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‘Drive Angry’: The Reviews Are In!

Should you hit the road with Nicolas Cage? See what the critics have to say. By Eric Ditzian David Morse and Nicolas Cage in “Drive Angry” Photo: Summit Publicity “Drive Angry” marks three-straight supernatural films for Nicolas Cage, though each could not be more different. “The Sorcerer’s Apprentice” was a Disney-driven tale of magical realism. “Season of the Witch” dove into the intersection of medieval black magic and campy B-movie wackiness. And “Drive Angry” literally begins with Cage driving a muscle car straight outta hell with the devil’s henchman fast on his heels and doesn’t slow down as it splashes blood and fire across the screen. All three flicks share something else in common: below-average reviews. “Sorcerer’s” and “Season” each went on to conjure up lukewarm box-office receipts. Can “Drive Angry” break the spell? Check out what the critics are saying and decide if the new 3-D film is the right choice for you this weekend. The Story “[It] may be a bit too slickly self-aware for its own good, but it’s also rivetingly paced, outrageously funny and makes retina-scorching use of the new 3D technology. Nicolas Cage is on teeth-baring, eye-rolling form as John Milton (nice), the deceased felon who busts out of hell to track down the Southern death cult who kidnapped his baby granddaughter. Hooking up with mouthy muscle-car-driving white-trash waitress Piper (Amber Heard), Milton sets off in pursuit, all the while attempting to avoid the attentions of Satan’s right-hand man, The Accountant (a majestically arch William Fichtner).” — Tom Huddleston, Time Out Crazy Nic Cage “A little respect, if you please, for His Satanic Majesty Nicolas Cage. Nobody goes off the deep end like Nic. Nobody gives better value in bad movies than the sleepy-eyed Oscar winner with a gift for picking bad movies. ‘Drive Angry’ is a very entertaining B, C or D-movie, an over-the-top and in-your-face grindhouse gore, guns and ‘Gun it’ picture that’s about epic shootouts, bone-snapping brawls, bare breasts and muscle cars. The gunplay is funny and the sex hilarious in this ‘Ghost Rider is Gone in 60 Seconds’ mashup.” — Roger Moore, Orlando Sentinel The 3-D ” ‘Drive Angry’ is intensely bloody, violent and carries quite a few payoffs that are well delivered. It’s also a movie you’d actually want to see in 3-D, unlike so many frauds in the marketplace these days. In fact, Lussier, who directed ‘My Bloody Valentine 3D,’ shows his growth as a 3-dimensional director by taking ‘Drive Angry’ to new heights. Seeing it in Real D, the depth was astounding, and Lussier throws a few CGI tricks right in the viewer’s face. Even more impressive was his flashback sequence that could easily become one of the most influential in the 3-D age (the way he layers three ‘thoughts’ at once is mind-blowing visually). In short, it’s worth the extra few bucks.” — Brad Miska, Bloody Disgusting Going Grindhouse ” ‘Drive Angry’ is loud and busy, and it’s rarely boring. But it’s also never really good. ‘Drive Angry’ comes at the tail end of the grindhouse revival trend, and while it’s better made than films like ‘Machete’ or the scores of indie films that followed in Quentin Tarantino’s wake, it succumbs to the same problem so many of those movies do: it’s a movie about the things that the filmmakers think are cool, and that’s never cool. ‘Drive Angry’ isn’t about anything, it’s just a series of ideas that struck Lussier and Farmer as awesome, strung together at feature length. There’s a lot of balls in Drive Angry, and even some brains, but no heart.” — Devin Faraci, Badass Digest The Final Word ” ‘Drive Angry’ is, in the end, a genre romp. It’s not aiming any higher than that. But it is made with real skill and style, and there’s such knowledge of genre in the way they have built the script and both embraced and avoided certain conventions that it makes me feel like we’re just seeing Farmer and Lussier warm up. Hopefully they’ll keep working with collaborators as game as their partners in this particular crime, because ‘Drive Angry’ is a white-knuckle ride worth taking.” — Drew McWeeny, HitFix Check out everything we’ve got on “Drive Angry.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘Drive Angry’: The Reviews Are In!

‘Drive Angry’: The Reviews Are In!

Should you hit the road with Nicolas Cage? See what the critics have to say. By Eric Ditzian David Morse and Nicolas Cage in “Drive Angry” Photo: Summit Publicity “Drive Angry” marks three-straight supernatural films for Nicolas Cage, though each could not be more different. “The Sorcerer’s Apprentice” was a Disney-driven tale of magical realism. “Season of the Witch” dove into the intersection of medieval black magic and campy B-movie wackiness. And “Drive Angry” literally begins with Cage driving a muscle car straight outta hell with the devil’s henchman fast on his heels and doesn’t slow down as it splashes blood and fire across the screen. All three flicks share something else in common: below-average reviews. “Sorcerer’s” and “Season” each went on to conjure up lukewarm box-office receipts. Can “Drive Angry” break the spell? Check out what the critics are saying and decide if the new 3-D film is the right choice for you this weekend. The Story “[It] may be a bit too slickly self-aware for its own good, but it’s also rivetingly paced, outrageously funny and makes retina-scorching use of the new 3D technology. Nicolas Cage is on teeth-baring, eye-rolling form as John Milton (nice), the deceased felon who busts out of hell to track down the Southern death cult who kidnapped his baby granddaughter. Hooking up with mouthy muscle-car-driving white-trash waitress Piper (Amber Heard), Milton sets off in pursuit, all the while attempting to avoid the attentions of Satan’s right-hand man, The Accountant (a majestically arch William Fichtner).” — Tom Huddleston, Time Out Crazy Nic Cage “A little respect, if you please, for His Satanic Majesty Nicolas Cage. Nobody goes off the deep end like Nic. Nobody gives better value in bad movies than the sleepy-eyed Oscar winner with a gift for picking bad movies. ‘Drive Angry’ is a very entertaining B, C or D-movie, an over-the-top and in-your-face grindhouse gore, guns and ‘Gun it’ picture that’s about epic shootouts, bone-snapping brawls, bare breasts and muscle cars. The gunplay is funny and the sex hilarious in this ‘Ghost Rider is Gone in 60 Seconds’ mashup.” — Roger Moore, Orlando Sentinel The 3-D ” ‘Drive Angry’ is intensely bloody, violent and carries quite a few payoffs that are well delivered. It’s also a movie you’d actually want to see in 3-D, unlike so many frauds in the marketplace these days. In fact, Lussier, who directed ‘My Bloody Valentine 3D,’ shows his growth as a 3-dimensional director by taking ‘Drive Angry’ to new heights. Seeing it in Real D, the depth was astounding, and Lussier throws a few CGI tricks right in the viewer’s face. Even more impressive was his flashback sequence that could easily become one of the most influential in the 3-D age (the way he layers three ‘thoughts’ at once is mind-blowing visually). In short, it’s worth the extra few bucks.” — Brad Miska, Bloody Disgusting Going Grindhouse ” ‘Drive Angry’ is loud and busy, and it’s rarely boring. But it’s also never really good. ‘Drive Angry’ comes at the tail end of the grindhouse revival trend, and while it’s better made than films like ‘Machete’ or the scores of indie films that followed in Quentin Tarantino’s wake, it succumbs to the same problem so many of those movies do: it’s a movie about the things that the filmmakers think are cool, and that’s never cool. ‘Drive Angry’ isn’t about anything, it’s just a series of ideas that struck Lussier and Farmer as awesome, strung together at feature length. There’s a lot of balls in Drive Angry, and even some brains, but no heart.” — Devin Faraci, Badass Digest The Final Word ” ‘Drive Angry’ is, in the end, a genre romp. It’s not aiming any higher than that. But it is made with real skill and style, and there’s such knowledge of genre in the way they have built the script and both embraced and avoided certain conventions that it makes me feel like we’re just seeing Farmer and Lussier warm up. Hopefully they’ll keep working with collaborators as game as their partners in this particular crime, because ‘Drive Angry’ is a white-knuckle ride worth taking.” — Drew McWeeny, HitFix Check out everything we’ve got on “Drive Angry.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘Drive Angry’: The Reviews Are In!

Dan Fogler Hawked Toys In A Smelly Costume, On ‘When I Was 17’

‘Take Me Home Tonight’ star recalls playing ‘Big’-inspired Zoltar at a local toy shop on Saturday’s episode. By Alex Chapman Dan Fogler on “When I Was 17” Photo: MTV News Summer jobs are a rather traditional staple of teenage life — lifeguard, waiter and intern — but working as the Amazing Zoltar (inspired by the Tom Hanks classic “Big”) at a used toy store? Now that’s something you don’t come across every day. But Dan Fogler, who plays scene-stealing Barry in the new ’80s-flavored comedy “Take Me Home Tonight,” had the honor of taking on this, er, once-in-a-lifetime role. “I am the amazing Zoltar!” Fogler recalls exclaiming in the upcoming episode of “When I Was 17” . “Selling discounted toys!” he says in his best Borat accent. But Fogler’s adolescent stint as the costumed fortuneteller wasn’t without its sacrifices. “I think I shared the outfit with at least 10 different grown men,” the actor admits. “I don’t think they ever washed it.” Fogler’s solution to masking the suit’s putrid scent? Febreeze, of course. “Here, put on your Zoltar suit, Dan. And here’s the Febreeze,” says Fogler, impersonating his former boss. “[I’d say], ‘What’s this for? Oh my God!’ Then you basically just pour that crap all over.” “Yeah, [the costume] was ripe,” Dan’s friend Johnny agrees. But when customers came to the store, Fogler made sure to clarify that the odor emanating from his grubby Zoltar costume didn’t belong to him. “The kids would be like, ‘Yay, Zoltar! ” Then they would smell him and say, ‘Oh, God!,’ ” Fogler remembers. “I’d be like, ‘Zoltar normally smells fine!’ ” Becoming Zoltar must have somehow paid off though: Fogler’s new film, co-starring Anna Farris and Topher Grace — both of whom also share their stories on Saturday’s episode airing at 11 a.m. ET. — hits theaters on March 4. Don’t miss when Dan’s “Take Me Home Tonight” co-stars Topher Grace and Anna Faris dish on their adolescent occupations in the newest episode of “When I Was 17,” premiering Saturday at 11 a.m. ET on MTV. Related Videos Check Out A Preview Of This Week’s ‘When I Was 17’

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Dan Fogler Hawked Toys In A Smelly Costume, On ‘When I Was 17’

‘Drive Angry’ Cheat Sheet: Everything You Need To Know!

MTV News has been on the road with the Nicolas Cage flick since the start. By Eric Ditzian David Morse and Nicolas Cage in “Drive Angry” Photo: Summit Publicity “Drive Angry” is perhaps the Nicolas Cage-iest Nicolas Cage movie ever. The ever-unpredictable, often wacky, potentially out-of-his-gourd actor stars as a man who literally breaks out of hell to exact a bloody, muscle-car-assisted revenge plot … in 3-D. It’s deeply weird stuff, and yet, with Cage at the center of it all, it makes a whole lot of sense. MTV News, it should be said, has been at the center of “Drive Angry” coverage, securing the very first interview about the project and continuing to track it from the first trailer to the brink of opening weekend. Read on for everything you need to know about the movie before it hits theaters Friday (February 25). Going on the Road Coming off the $100 million success of 2009’s “My Bloody Valentine,” director Patrick Lussier and his writing partner, Todd Farmer, asked themselves one question: “What movie do we want to see and what movie do we want to shoot in 3-D?” as Lussier later explained to us . “We didn’t really have anything in mind beyond that,” he added. “We started writing an opening scene about a guy named Milton killing these three guys called the F—ers, who are totally scared sh–less and totally deserve it. From there, ‘Drive Angry’ was born. We wanted to come up with something that wasn’t a horror movie but was just a hard-R, action-driven road movie, because that would be a great film to see in 3-D.” Ditching any notion of converting the film to three dimensions during post-production, Lussier hauled 3-D cameras down to Shreveport, Louisiana, and began shooting in the spring of 2010. To share the screen with Cage, Lussier hired Amber Heard to play a sassy waitress who gets pulled into Cage’s scheme and William Fichtner as the agent of the devil’s evil agenda. 3-D, From Scratch When we caught up with Cage in the spring at Wonder-Con , he joked that the pollen in Louisiana made him sound like an “old blues singer” and raved about how the flick would meld an old-school cinematic vibe with cutting-edge technology. “It’s like if you got to see an old ’70s action movie, but in 3-D,” he explained. “We’re doing something semi-historical, because it’s the first 3-D movie shot [in the] style of a ’70s action film. You could see Charles Bronson or [Clint] Eastwood [starring in a film like this] in those days.” Months later, with the shoot behind him and his voice back to normal, Cage marveled at how he escaped the production injury-free. “In this case, I did quite a few stunts with people literally on the hood of the car driving at very high speeds, so it reminded me of those old movies where you have people on top of the wing of a biplane,” he said. “It was a little intense. That was definitely new to me and I was always very concerned about the stunt people I was working with.” Hell on Earth The film’s first trailer popped up online in October and featured everything we could have hoped for: big guns and fast cars, Cage walking slowly away from explosions without looking back, and fab lines like, “Hell already is walking the Earth.” Months later, a Super Bowl ad delivered further peeks at the hard-R craziness. There’s action aplenty, and that’s exactly how Lussier planned it. “We have this great car chase with Nic’s character chasing after Amber Heard’s character, who’s in the middle of a fight inside this RV,” he teased of one scene. “You’re in this claustrophobic space, and suddenly you’re outside with Nic in hot pursuit. There’s all sorts of gunplay on the road. It’s spectacular.” Check out everything we’ve got on “Drive Angry.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘Drive Angry’ Cheat Sheet: Everything You Need To Know!

Watch a Great Breakdown of the Visual Effects Work in ‘Hereafter’

http://www.youtube.com/v/EoAHO4_jPzQ

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When the full suite of Oscar nominations were announced a few weeks ago, squatting smack in the middle of the final five for the Best Visual Effects category was Clint Eastwood’s film Hereafter. And a great many people went… ‘huh?’ There are obviously effects in the film, which recreates the Indonesian tsunami from 2004. But against many of the other major effects players for 2010, the nomination… Broadcasting platform : YouTube Source : /Film Discovery Date : 18/02/2011 17:34 Number of articles : 2

Watch a Great Breakdown of the Visual Effects Work in ‘Hereafter’

Watch a Great Breakdown of the Visual Effects Work in ‘Hereafter’

http://www.youtube.com/v/EoAHO4_jPzQ

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When the full suite of Oscar nominations were announced a few weeks ago, squatting smack in the middle of the final five for the Best Visual Effects category was Clint Eastwood’s film Hereafter. And a great many people went… ‘huh?’ There are obviously effects in the film, which recreates the Indonesian tsunami from 2004. But against many of the other major effects players for 2010, the nomination… Broadcasting platform : YouTube Source : /Film Discovery Date : 18/02/2011 17:34 Number of articles : 2

Watch a Great Breakdown of the Visual Effects Work in ‘Hereafter’

Watch a Great Breakdown of the Visual Effects Work in ‘Hereafter’

http://www.youtube.com/v/EoAHO4_jPzQ

More here:

When the full suite of Oscar nominations were announced a few weeks ago, squatting smack in the middle of the final five for the Best Visual Effects category was Clint Eastwood’s film Hereafter. And a great many people went… ‘huh?’ There are obviously effects in the film, which recreates the Indonesian tsunami from 2004. But against many of the other major effects players for 2010, the nomination… Broadcasting platform : YouTube Source : /Film Discovery Date : 18/02/2011 17:34 Number of articles : 2

Watch a Great Breakdown of the Visual Effects Work in ‘Hereafter’

Billy Burke Talks ‘Drive Angry’

http://www.youtube.com/v/YpsHRFlKNns

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Reel Rave Team Twilight  Broadcasting platform : YouTube Source : Twilightish Discovery Date : 18/02/2011 18:00 Number of articles : 2

Billy Burke Talks ‘Drive Angry’

Billy Burke Talks ‘Drive Angry’

http://www.youtube.com/v/YpsHRFlKNns

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Reel Rave Team Twilight  Broadcasting platform : YouTube Source : Twilightish Discovery Date : 18/02/2011 18:00 Number of articles : 2

Billy Burke Talks ‘Drive Angry’

Billy Burke Talks ‘Drive Angry’

http://www.youtube.com/v/YpsHRFlKNns

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Reel Rave Team Twilight  Broadcasting platform : YouTube Source : Twilightish Discovery Date : 18/02/2011 18:00 Number of articles : 2

Billy Burke Talks ‘Drive Angry’