Sisters dressed the same like they were 5 may be appealing to some of you…but reminds me of little kids playing in the park at a birthday party….meaning it isn’t sexy…unless you factor in that they aren’t little kids…at least one of them isn’t a little kid…and the one who isn’t a little kid is trying to train and whore out the one who is a little kid….so that the one who isn’t a little kid is not the disgrace of the family for leaking nude pics to advance her career….but the one who is a little kid is for whatever whore moves she pulls to stand out from her family’s expectations…and the whole thing is confusing….unless you understand the dynamic of older whore sisters training younger sisters to be bigger whores than they are…you know cuz they paved the way for them….cuz I am pretty sure that’s what is going on here and the parents don’t care….cuz they are getting paid….. If this post made no sense…I just want you to know it makes perfect sense to me.
It’s a sad day for Skinema lovers all over the world as we bid farewell to sexploitation legend Sylvia Kristel . A beauty queen in her native Holland, Sylvia first became famous for her fantastically nude role as the original Emmanuelle (1974). One of the first erotic films to be shown in mainstream theaters, Emmanuelle was a massive success that went on to play in one Parisian cinema for a staggering 11 years. She returned for the sequels Emmanuelle 2 (1975), Good-bye, Emmanuelle (1977), and Emmanuelle IV (1984). As the slinky, supple embodiment of ’80s Euro eroticism, Sylvia went on to star as the legendary seductress Mata Hari (1985) and as a sexually adventurous housewife in Lady Chatterley’s Lover (1981). She then brought her heaving hills to Hollywood for parts in the skin classics Private Lessons (1981) and Private School (1983), although personal problems eventually brought her career to a standstill. Sylvia was diagnosed with cancer this past July, and her agent Marieke Verharen tells the AFP news agency that “” she died during the night during her sleep. ” Good-bye, Emmanuelle. You will be missed. Celebrate the life and career of Mr. Skin Hall-of-Famer Sylvia Kristel right here at MrSkin.com
OLGA KURLYENKO …..is awesome…not because I know of anything she’s ever done in her modeling or acting career…but because in 2001 she became a French citizen thanks to marrying a french photographer…and marriage for citizenship and not for love is my fucking Jam….I mean…that’s really the only asset to being married…that and getting half of a person’s money when you divorce….other than that…shit is just a miserable fucking prison sentence you can’t escape…. She’s 32, who fucking cares what she’s done in her career…what matters is that she’s on the beach in a bikini and putting that shit on social networking….cuz girl wants to be noticed….and I like girls who like to be noticed…they make the internet more tolerable.
You know how actresses are always talking about how they’d go nude “for the right role”? Although she admits she was uncomfortable with nudity earlier in her career, for 49-year-old Helen Hunt , The Sessions (2012) was it. ” I’d never heard of a sex surrogate, and I didn’t even think about it, frankly — I just thought, I never read a good movie, and this is a good movie ,” Helen tells New York Magazine’s Vulture about her racy role. ” She had this enthusiasm and this sense of adventure about sex, and I’d never seen anything like it. ” ” I could tell [writer-director Ben Lewin ] had an interesting take on the whole thing,” Helen says about her choice to go full frontal for the first time in her career. “I felt scared to do the part, but I didn’t feel scared of [nudity]. ” Not that it was easy: ” I had to be vulnerable for so long…I loved it and felt liberated by it, but by the twelfth hour, I just wanted to be in my sweatpants, in my zip-up hoodie, socks on my feet, eating an In-N-Out burger in my bed, ” she says. So should young actresses take on roles that require nudity? ” You gotta pay your rent ,” Helen says. ” You gotta pay your rent, and you have to feel good about your choices, you know what I mean? So wherever you can find the balance between those two things, that’s the line you have to draw. ” It’s been fifteen years since the last time we saw Helen Hunt nude in Then She Found Me (2007), so take a stroll down mammary lane with pics and clips right here at MrSkin.com!
Director Sam Mendes and screenwriters, Neal Purvis, Robert Wade and John Logan have done a very wily thing for James Bond’s 50th anniversary: They’ve given 007 a midlife crisis. The trauma takes root during the white-knuckle opening of Skyfall , the best film so far of Daniel Craig ‘s run as Ian Fleming’s suave super spy and one of the best of the Bond franchise. After chasing his quarry by motorcycle over the rooftops of Istanbul’s Grand Bazaar and piloting an earth mover over a speeding train to keep his target from escaping, a wounded Bond loses the battle, and, it appears, his life. But since the movie has only just started, there’s not much doubt that he will back after the eerie-but-dreamy titles sequence set to Adele’s lush theme song . ‘ When he appears on screen again, Bond’s in paradise and presumed dead in the U.K. His wounds have healed, except for the big psychic gash that has him drinking shots while balancing a riled scorpion on his wrist for sport. Alas, even paradise has CNN and, soon, Bond is learning from Wolf Blitzer that MI6’s headquarters have been bombed and it’s time for him to return to the service of his country. Except it’s not as easy as that. After Mike Myers strip-mined the Bond franchise for his Austin Powers parodies, the Bond writers take a cue from The Spy Who Shagged Me and explore the idea: what would happen if James Bond lost his mojo? Although Craig’s chiseled body does not exactly cooperate with the plotline, he does the best acting of his career playing a supremely confident man grappling with the onset of doubt: doubt in himself, doubt in his work and doubt in his superiors, who with the exception of M (played once again with stately grit by Judi Dench), seem to be of the mind that 007 has passed his sell by date. But, shaky as his trigger hand may be, 007 is not going down without a fight. There’s a wonderful scene in the National Gallery in London where Bond meets the new Q, who turns out to be an insouciant young whippersnapper played by the excellent Ben Whishaw. As man and boy genius stare at J.M.W. Turner’s painting The Fighting Téméraire’ tugged to her last Berth to be broken up, Q sets the tone by describing the image as a “grand old warship being ignominiously hauled away to scrap.” He then boasts that he can accomplish more while working his laptop at home “in my pajamas.” Guys like Bond, he implies, are only still around because “Every now and then a trigger has to be pulled.” “Or not pulled,” 007 replies before going in for the kill. “It’s hard to know when you’re in your pajamas.” Craig’s searing, stoic performance is beautifully complemented by Javier Bardem’s flamboyant turn as Silva, a former MI6 operative and computer genius who has stolen the list of every NATO agent embedded in enemy camps across the globe and is slowly blowing their covers. Bardem vaults into the pantheon of Bond villains by playing Silva as a bleach-blonde, computer savvy Anton Chigurh, who appears to have a thing for Bond. Even more remarkable, when Silva reveals this attraction to his bound former colleague by caressing his chest, 007 coolly alludes that it wouldn’t be the first time he’s gotten it on with a guy. Silva has a different kind of hard-on for M, who turns out to be the reason he has hatched his evil plan, which, like the rest of the movie, is more plausible and human-scale than a lot of the world-domination hoo-ha that has taken place in previous Bond films. “Think on your sins,” is the warning message that Silva repeatedly sends M, and when he eventually recounts the blood-curdling turn of events that led him to turn his back on his country, it’s difficult not to have some empathy for him. Skyfall has most of the familiar ingredients of Bond film — beautiful women, sleek cars — the Aston Martin DB5 makes a cameo appearance that will be talked about for a long time — memorable villains and intense action scenes. And yet, the movie is also full of surprises, small and pivotal. You won’t find me spilling any of them though. Not unless martinis are involved. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.
He and two of his team-mates hooked up with a 12-year-old. Reports say the alleged act was consensual , but the boys have been charged with child rape since the state rules ‘anyone under the age of 13 cannot consent’ to intimate adult activities…if convicted, they face 30 years in prison since Tennessee has very strict Age of Consent Laws. SMH. According to The Daily Mail : A small Tennessee town has been rocked by child rape charges against the high school’s star quarterback who allegedly had relations with a 12-year-old girl who fell pregnant. Princeton Harlan, 18, who has garnered interest from six colleges across the southeast to play football, was charged with two other team-mates for child rape in Mount Pleasant, Tennessee on Wednesday. Harlan, who was released on $100,000 bail, stands accused of having relations with a 12-year-old girl who fell pregnant in July and terminated the pregnancy, authorities said…Tennessee, Vanderbilt, Auburn, Kentucky, Mississippi State and Cincinnati have shown interest in the 6-foot-4, 188-pound senior quarterback, the paper reported. Holder, who knows Harlan and the family of the 12-year-old, added: ‘It’s traumatic for what’s happened for her. For both parties involved it’s pretty hard.’ Another local, Wayne McWright, called the news ‘alarming’. ‘It’s a tragedy more so for the young girl,’ he said. ‘Then also my heart goes out to the young fellow, too, because somehow he got off track. Young people sometimes do foolish things.’ Harlan was released from jail on Wednesday after posting $100,00 bail. He will be arraigned November 5. Authorities began investigating Harlan and two other suspects, a 16-year-old and a 17-year-old, last month after the girl told her mother she thought she was pregnant, WKRN reported. She was four-and-a-half weeks pregnant when the pregnancy was terminated, authorities said. They have not given any indication on who fathered the child. The teenagers allegedly had relations with the girl on separate occasions in July but police would not reveal how they met the child. Harlan was arrested without incident outside the high school. The other teenagers have not been named because of their ages but have been released to their parents. Too many questions for this one. Where were her parents? Wonder if these boys knew how old she was?? SMH…These kids grow up too fast these days. Images via facebook
At least the title sounds funny. Will this show bring in the same ratings as ANTM though? According to Yahoo News: America’s Next Top Model executive producer/star Tyra Banks is making her first foray into scripted series with Fivehead, a single-camera comedy for ABC based on her teen years. Banks is co-creating/executive producing Fivehead with Kenya Barris (Fox’s I Hate My Teenage Daughter), a childhood friend and longtime business partner with whom Banks also co-created America’s Next Top Model, now in its 19th cycle. Fivehead, produced by ABC Studios, chronicles the impressionable teenage years of Banks in the halls of her high school and at home, focusing on her family and the long journey that took Banks from awkward teen to one of the world’s most recognizable supermodels. “In high school, if you have glasses, you’re a ‘four eyes’, if you have braces, you’re a ‘metal mouth’ but if you had my forehead? You’re a FIVEHEAD,” said Banks. Barris and Banks will co-create together the characters and the story for Fivehead, and Barris will write the script. The two first met when they were 6-year-olds and attended school together, which gives Barris a first-hand account of the very times Banks and he will be reminiscing about in Fivehead. “To be able to witness her career was wild, but to be able to watch Tyra grow up was nothing short of nutty,” said Barris. “I am blown away by the opportunity to tell not just a great story but a story that I remember so fondly.” Congrats Tyra. Will you be watching? Images via WENN
I know things had gotten bad for Lindsay Lohan the past few years, but you know your career’s gone south when you’re doing red carpets for an energy drink. Oh well. At least Lindsay’s hotness is making a serious comeback. And I just had a great idea: this company should hire Lindsay as their new celebrity spokesmodel. They’d definitely be getting their money’s worth. Lindsay’s freckled cleavage always perks me up. » view all 34 photos Related Articles: Lindsay Lohan’s Breasts Are Looking Healthy Lindsay Lohan Bikini Top Boobs Heaven Lindsay Lohan Looking A Little Swollen Lindsay Lohan’s Breasts Went Back To Court Photos: WENN.com
To be honest, I don’t know much about this Ariana Grande , other than that she’s apparently on the same kids’ show as Victoria Justice . But what I do know is that she’s pretty cute and she’s wearing a nice tight set of leggings in these pictures. And with a little help from the Tuna, that’s probably enough to make Ariana a household name. She’s just got to stop focusing on filming TV shows and movies, or whatever it is she’s doing here, and start focusing on sending me bikini pictures. But only if she’s really serious about helping her career. I don’t take the Hollywood Tuna Mentoring program lightly. Related Articles: Amy Childs Is My Kind Of Lady Adriana Lima Forgets To Wear Her Bra Adriana Lima’s Got Nipple -Itis Adriana Lima’s Two Million Dollar Boobies Photos: Fameflynet
Hollywood veteran Martin Landau earned an Oscar in his first collaboration with Tim Burton , 1994’s Ed Wood , and for Burton’s latest and most personal picture, Frankenweenie , the filmmaker cast his erstwhile Bela Lugosi as the eccentric but inspirational Mr. Rzykruski — the science teacher who nurtures young Victor Frankenstein’s budding talents and encourages him to forge his own path. It’s a fitting role for the 84-year-old Landau, who lit up as he discussed Frankenweenie and his longtime parallel career as an acting coach to the likes of Jack Nicholson, Anjelica Huston, and many more Hollywood greats under Lee Strasberg at the Actors Studio. Tim Burton cast you as Mr. Rzykruski, Victor’s teacher and he’s quite the character: At first imposing and foreboding, he’s revealed to be one of Victor’s only kindred spirits. What did you make of him at first and how did you find his quirks? It’s a fun character, and the thing that amazed me is that I saw an arc and if I could play it on camera I’d play it exactly the same. I did [the voice recording] first and the animators animated after. It was just my voice, but Tim sent me pictures of the character and it looked like me years ago, or Vincent Price and me mixed up, a caricature of me with dark hair and such. I saw him as a loving man, but eccentric as hell and passionate! And also, European – but not specifically from a country. It said that; it said it’s a generic accent. It’s not German, it’s not Russian, it’s not Hungarian, but it’s European. [In Mr. Rzykruski’s voice] So I lowered the voice . The relationship between Victor and Mr. Rzykruski is the best child-adult relationship in the film, and probably the most important one. He’s the one who inspires the kid, with science and the frog! He’s somewhat outlandish and certainly not a diplomat. If you’re a teacher you don’t call your students’ parents stupid. It’s a great line, though. It’s a funny line, and I knew it. But again, the movie is funny, moving, and scary in equal parts and I love that. This is a movie Tim wanted to make three decades ago and couldn’t. He made a short live-action version of it, but the one blessing is that if he had done it then it wouldn’t be in 3-D. But it’s not stuck on 3-D, things coming at you to shock you. You also happen to be a teacher off-screen, having spent many years with the Actors Studio where so many talents passed through over the decades. It was a different time. A lot of my contemporaries have passed away, which is sad, but I still run the Actors Studio on the West Coast with Mark Rydell – [Al] Pacino, [Harvey] Keitel and Ellen Burstyn run the New York Actors Studio so we’re in touch with each other all the time. And I work with a lot of young actors and help them. Why did you first begin teaching? I started teaching when I was in my 20s because Lee Strasberg asked me to, and he didn’t do that with a lot of people. Why do you think he did? At the Actors Studio when I got in, he’d ask for comments and I’d raise my hand and critique the actors succinctly and helpfully, and I think he noticed that. One day he said “I want you to teach – I’ve got a waiting list and I’m going to send some of my people to you.” He sent me off, teaching. Jack Nicholson was my student for three years, and Harry Dean Stanton, Anjelica Huston; a lot of people have studied with me. It’s paying my dues, because as a young actor I benefited from getting in. The year I got into The Actors Studio, Steve McQueen and I were the only two accepted that whole year. Two people, Steve and me. It’s still tough to get in. Lifetime membership. Who was your favorite student? That’s hard – they’re all my kids. I’ve got two daughters and it’s impossible for me to say one of them is a favorite. Fair enough! Was there one actor who surprised you the most over the years? Nicholson did, but he had some problems. He would kind of surround a moment that he didn’t want to embrace. I found that those things were probably the richest part of his talent, which he was avoiding because it was very hurtful. But I wanted him to know that it wasn’t going to hurt him. You can’t perish because of your own feelings, you have to embrace those things as an actor because it’s part of your palette. How did you help him? I had him do a bunch of exercises that would connect his voice, his body, and emotions. A lot of actors lead with their voices and their bodies follow; they’re split, they’re not together. The instrument is not working as a unit. To get them to become good actors… all an audience wants to believe is that what’s going on up there is happening for the first time ever. You don’t want to see the rehearsals, you don’t want to see the work. You want to see two people in conflict or people connecting, but I don’t see a lot of that. There are some movie stars who are considered good actors who put me to sleep. I’m not going to mention their names! You could be talented but if you don’t use that talent well you’re depriving yourself. Craft is about talented people who shut down easily because they’re vulnerable, they’re hypersensitive, where your talent actually short-circuits you. People who are less vulnerable are usually not that interesting. [Laughs] So when your own talent acts as a deterrent, you’ve got to pay attention to that. How do you open that up? How do you create relaxation when you start getting tense because you’re sensitive to a situation? Tension will shut you down. Your sphincters will all close up. Talented actors have problems; it’s like a violin playing a violinist, where the instrument itself shuts the talent down. It’s a matter of managing that, then. Getting the actor to trust his talent and trust his instrument. No one tries to cry. Bad actors try to cry. Good actors try not to cry. How a character hides his feelings tells us who he is. No one shows their feelings except bad actors! No one tries to laugh! If I tell you a racial joke and you laugh, you’re telling me something about yourself – you’re revealing something. A drunk doesn’t try to be drunk; he wants another drink! One of the most studied things is a drunk picking up a full glass of booze [affects drunken mannerism, grabbing an invisible glass]… and bringing it to his mouth. It’s not sloppy. [Slurring] It’s ve-rrry … concentra-aated . Anyway, I never met two people who were alike so I’ve never approach a character as the same character. They’re physiologically different, environmentally different, emotionally different – they’re all different, and that’s what makes it exciting, still, for me. What’s your relationship with Tim like, after years of working together? Well, we kind of understand each other. He doesn’t have to say a whole lot to me. But I’m rarely directed by anybody. I really haven’t been directed by anybody in 30 years. A good director hires good actors and creates a playground, and you play. You come up with stuff that no one could quite envision. I saw this character not only vocally but physically, behaviorally, and to my pleasure what they came up with was exactly as I would have done it if I’d been acting and it wasn’t animation. That thrilled me, because it was like, wow – they caught it from the voice and it’s exactly as I saw it! Because I saw the arc. There was an arc; he gets fired and gives the kid advice, but it’s sad in a certain sense. He doesn’t restrain himself, this guy. Rzykruski seems to understand why his progressive thinking doesn’t fly in the suburbs. He is who he is, and I love that about him. He’s a zealot. He loves science, and the fact that people don’t understand it in the way that they need to upsets him. He sees this kid and he immediately thinks, “This kid’s okay.” He doesn’t know what the kid’s doing, because from the frog’s reaction the kid channels lightning… but Tim loved Frankenstein. He loved Dracula as a kid. This has been festering in him all these years. He never lost this movie, and you think about that – it’s three decades later and this is probably the most Tim Burton film. Edward Scissorhands was as well but he wanted to do that as an animated film and couldn’t, but that was fortuitous in that it introduced him to Johnny Depp, and that became very important to him and to Johnny – and to me too, in a way, because I loved working with Johnny and Tim in Ed Wood . Ed Wood is fantastic. The relationship between you three on that project really jumps off the screen. It’s a fun movie. We had a good time. A great time, actually. Johnny and I hit it off, Tim and I hit it off. You also started out as a cartoonist early in your career. Do you think that had something to do with you and Tim getting on so well? You kind of see things visually, and maybe that’s a little bit of it. Tim and I draw differently; I have a bit of an Art Deco style. Do you still draw? Oh, all the time! I’ve got thousands of what I call doodles, although they’re not doodles. Tim’s seen them. But yes – the visualization is there for me too, in a way. I see the character, and then I work on all of those things into a subjective form. They’re objective, and I make them part of me. We’re all capable of it. Where do you go from here? The next thing I know I’m doing is I’m going to London to do more work for Frankenweenie . I’d like this picture to do well. And the BFI is giving me a lifetime achievement award. How does that feel, to receive an honor like that? Well I’ve got a lot of those now. I keep saying, “I’m not done!” Follow Jen Yamato on Twitter . Follow Movieline on Twitter .
