Not everyone loves big poppa ? Brooklyn Board Decides Notorious B.I.G. Doesn’t Get Street Name Via Gawker reports: Earlier this year, Brooklyn resident LeRoy McCarthy started an online petition to name a local street corner after Biggie Smalls, specifically an intersection near the late rapper’s childhood home. The petition gained enough strength to be brought before a community board hearing yesterday and DNA Info reports that the board members weren’t so keen on dedicating part of their neighborhood to the man responsible for “Ten Crack Commandments.” In fact, they complained that Biggie was too criminal, too misogynistic, and, weirdly, too physically unfit to deserve the tribute. That’s essentially what one member told the room: CB2 member Lucy Koteen said she “looked up the rapper’s history” and read what she had learned to the full board Tuesday night. “He started selling drugs at 12, he was a school dropout at 17, he was arrested for drugs and weapons charge, he was arrested for parole violations, he was arrested in North Carolina for crack cocaine, in 1996 he was again arrested for assault, he had a violent death and physically the man is not exactly a role model for youth,” she said. “I don’t see how this guy was a role model and frankly it offends me.” Meanwhile, another board member, Ken Lowy, owner of the Brooklyn Heights Cinema, objected to how Biggie talked about women in his songs. But the lyricist just used street vernacular, countered petitioner LeRoy McCarthy, also lamenting to DNA Info that “board members should not hold Wallace’s physical appearance nor how he died against him.” Only white artists get a pass for their personal foibles and questionable messaging in their work, duh. Biggie’s too bad, but we celebrate racist mass murderers several times a year in the US. Continue reading →
Good news for us but the Post Office still needs to get them checks to start coming in! Via NY Post reports : The U.S. Postal Service says it will delay plans to cut Saturday mail delivery because Congress isn’t allowing the change. The Postal Service said in February that it planned to cut back in August to five-day-a-week deliveries for everything except packages, as a way to hold down losses. But a statement Wednesday from agency’s Board of Governors notes that Congress has passed a spending bill that continues the long-time prohibition against reducing delivery days. As a result, the board says it believe that Congress “has left it with no choice but to delay implementation” of the five-day-a-week plan. Damn… Isht sounds like times are hard over there. Barack need to help ‘em get the dollars up!
Good news for us but the Post Office still needs to get them checks to start coming in! Via NY Post reports : The U.S. Postal Service says it will delay plans to cut Saturday mail delivery because Congress isn’t allowing the change. The Postal Service said in February that it planned to cut back in August to five-day-a-week deliveries for everything except packages, as a way to hold down losses. But a statement Wednesday from agency’s Board of Governors notes that Congress has passed a spending bill that continues the long-time prohibition against reducing delivery days. As a result, the board says it believe that Congress “has left it with no choice but to delay implementation” of the five-day-a-week plan. Damn… Isht sounds like times are hard over there. Barack need to help ‘em get the dollars up!
I do not watch Basketball Wives…I’m really not into this miserable TV programmer or the bottom feeders who humiliate themselves for it…so I don’t know who this Draya is or who she is married to…I just know she’s pretty good at Halloween…apparently she’s Chris Brown’s ex gf…who he didn’t beat up for fame like she was Rihanna..and she doesn’t matter but her costume does.
It amazes me that I know who people like Kelly Brook are…because I do not give a fuck across the board….it actually amazes me that I spend my days up on this garbage…but it doesn’t amaze me as much as these lovely self shot pics of Kelly Brook….a girl or woman who knows getting naked is the key to success….a lesson you all need to learn….this is a good instagram pic.
In the wake of Rich Ross’s departure from Disney , former Warner Bros. chairman Alan Horn has landed the job of replacing him — and turning the studio around from its John Carter epic fail. Horn, who guided WB to hit franchises like Harry Potter and The Dark Knight (and, fun fact, was also in the Air Force!), will now head all of Disney, Pixar, and Marvel Studios films, along with Touchstone-distributed DreamWorks titles. So, best of luck. No pressure or anything! Full press release: BURBANK, Calif. – May 31, 2012 – Bob Iger, Chairman and CEO of The Walt Disney Company, announced today that Alan Horn has been named Chairman of The Walt Disney Studios effective June 11. Horn will oversee worldwide operations for The Walt Disney Studios including production, distribution and marketing for live-action and animated films from Disney, Pixar and Marvel, as well as marketing and distribution for DreamWorks Studios films released under the Touchstone Pictures banner. Disney’s music and theatrical divisions will also report to Horn. Horn has been a prominent figure in the film and television industry overseeing creative executive teams responsible for some of the world’s most successful entertainment properties including the Harry Potter film franchise and the hit television series Seinfeld among others. “Alan not only has an incredible wealth of knowledge and experience in the business, he has a true appreciation of movie making as both an art and a business,” said Iger. “He’s earned the respect of the industry for driving tremendous, sustained creative and financial success, and is also known and admired for his impeccable taste and integrity. He brings all of this to his new role leading our studio group, and I truly look forward to working with him.” “I’m incredibly excited about joining The Walt Disney Company, one of the most iconic and beloved entertainment companies in the world,” said Horn. “I love the motion picture business and look forward to making a contribution as part of Bob Iger’s team working closely with the dedicated and talented group at the studio.” Horn was most recently President and COO of Warner Bros. Entertainment where he had oversight of the Studios’ theatrical and home entertainment operations, including the Warner Bros. Pictures Group, Warner Premiere (direct-to-platform production), Warner Bros. Theatrical Ventures (live stage) and Warner Home Video. During his 12 year tenure, Warner Bros. Studios was the global box office leader seven times. Among the numerous critically acclaimed films and box office hits released during his tenure are all eight films in the Harry Potter series, The Dark Knight, Charlie and the Chocolate Factory, Happy Feet, Sherlock Holmes, The Departed, Batman Begins, Million Dollar Baby, the second and third Matrix films and the Ocean’s Eleven trilogy. Horn is also an executive producer of The Hobbit: An Unexpected Journey. Before joining Warner Bros., Horn co-founded Castle Rock Entertainment where he served as Chairman and Chief Executive Officer. He oversaw the creation of many critically acclaimed and beloved films including Best Picture Oscar nominees A Few Good Men, The Shawshank Redemption and The Green Mile as well as When Harry Met Sally, City Slickers, In the Line of Fire and the most successful show in television history, Seinfeld. Horn has also served as President and Chief Operating Officer of Twentieth Century Fox Film Corporation and was Chairman and CEO of Embassy Communications. He is a member of the Academy of Motion Picture Arts and Sciences, the Academy of Television Arts and Sciences, the American Film Institute and the Museum of Broadcasting. He serves on the Board of Directors of the American Film Institute; as a Vice Chairman of the Natural Resources Defense Council (NRDC); is a co-founder of the Environmental Media Association (EMA); on the Board of Trustees for the Autry National Center in Los Angeles; and on the board of Harvard-Westlake School. Horn received his MBA from Harvard Business School and served as a captain in the U.S. Air Force. [ Deadline ]
Several major shifts indicate that the network, currently at fourth place, is looking to rebuild from scratch. By John Mitchell “The Voice” judges Cee-Lo, Adam Levine, Christina Aguilera and Blake Shelton Photo: Getty Images Ahead of its upfront presentation on Monday (May 14), NBC has released its 2012-2013 primetime schedule , and it is heavy on shakeups as the struggling network attempts to refocus and make itself “Must-See TV” again. The biggest and strangest move is the shift of comedies “Whitney” and “Community” to Fridays at 8 and 8:30 p.m., respectively. NBC entertainment chairman Robert Greenblatt, in an interview with Entertainment Weekly, did not beat around the bush when addressing how industry pundits interpreted the move. “I know that most people in our industry think Friday is a graveyard but we don’t really believe that,” Greenblatt said about the move. “If you don’t build it they won’t come.” Dramas and crime procedurals aimed at an older audience (think “Ghost Whisperer” and “Medium”) have historically been the only shows able to maintain an audience on the difficult night, and it’s telling that the network made this same move with another low-rated cult hit comedy, “Chuck,” on its fall schedule last year. Beyond “Community,” there are several major moves on NBC’s lineup that indicate a long-term, full-scale programming overhaul that execs no doubt hope will help the network move out of fourth place and restore the Peacock to its former glory. Below are some of the biggest changes and what they might mean for the future of your favorite shows. “The Voice” returns in the fall to anchor Mondays and Tuesdays “The Voice” has been one of the few true hits NBC has been able to launch in the last several years. Its overall ratings are strong and it is a leader in the 18-49 demographic that advertisers covet. NBC is banking on the show big time next year, airing two cycles (fall and spring) instead of just one, and pairing it with its three most buzzed-about new shows, hoping that its ratings lead-in will spell success across the board. On Mondays, “The Voice” will toss to J.J. Abrams/Eric Kripke’s hotly anticipated thriller “Revolution” and on Tuesdays to comedies “Go On” and “The New Normal.” “Go On” marks Matthew Perry’s return to NBC after several well-liked but low-rated attempts (“Studio 60,” “Mr. Sunshine”) to rekindle his TV stardom and he’s not taking any chances — the show, a single-camera comedy about a struggling sportscaster, was written and created by his former “Friends” showrunner Scott Silveri specifically for him. Like “Revolution” and “Go On,” “The New Normal” comes from the mind of another TV giant, “Glee” creator Ryan Murphy. About a gay couple (Andrew Rannells and “Hangover” star Justin Bartha) and their attempts to start a family with a surrogate (Georgia King), who herself is hoping to give her 8-year-old daughter a new start, “Normal” was considered such a sure thing based on its strong pilot and Murphy’s clout that the show began staffing before NBC had even officially announced its pickup. “Go On” and “Normal” — along with new Wednesday comedies “Animal Practice” and “Guys with Kids” — represent NBC’s push to develop new comedies as it looks to find shows to replace those currently holding down its low-rated, award-winning Thursday lineup. Thursdays stay the same … for now NBC has already announced a shortened, 13-episode final season for “30 Rock,” though it pleased many by announcing it was sticking by “Up All Night” and “Parks and Recreation.” Neither show has ever been an all-out ratings winner, but both have been consistent performers, drawing better ratings on Thursdays than the aging “Rock.” While “The Office” is experiencing series-low numbers, it remains the top scripted comedy on the network (that’s how tough things are for NBC right now), and “Parks and Rec” held on to more of its “Office” lead-in audience than either “Rock” or “Night” did in the 9:30 timeslot, so it’s no surprise NBC is keeping the acclaimed comedies where they are. But with ratings flagging across the board, NBC’s move to keep its Thursday lineup is probably an attempt to appease the very fans they will court for new shows. (“The New Normal” is aimed squarely at the same young adult-to-early-30s audience that got riled when the net didn’t announce an immediate pick-up for “Parks.”) With so many new comedies in the works at NBC, fans of its Thursday shows would be silly to think that — unless they experience a major ratings turnaround next season — this won’t be the last season of both “The Office” and “Parks and Recreation.” “Up All Night” could benefit in the long term if “The New Normal” or any of the family-centric sitcoms the net is launching on Wednesdays take off. NBC execs reportedly like the show, and it is new enough to thrive if paired with the right lead-in. Say farewell to “Community” and “Whitney” When it comes to “Community,” Greenblatt perhaps protests too much. The show enjoys a devoted cult audience, but it simply isn’t large enough to justify keeping the show on the air much longer, and it’s very unlikely the small audience it does have will follow it to Friday nights. That said, as with “Parks and Rec” and “The Office,” the net doesn’t want to alienate the show’s fans, so it will — just as it did with its cult-favorite “Chuck” last year — let the increasingly troubled comedy burn off its remaining episodes and go out with a planned-for conclusion. Need more proof that the show is on its way to the graveyard? Consider its haphazard, ill-fitting lead-in, “Whitney.” The two shows are not only polar opposites on their own, they are aimed at entirely different audiences. (Interestingly, don’t be surprised if “Whitney,” which skews older, does better on Fridays than “Community.”) After both shows inevitably bite the dust, we wouldn’t be surprised if NBC shifted “Law & Order: SVU” to Fridays to let the show, which has seen its own ratings fall dramatically since Christopher Meloni’s departure, either wind down or enjoy a small-scale resurgence. “SVU” is a more logical fit with the net’s current Friday procedural fantasy “Grimm” and the two shows could prop each other up. What do you think of NBC’s programming changes? Let us know in the comments below
Screw moustaches . I give you… Assdance : “Call for entries soon! (THE FILM FESTIVAL IN WHICH ONLY FILMS REJECTED BY SUNDANCE CAN FINALLY BE SCREENED!) All films submitted will be viewed and chosen by a legendary Board of Directors while high on ambien, drunk, and/or stoned (or most likely all at once). Films chosen as Official Selections will simply be the ones which the Board of Directors felt were enjoyable while wasted! That’s it. Call for entries TBA!” [ ASS Studios ]
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