‘I Will Always Love You’ is the #1 song on iTunes, and the pop legend is likely to re-enter Billboard top 10. By John Mitchell Whitney Houston Photo: Kevin Mazur/ WireImage Sales of Whitney Houston ‘s albums and singles have soared since news of her death arrived late Saturday afternoon, so much so that the late pop superstar’s 2000 hits package, Whitney: The Greatest Hits, is expected to re-enter the album charts this week in the top 10. Billboard is projecting that Houston’s Hits package likely moved 50,000 copies in the day-and-a-half window between when news of her death was first reported and the close of Nielsen SoundScan’s business week. “In terms of sales impact, it won’t quite be like Michael Jackson, but it will be big,” Billboard ‘s associate director of charts Keith Caulfield told MTV News of the spike in sales for Houston’s albums and songs. “Most big pop stars have a perfect great hits and Whitney doesn’t, and that could factor into how the sales play out. I do think her track sales are going to be really big.” Houston released only one greatest hits package in the U.S., and it has been the album fans have turned to since her passing. It is, however, considered “a flawed greatest hits to a lot of people,” Caulfield said. “Half of it is remixes of her dance songs, so it’s not the familiar version of ‘I Wanna Dance With Somebody.’ It’s not the perfect greatest hits package for fans to turn to, so I don’t think it’s going to sell as well [as Jackson’s].” A look at the iTunes song and album charts reveals that Houston’s back catalog is indeed in demand: The singer currently has 28 tracks on the iTunes top 100 sellers list, including the #1 song (“I Will Always Love You”), and her 2000 hits package is the #2 album, trailing only Adele’s 21, which is itself experiencing a post-Grammy surge. Only one of Houston’s six studio albums (2002’s Just Whitney ) is not currently charting on the iTunes top 100 albums chart. The three soundtrack albums (“The Bodyguard,” “The Preacher’s Wife” and “Waiting to Exhale”) that feature her prominently, however, do appear. Seven of the top 10 titles on Amazon’s album chart also belong to Houston. It is, of course, not uncommon for a musician’s records to re-emerge on the charts in the wake of a tragic passing. Last summer, Amy Winehouse’s two albums , Frank and Back to Black, both leapt back onto the charts after the star’s death. Back to Black even reappeared in the Billboard 200 top 10 for several weeks, and sales of her most popular singles surged, with more than 111,000 digital track sales rung up in just the first week after her passing. The previous week, Winehouse had moved 5,000 downloads. However, nothing compares to the massive sales spike experienced after Michael Jackson’s death. Jackson died on June 25, 2009, and in the six months that followed, his back catalog moved 11 million digital downloads and 8 million albums. Two years later, those numbers had increased to 16.3 million downloads and 10.6 million albums, respectively, according to Billboard. Etta James also recently saw a sales surge following her passing from leukemia and other ailments. How long Houston’s albums will continue to play strongly on the charts remains to be seen, and Caulfield noted that Jackson’s massive posthumous sales had a great deal to do with the iconic nature of his earlier works and the “well-curated” hits packages that were released during his lifetime. “Michael had a couple of albums that were de facto greatest hits album, like Thriller, Bad or Off The Wall . They were self-contained greatest hits albums, in a way. Whitney’s earlier albums are much the same but they don’t have that iconic status,” Caulfield told MTV News. “Being the biggest-selling album of all time has a certain impact that, no matter how many hits [another album] has, it’s not on the same level on a global scale.” “The second thing, Michael had the #1s album, which was a very easy, obvious choice for people to purchase because it had all the big hits, or you had The Essential Michael Jackson, which had all that and more. There was even a box set,” Caulfield added. “There was a wealth of well-curated greatest hits albums for casual fans of Michael to purchase, and Whitney doesn’t have that.” Share your condolences with Whitney’s family and friends on our Facebook page. Related Videos Whitney Houston: Life And Music Of An Icon Related Photos Whitney Houston’s Music Video Style Remembered Whitney Houston: A Life In Photos Related Artists Whitney Houston
Last year, on her 42nd birthday, celebrity gossip tabloids were saying that Jennifer Aniston was lonely and going through inner turmoil on a daily basis. What a difference a year makes. With a serious boyfriend in Justin Theroux, a career that’s taken some fun new turns, and a face and body that seem to look better with age (we didn’t know that was possible, but Aniston’s defying the odds), she’s on top of the world. We’re sure the Brad Pitt rumors (reconciliation/love child/whatever) will surface again soon. That’s just how the tabloids roll … every month of every year. But today, on her 43rd birthday , there’s little doubt that in the real world, Jen has reached a much better place, both personally and professionally. Click to enlarge some of our favorite Jennifer Aniston photos below and share your birthday greetings for the43-year-old by leaving a comment …
Taylor Lautner is not gay , but he is now 20 years old! Indeed, The Twilight Saga stud muffin celebrates a birthday today, which comes at a perfect time: in between installments of his record-breaking franchise, Taylor can kick back, relax, maybe go on vacation. Unlike co-stars Robert Pattinson ( Bel Ami ) and Kristen Stewart ( Snow White and the Huntsman ), Lautner has no movie scheduled to come out before the November release of Breaking Dawn Part 2. So you might not be seeing a lot of him over the next couple months. Don’t worry, though. While you come up with birthday wishes to pass along, we’ll honor Taylor here with a photo montage. Get your fill of the hunk by clicking around now:
Jennifer Lopez is making a very strong case for why consumers should purchase her latest perfume, “Glowing.” A very strong, naked case, that is. The American Idol judge has stripped down entirely in order to promote her 18th fragrance – yes, seriously, her 18th ! – which is comprised of bergamot, cypress and mandarin, among other flavors, and which goes on sale in May. “Glowing is such a clean fragrance,” J. Lo told WWD . “That’s what I’ve always been about… At the essence, it’s still natural, earthy, clean and real, but a little different side of that. It’s the woodsy side of it, which I think is kind of New York-y, darker and sexier.” Let’s be honest: that sounds like complete and utter hooey. But we may need to pick up a couple hundred bottles, if only to encourage more naked Jennifer Lopez ads in the future.
Critics point out similarities to the ‘Bourne’ series and even Denzel Washington’s previous work. By Kevin P. Sullivan Denzel Washington and Ryan Reynolds in “Safe House” Photo: Universal Pictures Denzel Washington returns as a cynical old pro who must work with a novice in order to survive. This time it’s called “Safe House,” and Washington plays a rogue CIA operative under the protection of a rookie, played by Ryan Reynolds . “Safe House” has earned middling reviews, many of which take note of the film’s similarities to both the “Bourne” franchise and Washington’s previous work with director Tony Scott. Here is our roundup of reviews for “Safe House”: The Story “Washington plays the notorious Tobin Frost, a brilliant former CIA operative who’s turned traitor, selling secrets to any nation or enemy cell willing to buy them. After years on the run, he turns himself in at the American embassy in Cape Town, South Africa. He’s then taken to the local agency safe house where Reynolds, as the ambitious Matt Weston, is its bored, rookie minder. Matt longs to prove himself and see some real action in the field, and he gets it sooner than he expects when the house comes under a vicious, heavily armed attack and he and Tobin must go on the run together.” — Christy Lemire, The Associated Press The Stars “Mr. Washington, it almost goes without saying, is its anchor; when he’s on screen everything seems to matter more, so much so that a prequel seems inevitable. How Frost became the man that he did is one of the mysteries, as is how well Weston and the actor playing him will rise to the occasion. Mr. Reynolds, whose curiously unsettled career is its own puzzle, here rises to meet Mr. Washington’s challenge, investing Weston with a slow-building, believable vulnerability.” — Manohla Dargis, New York Times The Action “The movie, as if on an action time clock, punches in the standard set pieces: bloody fights, clattering shoot-outs, an escape through a packed soccer stadium. Some of this stuff is well-done, and some of it has been done a lot better. Yet ‘Safe House’, even when it’s pummeling you effectively, has very little up its sleeve. Basically, the movie is a fizzless ‘Bourne’ episode crossed with ‘Training Day,’ featuring Washington as a good-egg-gone-rotten who, you know, has his reasons. Mostly, he schools Matt, his guard-turned-pursuer, in what it means to lie.” — Owen Gleiberman, Entertainment Weekly The Director “Director Espinosa shoots virtually everything in tight but wobbly close-up, and the human and vehicular combat often brakes right at the edge of visual incoherence. Just as often the brakes give out completely. Even at its most frantic and mechanical, the movie relies on Washington to provide a visual anchor, some sociopathic calm amid the storm.” — Michael Phillips, Chicago Tribune The Final Word “Essentially a two-hour chase with a few brief breaks to catch its breath, ‘Safe House’ is an elemental cat-and-mouse game elaborated to the point of diminishing returns. Terse and understated, this is a spy vs. spy tale designed to minimize talk and maximize action, not at all a bad thing in movies but over-worked to near-exhaustion here.” — Todd McCarthy, The Hollywood Reporter Check out everything we’ve got on “Safe House.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: Safe House
Ha! It’s a trick! There are no words . Also: Totally coincidentally, I’m sure, the shoulder-surgery-party duo is now confirmed to be reteaming for the long-rumored prison-break flick The Tomb . [ WhoSay/Arnold Schwarzenegger ]
If it takes you a beat to remember the movie to which Journey 2 is a follow-up, that may not just be because the makers have opted for a trimmer title than, say, the marquee-busting, geographically confusing Journey to the Center of the Earth: The Mysterious Island . The 2008 Journey to the Center of the Earth was solid if unexceptional summer box-office fodder starring Brendan Fraser as a scientist who adventured through a Jules Verne-documented fabulous world hidden under the earth’s crust, accompanied by his young nephew Sean (Josh Hutcherson) and their dishy Icelandic guide (Anita Briem). This new film, directed by Brad Peyton (of, yes, Cats & Dogs: The Revenge of Kitty Galore ) has dropped Fraser to instead follow the less-familiar and less-charismatic Hutcherson as the series through-line. Sean’s grown to surly teenagerdom and has been reluctantly relocated to Dayton with his mom (Kristin Davis) and new stepdad Hank (Dwayne Johnson), who has to learn how to fill in as the boy’s latest father figure. I’m maybe unreasonably fond of the actor formerly known as The Rock, and his willingness to stride fearlessly and unabashedly into sequels like this despite having played no part in the earlier installments (see also Fast Five and the upcoming G.I. Joe: Retaliation ) is curiously endearing — he’s the poor man’s everyone, game to replace any star around whom a franchise was previously built. And he’s not a bad substitute for Fraser, sharing the same cartoon-caricature handsomeness and willingness to combine brawny bits of action with goofball silliness, an apparent must for the family action adventure. But Johnson’s disarming commitment to the doodle of a character he’s playing isn’t enough to inject life into the rest of the film, which is an anemic retread of beats and elements from its predecessor, taking place on a secret island hidden beneath a constant storm in the South Pacific rather than in an underground realm hidden inside an extinct volcano in the North Atlantic. Instead of continuing the story, Journey 2 just blatantly recycles it. In the role of competent local/love interest this time around is Vanessa Hudgens as Kailani, on whom Sean immediately develops a crush, and who’s accompanied by her father Luis Guzmán, strenuously working at being the comic relief. In the place of dinosaurs there’s a giant lizard. Instead of a roller coaster-style mine cart ride there’s a roller coaster-style chase in which everyone rides massive bees. In the first film, the characters had 48 hours to escape deadly rising temperatures, while in this film they have a little less than that to get away before the island sinks into the ocean. You can argue that there’s no need to mess with a formula that worked, especially given how young the intended audience for this film is, but the one thing Journey 2 can’t recreate is the novelty that still clung to 3-D in 2008. Journey to the Center of the Earth was advertised as “the first live-action digital 3-D movie ever,” and much of its charm lay in the nostalgically corny pleasure it took in the technology, the sense of wonder it demonstrated for making things appear to fly out of the screen, even if that meant having someone rinse their mouth and spit the water out at the audience. In the four years since, our love affair with 3-D has hit some rough patches, and while Journey 2 has moments of multi-dimensional inventiveness, like a trick of perspective involving sea life swimming by close to camera, or an erupting mountain framed by a window serving as a character’s TV, it doesn’t offer much in terms of memorable spectacle. In fact, the film’s effects can look surprisingly outdated given they’re the primary selling point, from the hazy fantasy landscapes to a submarine-escape sequence that resembles a video game cutscene. This franchise is based on the idea that everything Verne wrote about not invented but real — the Vernians, of which Sean’s late dad could be counted, seeks out the locations the author described in his books. But the films are actually focused on missing and surrogate father figures, with family members rushing off to explore and go missing rather than stay with their children and be there for them when needed. Michael Caine, cruising along, turns up as Sean’s flaky Vernian grandfather, Alexander, the man who lured the party out to the island in the first place. When the action slows down enough for characters to have a conversation, which is thankfully not often, Alexander and Hank bicker over and compete for Sean’s attention and admiration like dueling swains. Will Sean come around to his new stepfather, and will Alexander realize that being reliable is just as important as being exciting? Of course — this is a family movie, after all — but you’ll have to sit through some abrasively broad, unfunny exchanges to get there. Dialogue, alas, is the kind of thing that can’t be enhanced by the wearing of 3-D glasses. Follow Alison Willmore on Twitter . Follow Movieline on Twitter .
Film festivals have emerged as one of the best, most fertile grounds for discovering new voices in genre filmmaking, so much so that just about every fest these days has a midnight sidebar for edgier, darker fare. Among the just-announced midnight selections at this year’s SXSW Film Festival (held March 9-17 in Austin, TX): Tales of killer lady bartenders, faceless spooks, space-traveling Nazis, a deadly virus, VHS tapes , and the most evil kind of nightmare-inspiring villain imaginable, feral children. (Shudder.) Let’s rundown the freakiest-sounding offerings of the SXSW Midnight slate! 1. Intruders (Spain, UK) “The haunting story of two children living in different countries, each visited nightly by a faceless being who wants to take possession of them.” –> “Faceless being.” Not scary sounding enough to you? JUST LOOK AT WHAT THEY DID TO CLIVE OWEN’S FACE . 2. [REC] ³ GENESIS (Spain) “Koldo and Clara’s wedding is horrifically interrupted when some of the guests start showing signs of a strange illness. Before they know what’s happening, the bride and groom find themselves in the middle of a hellish ordeal, as an uncontrollable torrent of violence is unleashed on the wedding.” –> The first REC inspired an Americanized remake ( Quarantine ) and itself earned three sequels ( REC 4 is forthcoming). Mysterious viral outbreaks never get old… or do they? 3. The Tall Man “When her child goes missing, a mother looks to unravel the legend of the Tall Man, an entity who allegedly abducts children.” –> There’s been a recent resurgence in child-themed horror – children in peril being pursued by the spooky creatures of fantasy — and for good reason: Even adults remember the dread inspired by the nightmare boogeymen of their youth. 4. V/H/S “A group of misfits are hired to burglarize a house in the countryside and acquire a rare tape. The guys are confronted with a dead body and an endless supply of cryptic footage, each video stranger than the last…” –> Having seen this anthology horror already , I admit it’s not so much scary as it is viscerally thrilling, an excellent use of the found footage gimmick made by folks who have a true affinity for the genre. 5. CITADEL (Ireland, Scotland) “An agoraphobic father teams up with a renegade priest to save his daughter from the clutches of a gang of twisted feral children.” –> FERAL CHILDREN. Oh hell no. Of course, there are all sorts of genre scares in the SXSW Midnight line-up as well, including grindhouse yarns ( Iron Sky ) and cult pics in the making ( John Dies at the End ). And don’t forget the shorts slate! SXSW programmers have a knack for finding exceptional short films each year, and the inclusion of my Sundance ’12 favorite — Jillian Mayer’s Life and Freaky Times of Uncle Luke , a Miami-set twist on La Jetee starring Uncle Luke of 2 Live Crew as himself — not to mention new shorts from Bill Plympton and Don Hertzfeldt, is promising. Full slate of Midnight films and shorts below. — SXSW Midnight Slate: The Aggression Scale Director: Steven C. Miller, Screenwriter: Ben Powell 4 hitmen + $500,000 of stolen cash + 1 family = WAR Cast: Fabianne Therese, Ryan Hartwig, Dana Ashbrook, Derek Mears, Jacob Reynolds, Joseph McKelheer, Boyd Kestner, Lisa Rotondi, Ray Wise (World Premiere) CITADEL (Ireland, Scotland) Director/Screenwriter: Ciarán Foy An agoraphobic father teams up with a renegade priest to save his daughter from the clutches of a gang of twisted feral children. Cast: Anuerin Barnard, James Cosmo, Wumni Mosaku, Jake Wilson, Amy Shiels (World Premiere) Girls Against Boys Director/Screenwriter: Austin Chick A psychological thriller about two girls on a killing spree. With edgy and ironic humor and a darkly meditative tone, it is also a coming-of-age story about a girl learning how the world really works. Cast: Danielle Panabaker, Nicole LaLiberte, Liam Aiken, Michael Stahl-David, Andrew Howard (World Premiere) Intruders (Spain, UK) Director: Juan Carlos Fresnadillo, Screenwriters: Nicolás Casariego, Jaime Marques The haunting story of two children living in different countries, each visited nightly by a faceless being who wants to take possession of them. Cast: Clive Owen, Carice Van Houten, Daniel Brühl, Pilar López de Ayala (U.S. Premiere) Iron Sky (Finland, Germany, Australia) Director: Timo Vuorensola, Screenwriters: Michael Kalesniko, Timo Vuorensola In 1945 the Nazis went to the moon; in 2018 they are coming back. Cast: Julia Dietze, Götz Otto, Christopher Kirby, Peta Sergeant, Stephanie Paul, Tilo Prückner, Michael Cullen, Udo Kier (North American Premiere) John Dies At The End Director & Screenwriter: Don Coscarelli On the street it’s called “soy sauce,” a drug that promises an out-of-body experience with each hit. Suddenly, a silent otherworldly invasion is underway. Can college dropouts John and Dave save humanity? No, they can’t. Cast: Chase Williamson, Rob Mayes, Paul Giamatti, Clancy Brown, Glynn Turman Modus Anomali (Indonesia) Director/Screenwriter: Joko Anwar A man tries to save his family who go missing during a vacation in the forest. Cast: Rio Dewanto, Hannah Al Rashid, Izziati Amara Isman, Aridh Tritama, Surya Saputra, Marsha Timothy, Sadha Triyudha, Jose Gamo (World Premiere) [REC] ³ GENESIS (Spain) Director: Paco Plaza Screenwriters: Luiso Berdejo, Paco Plaza Koldo and Clara’s wedding is horrifically interrupted when some of the guests start showing signs of a strange illness. Before they know what’s happening, the bride and groom find themselves in the middle of a hellish ordeal, as an uncontrollable torrent of violence is unleashed on the wedding. Cast: Leticia Dolera, Diego Martin (World Premiere) Super Secret Screening Be the first to see this feature film coming to theaters near you. The Tall Man Director/Screenwriter: Pascal Laugier When her child goes missing, a mother looks to unravel the legend of the Tall Man, an entity who allegedly abducts children. Cast: Jessica Biel, Jodelle Ferland, Stephen McHattie, William B.Davis (World Premiere) V/H/S Directors: Ti West, Adam Wingard, Joe Swanberg, David Bruckner, Glenn Mcquaid, Radio Silence, Screenwriter: Ti West, Simon Barrett, David Bruckner, Radio Silence, Glenn Mcquaid A group of misfits are hired to burglarize a house in the countryside and acquire a rare tape. The guys are confronted with a dead body and an endless supply of cryptic footage, each video stranger than the last… Cast: Joe Swanberg, Calvin Reeder, Kate Lynn Shiel, Sophia Takal, Lane Hughes, Helen Rogers, Adam Wingard NARRATIVE SHORTS A selection of original, well-crafted films that take advantage of the short form and exemplify distinctive and genuine storytelling. The winner of our Grand Jury Award in this category is eligible for a 2013 Academy Award nomination for Best Narrative Short. Aaron Burr, Part 2 Director: Dana O’Keefe History is a contest. Another Bullet Dodged Director: Landon Zakheim In the fading echoes of a relationship, character is revealed. Bear Director: Nash Edgerton Jack means well, but sometimes good intentions have horrible consequences. The Black Balloon Director: Benny Safdie, Josh Safdie In New York City, a lone black balloon, once part of a huge 100-balloon bouquet, learns that humans are complicated creatures with extreme highs and lows. Part Sci-Fi, part children’s film. The Chair Director: Grainger David The story of one boy’s reaction to a mysterious outbreak of poisonous mold in his small town. A Chjána (The Plain) Director: Jonas Carpignano Inspired by real events, A Chjàna (The Plain) follows Ayiva, an African migrant worker who seeks to reunite with his best friend in the wake of the most significant race riot in Italian history. A Fábrica Director: Aly Muritiba An inmate convinces his mother to take a risk smuggling a cell phone for him into the penitentiary. FOXES Director: Lorcan Finnegan A young couple trapped in a remote estate of empty houses and shrieking foxes are beckoned from their isolation into a twilight world. A world of the paranormal or perhaps insanity. Heimkommen (Coming Home) Director: Micah Magee When Robert’s girlfriend dies, he turns his grief against his younger sister Jo. Jo plays ice hockey with the boys, hoping to gather strength to bring her brother back to the land of the living. In The Pines Directors: Zeek Earl, Chris Caldwell Simultaneously an exploration of nature and psyche, the film documents a young woman’s hunt for extraterrestrial meaning. Part science fiction, part psycho-thriller, part poetry – this film crafts a memorable scene rooted in the Pacific Northwest. Joy Director: Colm Quinn Nicola reluctantly introduces her newborn daughter to her best friend Tess. Liar Director: Adam Garnet Jones When a brutal teenage revenge plot gets pushed too far, 14 year-old Tara is forced to choose between standing helplessly on the sidelines or stepping in to defend the boyfriend that hurt her. Life and Freaky Times of Uncle Luke Directors: Jillian Mayer, Lucas Leyva A modern Miami adaptation of the 1962 French short film La Jetee, starring Uncle Luke of the 2 Live Crew. Little Dad Director: Noah Pritzker An insecure father prepares for a party at his in-laws. Mouthful Director: Robert G. Putka Bobby and Bliss are a happy couple, that is, until they begin to tell each other things probably better left unsaid. A single question leads them down a highway to relationship hell. My Friend Kills Time Director: Jakob Rørvik Thomas moves to a remote cabin in an attempt to disappear completely… even from himself. My Friend Kills Time mixes visual textures and haunting soundscapes to create a cinematic diary of a young man’s isolation. Not Far From The Abattoir Director: Kyle Thomas A story of a man controlling his demons and trying to imagine a better life outside of the only town he has ever called home. Pitch Black Heist Director: John Maclean Two men, professional safe crackers, meet on a simple job to relieve an office safe of its contents. The catch; a light activated alarm system impelling them to embark on a pitch black heist. Playtime (Spielzeit) Director: Lucas Mireles A seamless journey through the lives of German youth on a Sunday afternoon. Random Strangers Director: Alexis Dos Santos Lulu and Rocky meet, fall in love, spend the night together, and fall asleep looking at each other…except for the fact that he is in Berlin and she is in Buenos Aires. Reinaldo Arenas Director: Lucas Leyva Told from the point of view of a dying shark, Reinaldo Arenas is the story of an unintentional immigrant in Miami. REMAINS Directors: Jeremiah Zagar, Nathan Caswell A blend of documentary and fiction, Remains is about recollection and fading memories. Combining three years of recorded voice messages with stunning macro photography, the film documents a relationship from its inception to its end. Sea Meadow Director: Lily Baldwin A disoriented young woman stumbles upon an empty estate. There are signs of a lush life, but the inhabitants have disappeared. Or have they? Sea Meadow revamps the thriller with pop mashups and stylized dance tableaux. Shoot the Freak Director: Bradford Willingham Through the freak’s musings, this film chronicles the last days of the iconic, abrasive Coney Island attraction Shoot the Freak. In masked anonymity, the nihilistic teen indulges in drug-induced daydreams of violence and oceanic abandon. A Short Film About Ice Fishing Director: Jason Shahinfar In rural South Dakota two friends go out for the most explosive day of ice fishing either will ever experience. Syndromes Directors: The Golden Filter, Kristoffer Borgli A young girl’s bizarre and unexplained ability to help others leads to her involvement in a sinister underworld. Would You Directors: Brian McGinn, Rod Blackhurst Two friends play ‘Would You Rather.’ When their choices magically start to come true, they find themselves in a variety of awkward and funny situations. DOCUMENTARY SHORTS Unfiltered slices of life, from across the documentary spectrum. Aisha’s Song Director: Orlando von Einsiedel Musically lush and stunningly shot, Aisha’s Song is a touching and uplifting story of female empowerment from a part of the world where women are all too often overlooked. A Brief History of John Baldessari Directors: Henry Joost, Ariel Schulman No more boring films! Everything you need to know about the godfather of Conceptual Art… narrated by Tom Waits. BRUTE FORCE Director: Ben Steinbauer The story of Apple Records notoriously irreverent recording artist, Brute Force. CatCam Director: Seth Keal When a German engineer creates a tiny camera for his newly adopted stray cat to wear, the photographs reveal more than ever expected. Cutting Loose Directors: Finlay Pretsell, Adrian McDowall “I’m trusted with a pair of scissors and I’m in here for murder.” A snapshot of prison life in the build up to the annual hairdressing competition. Family Nightmare Director: Dustin Guy Defa Unearthed home movies and haunting dubbed voices collide to create a personal portrait of family dysfunction. The Fuse: or How I Burned Simon Bolivar Director: Igor Drljaca A nine-year-old boy thinks he is responsible for the civil war in Bosnia. Kudzu Vine Director: Josh Gibson This ode to the climbing, trailing, and coiling species Pueraria lobata evokes the agricultural history and mythic textures of the American South. The Love Competition Director: Brent Hoff The World’s First Love Competition. The Man That Got Away Director: Trevor Anderson A musical documentary that tells the true life story of Trevor’s great-uncle Jimmy in six original songs. Meaning of Robots Director: Matt Lenski Mike Sullivan’s world is overrun by an army of miniature sex robots with no end in sight. Minor/Major: The TV on the Radio Tour Documentary Director: Chioke Nassor An intense documentary portrait on the band TV on the Radio as they transition from minor label darlings to major label success. New York Accent Director: Caleb Slain Once a man with all the answers, Dr. Ed Dobson is struggling to resolve his own questions before succumbing to the unusual disease eating away his body. Written in Ink Director: Martin Rath Can one change what has already been written in ink? SX GLOBAL SHORTS A showcase for cutting-edge documentary shorts from around the world. Abuelas Director: Afarin Eghbal In Buenos Aires, an old woman looks forward to all the joys of becoming a grandmother. However, unfolding historic events mean she is forced to wait over 30 years. The Contest Director: Jakub Cuman Observational documentary made during the International Fryderyk Chopin Piano Competition Preliminaries in 2010. Chronicle of Oldrich S. Director: Rudolf Smid Mr Sedlacek wrote one-sentence entries in his chronicle from 1981 to 2005, everyday stories of his life, his village, and of international events. This animated documentary is based on 80 of those entries. The Contract Director: Lina Mannheimer On the 5th of May 2005, Beverly Charpentier declares an oath of allegiance to Catherine Robbe-Grillet. Hereby she gives up her freedom, for the rest of her life. Doctor Rao Directors: Alexej Tchernyi, Wu Zhi Doctor Rao passed away. Family and friends are celebrating his last journey. Walt Disney Square Directors: Renata Pinheiro, Sergio Oliveira A “quasi-musical” approach to contemporary urban life that reflects Brazilian society and many others throughout the world, this documentary describes at the same time a place, a city and a country. ANIMATED SHORTS An assortment of stories told using a mix of traditional animation, computer-generated effects, stop-motion, and everything in-between. The winner of our Grand Jury Award in this category is eligible for a 2013 Academy Award nomination for Best Animated Short. 663114 I am a 66-year cicada. There was a big earthquake. There was a big tsunami. There also was a big accident. Belly Director: Julia Pott I can feel you in my belly. Caldera Director: Evan Viera A young girl goes off her medication to leave a bleak metropolis and immerse herself in a vibrant oceanic cove. Chocolate Milk Director: Eliza Kinkz Growing up in a Texas drug rehab, a teenage girl learns the rules of life and dairy products. Combustion Director: Renaud Hallée Fire used as a visual and musical tool. Giraffe Danger Director: Randall Hopkins A giraffe with personal space anxiety has a bad day. The Hunter Director: Marieka Walsh A hunter searches for a missing boy deep in the snow covered mountains. He must make decisions that will forever change his relationship with the wilderness he fears. The Hunter is a stop-motion sand animation. “it’s such a beautiful day” Director: Don Hertzfeldt Bill finds himself in a hospital struggling with memory problems, in this third and final chapter to Don Hertzfeldt’s “Everything will be OK” trilogy. Little Boat Director: Nelson Boles One little boat, one big journey. The Maker Director: Christopher Kezelos Life is what you make it. (notes on) biology Director: Danny Madden An animated account of an organism adapting to its environment. Once It Started It Could Not End Otherwise Director: Kelly Sears A terrifying look back at high school. Paint Showers Director: Miguel Jiron Swirling cosmos of paint give way to a storm of color and drips. Photographs Directors: Christina Manrique, Robert Clogher An elderly woman living in an abandoned town finds a camera, which becomes a means for her to recreate her past life and remember a lost love. Reddish Brown and Blueish Green Director: Samantha Gurry Child services, schwag, and the American dream. The Shrine / An Argument Director: Sean Pecknold An elk wanders through a world of madness. Summer Bummer Director: Bill Plympton A man daydreams about what terror could be lurking in his backyard pool. MIDNIGHT SHORTS Bite-sized bits for all of your sex, genre, and hilarity needs. Cheap Extermination Director: Minka Farthing-Kohl For Ernst, the perfect disguise was to play himself. Cherry On Top Director: Mike Damanskis A prostitute finds new ways to attract business. Don’t Hug Me I’m Scared Directors: Rebecca Sloan, Joseph Pelling A short film about teaching creativity—by This Is It Collective. Duck Sauce, “Big Bad Wolf” Director: Keith Schofield Keith Schofield’s original, outrageous and very, very funny promo for Duck Sauce’s single Big Bad Wolf has been burning up the internet, causing millions of pelvises to be thrust worldwide. An instant classic. I Am Your Grandma Director: Jillian Mayer An autobiographical video diary log (vlog) that Jillian Mayer records for her unborn grandchildren. J.P.B.F. Director: Steve Collins A woman interviews for a job at a nefarious company that may or may not f**k b**ts. Jacuzzi Boys, “Glazin” Directors: Lucas Leyva, Jillian Mayer Glazin’ is part of a larger narrative where a group of 6 anonymous girls innocently paint their privates and rig them to lip-synch their favorite song as a gift to the band. Machines of the Working Class Directors: James Dastoli, Robert Dastoli Two robotic blue-collar workers take a brief hiatus to discuss delusions of grandeur. Man & Gun Director: Brian McOmber A post 9/11 fairy tale about a man’s love affair with guns. Merman Director: Jono Foley Harrison swims through the darkest recesses of his mind. Other Director: Daniel DelPurgatorio Patrick is a brilliant doctor in an obsessive race to alter his own grim prognosis. During a series of unconventional experiments, he discovers a scientific loophole unlike anything he had ever imagined. Perished Directors: Aaron McCann, Stefan Androv Radanovich Sometimes survival is worse than death. Zombie Chic Director: Todd Cobery A stuffy dinner party is interrupted by the zombie apocalypse. MUSIC VIDEOS A range of classic, innovative, and stylish work showcasing the scope of music video culture. Alexander, ”A Million Years” Director: Benjamin Kutsko Baskerville, ”Reloaded” Director: Marieke Verbiesen Battles, ”My Machines” Director: DANIELS Casey Veggies, ”Euphoria II” Director: John Bollozos Céline Desrumaux, ”Countdown” Director: Céline Desrumaux CHRISTEENE, “African Mayonnaise” Director: PJ Raval Cults, ”You Know What I Mean” Director: Kevin Lin Ganesh Rao, ”Empyrean” Director: Ganesh Rao The Good The Bad, “030” Jeppe Kolstrup Gotye (Feat. Kimbra), ”Somebody That I Used To Know” Director: Natasha Pincus Hawaaii, ”Welcome” Director: Churl Gwon Herman Dune, ”Tell Me Something I Don’t Know” Director: Toben Seymour Hooray For Earth, ”True Loves” Director: Young Replicant Hyperpotamus, ”De Camino” Director: Lucas Borras Kina Grannis,”In Your Arms” Director: Greg Jardin Little Tybee, ”Boxcar Fair” Directors: Brock Scott, Tom Haney Ok Go, ”All Is Not Lost” Director: Ok Go, Pilobolus, & Trish Sie Porter Robinson, ”Spitfire” Director: Saman Keshavarz Son of Kick,“Playing the Villain” Director: Matt Devine (Glues Society) When Saints Go Machine, ”Parix” Director: Daniel Kragh-Jacobsen Whomadewho, ”Every Minute Alone” Director: William Stahl Yip Deceiver, “Get Strict” Directors: Brandon LaGanke, John Carlucci Yuksek, ”ALWAYS ON THE RUN” Directors: David Hache, Marc-Edouard Leon TEXAS SHORTS An offshoot of our regular narrative shorts program, composed of work shot in, about, or somehow relating to the Lone Star state. foolproof Directors: Zach Anner, Marshall Rimmer Zach Anner, the freeloading roommate, and Marshall Rimmer, the responsible businessman, eat their morning cereal together. The Gathering Squall Director: Hannah Fidell A teenage girl is forced into adulthood after she is assaulted by a classmate. The Guessing Game Director: Angela Cheng A very short comedy set in a retirement home with senior citizens. On the morning of his birthday, Emmett asks his fellow residents to guess his age and is surprised by their answers. Hellion Director: Kat Candler All hell breaks loose when seven-year-old Petey is left with his hell-raising brothers. But things go from bad to really, really bad when Dad gets home. Knife Director: James M. Johnston From the rugged cross-timbers of Texas comes a portrait of greed and vengeance. Magpie Director: Russell O. Buh On a trip to reconnect with his estranged and recently engaged daughter, Phillip finds a sex tape of the little girl he used to know. Dinner is going to be awkward. Spark Director: Annie Silverstein While a boy waits out his father’s tryst he is unexpectedly forced to deal with the lady-friend’s daughter. Set on a ranch in Bastrop, Texas, Spark uses the environment to explore the internal space of children. Tumbleweed! Director: Jared Varava The true and historically accurate tale of one tumbleweed that did not tumble. What It’s Like Director: Matt Naylor A magazine writer goes to an old folks home to buy mushrooms from one of the elderly residents. What starts as a bizarre transaction becomes a moment of connection across generations. TEXAS HIGH SCHOOL SHORTS Texas High School students offer a glimpse of a bright future for Texas filmmaking. The Apparition Director: Jonathan Munoz Paranormal Elimination 101. The Bench Directors: Kalen Doyle, Hirsh Elhence There’s a note for that. The Bench Director: Christian Benavides One son’s letter to his father. Boom Directors: Daniel Matyas, Brian Broder All around the mulberry bush, the monkey chased the weasel. The monkey thought ’twas all in fun, then Pop! goes the weasel. Burn Spark Directors: Maqui Gaona, J.J. Rubin In the future, one man fights the system to choose his own love. Chance Director: Jasmine DePucci A young girl experiences a transformation by an evil spirit contained within the fluffy seams of a teddy bear. Code Red Director: Zach Prengler Four nerdy guys buy the hottest video game of the year, but what they bought was not what they expected. Drawings Directors: Christian Larrave, Alex McKenna The story of two doodles in love. Drones Director: Micah Autry A social issue film that projects the life of the protagonist and how he overcomes constraints of a normal life. Drum Roll Please Director: Alexander Villanueva Opposable thumbs have allowed humans to become the dominant species. How dominant, you say? Janitor’s Laundry Director: Brian Broder A dark thriller exploring the actions of a murderous janitor, who attacks lonely victims at the local laundrymat. Josh Lumsden, “Guilty” Director: Josh Lumsden Josh Lumsden sings and dances while trapped in a mental asylum. Julian Edmonson: Who I Am Director: Jake Wangner Julian Edmonson is a point guard who graduated from Fossil Ridge High School. This is a video putting a spotlight on this student before he went off to college. Knit-Picky Director: Bobby Jorgenson Life socks. Language Director: Leah Schell Jason and his Korean foreign exchange student struggle to overcome a language barrier. Masterpiece Director: Anele Page An artist struggles to create a masterpiece for a special cause. McChange: a Manifesto Directors: Jonathan Griffin, Josiah Sandhu Mark McNeil is the president that Pasadena Memorial High deserves, but doesn’t need right now. Plasticine Dream Directors: Samantha Fine, Andrew Fields Romance molded into the shape of a dream. The Process Director: Ty Whittington Ty Whittington, a young artist, takes us through the process of creating an artistic illustration in his own way. The Proposal Directors: Marcella Jimenez, Susannah Rodrigue The story of a young boys hope for childhood love. SAFE Director: Pierce Harvell When a tornado threatens the lives of two brothers, one decides to take the initiative towards survival despite the reservations of his twin. Silent Night Director: James Bradford Run fat boy, run! Zwichensug Directors: Cole Martin, Josh Willis An anonymous man with skills of inexplicable origin infiltrates the corporate hideout of a shady, but high-ranking businessman. Using fast and fluid tactics, our protagonist is determined to complete his task. Previously: The 2012 SXSW Features slate For more on the SXSW Film Festival, click here .
Word on the streetz is Beyonce has reportedly hired six nannies to care for her newborn daughter Blue Ivy, Who will be a month old on Feb. 7. According to InTouch Weekly, Bey has two of the six on call 24/7 … and a source says Blue’s diaper is “changed almost every hour.” Her diaper must be remarkable fresh at all times! In addition to a half-dozen nannies, Blue Ivy’s dad has already purchased bling for his baby girl. A source told InTouch that Jay-Z bought his baby diamond earrings and a platinum bracelet.
Lana Del Rey set the bar very low for herself on Saturday Night Live a few weeks ago. It may have been an embarrassing setback for the singer – whose debut album dropped on January 31 – but there’s this silver lining on that cloud of stiff singing: at least the burgeoning star can’t ever do worse again. She proved that last night on The Late Show with David Letterman , belting out a rendition of “Video Games” and showing serious improvement. Watch Del Rey in action now and decide: will you purchase her CD? Lana Del Rey – Video Games (The Late Show with David Letterman)
