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GLOBAL POLITICAL AWAKENING: DA Now Sending Deputies to SF Airport to Investigate Felony Groping

http://globalpoliticalawakening.blogspot.com/2010/11/da-now-sending-deputies-to-… Video and audio of Alex’s interview will be posted here shortly. Appearing on the Alex Jones Show today, incoming chief deputy DA of San Mateo Steve Wagstaffe said his office will prosecute TSA employees who engage in lewd and lascivious behavior while conducting Homeland Security mandated patdowns at the San Francisco International Airport in San Mateo County. “The case would be reviewed and if we could prove the elements of it, that it was inappropriately done with a sexual or lewd intent, that person would be prosecuted,” Wagstaffe told the Berman Post on Tuesday. Wagstaffe told Alex Jones that county police will be sent to into the San Francisco International Airport. If they witness TSA employees engaged in criminal conduct, they will make arrests and the DA’s office will prosecute. Sexual battery in Mateo County is a felony if the molestation occurs beneath clothing and makes contact with skin and a misdemeanor if the touching occurs outside clothing. The new government mandated hands-on searches are used for passengers who find naked body inappropriate, when something suspicious appears in screening, or randomly. They can take two minutes per passenger and involve sliding of the hands along the length of the body, along thighs and near the groin and breasts, according to the Associated Press. In addition, a district attorney in the county south of San Mateo, Santa Clara, told Wagstaffe his office will also prosecute TSA employees for inappropriate sexual behavior at the San Jose International Airport. Since the new search procedures went into effect, the web has exploded in opposition to naked body scanners and intrusive patdowns. Reports posted by the The Drudge Report, Infowars.com, and Prison Planet.com have gone viral on the internet and forced the mainstream corporate media to cover the issue. “Nationwide outrage against the TSA is not only bringing to light new cases of airport abuse, it’s throwing fresh attention on previous incidents that have been going on for years,” Paul Joseph Watson wrote on Wednesday. Watson notes several lawsuits initiated against the TSA, including one connected to a 2008 incident at the Corpus Christi airport where the TSA exposed a young woman’s breasts. Coverage of TSA groping and public outrage has resulted in airports around the country reconsidering the procedures. Earlier today, Orlando Sanford International Airport decided to opt out from TSA screening. Larry Dale, the director of the Sanford Airport Authority in Florida, said he will send a letter requesting to opt out from TSA screening, and instead the airport will choose one of the five approved private screening companies to take over, according to central Florida’s WDBO. “The outcry is huge,” Texas Republican Sen. Kay Bailey Hutchison told the TSA administrator, John Pistole, at a Capitol Hill hearing yesterday. “I know that you’re aware of it. But we’ve got to see some action.” “I’m not going to change those policies,” Pistole promised. added by: GLOBALPOLITICAL

Lil Wayne’s ‘Not A Human Being’ Clip Dissected

‘He’s almost grown into a mythology now,’ director David Rousseau says. By Jayson Rodriguez Lil Wayne Photo: Kevin Winter/ Getty Images Lil Wayne’s otherworldly talents have inspired the rapper to dub himself “a Martian.” And for his latest video , the title track to his forthcoming album I Am Not a Human Being , director David Rousseau explored the reference. “It’s one of those things where you can interpret it like we’re trying to dissect who Lil Wayne is,” Rousseau told MTV News. “How does his mind work? He’s almost grown into a mythology now. He’s not even human. He’s like Michael Jordan. The way Michael Jordan dunks a ball wasn’t even human.” The frenzied video features Lil Wayne and his glow-in-the-dark tattoos contrasted with images of written rhymes splashed across the screen. Rousseau said the images were meant to provoke deeper thought into Wayne’s writing process. Oftentimes, the director said, because of the rapper’s personality, the ideas of his lyrics aren’t fully comprehended. “It’s just that dissection of the myth and the man, separating him from the lyrics,” he explained. “Because he’s one of those artists where people hang onto every lyric. He’s not just rapping about anything, you know? Read between the lines and find out what his message is about and stuff. It’s kind of pointing fans at doing that. There’s a deeper meaning to what he’s rapping about, and you gotta get in there.” A leaked version of the video hit the Web last week, but the complete “I Am Not a Human Being” clip was released Wednesday. Related Artists Lil Wayne

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Lil Wayne’s ‘Not A Human Being’ Clip Dissected

‘Wall Street 2’ Cheat Sheet: Everything You Need To Know

Put your money on our cheat sheet to give you lots of juicy details about ‘Money Never Sleeps.’ By Eric Ditzian Michael Douglas in “Wall Street: Money Never Sleeps” Photo: 20th Century Fox In the fall of 2008, a few weeks after Lehman Brothers filed for bankruptcy and Washington Mutual collapsed — and the tenor of the U.S. financial crisis turned from panicky to nearly apocalyptic — Fox gave the go-ahead for “Wall Street: Money Never Sleeps.” Hooray for capitalism! There’s always room for shareholders to profit from even the most dismal economic news. Two years later, with the country still shackled by high unemployment and out-of-control debt, “Wall Street 2” bullied its way into theaters Friday (September 24). The Oliver Stone-directed film arrives nearly 23 years after the Oscar-winning original. The first film also opened in the shadow of financial uncertainty, just a few months after the stock-market crash known as Black Monday. Now, as then, the timing is right for a story about greed. Michael Douglas returns as Wall Street mover-and-shaker Gordon Gekko, fresh off a jail sentence and determined, at least initially, to expose his industry’s borderline criminal excesses. Gekko is set, as well, on repairing his relationship with his daughter (Carey Mulligan), a quest that brings him into an alliance with a young trader named Jacob (Shia LaBeouf). Throughout the film, we get both MBA-level corporate discourse and you-abandoned-me familial hurt feelings. You needn’t know the first thing about a credit default swap, though, before you head to the cinema. MTV News has been betting big on this movie for years, and now we’re ready to collect — and share our profits with you: Enjoy our “Wall Street: Money Never Sleeps” cheat sheet. Returning to the “Street” Fox had been developing a “Wall Street” sequel since 2007, when the economy first began its downward spiral. A green light only came in October of ’08, amid those bankruptcies and bank failures. Allan Loeb (“21”) was tapped to pen the script, and Douglas was reportedly interested in reprising his iconic role. But in February, Stone told MTV News he had dropped out of the project. “I didn’t want to do another ‘Wall Street’ movie. I think everything I had to say came through,” he told us. “I’m just not interested because it’s so complex now. I don’t think people can understand security derivatives.” By April, however, Stone had changed his mind . He was said to be blown away by Loeb’s script and jumped at the chance to helm the sequel. It probably didn’t hurt, as well, that Douglas appeared likely to return and that LaBeouf was in negotiations to join up. Josh Brolin, Carey Mulligan , Susan Sarandon and Frank Langella eventually signed on as well. Getting Down to Business Shooting kicked off in fall 2009, and we got our first look at Douglas and LaBeouf on set in October: the elder statesman rocking a casual-Friday look, the young buck in some designer duds. Charlie Sheen, who starred in the original, agreed to appear in a cameo for the new flick . “He came in. It was fun for a day. It was good to see him again,” Douglas told us later. The trailer dropped in January, giving us a grizzled, post-jail Gekko, copious shots of the go-go-go Wall Street and the supposition that greed, once good, has become legal. The movie debuted in May at the Cannes Film Festival . Letting the Bulls Loose As the release date approached, we got an opportunity to chat with the cast in New York and at the Toronto International Film Festival. What convinced Stone to return for the sequel , he told us, was the chance to create “a completely new Gekko” and to dramatize an economic crisis he called “a heart attack, a real triple bypass to capitalism.” LaBeouf, meanwhile, was pulled in by the opportunity to work with Stone, whom he dubbed “the most dangerous filmmaker alive” in the 1980s and ’90s. Plus, the actor views Gekko as even more compelling than key characters in two of his other starring franchises: Optimus Prime of “Transformers” and Indiana Jones. “He’s got more bite, he’s more dangerous, he’s the most dangerous of the three,” LaBeouf said. “Also the most interesting, I think. There’s something in how tangible and visceral it is. Whereas the other films are fantasy films where the suspension of disbelief is necessary for you to get into the movie. This isn’t that. It’s a very tangible world, and you’re living in the midst of the twilight of American economic dominance.” Check out everything we’ve got on “Wall Street: Money Never Sleeps.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos Shia LaBeouf Raves About ‘Wall Street’ Director Oliver Stone

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‘Wall Street 2’ Cheat Sheet: Everything You Need To Know

On DVD: With 15 Extra Minutes, Seeing Robin Hood is Even More Disbelieving

Only about 10 million Americans resisted the critics’ irritated wailings and bought tickets for Ridley Scott’s mastodon movie Robin Hood this spring, and so the rest of us, now that the DVD is here, can find out what all the non-fuss was about. Even with 15 extra minutes thrown in for “the director’s cut,” it’s truly not an awful movie — it’s just so hugely redundant of other movies, and so brutally humorless, that when you watch it your brain begins to react like it’s trapped in a sensory deprivation tank.

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On DVD: With 15 Extra Minutes, Seeing Robin Hood is Even More Disbelieving

James Franco Talks ‘Blurring’ Acting And Reality In ‘127 Hours’

‘The way we approached the performance is authentic,’ he tells MTV News. By Eric Ditzian, with reporting by Josh Horowitz James Franco and Danny Boyle Photo: MTV News Toward the end of the exhaustive Moab, Utah, shoot for “127 Hours,” James Franco found himself on the edge of a cliff. Portraying a real-life hiker forced to amputate part of his arm to escape a fallen boulder, Franco was in the midst of repelling down the steep face when he slipped and experienced the terrifying sensation of falling. He was rigged with safety lines, of course, but as the actor himself admitted to MTV News, “I was scared for a second.” The shot actually made it into the film. Again and again throughout the shoot, Franco and director Danny Boyle (“Slumdog Millionaire”) strove for such moments of authenticity. At another point in the shoot, Franco found himself struggling for 15 minutes to tie up a harness with just one hand. “I yelled out a couple times, ‘Eff!’ ” he said. “That was the character and me blurring at that moment. It really showed that the way we approached the performance is authentic on a real level, blurring the line of acting and experiencing.” The entire production was a challenge, but it’s one Boyle always wanted to take on and which, fresh off the Oscar-winning success of “Slumdog,” he was not going to pass up. “We had a small window in which to strike, when people really believe in you,” the director said. “I’d always been fascinated with this idea of trapping someone. In a medium that’s all about movement and change and constant vibration of images, I thought it would be wonderful to challenge that and make an action movie where the hero doesn’t move.” The majority of the film takes place within a tight, rocky crevice, when Franco is pinned in place by the boulder. Only the actor and a cameraman could fit in, and Boyle had to watch from above via a video link. They’d shoot very long takes, as Franco went through a variety of experiences, from desperation to macabre escape. “It wasn’t like we’d cut and ask props to rig a pulley while James relaxes,” Boyle said. “He had to rig it. He had to do everything.” Check out everything we’ve got on “127 Hours.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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James Franco Talks ‘Blurring’ Acting And Reality In ‘127 Hours’

Is ‘The Town’ Oscar-Bound After Box-Office Win?

Brisk ticket sales, critical buzz make Ben Affleck’s Boston drama an Oscar hopeful. By Eric Ditzian Slaine, Ben Affleck, Jeremy Renner and Owen Burke in “The Town” Photo: Warner Bros. “The Town” floated out of the Venice Film Festival on a cloud of Oscar buzz, and heading into the weekend, most box-office prognosticators expected Ben Affleck’s drama to win the #1 spot. But who could have predicted that “The Town” would net $23.5 million , a September record for Warner Bros.? Now there’s no doubting that the guy who once starred in “Gigli” and “Jersey Girl” has a serious Oscar hopeful on his hands. “Typically September releases turn out to be Oscar frauds,” said Jeff Bock, box-office analyst for Exhibitor Relations. “Not so with ‘The Town,’ as it has the reviews and b.o. to not only talk the talk, but walk the walk. Being #1 at the box office always helps the cause of any film, as it garners massive amounts of media attention.” Affleck’s Boston bank-robber tale is not only a contender for one of the 10 Best Picture nominations, but could land a nod in an acting category as well. “Either Jon Hamm or Jeremy Renner could easily end up in the Supporting Actor category,” said BoxOffice.com editor Phil Contrino, citing the film’s robust ticket sales. Another Boston-centric crime drama, “The Departed,” opened to similar numbers and critical acclaim in 2006. The Martin Scorsese film eventually nabbed five Oscar nominations, including Mark Wahlberg’s nod for Supporting Actor, and won four of them (including Best Picture and Best Director). Few would argue that Affleck’s movie will mirror the awards-season success of Scorsese’s, but as Contrino notes, “The Academy has a history of rewarding crime flicks that catch on in a major way and ultimately transcend their genre.” Oscar chances aside, what’s most remarkable about “The Town” is the fact that it made so much money with stars not nearly as high-profile as the ones in “Departed.” “Affleck, Renner and Hamm are certainly no [Leonardo] DiCaprio, [Jack] Nicholson, and [Matt] Damon,” Bock said. “That’s why the debut of ‘The Town’ is all the more impressive. Affleck achieved this opening on concept, not star power, which is becoming increasingly more potent in Hollywood of late.” Much credit is due to Warners’ marketing machine, which went to great lengths in TV ads to position “The Town” as more genre thriller than critical darling. “The ads punched up the proceedings by making the picture look (not just sound) like ‘The Departed’ and by using the Eminem song ‘Not Afraid,’ ” noted Brandon Gray of Box Office Mojo . Box-office success, of course, is not always a requirement for Oscar love. Just look at “The Hurt Locker,” which won Best Picture over “Avatar” this year despite an anemic box-office showing. When the new nominations arrive early next year, we should expect a similar grouping of “Hurt Locker”-style small fare and “Avatar”-esque blockbusters. “With 10 nominations for Best Picture, more than ever there are opportunities for smaller films and major blockbusters to be in the mix. One of those films is ‘Inception,’ which is a shoo-in for a Best Picture [nod],” Bock said. “This year we will see a mix of both types of films, but odds are, we won’t have a smaller film win the award two years in a row, since it’s never happened before ‘The Hurt Locker.’ ” Check out everything we’ve got on “The Town.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: The Town

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Is ‘The Town’ Oscar-Bound After Box-Office Win?

Jon Stewart, Stephen Colbert Plan March On Washington

Comedians plan to lampoon Glenn Beck rally on October 30, with competing political events on the National Mall. By Gil Kaufman Jon Stewart and Stephen Colbert Photo: Mathew Imaging/ Getty Images If you happen to be in Washington D.C. on October 30 and wake up to find yourself surrounded by a sea of Sarah Palins and Glenn Becks, don’t freak out. They’re probably just getting ready for Halloween by putting on their GOP finest for a march down to a pair of protests planned for that day on the National Mall by “The Daily Show” host Jon Stewart and his fake Republican brother-in-comedy, Stephen Colbert, of the “Colbert Report.” For two weeks now, Stewart has been teasing news of a big announcement, with Colbert threatening to one-up his former boss with his own major announcement, and on Thursday they finally spilled the beans about their plans. “Tonight, I bring you, the actual announcement!” Stewart thundered. He was addressing, he said, the 70 to 80 percent of Americans we don’t see on TV screaming about their political convictions while wearing funny hats, toting misspelled signs and likening our political leaders to Hitler. “Tonight, I announce the Rally to Restore Sanity. It is happening, people! … a real gathering. We will gather on the National Mall in Washington, D.C. A Million Moderate March, where we take to the streets to send a message to our leaders and our national media that say, ‘We are here, but we’re only here until 6 because we have a sitter.’ A clarion call for rationality!” Both rallies are in response to Fox News talker Beck’s recent Restoring Hope event, which they have lampooned mercilessly for weeks, poking fun at everything from the fuzzy math on how many attendees were there to see Palin to the seemingly contradictory message about faith and hope after Beck’s nonstop bashing of President Obama for using hope as a trope in his 2008 presidential campaign. On the Rally to Restore Sanity website , Stewart went into a bit more detail about his inspiration for the event. “I’m mad as hell, and I’m not going to take it anymore!” reads the intro on the site’s homepage. “Who among us has not wanted to open their window and shout that at the top of their lungs? Seriously, who? Because we’re looking for those people. We’re looking for the people who think shouting is annoying, counterproductive, and terrible for your throat; who feel that the loudest voices shouldn’t be the only ones that get heard; and who believe that the only time it’s appropriate to draw a Hitler mustache on someone is when that person is actually Hitler. Or Charlie Chaplin in certain roles.” Unlike Beck, who said it was just coincidence that he schedule last month’s event in the same place and on the anniversary of Martin Luther King Jr.’s famous “I Have a Dream” speech, Stewart said the date of his gathering has “no significance whatsoever” and it’s aimed at people who are too busy to go to rallies because they have “lives and families and jobs (or are looking for jobs).” The comedian is hoping for a giant mass of people, but mostly he’d like some subversive, silly fun to go down. “Think of our event as Woodstock, but with the nudity and drugs replaced by respectful disagreement; the Million Man March, only a lot smaller, and a bit less of a sausage fest; or the Gathering of the Juggalos , but instead of throwing our feces at Tila Tequila, we’ll be actively *not* throwing our feces at Tila Tequila,” he promised. “Join us in the shadow of the Washington Monument. And bring your indoor voice. Or don’t. If you’d rather stay home, go to work, or drive your kids to soccer practice … Actually, please come anyway. Ask the sitter if she can stay a few extra hours, just this once. We’ll make it worth your while.” Colbert’s message about his rival March to Keep Fear Alive gathering was appropriately more red, white and blue, tinged with a bit of green, as in envy for his recent Emmy loss to Stewart. “America, the Greatest Country God ever gave Man, was built on three bedrock principles: Freedom. Liberty. And Fear — that someone might take our Freedom and Liberty,” he wrote . “But now, there are dark, optimistic forces trying to take away our Fear — forces with salt-and-pepper hair and way more Emmys than they need. They want to replace our Fear with reason. But never forget — ‘Reason’ is just one letter away from ‘Treason.’ Coincidence? Reasonable people would say it is, but America can’t afford to take that chance.” Colbert encouraged his followers to pack an overnight bag with five extra pair of underwear, because “you’re going to need them.” Around 25,000 people are expected to attend the “competing” events, which will cap a week of tapings by both programs in the nation’s capital. Do you plan to attend either one of the rallies? Tell us in the comments!

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Jon Stewart, Stephen Colbert Plan March On Washington

‘The Town’: The Reviews Are In!

Critics heap praise on the ‘palpable authenticity’ of Ben Affleck’s Boston crime drama and applaud performances by Jon Hamm, Rebecca Hall, Jeremy Renner. By Eric Ditzian Slaine, Ben Affleck, Jeremy Renner and Owen Burke in “The Town” Photo: Warner Bros. Who could have predicted, around the time an afro’d Ben Affleck was whipping ’70s slackers with a wooden paddle, that the guy would morph into a serious and respected director? A lot has changed since 1993’s “Dazed and Confused.” Three years ago, Affleck delivered “Gone Baby Gone,” an impressive and surprising first directorial effort that earned Melissa Leo an Oscar nod. His sophomore feature, the crime drama “The Town,” is attracting early Oscar buzz after debuting at the Venice Film Festival earlier this month. On top of its critical praise, the film is looking to compete with Emma Stone’s teen-friendly “Easy A” for this weekend’s box-office crown. Not bad work for a guy who once had a reputation for being a beer-pounding meathead. Here’s what the critics are saying about “The Town.” The Story “Affleck has cast himself in ‘The Town’s’ lead role of Doug MacRay, a native of Boston’s tough Irish Charlestown neighborhood, which as an opening title card informs us, has produced more bank and armored car robberies than any place in the United States. Doug and his best friend, Jem (Jeremy Renner), are lifelong members of one of Charlestown’s most notorious and successful crews, a team that methodically goes about its thuggish business with a combination of workaday professionalism and swift, vicious violence. When the guys rob a bank and take a manager hostage, the episode sparks a series of events that leads Doug to question whether he’s ready to leave Charlestown’s tribal life of murder and mayhem. Meanwhile, he’s being pursued by an FBI agent (Jon Hamm) who’s determined to make the choice for him.” — Ann Hornaday, The Washington Post The Director “Affleck also seems more confident and at ease in the director’s chair this time around and less like the actor with something to prove. The film’s palpable authenticity is less self-conscious than it was in ‘Gone Baby Gone,’ and Affleck is able to create a strong enough sense of verisimilitude to allow us to buy into the film’s unlikely premise.” — Kenneth Turan, Los Angeles Times The Performances “Renner and Hamm play stock characters, but their performances elevate the roles to something more. (Renner, as he proved in “The Hurt Locker,” is an especially convincing psycho.) [Rebecca] Hall is a fantastic actress, good in everything she does. She portrays perfectly the confusion and vulnerability of someone violated, as well as the hope one might find in a budding relationship. Of course, we know more than she does, which makes it all the more heartbreaking. But Affleck is the center of the film. His Doug is, in some respects, rather like Affleck – the director of the elaborate heists, as well as a performer in them…. It’s a measured, strong performance, certainly one of Affleck’s best. Perhaps he can credit his director.” — Bill Goodykoontz, The Arizona Republic The Dissenters “There’s a decent movie in ‘The Town,’ though this adaptation of the Chuck Hogan novel ‘Prince of Thieves’ stretches out to a misjudged 130 minutes. Two hours plus change isn’t long, really. Plenty of films, and not just epics, justify three or more hours. Here, though, just when the screws should tighten, we get another leisurely dialogue scene, and hammy inevitables, such as the protagonist, played by Affleck, telling his less stable partner in crime, played by Jeremy Renner of ‘The Hurt Locker’: ‘Ya been like a brutha to me.’ ” — Michael Phillips, Chicago Tribune The Final Word “Affleck nails the rhythms of coexistence between neighborhood crooks and regular Joes. His instincts are also right in casting Renner in the role of Jem, the local baddie with a short fuse, and letting the effortlessly magnetic actor steer the pace of the action, hinting at danger even when Jem’s just nursing a brew. With the thrum of unromanticized eff-’em he brings to the part, Renner supplies the jolt that keeps Affleck on his toes, both as an actor and as a director. ‘The Town’ is the good work of a guy on a path of discovery, with Boston as the artist’s own Freedom Trail.” — Lisa Schwarzbaum, Entertainment Weekly Check out everything we’ve got on “The Town.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: The Town Related Photos Tour the Town

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‘The Town’: The Reviews Are In!

Joaquin Phoenix Documentary Isn’t Real, Casey Affleck Admits

‘It’s the performance of his career,’ director says of ‘I’m Still Here.’ By Mawuse Ziegbe Joaquin Phoenix in “I’m Still Here” Photo: Magnolia Pictures After two years of freaking out fans with his bizarre antics, Joaquin Phoenix’s disturbing behavior has been unveiled as nothing more than an intense commitment to his latest role. Phoenix, who grew a ratty beard, embarked on a hip-hop career and fumbled his way through awkward interviews, such as his infamous 2009 sit-down with David Letterman, has apparently just been getting crazy for his recently released movie “I’m Still Here.” “It’s a terrific performance, it’s the performance of his career,” director Casey Affleck told The New York Times on Thursday (September 16). After much speculation (and mostly negative reviews) , Affleck owned up to the ruse of the flick and revealed that most the film was fake. The filmmaker described how footage of Phoenix and his siblings frolicking in Panama were actually actors swimming in Hawaii, with the film later doctored to look aged. Affleck also revealed that disturbing moments in the movie in which Phoenix appears to live it up with prostitutes and drugs were created with the help of actors. Affleck revealed that the actor’s agent was even in on the stunt and agreed to cooperate after the director detailed his plan to show the world Phoenix “has lost his mind,” noting, “You would think he would have me killed immediately.” Many moviegoers will perhaps question why Affleck and Phoenix went to the trouble of staging what appeared to be a meltdown of an Oscar-winning A-lister instead of just openly shooting a mockumentary and calling it a day. Affleck explained that the duo wanted viewers to believe they were indeed witnessing the fall of a great star. “We wanted to create a space,” he said. “You believe what’s happening is real.” What do you think about Joaquin Phoenix and Casey Affleck’s fake documentary “I’m Still Here”? Let us know in the comments below! Check out everything we’ve got on “I’m Still Here.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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Joaquin Phoenix Documentary Isn’t Real, Casey Affleck Admits

Lil Wayne’s Glow-In-The-Dark Tattoos Are ‘For Real,’ Director Says

Black-light ‘I Am Not a Human Being’ video shows off Weezy’s fluorescent ink. By Jayson Rodriguez Lil Wayne Photo: Kevin Winter/ Getty Images For music-video director David Rousseau, working with Lil Wayne was a gift and a curse. A curse because the Cash Money Records superstar is incarcerated and not readily available to approve changes or edits; a gift, though, because the rapper is exuberant and camera-friendly, ready to offer concepts and suggestions for his clips. For his “I Am Not a Human Being” visual — which is still not ready; the version that landed online Wednesday wasn’t finished — Wayne came up with the idea to showcase his glow-in-the-dark tattoos. “The thing about this video, it was his concept to shoot the black light, ’cause that way the tats that he has, they glow in the dark. That’s actually for real; that’s not a camera trick or post-production,” Rousseau told MTV News. “The tattoos that he has on him when you put the black light on him, they glow in the dark. He came up with that idea. So really, the rest of the video was a springboard on that.” The song is the title track from Weezy’s forthcoming EP, which is set to drop later this month for free on the Web. The footage from the clip was shot earlier this year, when Wayne and Rousseau worked on upward of 12 videos the rapper hoped to finish before his incarceration, including numbers for his Rebirth album and portions of Drake’s “Miss Me” clip . When Rousseau sat down to work with all the material after Wayne turned himself in to a New York City prison, the director said his work was easier after the foundation was already laid. Rousseau said he just had to listen to the lyrics and portray the MC in an abstract sense, which includes contrasting shots of his writing process and flashes of money. “After listening to the track, he’s talking about just not being a human being, being totally different, is he an alien,” Rousseau explained. “So the idea grew from that. It wasn’t that hard, because we already had a base of what the concept would be when we shot his performance earlier this year.” Are you looking forward to the official “I Am Not a Human Being” video? Let us know in the comments! Related Artists Lil Wayne

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Lil Wayne’s Glow-In-The-Dark Tattoos Are ‘For Real,’ Director Says