https://drunkenstepfather.com/wp-content/uploads/2019/04/Delilah-Belle-Hamlin-Wet-Bikini.mp4 Delilah Belle Hamlin is Lisa Rina’s daughter, who when she got her period Lisa Rrina took her to the face injection spa to make her look more like her mom, a muppet…which isn’t all that unheard of in LA and really the rest of the world because these face injection clinics are fucking everywhere and you can’t leave your house without seeing a girl, a young girl, often times a decent looking girl look like a muppet… I see girls who work at the coffee shop with fake lips…that means with their 10 dollars an hour, they are getting their faces jacked up, so imagine if you’re mom’s a vapid Soap Opera star competing with all the other LA moms to have the best LA daughter, you can guarantee you’d end up with something like this, out there in a bikini at her stage mother’s direction, to get paparazzi coverage so that people care, and that so business comes in..because you can’t have a daughter who doesn’t reduce herself to her body and be someone from LA…it just doesn’t wok…. So here she is living that vapid, useless but half naked dream..and that shit works for me..cuz I like tits. TO SEE THE REST OF THE PICS CLICK HERE JOIN THE NEWSLETTER YOU ASSHOLES! The post Delilah Belle Hamlin Wet Bikini of the Day appeared first on DrunkenStepFather.com .
Drea De Matteo used to be so hot..when she was Adriana La Cerva on the Sopranos before she got merked for SNITCHING….not that I ever watched the Sopranos but I’ve seen a few episodes…. I always get her confused with Ellen’s lesbian wife who figured dating Ellen now that Ellen is worth hundreds upon hundreds of millions of dollars for being the fluffy, accessible, lesbian that people seem to love, after the same people at the TV networks pulled the plug on her show all those years ago for rbeing a lesbian, she’s now being used by them for being a lesbian, in what you’d think most people would say “fuck yourself media for turning your back on me” but instead she soullessly gives into them for a cash payment…further proof that all these people on TV are fucking disgusting money grubbing assholes….with no real spine…just do whatever they need to do to get paid….sell out fuck. As it turns out, she’s not Ellen’s lesbian wife using Ellen for her money….a fair-weather “I’m a dyke if the dyke I’m dyke for is rich”…..and it also turns out that she may be older now, a mom of a fw probably..and she can still pull off a bikini…which I think is real success! JOIN THE NEWSLETTER YOU ASSHOLES! The post Drea De Matteo Bikini of the Day appeared first on DrunkenStepFather.com .
Ashley Greene is one of the forgotten ones from Twilight, who I don’t even think had a main part in Twilight, but who was able to leverage Twilight to the paparazzi like she mattered. She also dated a Jonas brother when they were still Disney TWINKS and had to pretend that they all had purity rings to fight pre-marital sex, an interesting angle but it was before porn went mainstream…. So there was a minute of her having a lot of hype, then she disappeared but I guess found social media, and like all 35 year olds on social media found an app to blend out her old haggard face….only she’s not veery good at that app and virtually erased her damn face…. I see these kinds of pics on facebook more than IG, cuz people on IG are a little more skilled in their face tune….they are younger and more dialled in…but like an old timer in the 80s taking a computerr course to be relevant at their job, bitch should look into some youtube Tutorials on her next attempt to whore herself out on social media…you know if you’re gonna do it, do it right. The post Ashley Greene Erased her Face in this Bikini Selfie of the Day appeared first on DrunkenStepFather.com .
Source: FayesVision/WENN.com / WENN The Twilight Zone reboot from the minds of Jordan Peele and Simon Kinberg has garnered praise amongst viewers for its fresh update on Rod Serling’s classic series. As a result, the series will get a second season on the CBS All Access streaming platform. “Jordan Peele and Simon Kinberg’s reimagining of The Twilight Zone is off to an amazing start on CBS All Access, driving the most viewers on its premiere day for an original series to date,” Julie McNamara, EVP Original Content at CBS All Access shared in a press statement. “Jordan, Simon, the creative team and cast have done a phenomenal job translating the series’ legacy of socially conscious storytelling for modern-day audiences. They are master storytellers, and we look forward to bringing fans further into The Twilight Zone with a second season,” the statement continued. That’s huge. Congrats to Jordan Peele’s Monkeypaw Productions team and Simon Kinberg’s Genre Films team. — Photo: WENN
Source: Aaron Rapoport / Getty T he timing of life’s peaks and valleys are unique depending on the individual in Black America, but the experiences themselves are synonymous. We all deal with the task of navigating through terrain specifically designed for us, yet not designed in our favor. The socioeconomic makeup of the cities we come from teaches us to be communal and operate in self-interest at the same time. The dynamic of our relationships includes a protective instinct as we care for each other in nuanced ways while playing tug of war over a certain type of respect from our significant others. We treat our close friends like siblings while keeping each other at a metaphorical arm’s length for fear of exposing our weaknesses, thereby giving too much power to anyone. Stepping into our individuality is a fight in and of itself as we reluctantly turn away from the mindsets and habits molded by our predecessors, in favor of new ideologies that fit our perspectives of the world we eventually encounter on our own accord. There’s a powerful duality that we inherit with our brown skin, and John Singleton was a master of explaining it through is directorial lens. The Duality of Black Men At 24, John Singleton put Hollywood on notice and South Central LA on display with Boyz n the Hood —a masterpiece that showcased the spectrum of young Black men versus the generalization of us, pumped through the propaganda machine known as American news. In the film, a gifted young boy named Tre hits the time limit on the safety of his mother’s nurturing embrace, and is transitioned into lessons on manhood through the guidance of his father. It’s a distinct adventure each Black man has to face. Those of us who were unfortunately raised without fathers received our lessons in manhood from the uncles, cousins, coaches, and various other “father figures” within arms reach. Regardless of the teacher, the lesson remains the same. The world doesn’t love you like your mother does, and it never will. When you jump off the porch and into society, you’re public enemy number one, and you’d better learn to be productive despite the burden. You’d better grasp that being a Black man is a job and it’s on you to find a way to carry its responsibilities, even if you get so frustrated that you end up punching the air. For every Tre there’s a Doughboy, a kind heart hardened by his surroundings. The good in him occupies an equal amount of bad. The good is what he wishes consumed him, and the bad is what he depends on for survival. How can you judge him for being balanced? Is it because he doesn’t look inviting? Is it because his charm comes with a hint of mystery? You can’t quite tell what he’ll do if you bring him the wrong energy, can you? Good, we make you feel like you should be on your toes around us because we live like that everyday. Those are instincts we need so we don’t end up like Ricky: robbed of our potential because we got caught slipping. The robbery of our potential doesn’t always end in gunfire. Sometimes it ends in losing that scholarship, or that promotion we had a shot at. If we’re not on point at all times, we’ll end up taking two steps back from the forward step we just took. Worst case scenario, we end up dead, never taking a forward step again. Exchange of Power As Love Language Just two years after releasing Boyz n the Hood , John Singleton gave us Poetic Justice , this time painting a picture of the complex relationship between young Black men and women. The film’s main character Justice lost her boyfriend unexpectedly to violence, leaving her skeptical of opening up again. Lucky, her love interest played by the late Tupac Shakur, had good morals, but didn’t understand how to engage a woman that required more than sweet talking and humorous wit. I can’t speak for women, but as a man I know what it’s like to give love and decide I didn’t want to anymore. Most men are guilty of that. Until a certain age, we don’t think much about how deeply some of our gestures resonate, and how traumatic it must be to impact someone emotionally, to just move on without thinking twice. I’m not sure if we do that because we’re afraid of being vulnerable, or because we’re as emotionally unintelligent as people say. Maybe it’s both, but either way, we’re a bit entitled with how we handle love. As we grow older, we encounter women who have developed a force field around their hearts, weary of repeating the same let downs that come from our fear of vulnerability. That’s where we butt heads. As men, we may have good intentions with the women we forge relationships with, but good intentions aren’t enough. It’s about consistent action, and creating a safe space for a woman to let her guard down. “I’m a Black woman, and I deserve respect.” – Justice, Poetic Justice Lucky and Justice challenged each other in that sense. On one hand, it’s perfectly natural to be protective of your feelings. It’s equally as natural to expect to be taken as you are, even if there’s potential to be better. Black men and women are everything to each other, even when we’re too stubborn to see it. We go through exchanges of power, until deciding to meet in the middle and understand the reasoning behind each other’s flaws. We saw the experience played out just as much in Baby Boy . The story of Jody, a 20-something Black man struggling to take ownership of his transition out of boyhood. He has two children by two different women, one of which he loves, and both of which he expects access to when he feels like it. Yvette, the woman who has his heart, displays the type of patience he doesn’t deserve. She provides for herself, maintains a roof over their son’s head, and still welcomes him with open arms although his presence is inconsistent. He’s quick to name the small things he does for her: buying groceries here and there, installing cable, and putting rims on her car—small gestures that to him say “I’m making sure you’re comfortable”, but they pale in comparison to what Yvette really wants. She wants to know they’re a family, that she can depend on him. Her frustration manifests in locking him out of the apartment. He hits back by refusing to fix her car. Small incidents, both of which are attempts to gain some sort of leverage. In the end they come together the minute Jody realizes that he can’t fight his woman until she bends to his will. He’s got to give as much as he’s hoping to receive, maybe even a little more. That’s the essence of being a provider. “If I’m insecure it’s because you made me this way, all you do is think about yourself.” – Yvette, Baby Boy The Black woman demands that we realize the power in our potential. She knows that her love for us doesn’t require her to settle for half of us. She welcomes being led, as long as we’ve actually got a direction in mind. The irony in that is it takes time to find direction, and maybe we’d like her to know that not having direction yet doesn’t mean we’re not in search of it. Optimism Versus Realism In Higher Learning , Remy and Malik show the juxtaposition of the mindstate most young Black men deal with at educational institutions. Malik is there on scholarship, while Remy is a senior on his way out. Remy is militant, and almost exhausted at the racism he sees daily. Malik is hopeful, a wide-eyed freshman aware that the institution he’s operating within has its own cultural barriers he’s got to work around. In a back and forth with his Black professor, Malik seems to expect a break because they share the same skin color. That is a distinct experience we have as Black people, so artfully showcased by Singleton through character dialogue. At times, we mistake support for a free pass. Racism is a great hindrance to our progress in this country, it’s an indisputable fact. Be that as it may, we still get in our own way at times by believing that when we see each other in spaces where there are few of us, that we shouldn’t hold each other to high standards. We sell each other short looking for the hook-up when it’s more productive to help each other earn what’s for the taking. “ I will continue to give you a difficult time, until you have proven that you deserve otherwise. Those are the rules of the game. Young man you have to rid yourself of the attitude that the world owes you something. You must strip yourself of that attitude, it breeds laziness.” Professor Phipps, Higher Learning Meanwhile, Remy appears almost jaded at having a higher education, because the struggle doesn’t change. What good is a degree, certificate, or any other credential if at the end of the day, it’s our skin that determines how our trajectory? He’s not entirely wrong to carry these thoughts, but it’s dangerous to accept that reality. If we keep a bleak outlook on our potential then we’ll never move forward. We must embrace hope just as we embrace the survival mentality. Both are necessary, but neither is beneficial in excess. There are countless other movies and an iconic music video I can choose from and dissect, but the message is clear: John Singleton knew the value in helping us see ourselves, never shying from the stereotypes others may have run from. Instead, he revealed the beauty in our madness, and the genius in our ignorance. Black people aren’t perfect, nor do we come perfectly packaged. It’s our various dimensions that make us a galaxy worth learning and understanding, for the benefit of our own higher learning.
Source: Michael Thomas / Stringer / Getty Vegan Whoppers To Hit Burger King Menus Nationwide The good news is that more fast food restaurants are taking the plant-based route, but the bad news is that folks are still on the fence about eating plant-based food from a place known for its meat. Burger King has already tried their hand at making vegan options available with a test run of their vegan Impossible Whopper at a restaurant in St. Louis. Burger King's Vegetarian 'Impossible Whopper' to Be Sold Nationwide https://t.co/U9rw7y2uXB pic.twitter.com/gF0ue3h3D7 — Global Grind (@GlobalGrind) April 29, 2019 According to reports , the test run was so successful that BK is now adding the Impossible Burger to restaurants nationwide by the end of the year. A spokesperson for the classic food chain says that unlike traditional veggie burgers, the impossible whopper is intended to mimic the look, texture, and taste of a traditional whopper. Chris Finazzo, president of Burger King North America, told CNN that the new product is designed to “give somebody who wants to eat a burger every day, but doesn’t necessarily want to eat beef everyday, permission to come into the restaurants more frequently.” Will you be eating?
In case you missed the Vitamin Of The Day on the Quick Silva Show…The Vitamin was “You See People’s True Colors When You Tell Them No.” Sometimes people true colors come out when you deny them what you have as resources. You start telling what people uses for you are when you tell them no. If you’ve always given to people and the minute you say no people have an attitude take notes and realize how place you in their lives. If you want hear the full vitamin, watch the video above.
Source: Supplied by WENN.com / WENN Michelle And Barack Obama Reveal Their Netflix Plans Barack and Michelle Obama ‘s production company, Higher Ground Productions, has unveiled their initial slate of projects for their partnership with Netflix. The content on the horizon includes a range of scripted and unscripted projects for a wide range of audiences, as well as full-length features and documentaries. Priya Swaminathan and Tonia Davis–the co-heads of the organization–revealed the news on Tuesday, announcing seven projects that are in different stages of development to be released over the next several years. You can check out descriptions of the upcoming projects below: “American Factory” was acquired by Netflix in association with Higher Ground Productions out of the 2019 Sundance Film Festival, where it won the Directing Award for U.S. Documentary. The film takes a deep dive into a post-industrial Ohio, where a Chinese billionaire opens a new factory in the husk of an abandoned General Motors plant and hires 2,000 blue-collar Americans. “Bloom” is a drama series set in the world of fashion in post-WWII New York City that depicts barriers faced by women and by people of color in an era characterized by both hurdles and progress. Higher Ground is also producing a feature film adaptation of author David W. Blight’s “Frederick Douglass: Prophet of Freedom,” for which he won the 2019 Pulitzer Prize in History. Adapted from the New York Times’ obituary column Overlooked, telling the stories of remarkable people whose deaths were not reported by the newspaper, Higher Ground is developing “Overlooked” as a scripted anthology series with producers Liza Chasin of 3dot Productions and Joy Gorman Wettels of Anonymous Content. For family programming, “Listen to Your Vegetables & Eat Your Parents” will be a half-hour preschool series from creators Jeremy Konner (“Drunk History”) and Erika Thormahlen. The show will take young children and their families around the globe on an adventure that tells us the story of our food. Are you feeling this new programing lineup from the Obamas?!
As you’ve likely heard by now, the royal family has spent the last three weeks reeling over reports that Prince William had an affair with Rose Hanbury while Kate Middleton was pregnant. Rose is the Marchioness of Cholmondeley and a former close friend of Kate’s. These days, the two are on the outs for obvious reasons. Rumors of William cheating on Kate have circulated countless times in the past, and the couple has always weathered the storm with their grace and dignity intact. Of course, on those occasions, there weren’t quite as many signs pointing to William’s guilt. In an unusual move, William went to great lengths to bury the story , even having his lawyers send off threatening letters to UK publications that continued reporting on it. Unfortunately for Will, the British tabloid press has become quite adept at reporting on scandalous royal gossip while at the same time side-stepping libel laws. One common tactic is to report on the latest gossip by denying it — a savvy strategy that can be used to simultaneously fill the public in on the latest ramblings while covering one’s arse both legally and politically. (For some UK outlets, maintaining close ties to the royals is essential for survival.) That strategy is explained and deftly utilized in this in-depth Royal Foibles article which addresses the theory that Rose was the one to leak news of her affair with William to the press. The Foibles author points out that the “Rose as smoking gun” theory originated with one small American website called The Cheat Sheet. But then that same author states that “this little website is well informed.” Hey, bigger stories have been broken by smaller outlets. Of course, the situation begs the question of why Rose would blow herself in like that, especially since she’s also married. There are many possible answers, and the most common theory seems to be that she became uopset after Will broke things off. But in assessing the situation, it’s important ro remember how this story began. At first, it was reported as an feud between Kate and Rose . Kate reportedly committed herself to having Rose thrown out of her Norfolk, England social circle, and it was all a big mess. So could it be that Rose went to the press because she was pissed at Kate? Tough to say, but it’s certainly more interesting than the lame “she’s mad she got dumped by William angle.” View Slideshow: Prince William: Was He REALLY Caught Cheating on Kate Middleton? Here’s Everything We Know So Far
90 Day Fiance 's biggest, baddest spinoff, Happily Ever After? is back with Season 4. During the premiere, fans were alarmed by a clip of Larissa Lima taking the producers out of earshot and confessing that she fears for her safety. Now, Larissa's bestie, Carmen, has weighed in on the nightmare that Larissa was living. These days, Larissa Lima and Colt Johnson are living apart. They're divorced and are mostly, with the exception of a couple of legal conflicts, out of each other's lives. That's a relief, especially considering how their last fight ended — with Larissa's face smeared with her own blood. But Season 4 of Happily Ever After? was filmed before all of that went down, when they were still trying to make it work. The tension is mounting — and so is Larissa's fear. During a disturbing clip from the 90 Day Fiance: Happily Ever After? premiere, Larissa is interviewed in her car. It's not so that they can enjoy the air conditioning — which Colt famously did not have. As TLC explains with a title card, it's because Larissa asked to speak away from the prying ears of Debbie and Colt. Larissa tells the producer: “I feel [deathly] afraid.” “If they hear something that I say,” Larissa fears. “My life will be hell.” “Something [is] wrong,” Larissa warns during the tense exchange. That moment, shown to viewers on Sunday night, was alarming. And now Larissa's bestie, Carmen, is weighing in via an Instagram comment. “Everyone will see how terrified she looks that day,” Carmen points out. She remarks that “even makeup could not hide her expression.” “She called me 4 times before this interview,” Carmen reveals. With the benefit of hindsight, Carmen wishes that Larissa had done more than call. “it is a pitty she didn't leave this house right there,” Carmen expresses. We can all agree with that. When another commenter, not realizing who Carmen is, demanded to know why Carmen was saying this, she explained. “I'm her friend,” Carmen writes. “She lives in my house.” It's true. Here's a photo of the two women standing together earlier this year. It's no mystery why Larissa was afraid. See, Larissa is loud and emotional. Part of that is inherent to who she is, while part of it may be cultural. Colt likes to try to present a calm demeanor, but many fans who find him “creepy” are picking up odd quirks in his behavior. Clearly, Colt and Larissa have had some nasty confrontations. On January 10 of this year, their final fight resulted in this: After this, Colt told police that Larissa had inflicted the wounds upon herself and had her arrested. But Carmen has previously stated that she has photos dating back from earlier in the marriage — evidence that this was not the first time Larissa was hurt. What we're seeing on Happily Ever After? right now took place before Colt's cheating scandal or their bloody, scary fight. Larissa was still trying to make it work, which was why they attended therapy together. And fans will get to see some of that play out on screen. We're just glad that everyone seems safe these days.
