a host of possible Oscar nods this season. And while the film, which he directs and stars in is now just shy of making $100 million in the U.S. (it’s closing in on $150 million internationally) critical acclaim and the big bucks mask some of the pitfalls of moviemaking. For the first time, Affleck had to give some actors the boot while shooting the feature based on a true story set during the Iranian hostage crisis. “I’ve fired a couple of actors. It’s the worst thing in the world because I know, as an actor, what it’s like,” Affleck said during THR ‘s directors roundtable discussion via Access Hollywood . “I was a child actor, and the director threatened to fire me. That traumatized me. I was 13 years old. And I went around in fear of being fired.” The Good Will Hunting Oscar-winner first went behind the camera as director with Gone Baby Gone in 2007, but was forced to sack a few actors during Argo . “This movie [Argo] was the only time I really fired people, but I had to do it,” he said. “I had all these Persian actors who were supposed to speak Farsi. And often they would audition in English and I would say, ‘You can speak Farsi, right?’ ‘Oh, yes, yes.'” Affleck recalled one actor who hammed up his part as an Iranian during production, using some stereotypes that prompted Affleck to call him on his tricks. “A guy came in for a really crucial part, and on the day of shooting, we were blocking the scene, and this guy’s got this mini speech,” he said. “And the guy did it, and it was just terrible. He was sort of like, you know, twisting the mustache and being the Iranian villain and having the accent and adding all these flourishes. A couple times I said, ‘Just do nothing and say your lines. Let’s try that.” And another actor ran afoul after trying to grab camera time, also getting the boot after one incident. “There was this guy who had a little bit in the movie, but it was so nice,” Ben said. “And then when this other guy was blowing it — and not just blowing it, but hamming it up — it made it easy to say, ‘No, you know, you’re trying to ruin my movie.'” [ Source: Access Hollywood ]

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Ben Affleck ‘Reluctantly’ Fired Some ‘Argo’ Actors

Argo Subject Breaks Down Real Iran Escape vs. Hollywood Version

Calling Ben Affleck ‘s Argo a “terrific thriller,” one of the six Americans who managed to escape the U.S. embassy just as student radicals took over the compound by fleeing into Tehran’s streets has set a bit of the record straight. Mark Lijek, who’s portrayed by Christopher Denham in Affleck’s awards contender, spoke out after attending the film’s L.A. premiere, giving his detailed version of events. And while there are strong parallels with the film, which began its release last week and has garnered Oscar buzz, the timeline of real-life events had some significant departures from the film, which Affleck starred in and directed. Still, Lijek did learn one thing from the film, which surprised him all these years later. ( Caution, spoilers if you have not seen the movie ). The backbone of the story – namely, the idea of posing the six Americans as movie-makers in order to dupe Iranian officials and sneak them of the country – is in fact true. The movie version of events suggest the six “house guests,” who were holed up in hiding in the Canadian Ambassador’s residence, needed convincing to go the route of posing as Hollywood insiders. But the plan’s CIA mastermind, Tony Mendez (played by Affleck) had in fact presented three ideas, which the group accepted as the best option straight away. “We liked the idea enough, in fact, that we chose it over two other scenarios that Tony also brought to us,” said Lijek in a first-person account of their ordeal in Slate magazine. “In one of them, we would pose as businesspeople, in something petroleum-related, if I remember correctly. In the other, I think we were meant to be teachers looking for employment at an international school. But those two seemed like throwaways, and Tony did not try too hard to sell us on them.” After considering the three options, Lijek noted, the group accepted the plan whereas in Argo it seemed to split the group, with dissenters reluctantly agreeing to go along. “It was clear the organization and energy was focused on the Hollywood option. And they were right to be: While the movie presents myriad dramatic complications and last-minute twists and turns, the plan actually went off without a hitch. Lijek’s account focuses on the drama the group had going from place to place in the lead-up to Mendez’s arrival. The six managed to evade capture, going from one temporary safe space to the next before ending up in the safe hands of the Canadian compound and in the care of Canadian John Sheardown, who was critical in safeguarding them. “When Tony Mendez arrived on Jan. 26, 1980, we were ready to leave,” writes Lijek. “The hostage crisis was no closer to resolution. We had asked [Ambassador] Taylor in early January to tell Washington we wanted out. Each day we stayed in Iran added to the risk of capture.” Continuing, he gives credit to Sheardown, who didn’t make the script in the movie version of events. “It never came to that — and John Sheardown may well be the indispensable reason why. Without his enthusiastic welcome we might have tried to survive on our own a few more days. We would have failed. And so it was hard, sitting at the swanky Los Angeles premiere the other day, not to see John in the movie. I understand, though, why he couldn’t be there. Argo already had more characters than a typical thriller, and adding the Sheardowns would not have enhanced the drama.” But Lijek received a surprise at the film’s screening as the credits rolled when a voice came in talking about the crisis 32 years later. “The film’s biggest shock? The voiceover from Jimmy Carter at the end. In comments about the incident that I had never heard before, Carter says our chance of success was 50 percent. 50?! I thought it was much higher. Another gut check. Would we have gone with Tony at 50 percent? I’ll never know.” [Source: Slate ]

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Argo Subject Breaks Down Real Iran Escape vs. Hollywood Version

Argo Subject Breaks Down Real Iran Escape vs. Hollywood Version

Calling Ben Affleck ‘s Argo a “terrific thriller,” one of the six Americans who managed to escape the U.S. embassy just as student radicals took over the compound by fleeing into Tehran’s streets has set a bit of the record straight. Mark Lijek, who’s portrayed by Christopher Denham in Affleck’s awards contender, spoke out after attending the film’s L.A. premiere, giving his detailed version of events. And while there are strong parallels with the film, which began its release last week and has garnered Oscar buzz, the timeline of real-life events had some significant departures from the film, which Affleck starred in and directed. Still, Lijek did learn one thing from the film, which surprised him all these years later. ( Caution, spoilers if you have not seen the movie ). The backbone of the story – namely, the idea of posing the six Americans as movie-makers in order to dupe Iranian officials and sneak them of the country – is in fact true. The movie version of events suggest the six “house guests,” who were holed up in hiding in the Canadian Ambassador’s residence, needed convincing to go the route of posing as Hollywood insiders. But the plan’s CIA mastermind, Tony Mendez (played by Affleck) had in fact presented three ideas, which the group accepted as the best option straight away. “We liked the idea enough, in fact, that we chose it over two other scenarios that Tony also brought to us,” said Lijek in a first-person account of their ordeal in Slate magazine. “In one of them, we would pose as businesspeople, in something petroleum-related, if I remember correctly. In the other, I think we were meant to be teachers looking for employment at an international school. But those two seemed like throwaways, and Tony did not try too hard to sell us on them.” After considering the three options, Lijek noted, the group accepted the plan whereas in Argo it seemed to split the group, with dissenters reluctantly agreeing to go along. “It was clear the organization and energy was focused on the Hollywood option. And they were right to be: While the movie presents myriad dramatic complications and last-minute twists and turns, the plan actually went off without a hitch. Lijek’s account focuses on the drama the group had going from place to place in the lead-up to Mendez’s arrival. The six managed to evade capture, going from one temporary safe space to the next before ending up in the safe hands of the Canadian compound and in the care of Canadian John Sheardown, who was critical in safeguarding them. “When Tony Mendez arrived on Jan. 26, 1980, we were ready to leave,” writes Lijek. “The hostage crisis was no closer to resolution. We had asked [Ambassador] Taylor in early January to tell Washington we wanted out. Each day we stayed in Iran added to the risk of capture.” Continuing, he gives credit to Sheardown, who didn’t make the script in the movie version of events. “It never came to that — and John Sheardown may well be the indispensable reason why. Without his enthusiastic welcome we might have tried to survive on our own a few more days. We would have failed. And so it was hard, sitting at the swanky Los Angeles premiere the other day, not to see John in the movie. I understand, though, why he couldn’t be there. Argo already had more characters than a typical thriller, and adding the Sheardowns would not have enhanced the drama.” But Lijek received a surprise at the film’s screening as the credits rolled when a voice came in talking about the crisis 32 years later. “The film’s biggest shock? The voiceover from Jimmy Carter at the end. In comments about the incident that I had never heard before, Carter says our chance of success was 50 percent. 50?! I thought it was much higher. Another gut check. Would we have gone with Tony at 50 percent? I’ll never know.” [Source: Slate ]

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Argo Subject Breaks Down Real Iran Escape vs. Hollywood Version

South Park’s Butters Tells Mr. & Mrs. Ben Affleck ‘Argo F-Yourself!’

South Park is either getting seriously meta, or bizarrely free-associative in its advanced age.  The beginning of Wednesday night’s new episode of the Comedy Central series saw the relentlessly cheerful and naively optimistic character Butters Stotch become a pint-sized rageaholic that is initially attributed to his Hawaiian roots, but later turns out to be about the charmed life of Ben Affleck . After arriving on the island of Kaua’i to engage in a rite of passage that, presumably, will cure him of the furies, Butters inexplicably vents about Affleck, wondering how after the mediocrity of Daredevil ,  the actor/director “can hit a home run that everyone loves,” a reference to Affleck’s critically well-received Argo . “You shouldn’t be able to be good looking, and be with Jennifer Lopez and be a good director,” Butters wails ” Argo is a good movie! It holds up! Ben Affleck has everything, Braaaaa!” (Affleck and Lopez were featured in a famous 2003 South Park episode called “Fat Butt and Pancake Head.” At one point, Butters summons up enough rage to sink a cruise ship with a golf ball. His battle cry: “Stupid Ben Affleck!” The cure for his vexation: Jennifer Garner . Butters cools his jets when someone points out that Affleck is no longer with JLo and is now married to Garner. “He’s just married to Jennifer Garner?  Oh my gosh, I feel so much better!” Butters says, setting up one of the most creative insults I’ve heard on South Park .  “Ben Affleck has a lot going for him,” Butters says as he walks off into the Hawaiian sunset with Kenny.   “Not everything, but a lot.” Maybe I’m reading too much into this plot point, but I wonder if creators Trey Parker and Matt Stone are making a bigger point here, or whether they were just free-associating at such a high speed that things appear to mean more than they do. Regardless, there are some interesting coincidences that have me looking for a larger meaning.  For example: -Is there some kind of connection to be drawn between Butters’ ire and the fact that Garner’s latest movie is titled Butter ? -Are Parker and Stone somehow also having some fun with  Argo producer George Clooney?  One of the subplots of the South Park episode is about residents of Kaua’i claiming to be natives of Hawaii when they’re just longtime residents who got there before the more recent tourists, whom they despise.  Although Clooney’s name is not mentioned in the episode, I was reminded of the plot of Alexander Payne’s 2011 movie The Descendants , which starred the actor and got him an Best Actor Oscar nomination.  In the movie, Clooney plays a genuine Hawaii native who’s grappling with selling his family’s 25,000 acres of pristine Kaua’i land to a developer. -Am I spending too much time looking for meaning in South Park episodes? If anyone out there can make sense of this,  I’d love to read your interpretation in the comments section. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter . 

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South Park’s Butters Tells Mr. & Mrs. Ben Affleck ‘Argo F-Yourself!’

Former President Jimmy Carter Tells Real Life Tale In Behind-The-Scenes Argo Clip

Former President Jimmy Carter gives Ben Affleck’s talked-about new movie Argo a shot of credibility in this behind-the-scenes clip from the movie.  The former Commander in Chief, whose presidency was hobbled by the Iranian hostage crisis — during which 52 Americans were held for 444 days from Nov. 4, 1979 to Jan. 20, 1981 — acknowledges that, as told in Argo , there were six diplomats who managed to evade capture and were spirited out of the country as the crew of a fake Canadian science-fiction movie. Check out Movieline ‘s photo gallery from the Argo premiere featuring Ben Affleck, George Clooney and Stacy Keibler here. Adding to the truth-is-stranger-than-fiction quotient of the movie is the character of Academy Award-winning make-up artist John Chambers (John Goodman) , who, in addition to working on the Planet of the Apes movies and inventing Spock’s pointy ears for Star Trek , was a CIA agent.  Chambers, working with his agency colleague Tony Mendez (Affleck) played a key role in the story. In the clip, Breaking Bad actor Bryan Cranston, who plays CIA officer Jack O’Donnell, says that although Argo, which opens Friday, is steeped in espionage and bureaucracy at the highest level, truly, when you get down to it, it’s about the human experience and what lengths people will go to save the lives of others.” Argo is in theaters Friday. Read more here . Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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Former President Jimmy Carter Tells Real Life Tale In Behind-The-Scenes Argo Clip

Ben Affleck Says Republicans ‘Had A Chance’ But Gives Low-Key Obama Support

Not afraid to show off his political side, Ben Affleck is giving his take on the current U.S. Presidential campaign. Hitting the road promoting his political thriller Argo , the director and star of the film compared Republican nominee to past hopefuls who did not make it to the White House. A past ardent supporter of liberal causes and a full-fledged Obama fan four years ago, Affleck only offered tepid support for the incumbent. “I think Republicans really had a chance to win,” Affleck told A.P. during an interview about Argo . And they kind of ended up with like a sort of Mike Dukakis, Al Gore, Bob Dole type – who just couldn’t get people to see him as a real person somehow. Romney just had such trouble coming off as just like the kind of person you see at the grocery store. And I truly believe that has cost him the election.” Affleck went on to add that it looks “quite unlikely” that the Republican hopeful will unseat Obama, saying “negative momentum” can at some point cause a downward spiral for a campaign. “You start making mistakes and then all your advisers tell you, ‘You’ve got to raise your arms more!’ ‘You’ve got to talk deeper.’ So people just get into becoming robotic.” Still, if Affleck shares the same enthusiasm for Obama as in the first go-around, he is clearly holding back, saying that with hindsight his opinions have changed. “”I voted for Obama last time although he got to be all things to all people then,” Affleck said. ”And now he’s got a record which makes it really different … I obviously have more complicated feelings.” Affleck has often thrown his hat in the political sphere, doing lobbying in Washington and traveling abroad for various causes. He’s also said he wouldn’t rule out a future run for an elected office in the future. And his latest film, which debuted last month at the Toronto International Film Festival has already prompted talk of possibly multiple Oscar nominations. The film recalls an international crisis that many attribute for the failed re-election bid of Jimmy Carter in 1980, ushering in the Reagan era. Directed and starring Affleck, along with Bryan Cranston, Alan Arkin and John Goodman, Argo is set as militants take over the U.S. embassy in Tehran in the aftermath of the 1979 Iranian Revolution. While 52 Americans are held, six others escape and hide in the Canadian ambassador’s residence. The film recalls a plan hatched by the C.I.A. and specialist Tony Mendez (played by Affleck) to help the six to escape Iran. [ Source: Associated Press ]

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Ben Affleck Says Republicans ‘Had A Chance’ But Gives Low-Key Obama Support

Love, Marilyn, Argo & Not Fade Away Set For Hamptons Film Festival

Liz Garbus’ documentary Love, Marilyn will have its U.S. premiere at the 20th edition of the Hamptons International Film Festival in the tony Long Island, NY town of East Hampton, while David O. Russell ‘s Silver Linings Playbook will open HIFF in neighboring Southampton the following day. Both films debuted recently at the Toronto International Film Festival , with Playbook picking up the Audience Prize over the weekend. Fellow TIFF title Argo by Ben Affleck will screen as the five-day festival’s Centerpiece, while Paramount Vantage’s Not Fade Away will close out the event. Garbus’ Love, Marilyn will bow at HIFF October 4th, featuring an intimate and revealing portrait of the legendary Hollywood actress. HBO will air the film next year. The Weinstein Company’s Silver Linings Playbook centers on Pat Solitano (Bradley Cooper) who after a court-ordered stay at a psychiatric facility, moves back in with his parents (Robert De Niro and Jackie Weaver) and tries to win back his estranged wife, Nikki. And into the mix comes Tiffany (Jennifer Lawrence) who is also volatile, but offers to help win Nikki back, but there’s a price. Ben Affleck’s Argo directs and plays Tony Mendez, a CIA agent who comes up with a daring plan to rescue six Americans hiding in the Canadian embassy in Tehran during the 1979 hostage crisis. Warner Bros. will release the film October 12th. The Sopranos creator David Chase makes his feature film directorial debut with Paramount Vantage’s Not Fade Away , closing HIFF on October 7th. Starring Sopranos star James Gandolfini, the film is set in the ’60s when the Rolling Stones appear on television and three best friends from the New Jersey suburbs decide to form a rock band. “These films, with their range and risk-taking creative choices, represent the pinnacle of what the festival has endeavored to achieve for the last 20 years,” said HIFF Director of Programming David Nugent in a statement. “The Oscar and Emmy recognition that each of these four filmmakers have already received is a testament to their vital creative force. I can’t wait to share their distinct visions with our audiences in the Hamptons.”

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Love, Marilyn, Argo & Not Fade Away Set For Hamptons Film Festival

Silver Linings Playbook Wins Top Audience Prize At Toronto International Film Festival

David O. Russell ‘s Silver Linings Playbook took top honors at the Toronto International Film Festival , winning the Blackberry People’s Choice Award Sunday. Unlike most of its top tier festival brethren, TIFF does not have a formal jury competition. Also taking an audience prize was Martin McDonagh’s Seven Psychopaths , which won the prize in the Midnight Madness category. The audience winner for Best Documentary went to Artifact by Bartholomew Cubbins. The Toronto International Film Festival prize winners: People’s Choice Award: Silver Linings Playbook , directed by David O. Russell Runners-up: Argo , directed by Ben Affleck and Zaytoun , directed by Eran Riklis Documentary People’s Choice Award:
 Artifact , directed by Bartholomew Cubbins
 Runners-up: Storm Surfers 3D , directed by Christopher Nelius and Justin McMillan, and Revolution , directed by Rob Stewart Midnight Madness People’s Choice Award: 
 Seven Psychopaths , directed by Martin McDonagh 
Runners-up: The Bay , directed by Barry Levinson and John Dies at the End , directed by Don Coscarelli Best Canadian Feature Film:
 Laurence Anyways , directed by Xavier Dolan Best Canadian First Feature Film (A Tie): Antiviral , directed by Brandon Cronenberg Blackbird , directed by Jason Buxton Prizes of the International Critics (FIPRESCI Prize) for Special Presentations Section:
 In The House , directed by Francois Ozon Prizes of the International Critics (FIPRESCI Prize) for Discovery Section:
 Call Girl , directed by Mikael Marcimain NETPAC Award For Best Asian Film:
 The Land of Hope , directed by Sion Sono Award For Best Canadian Short Film:
 Keep a Modest Head , directed by Deco Dawson

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Silver Linings Playbook Wins Top Audience Prize At Toronto International Film Festival

Michael Moore, Others Lose WikiLeaks Founder Bail Money; Chris Dodd Gives Thumbs Up to Dems Stance On Intellectual Property: Biz Break

Also in Wednesday morning’s round-up of news briefs, director Ben Wheatley boards a project set in the 17th century. Scott Derrickson eyes a paranormal police thriller. And the Toronto International Film Festival ‘s Capital gets a deal. Ben Wheatley Eyes Psychedelic A Field in England The Kill List director’s next project is described as a 17th century tale set during the English civil war. The story written by him and wife/creative partner Amy Jump revolves around the aftermath of a large battle in which a group of deserters is captured by an alchemist ( Kill List ‘s Michael Smiley) and his henchman, The Guardian reports . Scott Derrickson to Direct Beware the Night Derrickson ( The Exorcism of Emily Rose ) will direct the paranormal police thriller. The story is set in New York and follows a police officer who investigates real-life demon possessions, exorcisms and werewolves after dark, The Wrap reports . Michael Moore, Ken Loach, Others Lose Julian Assange Bail Money Filmmakers Michael Moore and Ken Loach as well as socialite Jemima Khan and publisher Felix Dennis have lost £200,000 ($317,130) in bail money they had provided for the WikiLeaks founder after he fled to the Ecuadorian embassy over the summer to avoid extradition to Sweden where he faces sexual assault charges. Oliver Stone, Danny Glover and Bill Maher were among the signers of a petition earlier this summer requesting that Ecuador accept Assange’s asylum request, THR reports via the Guardian . MPAA’s Chris Dodd Praises Democratic Party Stance on Intellectual Property The former Democratic senator gave his approval to the Democratic Party platform position on internet freedom and intellectual property a week after saying similarly about the Republican Party platform’s position about the two issues. Dodd said he was “pleased” adding that it “reinforces the critical importance of protecting America’s intellectual property while ensuring the free flow of information on the internet,” THR reports . Political Suspense thriller Capital Heads to Theaters Cohen Media group has picked up the Toronto 2012 title directed by Costa-Gavras. The film centers on a head of a giant European investment bank who desperately clings to power when an American hedge fund company tries to buy them out. Gabriel Byrne stars, Deadline reports .

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Michael Moore, Others Lose WikiLeaks Founder Bail Money; Chris Dodd Gives Thumbs Up to Dems Stance On Intellectual Property: Biz Break