Supergroup plays new track, ‘Cut Me Some Slack,’ on night featuring sets from Kanye West, Alicia Keys, Chris Martin of Coldplay and the Rolling Stones. By Gil Kaufman Paul McCartney performs at 12-12-12 Concert Photo: WireImage
‘We’re back where we left from, putting a message in the music, motivating and inspiring,’ Khujo tells MTV News of Mob’s reunion. By Rob Markman, with reporting by FLX Big Gipp Photo: MTV News
Imagine Dragons try to break into 2012 awards race against veterans Linkin Park, Black Keys, White and Coldplay. By Gil Kaufman Coldplay’s Chris Martin in ‘Every Teardrop is a Waterfall’ music video Photo: Capitol
Jay-z Arrives At Manchester Stadium After some nights of coupled up fun on Sunday, Hubby Hov headed back to work for his second show in Manchester, England on the European leg of the Watch The Throne Tour. Bey Bey and Hov were spotted Sunday night at a Coldplay concert in Manchester where they came to support Roc Nation protegee Rita Ora and Cold Play front man Chris Martin, who is a good friend of the two. Check the gallery to see Hov being greeted by fans, signing autographs and touchin down in style at Manchester City’s Etihad Stadium. Images via Wenn
Rihanna and Coldplay don’t just team up in a new music video that has the Internet buzzing. They totally go at it! In honor of “Princess of China,” the fourth track of the band’s “Mylo Xyloto,” the sexy singer and frontman Chris Martin square off, kung-fu style, with the former artist stunning as always in traditional Geisha garb and fun fighting attire. Give the video a look now: Rihanna and Coldplay – “Princess of China” (Official Video) Rihanna, meanwhile, is also in the news these days for a song with which she isn’t involved at all. Except in possible dedication. Listen to Chris Brown sing ” Off That Liquor ” and ask yourself: is he reaching out to his ex with certain lyrics in the single?
When his tears fell during Wednesday’s ‘American Idol’ finale, Phillips instantly became the most relatable champ in the show’s history. By James Montgomery Phillip Phillips Photo: Michael Tran/ FilmMagic I think I’m finally coming around on Phillip Phillips. Yes, I’m aware that I’ve spent the past 19 weeks making fun of his grouting delivery (that’s “growl/shouting,” for the uninitiated), criticizing his every performance and referring to him as “Kris Allen 2.0,” but none of that comes into play here. Because what changed my opinion of Phillips had nothing to do with his singing — in fact, the moment of reconsideration actually occurred when he wasn’t singing. It happened when he was crying. See, when Phillips broke down in tears during his performance of “Home” on Wednesday night’s “American Idol” finale, it wasn’t just the show’s most touching moment in years, it was the most personal he’s gotten all season. It taught me more about him than any hometown-visit piece or expertly edited contestant-confessional vignette ever could. For the entire season, he’s been an enigma, a slightly scruffy oddball who never really seemed to be that interested in actually winning (or taking Tommy Hilfiger’s fashion advice ). Early on, he built a wall around himself, and he never let viewers get a glimpse at what lay inside — until he finally allowed himself to get lost in the moment of triumph , as the confetti fell and the audience cheered. That’s when the wall came down and the tears began to flow. And that’s when I realized that everything I knew about him was probably wrong. Because Phillips isn’t some aloof, obstinate singer/songwriter dude who’s been to a ton of DMB shows. He doesn’t possess the supreme ego required to believe that his words are poetry and his songs can save the world. He is just a regular kid from Leesburg, Georgia, one who says stuff like “Music’s fun, dude,” and one who was overcome with the emotions of the moment and the sheer magnitude of his “Idol” win, to the point where singing his coronation song became secondary and all he wanted to do was share his triumph with his family. And that’s exactly what he did, performance be damned. In other words, he acted exactly like you or I would, had we just won an internationally famous singing competition and suddenly become a star. In that instant, I realized that Phillips has never had a day of stage training in his entire life, that, unlike pretty much everyone else who auditions for “Idol,” he hadn’t been dreaming of this moment since he was a talent-competition tyke. He truly never believed he could win, because normal people never would. And so he started crying, real genuine tears, the kind that seize your body and make everything else an afterthought — the kind that professional entertainers rarely get, mostly because they prevent them from entertaining. I’ve never been able to fathom how a person could cry and sing at the same time, and yet, each year on “Idol” (and on stages around the world), I see trained talent do exactly that, shed crocodile tears while still nailing the chorus. It is oddly robotic, not to mention slightly off-putting. I’m glad Phillips didn’t try to do it, and now I know why. I’m not sure if his “Idol” victory is good for the show (probably not), or if he’ll be able to buck the recent trend and actually become a superstar (though “Home” is a nice start), but for one night, I wasn’t concerned with either of those things. Phillips’ emotional outpouring may very well have been the Cry Heard ‘Round the World, serving notice that he’s much more than the realest “American Idol” champ in history: He’s an actual human being. In that moment, he became instantly relatable, even to his staunchest of detractors (like me). And because of that, I’m willing to let my icy heart thaw just a little bit and wish him the best. And even though it goes against my every willfully difficult impulse I’ll close with this: All hail Phillip Phillips, the People’s King. Long may he reign. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol’ Season 11 Finale Highlights Related Photos ‘American Idol’ Season 11 Finale Show ‘American Idol’ Season 11 Finale Red Carpet
Wayne Coyne talks about what happens when you work with ‘freaks’ like Ke$ha on The Flaming Lips and Heady Fwends. By James Montgomery Ke$ha Photo: Getty Images Flaming Lips mastermind Wayne Coyne took away more than just a vial of blood when he traveled to Nashville to record with Ke$ha . (Though, really, you’d think that would be enough.) He also left with his first-ever tattoo … not to mention a newfound respect for the wild-child pop star. “Most of the time, if someone’s willing to work with me, they’re going to be a freak. And Ke$ha … I sort of thought that she would be a freak, I’d heard about her and we’d tried to get a hold of her earlier,” Coyne told MTV News backstage at the Hangout Fest in Gulf Shores, Alabama. “We showed up at her house, and she has a tattoo gun that she gives everyone a tattoo with, so within 20 minutes of being at her house, I had a tattoo on my toe; it’s the only tattoo I’ve ever had. “We were set to do this one song that I had prepared, and we went into the studio that night, and stayed there until about 2 in the morning, and did four songs, just making stuff up,” he continued. “And the next day [we] worked for another couple hours. She’s funny, she’s gracious, she’s imaginative, she’s creative and she’s a lot of fun to be around.” The result of that collaboration (a song called “2012”) shows up on the Lips’ special Record Store Day double-LP, The Flaming Lips and Heady Fwends, a thoroughly out-there collection of songs and sound-collages that — as the title implies — the band recorded with the likes of Bon Iver, Nick Cave, Neon Indian, Yoko Ono and, uh, Coldplay’s Chris Martin … to name just a few. But will fans get to hear even more of the Flaming Lips/Ke$ha team-up? Well, Coyne certainly hopes so. “We really loved making this music together — I think I’ve probably done six or seven songs with her — and I know a lot of her fans like [‘2012′], but I don’t know if we’ll put more songs out there,” he said. “She has other agendas besides doing music with Wayne, you know, but I hope so, because I think it’s really great, crazy, unexpected music. And she, to her credit, loves what we do. She wants it to be whatever. She has no limits of what she wants it to be.” And don’t think the Heady Fwends sessions will be the last time Coyne and Ke$ha share time (or blood) in the studio. If anything, the Lips’ recent output of, uh, non-traditional releases — songs encased in gummy skulls and fetuses, 24-hour noise-jam freakouts that play for all eternity , limited-edition vinyl filled with actual blood, etc — suggests Coyne and Co. are just getting started … and they’re going to get even weirder before they’re finished. “That’s been the beautiful thing about all of these weird collaborations and projects; you work with freaks. Even working with someone like Chris Martin, he’s very open to, like, ‘Let’s do stuff!’ That’s the great surprise about it,” Coyne said. “I don’t think people are surprised when we work with a group like Lightning Bolt or Neon Indian — people think of us as like-minded — but the surprising thing with the Chris Martins or the Ke$has, they’re like us too, they just don’ play music that sounds like that all the time.” Related Artists The Flaming Lips Ke$ha
Wayne Coyne talks about what happens when you work with ‘freaks’ like Ke$ha on The Flaming Lips and Heady Fwends. By James Montgomery Ke$ha Photo: Getty Images Flaming Lips mastermind Wayne Coyne took away more than just a vial of blood when he traveled to Nashville to record with Ke$ha . (Though, really, you’d think that would be enough.) He also left with his first-ever tattoo … not to mention a newfound respect for the wild-child pop star. “Most of the time, if someone’s willing to work with me, they’re going to be a freak. And Ke$ha … I sort of thought that she would be a freak, I’d heard about her and we’d tried to get a hold of her earlier,” Coyne told MTV News backstage at the Hangout Fest in Gulf Shores, Alabama. “We showed up at her house, and she has a tattoo gun that she gives everyone a tattoo with, so within 20 minutes of being at her house, I had a tattoo on my toe; it’s the only tattoo I’ve ever had. “We were set to do this one song that I had prepared, and we went into the studio that night, and stayed there until about 2 in the morning, and did four songs, just making stuff up,” he continued. “And the next day [we] worked for another couple hours. She’s funny, she’s gracious, she’s imaginative, she’s creative and she’s a lot of fun to be around.” The result of that collaboration (a song called “2012”) shows up on the Lips’ special Record Store Day double-LP, The Flaming Lips and Heady Fwends, a thoroughly out-there collection of songs and sound-collages that — as the title implies — the band recorded with the likes of Bon Iver, Nick Cave, Neon Indian, Yoko Ono and, uh, Coldplay’s Chris Martin … to name just a few. But will fans get to hear even more of the Flaming Lips/Ke$ha team-up? Well, Coyne certainly hopes so. “We really loved making this music together — I think I’ve probably done six or seven songs with her — and I know a lot of her fans like [‘2012′], but I don’t know if we’ll put more songs out there,” he said. “She has other agendas besides doing music with Wayne, you know, but I hope so, because I think it’s really great, crazy, unexpected music. And she, to her credit, loves what we do. She wants it to be whatever. She has no limits of what she wants it to be.” And don’t think the Heady Fwends sessions will be the last time Coyne and Ke$ha share time (or blood) in the studio. If anything, the Lips’ recent output of, uh, non-traditional releases — songs encased in gummy skulls and fetuses, 24-hour noise-jam freakouts that play for all eternity , limited-edition vinyl filled with actual blood, etc — suggests Coyne and Co. are just getting started … and they’re going to get even weirder before they’re finished. “That’s been the beautiful thing about all of these weird collaborations and projects; you work with freaks. Even working with someone like Chris Martin, he’s very open to, like, ‘Let’s do stuff!’ That’s the great surprise about it,” Coyne said. “I don’t think people are surprised when we work with a group like Lightning Bolt or Neon Indian — people think of us as like-minded — but the surprising thing with the Chris Martins or the Ke$has, they’re like us too, they just don’ play music that sounds like that all the time.” Related Artists The Flaming Lips Ke$ha
During a concert at The Hollywood Bowl last night, Chris Martin and Coldplay paid tribute to Adam Yauch , the Beastie Boys “MCA” who died at the age of 47 this week. “”We’re sending all our love to the Beastie Boys,” Martin said as he concluded the cover of the group’s classic “(You Gotta) Fight for Your Right (to Party).” Yauch passed away Friday after a three-year battle with cancer. As the music industry and fans around the globe mourn, watch this emotional performance now: Coldplay – “(You Gotta) Fight for Your Right (to Party)” (Beastie Boys Tribute)