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Your New Favorite Music Video

You might remember the awesome video by the Christian Rock band Final Placement . Well, that video just got Bible-schooled by John Denver doppelg

Didi Benami Profile: Can She Rein In Her Emotions On ‘American Idol’?

Our ‘American Idol’ top 12 cheat sheet looks at Benami’s strengths and weaknesses. By Jim Cantiello Didi Benami at the “American Idol” top 12 party Photo: Jesse Grant/ WireImage On Thursday night, “American Idol” revealed its top 12 finalists for the ninth season of the hit show. MTV News “Idol” expert Jim Cantiello whipped up a handy cheat sheet for each finalist, breaking down each specific “Idol” journey thus far. He also got the “Idol” hopefuls to weigh in when he caught up with them at Thursday night’s top 12 party in Hollywood. Didi Benami It took no time for Didi Benami to establish her “American Idol” identity: the resident weepy mess. From her initial audition in Denver to almost every single interview on the “Idol” stage, the sensitive singer/songwriter has shed a tear. Tears of joy, tears of mourning, tears of stress. But Didi saves the real emotion for her passionate performances, connecting to lyrics unlike any other singer this season. Best Performance : Didi helped put money in Kara DioGuardi’s pocket when she covered the judge’s song during Hollywood Week brilliantly. Tuesday night, however, Didi busted out the big guns — Fleetwood Mac’s “Rhiannon” — and the timing couldn’t have been more perfect. In the last chance before top 12, Didi picked the right week to remind viewers what she’s capable of. Perhaps she held back on her guitar-playing skills during the first two semifinal performances on purpose? Weakest Performance : Didi’s Ingrid Michaelson cover was more fragile than a Faberg

Lupe Fiasco To Preview New LP On Forthcoming Tour

Concerts will highlight material from MC’s forthcoming LP, We Are Lasers. Lupe Fiasco Photo: Johnny Nunez/WireImage Lupe Fiasco is following his participation in Kenna’s trek up Mount Kilimanjaro with a trek of his own: a he’s announced via LupeFiasco.com. [The jaunt begins in Claremont, California, and comes after the rapper’s recent performance in New Zealand, where he introduced new material from his forth-coming third LP, We Are Lasers, slated for release later this year. “This will be the first time we actually performed a lot of the new songs of off the new record, so it’s exciting,” Fiasco told New Zealand’s 3 News of his show. Though there’s no “We Are Lasers” single yet, Fiasco says the LP, the title of which he describes as representing “chaos, anarchy, rebelling against the system and individuality,” is completed and submitted to his parent label. ” Lasers [is coming] soon,” said the MC. “It’s on my label Atlantic, so they have it, it’s finished. I’m just waiting for them to give me a release date to put it out.” And since he’s threatened to quit the rap game in the past, the Chicago rapper allayed fears by saying he’s got a little bit more juice in him. “I think the ‘Lupe Fiasco’ show is almost coming to … the middle,” said the rapper. “Everything from here on out will be the grand closing.” In addition, Fiasco says he’s working on a book, that he’ll release under his given name Wasalu Muhammad Jaco. “I started as a writer. Since I was a little kid, I’ve been telling stories. Actually hip-hop has just been an extension of me telling stories, so putting it in a more traditional form as far as a book has always been a part of the plan,” he added. Of course, Fiasco will be featured on MTV’s “Summit on the Summit: Kilimanjaro” a 90-min documentary depicting musicians Kenna, Santigold, actors Jessica Biel, Emile Hirsch and Isabel Lucas and a group of scientists and activists on their journey to the top of the highest peak in Africa as they learn about water issues and climb through snow, sleet, rain and treacherous terrain on their way to 19,340 feet. The climb is an effort to raise awareness about the global clean-water crisis and the “Summit on the Summit: Kilimanjaro” airs on March 14 at 9 p.m. Lupe Fiasco’s tour dates, according to his Web site:

Lilly Scott’s ‘Fixing A Hole’: The Story Behind The Cover

‘American Idol’ contestant makes a song by the world’s most famous band her own. By Larry Carroll Lilly Scott on ‘American Idol’ Tuesday Photo: Fox She’s not Eleanor Rigby, she’s not Maxwell with his silver hammer and she certainly isn’t Sgt. Pepper. But on tonight’s “American Idol,” final 24 contestant Lilly Scott took center stage with a unique spin on another classic song by the world’s greatest rock band and judges were unable to find any holes in her performance. Scott — or, as Ryan Seacrest describes her, “the pride of Denver” — covered “Fixing a Hole” by the Beatles, one of the lesser-known classics off their 1967 Sgt. Pepper’s Lonely Hearts Club Band, a record largely considered to be among the greatest albums ever made. To many, stepping into the shoes of Lennon and McCartney would be a daunting task. But Scott took center stage with nothing but a guitar, green dress and Anna Faris-like haircut and made it her own. “That’s what we’re talking about!” Ellen DeGeneres praised her after the performance. “You have such a unique voice!” Kara DioGuardi agreed, saying, “You’re unbelievable. Everyone is gonna remember you tonight.” Even difficult Simon Cowell had a hard time finding fault, calling her moment in the spotlight among “the best we’ve had so far. You sang this song because it portrayed you as an artist.” Written by Paul McCartney, “Hole” was the fifth song on the Beatles’ groundbreaking concept album. Over the years, its use of words like “hole” and “fix” — and its psychedelic vibe — have led many to believe it is about heroin injection. Other theories include everything from it being about holes in the road to holes in the roof of the Scottish farmhouse McCartney owned at the time. The rock legend did admit in a 1967 that the lyric “See the people standing there/ Who disagree, and never win/ And wonder why they don’t get in my door” was a reference to the fans who hung around the front door of his home in those days. As for 20-year-old Scott from Littleton, Colorado, she auditioned in Denver after a period spent performing locally with a band called Varlet and time spent as a street musician. Citing her main influences as indie and classic rock, she began her path to “Idol” when she sang the national anthem at Mile High Stadium at only 5 years old. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Artists The Beatles

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Lilly Scott’s ‘Fixing A Hole’: The Story Behind The Cover

Jay-Z Takes Credit For Beyonce’s ‘Single Ladies’ Dance

Jay cracks jokes on BBC show about his wife stealing her most famous moves from him. By Jocelyn Vena Jay-Z and Beyonc

‘American Idol’ Unveils Seven Top-24 Contenders, Including Casey James, Michael Lynche

The rest of the semifinalists will be revealed on Wednesday’s show. By Eric Ditzian Michael Lynche on “American Idol” Tuesday Photo: Fox Tens of thousands of potential “American Idol” winners became 181 Hollywood Week hopefuls who were then considered, criticized and often condemned until 71 singers gained passage to the next round at Los Angeles’ Kodak Theatre. Tuesday night’s (February 16) show saw that number winnowed once again as the first crooners of the top 24 were announced by Simon Cowell and his fellow “Idol” judges. Early notable contestants Casey James (he of the shirtless Denver audition), Michael “Big Mike” Lynche (the hulking guy who skipped the birth of his child in favor of a stay at Hollywood Week) and Didi Benami (who sang Sarah McLachlan’s “Angel” in memory of her deceased best friend) all made the top 24. Joining them are dancer-turned-singer Todrick Hall, curly-haired Duffy-ite Katelyn Epperly, high-schooler Aaron Kelly and singer-songwriter Lee Dewyze. The fates of early favorites like 17-year-old Katie Stevens (tipped by Kara DioGuardi as a possible champ), Andrew Garcia (the acoustic impressario of “Straight Up” renown) and Crystal Bowersox (she of the blonde dreads and the soulful growl) were left up in the air until Wednesday’s show, when the rest of the top 24 will be announced. With the reality-show circus of the audition rounds and the manufactured drama of group day behind us, one could not be faulted in thinking Tuesday’s episode would focus, finally, on the music. Yet the show oddly skipped over nearly the entire round of tunes — as contestants sang for the first time with a backing band — in favor of 10- or 15-second flashes of a chosen few contestants. The result was an overall disjointed viewing experience, denying us true insight into everyone’s performances and leaving us frustratingly detached from the tension of the elimination. For all the actual music “Idol” producers aired, the show rightfully should have lasted as long as a network sitcom rather than the two-hour snoozefest Fox offered up as entertainment. What little we did see veered from the enticing to the forgettable. Casey James did his cowboy-cool singer-songwriter thing with a cover of Colbie Caillat’s “Bubbly” and 19-year-old Siobhan Magnus came out of her shell of shyness during a lively version of Stevie Wonder’s “Living for the City.” Crystal Bowersox hauled out the harmonica for a powerful take on Sheryl Crow’s “If It Makes You Happy.” Coming off his funky rejiggering of Paula Abdul’s “Straight Up,” Andrew Garcia stuck with the female artists as he busted out Adele’s “Chasing Pavements” competently, if considerably less memorably. Meanwhile Alex Lambert flubbed a ukulele-driven channeling — a la Jason Castro — of Jason Mraz, and both Jermaine Sellers and Thaddeus Johnson found themselves struggling to stay on the same page with the band. Mom-rocker Mary Powers’ rendition of Katy Perry’s “Hot n Cold” had Simon saying, by way of the most backhanded of compliments, “I think she’s interesting because she’s old.” As all this action zipped by at a frenzied pace, the contestants bided their time in one of three holding rooms and the judges traded photos of them in an attempt to cull their choices. One of the rooms, we were teased all episode, would be eliminated. To begin, judges visited room one, which housed Casey James, Lilly Scott, Katie Stevens and Siobhan Magnus. After a not particularly convincing bit of you-might-be-going-home misdirection, Ellen DeGeneres announced, “Ya’ll are going through!” Room two was not as lucky — when it was Simon’s turn to deliver the verdict, he told singers like Mary Powers, Charity Vance and Hope Johnson, “It’s bad news. You haven’t made it.” The judges then popped over to room three to let those contestants — among them Janell Wheeler, Ashley Rodriguez and Shelby Dressel — that they were still in the running for the coveted top 24. “It’s really hard to tell you this, but you guys are going to stay,” DioGuardi said. At the end of this round of elimination, 46 contestants were left sweating it out. They wouldn’t have another chance to flex their vocal cords — rather, the judges gathered onstage at the Kodak to call each singer one by one for a face-to-face elimination round. The question of why the show had to have two rounds of elimination on Tuesday — stretching the show to two hours instead of one — should hardly need to be answered after nine seasons of “Idol.” In all, seven of the top 24 singers were announced. While Big Mike was called onstage first and made the cut, reports indicate he has in fact been booted from the competition after his father was said to have broken the show’s confidentiality agreement. Didi Benami and Kaitlin Epperly, the second and third contestants brought in front of the judges, became the first and second women to make it through to the top 24. Casey James sauntered up in a paisley button-down and bounded away a fist-pumping, Kara-hugging member of the semifinalists. Sixteen-year-old shy guy Aaron Kelly battled through ups and downs during Hollywood Week but ended the night on a high note. Lee Dewyze, accused by Simon of having no charisma, nonetheless convinced the judges he had the confidence to go far this season. Only two singers were sent home: Shelby Dressel (who suffers from partial paralyzation of her face) and two-time Hollywood Week bootee Jessica Furney. The remaining 17 contenders in the top 24 will be revealed on Wednesday. “The drama continues tomorrow night,” as Ryan Seacrest put it at show’s end, just before the screen flashed to an image of a closed bathroom stall behind which a heartbroken contestant had fled to bawl his eyes out. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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‘American Idol’ Unveils Seven Top-24 Contenders, Including Casey James, Michael Lynche

Nick Jonas Says Jonas Brothers ‘Definitely Not Breaking Up’

‘We’ve got a lot of exciting things coming this year as the Jonas Brothers and individually,’ he says. By Jocelyn Vena Nick Jonas Photo: Rob Hoffman/ Getty Images As Nick Jonas wraps up his tour with the Administration, fans are wondering if his time with his brothers is coming to an end as well.

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Nick Jonas Says Jonas Brothers ‘Definitely Not Breaking Up’

‘American Idol’ Guest Judges: We Grade Katy Perry, Joe Jonas And More

Could any of the fill-ins replace Simon, or should they never be asked back? Our ‘Idol’ expert takes a closer look. By Jim Cantiello Katy Perry Photo: Kevin Mazur/WireImage With Paula Abdul moving on to bigger and better things (TBD), “American Idol” had a gaping hole to fill during their season-nine audition process.

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‘American Idol’ Guest Judges: We Grade Katy Perry, Joe Jonas And More

Joe Jonas, Neil Patrick Harris Size Up Texas Talent On ‘American Idol’

Lone Star State tryouts produce a whopping 31 golden tickets. By Gil Kaufman Joe Jonas guest-judges on “American Idol” Wednesday Photo: Fox Things couldn’t have been much worse in Dallas than they were in Los Angeles on Tuesday night .

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Joe Jonas, Neil Patrick Harris Size Up Texas Talent On ‘American Idol’

Matt Morris Talks About ‘Musical Connection’ With Justin Timberlake

Singer duetted with Timberlake on ‘Hallelujah’ during ‘Hope for Haiti Now.’ By Akshay Bhansali Matt Morris Photo: MTV News You might not know his name yet, but Matt Morris is no stranger to the music game. His father is country singer Gary Smith, and at age 11, Morris won over the folks at Disney Channel to earn a spot on “The Mickey Mouse Club” It was on that show, alongside Britney Spears, Christina Aguilera, Ryan Gosling, Keri Russell and other now-superstars, that he logged some serious performing time and began a lifelong friendship with Justin Timberlake .

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Matt Morris Talks About ‘Musical Connection’ With Justin Timberlake