Tag Archives: clip

Katy Perry’s ‘Firework’: A VMA Cheat Sheet

Leading nominee got serious in the clip about staying true to yourself. By Gil Kaufman Katy Perry in her video for “Firework” Photo: EMI We all know that Katy Perry ‘s videos are a blast in a glass. But the most-nominated artist at the 2011 VMAs got serious for four minutes this year, and it helped cap a record-breaking run and made for one of the most visually arresting and inspirational clips of the year. Perry is rolling into Sunday’s show with nine nominations, including Video of the Year for “Firework,” which is also nominated in the new Best Video With a Message category. Flirt With The Ladies 0f ’11 With Our Interactive Time Machine The California Gurl knew she wanted to make a very special clip for her favorite track from the smash Teenage Dream album , so she hooked up with veteran video director Dave Meyers (Pink, Kelly Clarkson, T.I.) on the project. And luckily for her, they were totally on the same page. Meyers was looking to “play with [her] image a bit … sort of demystify the candy-colored pop icon that she’s become.” He said he had to switch gears a bit, though, when the more toned-down “Teenage Dream” video came out. But with a bit of tweaking, he dug deep into the very personal song’s message and came up with a new vision that Katy was totally onboard with. “We wanted to articulate the meaning of that song: what it means to be an underdog and have the courage, if you’re on the outskirts of society, to be your own person,” he said. Packing off to Budapest, Meyers stationed Perry on the top of a building downtown and cast unknown, real teens in the clip — which has been viewed more than 226 million times on YouTube — to tell a variety of stories, from a boy in a physically abusive home to a girl who feels like a stranger in her own skin, a same-sex couple sharing a kiss and a teen suffering from cancer. All the while, Perry urges them to see the beauty inside, as her love, literally, explodes from her chest in a hail of sparks. In the days leading up to the “Firework” premiere, Perry dedicated the video to the “It Gets Better” campaign, and she was thrilled that in the weeks following its release, the clip took on a life of its own, as a beacon of hope for everyone who’s battled bullies or struggled to find themselves. “I think that’s why I wrote it, is because I really believe in people and I believe that people have a spark to be a firework,” she told MTV News. “It’s just up to them, and a lot of times it’s only us that’s standing in the way of reaching our goals, fulfilling our destinies, being the best version of who we possibly can be, so that’s why I wrote it.” With fireworks bursting from her chest, Katy’s call to power inspires the teens to burst with their own multicolored explosions of self-confidence and empowerment, providing a stunning, candy-colored finale in which more than 250 kids light up the sky thanks to their liberation from bad feelings. The 28th annual MTV Video Music Awards will air live Sunday from Los Angeles at 9 p.m. ET/PT, following the Selena Gomez-hosted pre-show at 8. See the list of nominees, revisit last year’s highlights and vote for Best New Artist by visiting VMA.MTV.com . Related Videos 2011 VMAs: Behind The Scenes Related Artists Katy Perry

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Katy Perry’s ‘Firework’: A VMA Cheat Sheet

Anna Friel nude on the bed

Anna Friel looks like she is having a lot of fun in this video where she is completely nude on the bed with her gorgeous body on show in this clip Continue reading

Morgan Fairchild nude video

Morgan Fairchild is one girl we would love to see nude and here she is in the swimming pool fulfilling our fantasy in this clip from a movie Continue reading

Peter Jackson Won’t Bring The Hobbit to Comic-Con, But Does Offer Third Production Video

If you were hoping to see some hairy-footed Middle-earth action at Comic-Con this weekend, some distressing news: Peter Jackson and The Hobbit won’t make an appearance at the pop culture mecca because — in the director’s words — it’s “too early.” Jackson took to Facebook to make the disappointing announcement, but like any good geek icon, he offered some consolation: another production video ! Click through for Jackson’s Facebook post and the clip.

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Peter Jackson Won’t Bring The Hobbit to Comic-Con, But Does Offer Third Production Video

Top 10 Horrible Bosses From TV And Film

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Horrible bosses– the bane of every working man (and woman’s) existence.  Whether they’re loud, obnoxious, or downright lazy, at some point they all inspire  homicidal tendencies in the people unlucky enough to work for them.  With the release of Horrible Bosses this Friday, The Urban Daily lists the worst of the worst offenders in corporate management from the small and big screen. Sergio Roma in Get Him To The Greek– Diddy plays record mogul Sergio Roma, whose Pinnacle Records is close to financial ruin. In the clip below, Sergio delivers a verbal tongue lashing to one of his underlings at their weekly staff meeting. J. Jonah Jameson in Spiderman– As the cantakerous  top dog at the fictional Daily Bugle, Jameson has zero tolerance for stupidity–and our friendly neighborhood Spiderman. Louie DePalma in “Taxi”–as the head dispatcher for the Sunshine Cab Company, Louie is a nasty troll who delights in spreading misery to everyone around him. Miranda Priestley in The Devil Wears Prada– the editor-in chief of Runway Magazine, (rumored to be fashioned after real life Vogue magazine’s editrix Anna Wintour).  No one can cast a withering stare better than this ice queen. Gilbert Huph in The Incredibles– Poor Gilbert Huph.  How could the soulless corporate pencil pusher know he was about to fire one of the most powerful superheroes in the world?  Watch what happens when Mr. Huph tries to conduct Bob Parr’s ‘exit interview’: Mel Sharples in  ”Alice”–Rough, gruff, and about five decades behind in  the women’s movement, Mel could definitely use a few classes in Sensitivity 101 (start at 1:25 mark). Eugene H. Krabs in “Spongebob Squarepants”–The owner of The Krusty Krab, Mr. Krabs is the crustacean Gordon Gekko of Bikini Bottom.  He will do anything for a buck, and as witnessed in clip below, will even dabble in a little eco-terrorism to do so. Bill Lumbergh in Office Space –Lumbergh is the passive-aggressive, bureaucratic type of boss who seems to forget–or just doesn’t care–that employees have a life outside their office cubicle. Wilhemina Slater in “Ugly Betty”–Cold and heartless, Wilhemina takes fashion very seriously. In the clip below, Wilhemina serves a fashion police ticket (and a pink slip) to an employee at Mode Magazine. Ari Gold in “Entourage”–Based on real life Hollywood talent agent Ari Emanuel, Ari Gold is an equal opportunity offender. From faithful assistant Lloyd to long-suffering wife Mrs. Ari, no one is safe when Ari goes Chernobyl on your ass.

Top 10 Horrible Bosses From TV And Film

Eminem’s ‘Space Bound’ Video Is ‘Tricky,’ Jim Jonsin Says

‘It reminded me of Alanis Morissette’s ‘Ironic’ video, where she’s got her and her two other egos in the car,’ song’s producer tells MTV News. By Rob Markman Eminem on the set of “Space Bound” Photo: Eric Ford / On Location News Everyone seems to have their own take on Eminem’s new “Space Bound” video , in which the Detroit MC commits suicide after finding out that his girlfriend is cheating on him. The song’s producer, Jim Jonsin, likened the clip to a movie, and while the video is indeed shocking, he believes Eminem is clearly playing a character. “Things happen in movies all the time. People kill themselves, people get killed, they kill other people,” the multiplatinum producer explained to MTV News on Monday. “When my kids watch it, I like to explain to them in that manner: ‘It’s like a movie, ya know? He isn’t really killing himself.’ ” Jonsin, who was on set when the Joseph Kahn-directed vid was shot in February, suggested that viewers watch the clip a few times to figure out the plot and then draw their own conclusion. “The video itself, it’s tricky to figure out what’s going on in certain scenes,” he said. “It’s going to take them a moment to figure out why he did it. It’s not exactly spelled out, like, ‘I killed myself because this girl drove me to it or she’s cheating on me or she’s texting some other dude,’ or whatever it might be. So you’re still guessing a little bit.” Another element of the video that can be interpreted in a few ways is the two different versions of Eminem that appear onscreen simultaneously. Sasha Grey, who plays the rapper’s girlfriend in “Space Bound,” sees one of the two Shadys as Em’s subconscious. Jonsin had a similar take and compared the visual to Alanis Morissette’s 1996 video for her hit single “Ironic.” “It reminded me of Alanis Morissette’s ‘Ironic’ video, where she’s got her and her two other egos in the car,” he said, before turning the conversation back to Em. “I think it was him living in the now as a person going through it and him living as a person who is witnessing it and can make other choices to not be in that scenario. Maybe he would’ve chose differently, so now he’s watching himself.” How did you interpret Em’s video? Let us know in the comments below! Related Photos Eminem’s ‘Space Bound’ Video Shoot Related Artists Eminem Jim Jonsin

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Eminem’s ‘Space Bound’ Video Is ‘Tricky,’ Jim Jonsin Says

Eminem Co-Star Sasha Grey Interprets Suicidal ‘Space Bound’ Video

‘Even the strongest of love meets destruction at some point,’ the ex-porn star tells MTV News. By Rob Markman Sasha Grey on the set of Eminem’s “Space Bound” video Photo: Eric Ford/On Location News There have been quite a few takes on the meaning Eminem’s “Space Bound” video, in which we see two sides of a suicidal, love-torn rapper. Since the clip hit iTunes on Friday, fans have taken to comment sections dishing out theories about its meaning. Some have said this is another depiction of Em’s relationship with ex-wife Kim Mathers, while others likened the clip to a video game. And Eminem ‘s co-star in the video, Sasha Grey, has her own take on the video. Grey, who no longer works in porn, is now expanding her acting chops. She appeared, as did Em, on the seventh season of HBO’s hit series “Entourage,” and though the two never met on set, she got the offer to star in “Space Bound” at the request of the video’s director, Joseph Kahn. The clip features alternate versions of the Detroit MC, one agitated and cynical in the company of his girlfriend (played by Grey), the other more pensive and calm. “You can read into it a few different ways, but I imagine one character is actually him, and the other is his subconscious,” Grey said. Things begin to take a turn for the worse when the rapper discovers the love of his life is cheating on him. He later attacks her, then turns a gun on himself and commits suicide with a single shot through the head. “Space Bound,” like “Love the Way You Lie” depicts a tumultuous relationship in which domestic violence once again is a topic. “Em simply becomes company for her, and she mistakenly takes advantage of that,” Grey says of her character. “Before each take, Joseph and I would talk a lot about her motives and attitude. Her ultimate moment doesn’t come until the end, so I had plenty of time to build the fear!” Grey doesn’t have a clear-cut explanation of the video, but she ultimately sees “Space Bound” from a pessimistic view — hopeless romantics take heed. “I don’t know if it necessarily has a thorough message, but I think it shows that even the strongest of love meets destruction at some point,” the ex-porn star told MTV News. “Whether or not you come out of it together and whole is an entirely different question.” Related Photos Eminem’s ‘Space Bound’ Video Shoot Related Artists Eminem

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Eminem Co-Star Sasha Grey Interprets Suicidal ‘Space Bound’ Video

Rihanna’s ‘Man Down’ Video: Experts Weigh In On Controversy

‘I don’t think viewers are necessarily getting healthy messages from it,’ one expert says. By Gil Kaufman Rihanna Photo: Steven Lawton/ FilmMagic Like any good piece of art, Rihanna ‘s controversial “Man Down” video has elicited a wide variety of opinions, running the gamut from condemnation for its bloodshed to praise for its attempt to grapple with the complex issue of violence against women. “It strikes me first and foremost that she is working out personal issues through her art,” said Terry O’Neill, national president of the National Organization for Women, who lauded the singer’s talent and stressed that she did not find the video exploitive at all. A number of groups slammed the clip after its premiere, taking issue with the opening scene, in which a hidden Rihanna is shown shooting an unarmed man in the back of the head in the middle of a crowded train station. Viewers later learn that the act was in retaliation for a previous sexual assault. ” ‘Man Down’ is an inexcusable, shock-only, shoot-and-kill theme song,” said Industry Ears co-founder Paul Porter, a former programming director at BET, where the video debuted earlier this week and remains in rotation. But O’Neill said that like Rihanna’s collaboration with Eminem on the “Love the Way You Lie” video — which also tackled issues of domestic abuse — “Man Down” is another example of Rihanna “trying to grapple with the multifaceted nature of violence against women as an artist. Obviously violence is not the way to solve anything and both videos depict violence. In one, it’s a man who feels justified in committing violence against a woman and in the other a woman who feels instantly very remorseful in her killing.” For O’Neill, “Man Down” does not cross the line into portraying violence in an effort to titillate. “One of the main messages it leaves you with is violence breeds more violence and everyone can see that and also detect some problems with that,” said Stephanie Nilva, Executive Director of Day One, New York’s leading teen relationship abuse-focused organization. “I respect the fact that Rihanna is trying to draw attention to these issues, but I don’t think viewers are necessarily getting healthy messages from it.” Another concern for Nilva, given the implied sexual abuse in the clip, is the underlying impression that young women who dress a certain way or go dancing in clubs are naive or should feel at risk. That too, she said, sends a muddled message about sexual assault. “What it doesn’t do is open up a discussion about how men’s violence is frequently about controlling women and not about violence they’ve experienced at that person’s hands,” she said. After posting a defense of the clip, Rihanna got plenty of support from her fans on Twitter , where the comments included such sentiments as “it’s really ironic how women r always exploited n videos … we watch women be raped & murdered. Now a woman flips the coin & look!” Another fan wrote, “You opened the eyes of all women living under a dark cloud that needed a voice. ‘Man Down’ is the voice. I love you.” Others called it “inspiring” and praised Rihanna for tackling the issue of sexual abuse, writing, ” ‘Man Down’ video portrays REAL situations that can happen to ANYONE! Do yoo thing ri!” Rihanna also pleaded with her fans to stop making threats against members of the PTC, writing, “We love it, they don’t … that is all, and the world keeps turning.” Given the message of empowerment some of Rihanna’s fans appear to have taken from the video, Nilva noted that one of the messages Day One imparts to young people is that violence is never appropriate. “I wouldn’t say that perpetrating violence against someone is a form of empowerment, just like you wouldn’t say a man raping a woman is a form of empowerment,” she said. “It’s a complicated message to get young people to absorb that — what it means to be an empowered person — and it would be nice to see more images of strength that are not about exercising violence or power over other people.” As a survivor of relationship violence at the hands of her ex, Chris Brown , Nilva said the singer is clearly under the microscope when it comes to this topic. But given that people are likely to pay more attention to what she has to say about it because of her fame and the notoriety surrounding Brown’s 2009 assault, Nilva said it would be preferable to see a more positive message from Rihanna on the topic. O’Neill said she’s confident that Rihanna’s fans will understand the message of the clip because any woman who has experienced violence from a partner or acquaintance knows that among the emotions you feel in addition to anger and rage are humiliation and fear and a desire for revenge. “Many women who have experienced violence, of course, have those feelings and this video seems to be a fictional portrayal of those feelings and is not intended to be instructional,” O’Neill said, calling it a kind of catharsis for viewers. “The other aspect that is part of the message is the fact that if you act on your desire to kill this rapist, you will then throw yourself down the rabbit hole of remorse and criminal accountability and be sent to prison. There are repercussions and the video clearly says that.” At press time, MTV’s Facebook poll asking whether the video goes too far had the “no” votes leading the “yes” votes by a margin of three-to-one. Do you think Rihanna’s “Man Down” video goes too far? Cast your vote in our Facebook poll and share your thoughts in the comments below. Related Artists Rihanna

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Rihanna’s ‘Man Down’ Video: Experts Weigh In On Controversy

Rihanna’s ‘Man Down’ Video: Experts Weigh In On Controversy

‘I don’t think viewers are necessarily getting healthy messages from it,’ one expert says. By Gil Kaufman Rihanna Photo: Steven Lawton/ FilmMagic Like any good piece of art, Rihanna ‘s controversial “Man Down” video has elicited a wide variety of opinions, running the gamut from condemnation for its bloodshed to praise for its attempt to grapple with the complex issue of violence against women. “It strikes me first and foremost that she is working out personal issues through her art,” said Terry O’Neill, national president of the National Organization for Women, who lauded the singer’s talent and stressed that she did not find the video exploitive at all. A number of groups slammed the clip after its premiere, taking issue with the opening scene, in which a hidden Rihanna is shown shooting an unarmed man in the back of the head in the middle of a crowded train station. Viewers later learn that the act was in retaliation for a previous sexual assault. ” ‘Man Down’ is an inexcusable, shock-only, shoot-and-kill theme song,” said Industry Ears co-founder Paul Porter, a former programming director at BET, where the video debuted earlier this week and remains in rotation. But O’Neill said that like Rihanna’s collaboration with Eminem on the “Love the Way You Lie” video — which also tackled issues of domestic abuse — “Man Down” is another example of Rihanna “trying to grapple with the multifaceted nature of violence against women as an artist. Obviously violence is not the way to solve anything and both videos depict violence. In one, it’s a man who feels justified in committing violence against a woman and in the other a woman who feels instantly very remorseful in her killing.” For O’Neill, “Man Down” does not cross the line into portraying violence in an effort to titillate. “One of the main messages it leaves you with is violence breeds more violence and everyone can see that and also detect some problems with that,” said Stephanie Nilva, Executive Director of Day One, New York’s leading teen relationship abuse-focused organization. “I respect the fact that Rihanna is trying to draw attention to these issues, but I don’t think viewers are necessarily getting healthy messages from it.” Another concern for Nilva, given the implied sexual abuse in the clip, is the underlying impression that young women who dress a certain way or go dancing in clubs are naive or should feel at risk. That too, she said, sends a muddled message about sexual assault. “What it doesn’t do is open up a discussion about how men’s violence is frequently about controlling women and not about violence they’ve experienced at that person’s hands,” she said. After posting a defense of the clip, Rihanna got plenty of support from her fans on Twitter , where the comments included such sentiments as “it’s really ironic how women r always exploited n videos … we watch women be raped & murdered. Now a woman flips the coin & look!” Another fan wrote, “You opened the eyes of all women living under a dark cloud that needed a voice. ‘Man Down’ is the voice. I love you.” Others called it “inspiring” and praised Rihanna for tackling the issue of sexual abuse, writing, ” ‘Man Down’ video portrays REAL situations that can happen to ANYONE! Do yoo thing ri!” Rihanna also pleaded with her fans to stop making threats against members of the PTC, writing, “We love it, they don’t … that is all, and the world keeps turning.” Given the message of empowerment some of Rihanna’s fans appear to have taken from the video, Nilva noted that one of the messages Day One imparts to young people is that violence is never appropriate. “I wouldn’t say that perpetrating violence against someone is a form of empowerment, just like you wouldn’t say a man raping a woman is a form of empowerment,” she said. “It’s a complicated message to get young people to absorb that — what it means to be an empowered person — and it would be nice to see more images of strength that are not about exercising violence or power over other people.” As a survivor of relationship violence at the hands of her ex, Chris Brown , Nilva said the singer is clearly under the microscope when it comes to this topic. But given that people are likely to pay more attention to what she has to say about it because of her fame and the notoriety surrounding Brown’s 2009 assault, Nilva said it would be preferable to see a more positive message from Rihanna on the topic. O’Neill said she’s confident that Rihanna’s fans will understand the message of the clip because any woman who has experienced violence from a partner or acquaintance knows that among the emotions you feel in addition to anger and rage are humiliation and fear and a desire for revenge. “Many women who have experienced violence, of course, have those feelings and this video seems to be a fictional portrayal of those feelings and is not intended to be instructional,” O’Neill said, calling it a kind of catharsis for viewers. “The other aspect that is part of the message is the fact that if you act on your desire to kill this rapist, you will then throw yourself down the rabbit hole of remorse and criminal accountability and be sent to prison. There are repercussions and the video clearly says that.” At press time, MTV’s Facebook poll asking whether the video goes too far had the “no” votes leading the “yes” votes by a margin of three-to-one. Do you think Rihanna’s “Man Down” video goes too far? Cast your vote in our Facebook poll and share your thoughts in the comments below. Related Artists Rihanna

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Rihanna’s ‘Man Down’ Video: Experts Weigh In On Controversy

Rihanna’s ‘Man Down’ Video Slammed For Violence

Parents Television Council and Industry Ears criticize depiction of murder in new clip. By Gil Kaufman Rihanna Photo: Jeff Kravitz/ WireImage Rihanna has more than said her piece about how her 2009 assault at the hands of ex-boyfriend Chris Brown has affected her. But in the new video for her single, “Man Down,” the singer is depicted shooting an unarmed man in the head in cold blood at a train station in what viewers later learn is retaliation for a previous sexual assault. “Mama, I just shot a man dead,” Rihanna sings in the video, which debuted on BET on Tuesday. The Parents Television Council, the Enough Is Enough campaign and the entertainment think tank Industry Ears released a statement on Wednesday condemning the video for what the group said was an apparent enticement to young women to turn to violence. ” ‘Man Down’ is an inexcusable, shock-only, shoot-and-kill theme song,” said Industry Ears co-founder Paul Porter, a former programming director at BET. The lyrics to the song match the narrative of the video, including such lines as, “I didn’t mean to end his life/ I know it wasn’t right … I took his heart when/ I pulled out that gun … Oh mama, mama, mama/ I just shot a man down/ In central station/ In front of a big ol’ crowd.” The PTC lamented that Rihanna had a “golden opportunity” to use her celebrity status to send an important message to young girls and victims of rape and domestic violence with the clip, but had missed the mark. “Instead of telling victims they should seek help, Rihanna released a music video that gives retaliation in the form of premeditated murder the imprimatur of acceptability,” said the PTC’s Melissa Henson. Though a spokesperson for Rihanna could not be reached for comment, the singer took to Twitter on Monday to give her fans a preview of the clip’s message. She wrote that it had a “very strong underlying message 4 girls like me.” MTV News spoke with director Anthony Mandler last month, when he revealed that Rihanna let him take the visual to the extreme. “We shot the video last month in Jamaica, and it’s my favorite song she’s ever recorded, so I was really excited to get involved,” he said. “And it’s just one of those songs that demands a strong narrative and visual, and let’s just say, she let me go all the way. So I think you can expect something that’s dramatic and shocking and intense and emotional and uplifting and enlightening.” The organizations have called for BET to stop airing the video immediately. A spokesperson for BET could not be reached at press time. For her part, Rihanna has continued to tout the empowerment message of the clip, tweeting on Wednesday, “Young girls/women all over the world … we are a lot of things! We’re strong innocent fun flirtatious vulnerable, and sometimes our innocence can cause us to be naive! We always think it could NEVER be us, but in reality, it can happen to ANY of us! So ladies be careful and #listentoyomama! I love you and I care!” It’s not the first time Rihanna has been embroiled in a video controversy. Her sexually-suggestive “S&M” clip was banned in a number of countries earlier this year, and some questioned whether she was glorifying domestic violence around the release of the video for her hit Eminem collaboration, “Love the Way You Lie.” What do you think of Rihanna’s video? Is it harmful or empowering? Share your thoughts in the comments below! Related Artists Rihanna

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Rihanna’s ‘Man Down’ Video Slammed For Violence