‘It was a marriage made in heaven,’ Busta tells MTV News on the 15th anniversary of the track and video. By Rob Markman, with reporting by James Lacsina Busta Rhymes in his video for “Put Your Hands Where My Eyes Could See” Photo: Elektra
Compton MC talks to MTV News about how Snoop and Dre’s 1992 ‘Nuthin’ But a G Thang’ clip inspired the video for his first single off Jesus Piece. By Rob Markman, with reporting by Felicia Morris The Game Photo: MTV News
Mother Monster collaborates with Thierry Mugler for latest visual art piece that debuted at Paris Fashion Week. By Jocelyn Vena Lady Gaga (file) Photo: BuzzFoto Lady Gaga and her pal, Thierry Mugler designer Nicola Formichetti, hit Paris Fashion Week once again, dropping a new film during the Mugler women’s wear show on Wednesday. As MTV News previously reported, Gaga and Formichetti teamed up with directors Inez van Lamsweerde and Vinoodh Matadin for the project. On Thursday (September 29), fans not in Paris for Fashion Week got to see a special edit of the film when it premiered online. The video, which mixes Mugler runway show footage with clips from the new Gaga film, offers another take on Mother Monster’s ever-evolving persona. It opens on a close-up of Gaga’s face, her teeth diamond-encrusted, as she says, “Sometimes, my heart sometimes feels so black … and other days my heart feels like rainbows.” She flips her multicolored hair, saying, “I am Paris. We are Paris.” In the next scene, a three-headed Gaga dances while a haunting track plays in the background. The image is reminiscent of the one that appeared on the cover of V magazine earlier this year. (As for the runway show, the clothes seen in the video are futuristic in style, in mostly muted tones.) The directors, Inez and Vinoodh, worked with Gaga on her “Yo
‘I ain’t just trying to take advantage of somebody just because they hot right now,’ MC says on ‘RapFix Live.’ By Rob Markman Glasses Malone Photo: MTV News As an artist on Cash Money Records, Glasses Malone has access to some major hitmakers. But the California MC is not quick to take advantage of his multiplatinum labelmates. Instead, Glasses — who just dropped his solo debut album, Beach Cruiser, in August — said he would rather build organic collaborations. “I have access to everybody. Just to me, our topics be so different,” Glasses told MTV News’ Sway Calloway during his visit to “RapFix Live” on Wednesday. “Me and Birdman got a lot of songs, me and Wayne got a lot of songs, me and Mack 10 have a lot of songs because our content are more relatable. Drake is really successful, and as an artist, it seems every artist wants to get with somebody that’s successful, but I don’t look at hip-hop like that. “I ain’t just trying to take advantage of somebody just because they hot right now,” he continued. “I want to make great music, I want to make great songs, and right now, me and Drake’s subject matter is so far apart: His subject matters tend to deal with more relationships, his success and dealing with his fame in the music industry.” Glasses, on the other hand, makes music that addresses the issues on the California streets where he was raised. On Beach Cruiser, he recruited the likes of Rick Ross, Jay Rock and Nipsey Hussle, instead of more-certified hitmakers such as Drake and Nicki Minaj. Malone refuses to get caught up in gossip. When he first emerged on the rap scene, it was Game who gave him the co-sign, but eventually their deal soured. Malone made it clear on “RapFix Live” that he harbors no ill will toward the Compton MC. “I don’t think it’s much of a rivalry; I think everybody painted it like that,” Glasses said. “It could never be a rivalry: Dude put me in position, him and [his brother] Fase put me in position to be where I am today,” he explained. “I don’t got nothing to say bad about that dude or nothing about that situation because without them … I’d still be slinging PCP on 117th.” Who would you like to hear Glasses collaborate with? Tell us in the comments below! Related Videos Styles P, Mistah Fab, Glasses Malone On ‘RapFix Live’ Related Artists Glasses Malone
The R.E.D. Album follow-up ‘coming along crazy,’ 1500 or Nothin’ producer tells Mixtape Daily . By Alvin Blanco La Mar “Mars” Edwards Photo: Victor Decolongon/ Getty Images Behind the Beats: Mars Don’t let his relatively young age fool you: La Mar “Mars” Edwards is already an accomplished production veteran at only 26 years old. The California native’s production discography includes placements with A-list clients like Kanye West , Snoop Dogg and Chris Brown , to name a few. Mars and some fellow church musicians started a band and officially formed 1500 or Nothin’ , now a conglomerate of sought-after songwriters and producers, shortly after high school. Mars linked up with T.I., who was looking to work on his own production craft, around 2004. “We had the same attorney,” Mars told Mixtape Daily about T.I. “Tip always did beats, but he didn’t have time to do it while he’s rapping and doing business stuff, so he talked to my attorney about finding somebody that could help him form a company and produce with him as well as somebody he could learn from and possibly teach some things to. It was a no brainer for my attorney. “I got out there [to Atlanta] on the next plane smoking that day. Ever since then, he treated me like a brother,” Mars continued. “He’ll call me to talk about life. It’s more to it than me being his production partner and having Smash Factory.” T.I. and Mars, along with Lil C, formed the Smash Factory in 2005. The production team has since hooked up tracks including Nelly’s “She’s So Fly” and T.I.’s “I Can’t Help It.” While Tip has been incarcerated, Mars has asserted himself, most recently by earning an executive producer credit, alongside the likes of Dr. Dre, on Game’s just-released The R.E.D. Album . Although he produced a good chunk of the album — including the Tyler, the Creator- and Lil Wayne-assisted “Martians vs. Goblins” and “California Dream” — he was still surprised about the distinction. Mars said the Compton rapper granted him the executive producer nod because “[Game] seeing that it wasn’t about trying to get however many songs or just going up there and sending beats and just leave like other producers would.” “I just wanted to be there every day to make sure there’s input,” he added. “Even if it was songs I didn’t produce, I made sure I was vocal about it. He respected different things I would suggest.” Mars continued, “We’d been working on The R.E.D. Album for three years. Just seeing my name on the credits right when you open the album, that was pretty exciting. As well as being in good company with Pharrell and Game and Dre, that’s the icing on the cake. Especially being a producer, growing up listening to their sounds and them being a big influence on my production.” As for his upcoming projects, Mars didn’t offer any details on the new Will Smith album he and 1500 or Nothin’ are reportedly creating. He did mention working on a 1500 or Nothin’ compilation album, on Snoop Dogg’s daughter’s album and on Game’s next album. “Me and Game was in the studio yesterday,” Mars revealed. “We did two songs. That’s coming along crazy. We’re going to have no features: It’s just him rapping. No name dropping, no little things people say is clich
New West Coast rapper tells Mixtape Daily why he’s charging for his latest release. By Rob Markman Kendrick Lamar Photo: MTV News Don’t Sleep: Necessary Notables Headliner : Kendrick Lamar Album : Section.80 Key Cameo : “No Make-Up (Her Vice)” featuring Colin Munroe The best things in life aren’t always free, and while New West Coast representative Kendrick Lamar started his career offering up free Internet-only mixtapes, the Compton, California, rapper is setting a new standard with his latest album, Section.80 . “It was something that I had to understand, that my company had to make me understand. I’m putting out this free music, constantly putting it out,” Lamar told MTV News of his old way of thinking. “My whole thing is bringing music back to where people actually buy it, but at the same time, you know what? I don’t think I’m ready yet to start selling my project because I feel the world don’t know me yet.” Since changing his name from K.Dot, he released The Kendrick Lamar EP at the end of 2009 and Overly Dedicated in 2010. Both projects were available for free throughout the hip-hop blogosphere, but Section.80 does not follow that same model. The change in Lamar’s feelings on free music is largely due to the urging of the heads of his record label, Top Dawg Entertainment. “Top Dawg is always telling me, ‘They’ll never know you [and you’ll never] get a chance to bring music back to its original roots because you aren’t demanding to go out and buy it,’ ” Lamar said of the advice he was given. “That made sense to me.” Section.80 is a densely packed affair, where the rapper displays his lyrical dexterity and storytelling ability. There are no songs that fit the traditional radio format; instead Lamar focuses on the ills of the crack epidemic ( “Ronald Reagan Era” ), the hardships young women face (“Keisha’s Song”) and religion (“Kush & Corinthians”). Barring any support from radio and major marketing companies, the success of Section.80 will depend on his ever-growing fanbase. “People out here, they really gotta go out and support that last music that’s alive as far as hip-hop, because we’re a dying breed now,” he said. “Truthfully, it’s up to the world.” Related Artists Kendrick Lamar
‘I’m back with Dr. Dre, which is a bonus and dope for me,’ Game tells MTV News. By Rob Markman, with reporting by Matt Elias Dr. Dre Photo: Johnny Nunez/ WireImage For Game , the fourth time’s the charm. The former G-Unit rapper has high hopes for album #4, The R.E.D. Album, which is set to be released August 23. While a Game album is notable in its own right, the Compton, California, MC is particularly excited now that he has reunited with mentor Dr. Dre and snagged Pharrell to help oversee the production as well. “This album is the most incredible album of my career,” Game said to MTV News from the set of his “Pot of Gold” video shoot last week. “First, I’m back with Dr. Dre, which is a bonus and dope for me. Second, executive-produced by Pharrell, co-executive-produced by myself and Mars.” There is also production from Cool & Dre, Hit-Boy, Maestro and Lex Luger and features ranging from Nelly Furtado to Lil Wayne to Busta Rhymes. “And Dre’s rapping on the album,” Game revealed. Dre, who oversaw Game’s debut, The Documentary, has played a limited role in the rapper’s career since Game’s fallout with 50 Cent, who is also signed to Dre’s Aftermath imprint. Since then, the West Coast production icon hasn’t lent beats or his vocals to any of Game’s subsequent albums. In 2009, studio pictures of Dr. Dre, Game and Snoop surfaced, proving that the two were back to work in some capacity. Game wouldn’t confirm whether Dre provided a full verse or a hook. When asked, he just blurted out the album’s release date: “August 29.” What are you expecting from a new Game/Dre collabo? Let us know in the comments! Related Artists The Game Dr. Dre
Section 80 track featuring Wu-Tang Clan leader released online Friday. By Rob Markman Kendrick Lamar Photo: MTV News Save for a refrain on Kanye West’s My Beautiful Dark Twisted Fantasy or verses on any of his Wu-affiliated projects, Wu-Tang Clan’s chief producer and orchestrator RZA doesn’t make many guest appearances these days, so New West Coast representative Kendrick Lamar knows how lucky he is to have vocals from the Abbot on his latest single, “Ronald Reagan Era.” “A mutual friend said he was diggin’ the music, and he blessed me to get these [RZA a cappella vocals]. I was sittin’ on them for a while, like, ‘Damn, I got some RZA joints up in my hard drive. That’s incredible,’ ” Lamar told MTV News. “So I didn’t want to touch ’em just yet unless it was right. So I was sittin’ on them for a while, then I was like, ‘You know what? This is the perfect sound right here.’ My dude Tae Beast did the beat, and it came together, man. It was magic.” “Ronald Reagan Era” — which was released online Friday and will be featured on Lamar’s upcoming album, Section 80 — finds the Compton MC rapping over a haunting loop. He raps of trifling street tales set in the late 1980s, when Ronald Reagan was serving his second term as the 40th president of the United States. Lamar, who was born in 1987, draws a distinct parallel between his youth and Reagan’s reign, sometimes referred to as the “crack era.” Lamar rhymes: “1987, the children of Ronald Reagan, rake the leaves off your front porch with a machine blowtorch.” The RZA’s contribution is slight, but his distinct wet drawl is pronounced as he repeats “California dungeons” during the song’s chorus, reinforcing Lamar’s feeling of coming up from the bottom. Lamar told MTV News that Section 80, due out in July, has received blessings from Dr. Dre , but won’t feature production from the Good Doctor. Share your review of Kendrick Lamar’s “Ronald Reagan Era” in the comments! Related Artists Kendrick Lamar RZA
In honor of 4/20 here is something that you should read under the influence but is just as insightful sober. DJ Quik, the Compton California OG producer and MC, has just released his eighth album The Book Of David. If you haven’t ingested the female-friendly sonics of “Real Women” or “ Luv Of My Life” head over to your favorite online retailer and make it happen stat. When Mr. David Blake spoke with hip-hop production site Nodfactor.com about the musical inspirations behind his latest work he took the time to explain how we see music as well as hear it. Take a look. There are more sonic colors on this record than I’m used to using. They’re complex, they’re moody, they’re emotive but they’re fun at the same time. It sounds like…I think of records like Donny Hathaway ….they have real red tones in them. And puce. They’re minor 9ths so they’re colorful and they make you feel something as soon as you hear em. As opposed to a C major or C minor chord, those are like blue notes in a sense. B Flats. In hip-hop “ Sweet Black P*ssy” is a red record. “Tonight” i s a bluish record it’s a like a burgundy bluish. “ Born And Raised In Compton ” is brown. It’s Isaac Hayes , his skin color and his record label. Just brown because that groove is so funky. The first Barkay’s band did that. The ones that crashed in that plane with Otis Redding . They were the house band for Stax. That’s where I sampled that sh*t from. Records like “ Luv of My Life” are reddish, greenish, orange. “Real Women” is clear, it’s colorless. It’s a white diamond. I sampled that from Dave Grushen and Angela Bofill . Don’t you love my range and my diversity? Quik also explains why he made the songs and the reason they were released first: Who doesn’t love John B? The last record we’ve heard him on was Tupac’s “Are You Still Down?” That’s not fair. John B means more to R&B than that, so why wouldn’t I support my brother and put him back on the radio where he belongs. It’s an ode to the women we really admire. I admire Sylvia Rhone . She’s beautiful to me. Debra Lee at BET. Cathy Hughes. We did it for women like that. Even though they’re a little out of my range, they got me in cougar town, but I still look up to fine women. DJ Quik’ s The Book Of David is out now! RELATED POSTS: DJ Quik & Ice Cube “Boogie Til You Conk Out” [NEW MUSIC] DJ Quik Reminisces On Working With Nate Dogg [VIDEO]
Travis Barker, Diddy, Lil Wayne, Birdman and more appear on tape dropping Monday. By Shaheem Reid The Game’s The Red Room Photo: Universal Music Group The Game’s anticipated The Red Room mixtape comes out on Monday (April 26). Though it was originally slated to be a special Gangsta Grillz edition mixtape with DJ Drama, Game made an 11th-hour switch and went back to his playa potna DJ Skee, who has been a part of several Game mixtapes over the years. Skee contributed production to the mixtape as well, making a “Skeemix” of the Compton native’s controversial “400 Bars.” Travis Barker lends his drums to a remix of the Cool and Dre-produced “Shake.” Game has no shortage of fire power elsewhere in the mixtape. Diddy appears on “Heartbreak Hotel,” and Nipsey Hussle raps on the freestyle “Ha Ha,” which uses Fat Joe’s “Slow Down” beat. Lil Wayne, Jadakiss, The Birdman, Jim Jones, Hurricane Chris and Bizzy Bone all appear. Game also introduces new talent such as Kanary Diamonds and Maad Maxx. The Red Album comes out on June 15 and features guest spots from Dr. Dre and Justin Timberlake. The Red Room track listing, according to Game’s Camp: