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REVIEW: High School Makes Getting High Look Less Than Fun

High School has such a winning premise that you want to send everyone involved in making it back to the drawing board for a do-over — just take it from the top, folks, and this time everyone actually have a good time. Directed by John Stalberg, who wrote the film with Erik Linthorst and Stephen Susco, this debut feature follows uptight overachiever Henry Burke (Matt Bush) as, on the eve of finals, he dabbles in pot for the first time with his childhood friend-turned-burnout king Travis Breaux (Sean Marquette) — only to be told the next day that principal Leslie Gordon (an almost unrecognizable Michael Chiklis) is instating a student body-wide zero tolerance drug test. The plan the pair come up with to salvage Travis’s years of hard work and scholarship to MIT? They’re going to get the entire school high to throw off the results. This is, as far as stoner movies go, kind of ingenious, but  High School rushes through the parts it should savor and then pads out its runtime with filler elsewhere — and, less forgivably, it doesn’t make getting high look like fun. The stoner comedy as a genre has few requirements other than summoning up a THC haze and being generally good-natured, but  High School leaves you feeling like the sober person at a party, wincing at how everyone’s acting and wondering if that’s how you look when under the influence. This may be because that’s how Henry feels all the time — he’s a tightly wound scold who belongs to that wan breed of recent high school protagonists (see It’s Kind of a Funny Story and  The Art of Getting By ) who seem on the verge of implosion thanks to some vague, self-imposed psychological distress. The hollow-eyed Henry reunites with Travis, who is leading a seemingly parentless life on a perpetual high, after nearly running into him in the parking lot and instead hitting the principal’s car and earning a detention. “You come to see how the other half lives?” sneers Travis, who’s stuck there too. It rings strange — the division between the pair isn’t due to any class difference but to a lifestyle one, and Travis hasn’t exactly been forced to smoke pot constantly. But the two feel enough nostalgia for their younger days to end up hanging out afterward, where Travis coaxes Henry in smoking his way to an unpleasant first-time high that leaves him paranoid, dazed and with a black eye from falling out of a tree house. Because this is a stoner comedy, the fact that the setup is creaky and doesn’t quite make sense shouldn’t be a problem — except that none of the ways in which the film exaggerates are all that funny. Take Chiklis’s pompous Principal Gordon, with his flop of greasy hair and secret pervert vibe. He’s in the style of an ’80s movie authority figure like Mr. Rooney in  Ferris Bueller’s Day Off , one whose sole motivation is ego and spite — except that High School isn’t stylized in the same way. It’s grounded enough to realize that parents would instantly protest the gross invasion of privacy represented by mandatory drug testing, but not enough to explain why an administrator would be eager to expel the graduating class’ likely valedictorian. Its sense of rebellion is completely phony — that of a kid who, like Henry, got high one time and still talks about it. The film’s major asset, one that’s also wasted (in both senses), is Adrien Brody hamming it up as twitchy drug dealer Psycho Ed, a tattooed law school grad (he has “BOOK WORM” across his knuckles) who lost it after smoking a laced joint and has chosen instead to apply his smarts to growing high-octane weed. Sporting cornrows, his bug eyes rolling, Brody should be funny, though Ed’s a better idea than he is in practice — you’re aggressively aware that he’s just an actor showing off the way he’s playing against type rather than a character who’s amusing in his own right. There are other side figures who don’t click: Sebastian (Adhir Kalyan), Henry’s mustache-twirlingly evil rival for the top academic slot; stoner spelling bee champ Charlyne Phuc (Julia Ling), whose last name gets used for a lame joke; well-meaning assistant principal Brandon Ellis (Colin Hanks); a loopy former Deadhead teacher (Yeardley Smith). The movie’s big event — the spiking of bake sale brownies with THC crystals — takes place early on rather than toward the end, so it doesn’t result in the kind of delirious chaotic payoff you’d expect or want from the film. Students and teachers look dazed, lose focus and say some inexplicable things, and by the time the goofiness comes along, it’s too late. It is, horror of horrors, a portrayal of a mildly realistic high, which in the context of what should be an over-the-top film is really the last thing you want. What’s the use of a stoner film if it can’t convince you that there’s at least some fun to be had in the warm embrace of cannabis? Follow Alison Willmore on Twitter . Follow Movieline on Twitter .

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REVIEW: High School Makes Getting High Look Less Than Fun

REVIEW: High School Makes Getting High Look Less Than Fun

High School has such a winning premise that you want to send everyone involved in making it back to the drawing board for a do-over — just take it from the top, folks, and this time everyone actually have a good time. Directed by John Stalberg, who wrote the film with Erik Linthorst and Stephen Susco, this debut feature follows uptight overachiever Henry Burke (Matt Bush) as, on the eve of finals, he dabbles in pot for the first time with his childhood friend-turned-burnout king Travis Breaux (Sean Marquette) — only to be told the next day that principal Leslie Gordon (an almost unrecognizable Michael Chiklis) is instating a student body-wide zero tolerance drug test. The plan the pair come up with to salvage Travis’s years of hard work and scholarship to MIT? They’re going to get the entire school high to throw off the results. This is, as far as stoner movies go, kind of ingenious, but  High School rushes through the parts it should savor and then pads out its runtime with filler elsewhere — and, less forgivably, it doesn’t make getting high look like fun. The stoner comedy as a genre has few requirements other than summoning up a THC haze and being generally good-natured, but  High School leaves you feeling like the sober person at a party, wincing at how everyone’s acting and wondering if that’s how you look when under the influence. This may be because that’s how Henry feels all the time — he’s a tightly wound scold who belongs to that wan breed of recent high school protagonists (see It’s Kind of a Funny Story and  The Art of Getting By ) who seem on the verge of implosion thanks to some vague, self-imposed psychological distress. The hollow-eyed Henry reunites with Travis, who is leading a seemingly parentless life on a perpetual high, after nearly running into him in the parking lot and instead hitting the principal’s car and earning a detention. “You come to see how the other half lives?” sneers Travis, who’s stuck there too. It rings strange — the division between the pair isn’t due to any class difference but to a lifestyle one, and Travis hasn’t exactly been forced to smoke pot constantly. But the two feel enough nostalgia for their younger days to end up hanging out afterward, where Travis coaxes Henry in smoking his way to an unpleasant first-time high that leaves him paranoid, dazed and with a black eye from falling out of a tree house. Because this is a stoner comedy, the fact that the setup is creaky and doesn’t quite make sense shouldn’t be a problem — except that none of the ways in which the film exaggerates are all that funny. Take Chiklis’s pompous Principal Gordon, with his flop of greasy hair and secret pervert vibe. He’s in the style of an ’80s movie authority figure like Mr. Rooney in  Ferris Bueller’s Day Off , one whose sole motivation is ego and spite — except that High School isn’t stylized in the same way. It’s grounded enough to realize that parents would instantly protest the gross invasion of privacy represented by mandatory drug testing, but not enough to explain why an administrator would be eager to expel the graduating class’ likely valedictorian. Its sense of rebellion is completely phony — that of a kid who, like Henry, got high one time and still talks about it. The film’s major asset, one that’s also wasted (in both senses), is Adrien Brody hamming it up as twitchy drug dealer Psycho Ed, a tattooed law school grad (he has “BOOK WORM” across his knuckles) who lost it after smoking a laced joint and has chosen instead to apply his smarts to growing high-octane weed. Sporting cornrows, his bug eyes rolling, Brody should be funny, though Ed’s a better idea than he is in practice — you’re aggressively aware that he’s just an actor showing off the way he’s playing against type rather than a character who’s amusing in his own right. There are other side figures who don’t click: Sebastian (Adhir Kalyan), Henry’s mustache-twirlingly evil rival for the top academic slot; stoner spelling bee champ Charlyne Phuc (Julia Ling), whose last name gets used for a lame joke; well-meaning assistant principal Brandon Ellis (Colin Hanks); a loopy former Deadhead teacher (Yeardley Smith). The movie’s big event — the spiking of bake sale brownies with THC crystals — takes place early on rather than toward the end, so it doesn’t result in the kind of delirious chaotic payoff you’d expect or want from the film. Students and teachers look dazed, lose focus and say some inexplicable things, and by the time the goofiness comes along, it’s too late. It is, horror of horrors, a portrayal of a mildly realistic high, which in the context of what should be an over-the-top film is really the last thing you want. What’s the use of a stoner film if it can’t convince you that there’s at least some fun to be had in the warm embrace of cannabis? Follow Alison Willmore on Twitter . Follow Movieline on Twitter .

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REVIEW: High School Makes Getting High Look Less Than Fun

REVIEW: High School Makes Getting High Look Less Than Fun

High School has such a winning premise that you want to send everyone involved in making it back to the drawing board for a do-over — just take it from the top, folks, and this time everyone actually have a good time. Directed by John Stalberg, who wrote the film with Erik Linthorst and Stephen Susco, this debut feature follows uptight overachiever Henry Burke (Matt Bush) as, on the eve of finals, he dabbles in pot for the first time with his childhood friend-turned-burnout king Travis Breaux (Sean Marquette) — only to be told the next day that principal Leslie Gordon (an almost unrecognizable Michael Chiklis) is instating a student body-wide zero tolerance drug test. The plan the pair come up with to salvage Travis’s years of hard work and scholarship to MIT? They’re going to get the entire school high to throw off the results. This is, as far as stoner movies go, kind of ingenious, but  High School rushes through the parts it should savor and then pads out its runtime with filler elsewhere — and, less forgivably, it doesn’t make getting high look like fun. The stoner comedy as a genre has few requirements other than summoning up a THC haze and being generally good-natured, but  High School leaves you feeling like the sober person at a party, wincing at how everyone’s acting and wondering if that’s how you look when under the influence. This may be because that’s how Henry feels all the time — he’s a tightly wound scold who belongs to that wan breed of recent high school protagonists (see It’s Kind of a Funny Story and  The Art of Getting By ) who seem on the verge of implosion thanks to some vague, self-imposed psychological distress. The hollow-eyed Henry reunites with Travis, who is leading a seemingly parentless life on a perpetual high, after nearly running into him in the parking lot and instead hitting the principal’s car and earning a detention. “You come to see how the other half lives?” sneers Travis, who’s stuck there too. It rings strange — the division between the pair isn’t due to any class difference but to a lifestyle one, and Travis hasn’t exactly been forced to smoke pot constantly. But the two feel enough nostalgia for their younger days to end up hanging out afterward, where Travis coaxes Henry in smoking his way to an unpleasant first-time high that leaves him paranoid, dazed and with a black eye from falling out of a tree house. Because this is a stoner comedy, the fact that the setup is creaky and doesn’t quite make sense shouldn’t be a problem — except that none of the ways in which the film exaggerates are all that funny. Take Chiklis’s pompous Principal Gordon, with his flop of greasy hair and secret pervert vibe. He’s in the style of an ’80s movie authority figure like Mr. Rooney in  Ferris Bueller’s Day Off , one whose sole motivation is ego and spite — except that High School isn’t stylized in the same way. It’s grounded enough to realize that parents would instantly protest the gross invasion of privacy represented by mandatory drug testing, but not enough to explain why an administrator would be eager to expel the graduating class’ likely valedictorian. Its sense of rebellion is completely phony — that of a kid who, like Henry, got high one time and still talks about it. The film’s major asset, one that’s also wasted (in both senses), is Adrien Brody hamming it up as twitchy drug dealer Psycho Ed, a tattooed law school grad (he has “BOOK WORM” across his knuckles) who lost it after smoking a laced joint and has chosen instead to apply his smarts to growing high-octane weed. Sporting cornrows, his bug eyes rolling, Brody should be funny, though Ed’s a better idea than he is in practice — you’re aggressively aware that he’s just an actor showing off the way he’s playing against type rather than a character who’s amusing in his own right. There are other side figures who don’t click: Sebastian (Adhir Kalyan), Henry’s mustache-twirlingly evil rival for the top academic slot; stoner spelling bee champ Charlyne Phuc (Julia Ling), whose last name gets used for a lame joke; well-meaning assistant principal Brandon Ellis (Colin Hanks); a loopy former Deadhead teacher (Yeardley Smith). The movie’s big event — the spiking of bake sale brownies with THC crystals — takes place early on rather than toward the end, so it doesn’t result in the kind of delirious chaotic payoff you’d expect or want from the film. Students and teachers look dazed, lose focus and say some inexplicable things, and by the time the goofiness comes along, it’s too late. It is, horror of horrors, a portrayal of a mildly realistic high, which in the context of what should be an over-the-top film is really the last thing you want. What’s the use of a stoner film if it can’t convince you that there’s at least some fun to be had in the warm embrace of cannabis? Follow Alison Willmore on Twitter . Follow Movieline on Twitter .

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REVIEW: High School Makes Getting High Look Less Than Fun

Recursive Drawing App by Toby Schachman

Recursive Drawing by artist Toby Schachman is a simple web app for creating images out of recursive shapes, in other words, shapes that repeat in a self-similar way (find out more in Schachman’s demo video). via Waxy.org Broadcasting platform : Vimeo Source : Laughing Squid Discovery Date : 10/05/2012 19:52 Number of articles : 2

http://vimeo.com/moogaloop.swf?clip_id=41822151

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Recursive Drawing App by Toby Schachman

Courtney Love spotted at Fred Torres Collaborations

http://www.youtube.com/v/gx-bW_xTobY?version=3&f=user_uploads&app=youtube_gdata

Facebook.com – Become a Fan! Twitter.com – Follow Us! Courtney Love was spotted leaving the Fred Torres Collaborations where she will feature her upcoming art works! Courtney Love will open her first exhibit in New York City this upcoming week! The Fred Torres Collaborations gallery will host her collection of more than 45 pieces of art, drawn in various mediums including pencil, pastel, and watercolor.

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Courtney Love spotted at Fred Torres Collaborations

Justin Bieber Will Change ‘The Landscape’ With Believe

Producer Mike Posner says Bieber’s next album will make pop artists ‘go back to the drawing board.’ By Jocelyn Vena, with reporting by Kara Warner Justin Bieber Photo: Ethan Miller/ Getty Images This week, Justin Bieber dropped his single “Boyfriend,” marking his first step toward making more mature-sounding pop tunes. Co-producer Mike Posner told MTV News that Bieber’s upcoming Believe album displays how far he’s come since the sugary sweet ditties of his My World days. “I think our goal was to make something that me and my friends could listen to in the car,” Posner explained. “I think we’ve all known Justin since he was13, and that’s not the kid I was in the studio with anymore. He’s an 18-year-old. He skateboards with Lil Wayne and hangs out with Lil Twist. Those are his homies. And he listens to hip-hop and he’s a really cool kid. He’s not like a corny guy. “So I wanted to make something that reflected who he is now and who he is going to continue to be,” he continued. “We’re still working more on the project and it sounds really incredible. I think people have been waiting [for] when he’s going to turn that corner, and the time is now.” But Believe isn’t going to change just Bieber’s career, but all of pop music, Posner added. “He’s kind of bringing soul back, and rhythm and blues back and definitely hip-hop into his music. I’m really excited to see how it’s going to change the landscape, and I know a lot of artists are going to have to go back to the drawing board.” “Boyfriend” is the lead single off Believe, which will drop later this year. A video is currently in the works, but no release date has been announced. Do you like Justin Bieber’s new sound on “Boyfriend”? Leave your comment below! Related Photos Justin Bieber’s Birthday: Celebrating 18! Related Artists Justin Bieber Mike Posner

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Justin Bieber Will Change ‘The Landscape’ With Believe

Hip-Hop Wired Presents: A Tribute To BET Uncut

Six years. It’s been six long years since the last episode of the legendary BET Uncut aired on July 8th, 2006 . The series that spawned cult classics and made major label artists go back to the drawing board to appeal to the shows ever growing audience… Continue

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Hip-Hop Wired Presents: A Tribute To BET Uncut

Nicki Minaj Admits She’s ‘Becoming More Guarded’

‘Now that so many eyes are on me, I feel I have to deliver,’ rapper says in interview with Paper magazine. By Tomika L. Anderson Nicki Minaj Photo: Getty Images Fame is beginning to go to Nicki Minaj ‘s head, but not in the way you might think. The Grammy-nominated rapper revealed to Paper magazine that the more successful she becomes, the more pressure she feels to deliver — and that all that stress is taking a psychological toll. “Ugh! I have been working so much,” the 29-year-old tells interviewer Simon Doonan, Barneys New York’s creative ambassador at large. “Success came, and now that so many eyes are on me, I feel I have to deliver. And it’s a business. No joke. I guess I’m stressing more than I should be, and I think I am becoming more guarded.” To relax, Ms. Minaj admits to indulging in reality TV — and apparently, a lot of it. “I love [‘Mob Wives’ star] Big Ang … And I love the way those girls talk to each other: ‘Don’t YOU be coming at ME!!!’ I love every freakin’ moment. And I watch ‘The Real Housewives of Atlanta’ and ‘[The Real Housewives of] Beverly Hills.’ ” Music, of course, is also an emotional outlet for the rap star. She says the process of recording her upcoming album, Pink Friday: Roman Reloaded, made her feel “very free.” “The album is like a collage of all my emotions. I’m not sticking to any particular style. I am doing what I feel without restrictions. So it’s very free and very me.” The issue hits stands on February 20. Meanwhile, look for Minaj this Sunday at the Grammys , where she is expected to perform her new single “Roman Holiday.” She is also up for Best New Artist and Best Rap Performance for “Moment 4 Life” with Drake. Are you excited to hear “Roman Holiday” at the Grammys? Leave your comment below! Chaos! Profanity! Wardrobe malfunctions! Don’t miss Sway and James Montgomery live from the Grammys red carpet this Sunday, February 12, for a full three hours of mayhem, starting at 5 p.m. ET on MTV.com. And the fun doesn’t end Sunday: MTV News has you covered until the Grammy hangover wears off! Related Videos A Guide To The Grammys 2012 Related Photos 2012 Grammy Nominees Related Artists Nicki Minaj

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Nicki Minaj Admits She’s ‘Becoming More Guarded’

Grammys Live Stream: What Shocking Entrances Will We See?

How will Lady Gaga arrive this year? Join Sway and James Montgomery on the red carpet, starting 5 p.m. Sunday on MTV.com. By Gil Kaufman Jennifer Lopez at the 2000 Grammys Photo: Getty Images What’s the point of getting all dolled up for the Grammy Awards if no one notices your outfit? Since not everyone can earn a nomination or score a performance slot, sometimes you have to make your own news by crashing the red carpet with an eye-popping outfit that is sure to get tongues wagging. It’s anyone’s guess what this year’s attendees will be wearing on Sunday night at the 54th annual awards show, but MTV News will be camped out on the carpet for a full three hours before the festivities kick off and we’ll be keeping our eyes peeled for all the outrageous looks and fashions. Click for photos of our most-shocking Grammy red carpet moments! In the meantime, we thought it was worth a look back at some of the legendary entrances from Grammys past: Lady Gaga egg : Sure, Justin Bieber toted his pet snake to last year’s show, but it was, of course, Lady Gaga who turned the most heads by getting carried down the carpet in a giant, see-through egg that she incubated in before emerging later in the night for her performance of “Born This Way.” Britney gets bodied : Britney Spears has long prided herself on wearing what she wants, when she wants. But someone should have pulled her aside in 2010 before she exited the car in an oddball Dolce & Gabbana bodysuit overlaid with a lace dress that turned heads for all the wrong reasons. M.I.A.’s pregnancy chic : With her middle finger firmly tucked into place, the rapper/singer made her way into the 2009 show while nine-months pregnant in a cartoony, ruffled blue maternity dress and matching sneakers. Coldplay play dress up : It was kind of cool when Coldplay stuck with their bold Sgt. Pepper’s-style suits for the whole Viva La Vida tour. But when they wore them to the 2009 show , it just felt … silly. OK Go … back to the drawing board : Viral icons OK Go are experts at drawing attention to their music with trippy, how-did-they-do-that videos. They drew mostly sniggers, though, when they donned matching brocade curtain-looking red-and-gold suits to the 2007 show. Their smartest move may have been to cover their faces with red cloth. R. Kelly, man of mystery : Kels has made a career out of being inscrutable , but his bold sartorial choice at the 2004 Grammys was, well, weird. From the neck down he wore an elegant three-button black suit and tie, but the matching Robin mask? Who knows? Alicia Keys gets funky : Nobody really knows what Keys was thinking in 2002 when she walked the carpet wearing embroidered jeans, sandals, a white tank and a sheer green sari-like shift with a built in, bedazzled headdress. Toni Braxton lets it all hang out : Sometimes it’s what you don’t wear that gets attention. In 2001, singer Braxton sported a barely-there white “dress” that hardly covered her assets with strips of material that dangled in the front and back. Jennifer Lopez’s plunging neckline : Way before she was an “American Idol” judge, Lopez sent hearts racing in 2000 with her instantly infamous plunging neckline Versace gown. Chaos! Profanity! Wardrobe malfunctions! Don’t miss our Grammy red-carpet live stream this Sunday, February 12, for a full three hours of mayhem, starting at 5 p.m. ET on MTV.com. And the fun doesn’t end Sunday: MTV News has you covered for all the Grammy red-carpet fashion , Grammy winners and Grammy news until the hangover wears off! Related Videos A Guide To The Grammys 2012 Related Photos 2012 Grammy Rehearsals 2012 Grammy Performers 2012 Grammy Nominees 2012 Grammy Awards Pre-Parties Related Artists Lady Gaga Jennifer Lopez M.I.A.

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Grammys Live Stream: What Shocking Entrances Will We See?

Lloyd Banks 20 Songs Into His Next Album

‘I completed my situation with EMI and going right back to the drawing board,’ G-Unit MC tells ‘RapFix Live.’ By Rob Markman, with reporting by Sway Calloway Lloyd Banks and Sway Photo: Natasha Chandel/ MTV News Lloyd Banks still hungers for more. Last year, the G-Unit rapper dropped his third album, The Hunger For More 2, and during Wednesday’s “RapFix Live” one-year anniversary show , Banks revealed to host Sway that he is well into the recording process for his next album. Whether it will come out on EMI, where he released his last LP, is uncertain. “I’m in between situations now. I completed my situation with EMI and going right back to the drawing board,” LB said. “I’ve been working constantly to just make music for my mixtape series and, at the same time, for my next album. I’m about 18 to 20 records into my next album already.” Actually, Banks was just being modest. While he is getting ready to release his Cold Corner 2 mixtape in the coming weeks, he told Sway that he has quite a few tapes already completed. “I got a couple of mixtapes done. Actually, I had the Cold Corner done for a second, but I just put it off because I could,” he said nonchalantly. “I needed more time to work on everything else. I didn’t want to keep on givin’ ’em a date, givin’ ’em a date and pushin’ it back like it’s an album.” Banks is quite confident about the tape: “It’s a mixtape at the end of the day, but it will be the best mixtape that comes out, hands down, this year.” With all the tracks he has already recorded, fans can surely expect a handful of collaborations. Banks didn’t reveal any upcoming features, but when a fan tweeted a question, asking if the Queens, New York, spitter would partner up with onetime G-Unit foe Nas, Banks couldn’t say for sure but didn’t rule it out. “I don’t know,” he said. “I’ll be down for it, though. Nas is a legend.” Related Videos ‘RapFix Live’ Anniversary Special With Lloyd Banks, Consequence, More Related Artists Lloyd Banks

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Lloyd Banks 20 Songs Into His Next Album