No Doubt has left no doubt: it is very sorry if anyone was offended by its music video for “Looking Hot.” The video has come under fire because it features Gwen Stefani in Native American attire, tied up, handcuffed, dancing around teepees, and fighting cowboys. No Doubt – “Looking Hot” (Live Performance) In response to the controversy, the group has pulled the video from YouTube and issued the following apology: As a multi-racial band our foundation is built upon both diversity and consideration for other cultures. Our intention with our new video was never to offend, hurt or trivialize Native American people, their culture or their history. Although we consulted with Native American friends and Native American studies experts at the University of California, we realize now that we have offended people. This is of great concern to us and we are removing the video immediately. The music that inspired us when we started the band, and the community of friends, family, and fans that surrounds us was built upon respect, unity and inclusiveness. We sincerely apologize to the Native American community and anyone else offended by this video. Being hurtful to anyone is simply not who we are. Think this was the proper move?
Long before Chick-fil-A fried their way into the center of a gay rights firestorm , Compliance director Craig Zobel was searching for the right setting to tell his chilling tale of order and obedience gone terribly wrong at a fast food joint. “In the back of my head, I probably could have told you that they were on the wrong side of history,” said Zobel, who rocked Sundance with the drama, based on incredible true events, in which a telephone prankster manipulates the manager of a fictional chicken restaurant into the increasingly dehumanizing treatment of one of her employees. “I just didn’t want to look at it.” The natural impulse to obey authority, and the all too-human imperative to ignore our own wrong behavior, pulsate through every (often) cringe-inducing moment of Compliance . Veteran actress Ann Dowd is tragically relatable as Sandra, the middle-aged “Chick-Wich” restaurant manager conned by a caller claiming to be a cop ( Pat Healy ) into detaining young cashier Becky (Dreama Walker) on suspicion of stealing from a customer; interrogation by proxy devolves into humiliation and worse as other reasonable-seeming employees and colleagues get involved. It’s an escalation of events you’d think most people would never fall prey to if it hadn’t happened in real life in over 70 reported incidents in 30 states. The subject matter touches such a raw nerve that Compliance ‘s Sundance screenings prompted walkouts and shouting matches in the audience ; as recently as this week the same thing happened in New York. Zobel talked with Movieline about the highs and lows of sparking controversy at Sundance, how the Stanford Prison Experiment and the work of psychologist Stanley Milgram led him to Compliance ‘s incredibly true inspiration, why Cops is a great resource for writing policeman dialogue, and how shades of Chick-fil-A unintentionally made its way into the most debated film of the year. You made quite a splash at Sundance; were you always expecting this kind of divisive reaction from audiences? I knew that the movie would be challenging to certain types of people, and after having made the movie I thought because of the subject matter and decisions that we made, we’d be leaving some people on the table that wouldn’t like it. So I wasn’t 100 percent surprised. But I made the movie not because I knew the answer to something, but to explore — this stuff is weird, it’s not black and white, and none of it really makes a whole lot of sense to me. So I made it as this question. It was intentional to have a dialogue, and the fact that it happened as fast and as big as it did was kind of amazing. I was on the bus going to another screening at Sundance and heard two people who had no idea who I was talking about it. It was pretty great. What did they say? They were talking about the real cases, but hearing people talking as you walked by – “ Compliance !” – was exciting. Isn’t it scary as a filmmaker to ride the bus at Sundance? I could see how it could be, yeah. [Laughs] Mostly it’s just scary because if you’re riding the bus you’re probably late getting somewhere. When you first heard about these real life fast food prank cases, had you been looking for this kind of crazy real life story for inspiration? I was really interested in the Stanford Prison Experiment, and because of that I started reading about Milgram’s obedience experiments, because at first I was thinking with the prison experiment, that’d be an amazing movie. Then I found out that people are making that movie, that’s happening. Fair enough. By then I was hooked, and it’s hard when you start reading about it; almost anything that’s newer points to real cases and real situations, like the Kitty Genovese case where a woman in the Bronx in the 1970s was attacked in the courtyard of her apartment building and screamed out for help — and it turns out that 24 people heard her and nobody did anything because they thought somebody else would. These kinds of cases just pop up. I heard about these prank phone call cases from that, and I was just reading them because I was fascinated, and I think what made me really consider this as a movie was that days after reading them my first instinct was “I wouldn’t be a guy who’d do that.” Of course — everyone thinks they’d be the one person who would say no, who would feel such a strong sense of right and wrong that they’d stand up to the voice of authority. Right! And of course if it happens 70 times over a 10 year period, and if you look at the Milgram experiments which basically say two-thirds of us would do these kinds of things, how honest am I being? That every time I’ve encountered something I’ve disagreed with in an authority figure I’ve stood up immediately and said what I’ve needed to say? Is it true that you’ve always done that? And people’s relationship with authority, I was like, wow, I don’t see movies like that very much. How close a connection do you feel there is between that sentiment and the ground you explored in Great World of Sound ? I guess in my mind the other film is about rationalizing doing something that deep down you know you shouldn’t be doing, because you need to for one reason or another. In the movies, bad guys are really bad — like, Darth Vader comes out and is just bad as shit. But in real life, nobody thinks they’re a bad guy. Everyone rationalizes that they’re not a bad person, right? But bad things happen, so that can’t totally make sense. In Compliance , you humanize every one of the characters — not just the victim. Watching the film, that eventually the perpetrators of these crimes would eventually pay for their complicity. And then I read about what really happened after the fact. The manager got a settlement out of it, too! It’s hard not to become invested one way or another. The most interesting way to tell the story in my opinion was to be objective about it, and I think that has something to do with the people who reject the film or have conflict with the film who wish that the film was incredibly subjective to Dreama’s point of view, which is a way to do it. But I think that way would have had to have painted everyone else as bad people. And although I think they did something that I definitely disagree with, it was wrong, I guess I have some empathy with the decision making they get into. You start thinking in one direction, and then to back up and say that you made a mistake — for Ann’s character to say she should get out of there — would be to admit that you had done something really dumb. Nobody wants to do that, you know? It was all these human things; I tried to look at all the characters as if you were an alien from outer space. “Why is that happening?” There was one particularly unsettling thing yelled out during the Sundance Q&A… The guy who said the thing about Dreama? I had some interaction with that guy, and — it’s weird, because I’m defending somebody who yelled at me — but I do think that he maybe just didn’t know what he was saying, or said something the wrong way. I think he was reacting to multiple things; the crowd, when the first one yelled “Rape’s not entertainment, this is the year of the woman at Sundance” people were standing up and saying to her, “Well, I want my grandchildren to see this movie!” And he was reacting to the hostility towards her in the room and trying to make her case for her in a weird way. I mean, I think the guy was an idiot and put his foot in his mouth. Do you know what he said after he said that? He said, “Well, your body sure is appealing.” What was going through your head in that moment? I was just worried that Dreama was going to cry. I was like, if I put my arm around you will you just crumple? I was just there. And then [cast member]Ashlie Atkinson grabs the mic and her response is perfect, because she’s smart and has thought about this stuff. And he says, “No, I’m a faggot, I’m not even…” and I’m like, please be quiet. You’re making me uncomfortable not because of what you’re saying, but now I feel weird about you! [Pause] I know how that reads, but I don’t think a lot of people are lasciviously looking at this movie. I think it’d be hard to. We tried as hard as we could to make those scenes not feel comfortable. That was sort of the point; I felt it was important to have nudity in the film and go to a certain degree so the gravity of how insane it was would be there, but it was not meant to paint a picture that was sexy at all. It was actively attempting not to do that. Do you feel like the controversy has been a benefit? The controversy has certainly helped in helping people know about the movie, and it’s helped kickstart discussions that have become really interesting. I’ve had more interesting discussions about gender politics than I’d even hoped people would go as far with. We’ve had super interesting conversations. So in the sense that it legitimized having questions about this movie, the controversy was great. Even if you totally reject the movie and felt like I did a bad job, it’s still interesting to talk about. Was it hard to find Dreama, to find the right actress for this? It was. It was good in that Dreama was as interested in the root story as I was — all the actors were, honestly. Nobody was doing this movie because it was a great paycheck, they were doing it because they were fascinated by the questions that it raised. It wasn’t a super long process; in some ways a lot of people would be uncomfortable with this type of movie. But immediately Dreama and I clicked and she seemed to be picking up what I was putting down. The press notes emphasize how uncomfortable you were directing her in her nude scenes. [Laughs] I was! There was a lot of showing her playback and asking, “Is this okay with you?” But it’s funny, the actual screen time of how much [nudity] you see in the thing is less than you think. I think because of the subject matter it feels like that when you watch the movie. It’s because you’re in that experience with her, her nakedness and vulnerability dominates your brain . Which is really interesting. I wouldn’t say that I knew that would read like that quite to the extent that it has. I just got back from Locarno from the international premiere, and the foreign sales company that is handling our movie is also handling a movie about children during the Holocaust. And I found it funny that they were talking to some distributor in Europe and the European distributor said to Memento, the sales company, “We saw your really heavy movie.” And they were like, “Oh, you mean the one about children in the Holocaust?” And they said, “No, the one about the fast food restaurant!” Heavier than the Holocaust — now there’s a tagline. [Laughs] I don’t think I ever saw that coming. You cast the terrific Pat Healy as your phone caller, and to prepare you had him watch episode of Cops ? I was trying to figure out how to write that cop dialogue, and you quickly start realizing that most of your understanding of cops has to do with TV shows. Law & Order , that kind of thing? Yeah, stuff like that where it’s like your whole understanding of cops is through this media interpretation of them. I was like, how does a cop talk? That’s why I started watching Cops . To Pat I was like, look — it’s all about being passive aggressive. Cops are incredibly passive aggressive! That’s why I sent him the series. You hear them being like, “Okay, ma’am.” The quiet authority. It’s like your entire relationship in any conversation is from a place where you’re a little better. But you wrote the dialogue not knowing what was actually said in these real life phone calls? There are some parts that I’ll just never understand. I didn’t write the scene that gets them to the full-on assault, because I didn’t know. What would they say? It’s also like, who cares? True — you don’t need to hear the exchange leading up to the big assault to believe it. Now, you made Compliance long before the recent Chick-fil-A controversy, but rather presciently set this story within a fast food chicken restaurant. What is it about the insidiousness of chicken? [Laugh] Fried chicken sandwiches! The timing is strangely perfect. It is amazing! It’s bizarre. I’m from Atlanta, where Chick-fil-A is headquartered. I really wanted it to be a regional chain — I didn’t want it to be like, McSwiggins! I hate that in movies. It’s so distracting. Even Fast Food Nation does it, where they’re like, “Mickeys!” I’m like, Mickeys, really? So I was like, what if it’s not a famous one — what if it’s more like one where if you went to your aunt’s house in another state you would be like, there’s some weird fast food restaurant here that I’ve seen three times that I’ve never heard of, you know? And I’m from Atlanta; what is a regional fast food chain that I know? We have two big chains — one is Waffle House which I guess is more of a diner, but we’re proud of it, and the other is Chick-fil-A. It should be a southern fried chicken sandwich place! Maybe you subconsciously tapped into something there. I wonder! It’s funny when you think about it. I knew that Chick-fil-A was super Christian, and was kind of ignoring that because it’s really good food! But it’s that same thing where in the back of my head, I probably could have told you that they were on the wrong side of history. [Laughs] I just didn’t want to look at it. Compliance is in limited release. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .
This is just disgusting. Another day another dollar for the hatemongers trying to profit off Trayvon’s death . An anonymous retailer is trying to make money off the Trayvon Martin controversy. Someone is selling online shooting targets displaying the likeness of the deceased 17-year-old. There’s no face inside the hoodie, but the bag of Skittles and the bottle of iced tea makes it clear the paper target designed for shooting practice is supposed to be Trayvon Martin. For $8 plus $7.50, sharpshooters have been able to buy a 10 pack of the targets online. In Sanford, where George Zimmerman shot and killed Trayvon Martin, people are horrified. According to this advertisement which had been posted on a popular firearms auction site, the sellers say they support Zimmerman and believe he is innocent and that he shot a thug. People in Sanford, where Zimmerman shot Trayvon Martin, are horrified – including Zimmerman’s lawyer. “This is the highest level of disgust, and, I don’t know, the lowest level of civility,” said Zimmerman’s attorney, Mark O’Mara. O’Mara says he worries how Trayvon Martin’s parents will react to this, and he’s concerned it will enflame the community even further – hurting his client. “It’s this type of hatred – because that’s what this is, its hate-mongering – that’s going to make it more difficult to try this case,” O’Mara said. It is still unclear who is making these targets, but in a lengthy email exchange, the seller tells wrote “my main motivation was to make money off the controversy.” The seller would not disclose how many targets have been made, but says the response is overwhelming. The seller said he sold out of the targets in two days. “I hope there’s a crime that we can charge that person who made that with. I’m not sure what it is, but we need to come up with one, because that’s disgusting,” O’Mara said. The online advertisements for the targets have been taken down as of Friday. SMH. This is a damn shame but after we read about how much money Zimmerman’s been caking for his defense online we can’t say we’re surprised at the number of hatemongers out there. Source
Indo-Canadian actress Sunny Leone is breast known as a Penthouse Pet of the Year and as a Vivid contract girl, so we weren’t surprised to read that she’d been cast in Jism 2 . The shocking part? Jism 2 is not a porn. It’s a Bollywood horror flick, and Leone was cast by producer Mahesh Bratt , who says he was unaware of Sunny’s pornographic past ( suuuuuuure he was) when he recruited her for the role. However, since then Sunny’s risque resume has shocked the socially conservative Indian public, and other names, such as non-nude Bollywood starlet Mallika Sherawat , have been rumored as replacements. The producers of Jism 2 have wisely capitalized on the controversy as a marketing opportunity, and this week released an ambiguous, erotic promo poster (above) that cleverly disguises the actress’s face. Seemingly unaware of the double entendre, tabloids across the subcontinent printed the picture with the screaming headline “Whose Jism Is That?!” And that, Skin fans, is the rest of the story. Turn up the heat with spicy pics of Sunny Leone after the jump!
Cee Lo Green caused a controversy just seconds before the end of 2011 while performing on “NBC’s New Year’s Eve with Carson Daly .” The singer performed John Lennon ’s “Imagine,” and injected a little “religion” into the song, angering fans of the late singer and atheists as well. Broadcasting platform : YouTube Source : Gossip Cop Discovery Date : 01/01/2012 07:02 Number of articles : 2
RihRih don’t play dat! The Bajan singer apparently didn’t take too kindly to that Jackie Magazine article we told y’all about . She took to her Twitter today to blast the mag’s EIC for the racial slur: And in related news… that same Editor-In-Chief has stepped down after apologizing for the controversy via Facebook, according to NecoleBitchie reports: According to a statement posted on the Magazine’s facebook [translated] the publisher felt as though her credibility was affected and it was best that she resigned: I realize that my first reaction on Twitter, where I indicated that it was a joke, was an incomplete description of what I, and also the author of the article referred. The term ‘n—a b—h’ h” has come over from America and we have only this to describe this particular style of clothes that we can try to interpret. Due to the enormous pressure from social media, I promised to do better regarding the language in future issues of Jackie and I have offered to rectify the situation. I have now come to the conclusion that rectification is not the right solution. I regret that I have taken too quickly positions on an item in Jackie – which incidentally had no underlying racial motive. In the course of events I went with, the publisher came to the conclusion that, now that my credibility is affected, it’s better for all parties if I immediately lay down my duties as editor. After my eight years giving my heart and soul for Jackie, I realize that these errors – although not malicious intent – are a reason for leaving. “ Deuces Beyotch! More On Bossip! Vanessa Vs. The World: How Does The Former Mrs. Bryant Stack Up Against His Alleged Mistresses It’s Downhill From Here: Men That Had To Say Goodbye To The Best Things They’ll Ever Have Twitter Files: RihRih Rants Again! Singer Goes Off After Being Targeted By Racist Hotel Guest In Portugal Bricks, All White Bricks: The Craziest Celebrity Drug Busts Of All Time
Talk That Talk track is ‘Rihanna all day,’ Bangladesh tells MTV News. By Jocelyn Vena, with reporting by James “FLX” Smith Rihanna Photo: itv Many of the tracks on Rihanna ‘s Talk That Talk certainly touch on some very sexy subjects, using some very saucy language. But none are quite as blush-inducing as “Cockiness (Love It),” a sexed-up, genre-busting anthem on which Rihanna’s not shy about liking the way her man loves her. The Bangladesh-produced song is raunchy and over-the-top, and, according to the man himself, was already cooking up long before Rihanna came calling. ” ‘Cockiness,’ it’s layers of things I had sampled for a long time, never really messed with it too much,” he told MTV News. “I was in L.A., and I had just pulled it out, chopped it up, made it a beat. My artist Candice Pillay, my other writers, Dem Jointz, they wrote the song.” Before appearing on Talk That Talk , the song was merely an idea that needed a bit of fine-tuning before heading Ri’s way. “It wasn’t ‘Cockiness’ at first, it was something else. They had the ‘I love it’ part. … [They] came up with that part first, and that wasn’t even on that track: It was just an idea. I was going to make a whole new beat out of it, what they wrote to it that day, it wasn’t really all the way done. A couple days later, they revisited it and came up with the ‘Cockiness.’ ” After some work, the final product was all ready for just the right artist. Given its sexual innuendo and tomboy swagger, there really was only one person to record the track. “I was like, ‘That’s dope. That’s Rihanna all day,’ ” Bangladesh said. “They sent the song back, and I finished producing it. I put the ‘I love it’ on it that they had already had. … She loved it, and that’s what it was.” Bangladesh joins a who’s who of A-list producers on the album, including vocal producer Kuk Harrell , The-Dream, StarGate, Calvin Harris and Dr. Luke, who produced the album’s second single, “You Da One.” The singer revealed on Twitter that she’s already hard at work on the video for “You Da One.” She tweeted that when she hit up the set over the weekend, no farmers were harmed during the making of the clip. “Shooting another vid in Ireland today! No farm this time,” she joked, a reference to the controversy about the making of her “We Found Love” video , during which a local farmer complained Rihanna’s outfit was “inappropriate.” Which Talk That Talk track would you like to see Rihanna make a video for? Share your pick below!
Organization addresses controversy surrounding band’s halftime performance in Detroit in an email to MTV News. By James Montgomery Chad Kroeger of Nickelback Photo: Getty Images By now, you’ve no doubt heard what some Detroit Lions fans have to say about Nickelback’s halftime performance at the team’s annual Thanksgiving game (hint, it isn’t good), but to date, folks with the Lions — and the NFL, for that matter — have remained silent on the matter. The same cannot be said, however, for the United Way, the sponsors of the halftime show, who released a statement last week officially confirming that Nickelback were on board for the event, and have now weighed in on the controversy surrounding their performance. In particular, the organization addressed criticism from some Lions fans that an artist from Detroit should have been booked for the high-profile game in an email to MTV News. “We’re grateful to Nickelback for generously donating time and resources to this effort,” United Way director of publicity Sal Fabens wrote. “This is a nationally televised show that historically has featured artists from many locations, such as Indiana’s John Mellencamp [and] New York’s Mary J. Blige … For the past two years, we featured Motown artists and Detroit’s own Kid Rock, but the performers have never been limited to those from Detroit.” Fabens also wrote that, in one way, the fact that some 75,000 fans have signed an online petition calling for the band’s ouster is fitting, since the theme of the United Way’s halftime performance is “Live United.” “This is a call to action, an invitation for everyone to join us, regardless of their stance on various issues, to move forward on creating opportunities for a better life for all,” he wrote. “It’s going to take everyone working together … to make progress on ambitious goals in the areas of education, income and health across the country … We invite varying points of view and voices to all come together so we can move forward. “We would hope that various opinions about a rock band don’t overshadow the fact that the band’s generosity is helping to bring attention to this message,” Fabens’ email concluded. Related Artists Nickelback
Ashton Kutcher reacted with shock and ignorance to Joe Paterno’s firing last week, creating quite an uproar when he accidentally defended a man who helped cover up a child abuse scandal at Penn State. Many followers couldn’t help but wonder: How could Kutcher have been unaware of this controversy ?!? It’s simple, an insider tells The New York Post : the actor has been living in a constant “bubble” for weeks now. “He works 12-hour days, is trying to save his marriage and is involved in the management of close to a dozen Internet companies, so he didn’t really know what he had done until it was too late,” this source claims . “He feels terrible.” About that marriage… is there still hope for Ashton and Demi Moore? “They both want to work things out,” the mole added. “They are doing a lot of talking and Kabbalah counseling. Despite all that has happened, when it comes down to it, they both really love each other.” It’s been a “painful time,” for Moore, this friend concluded, referring to chatter over her severe weight loss and gaunt figure. But she and Kutcher “need each other” and reportedly aren’t ready to file for divorce any time soon.
