Tag Archives: Emotion

‘Dancing With The Stars’ Recap: Evan Lysacek Pulls Ahead Of The Pack

Judges said Nicole Scherzinger didn’t follow the rules with her quickstep. By Kelley L. Carter Evan Lysacek and Anna Trebunskaya Photo: ABC On Monday night’s “Dancing With the Stars,” the dancers were told to tell a story with movement, and for some of the celebrities, it was quite a challenge. Up first were Olympian Evan Lysacek and Anna Trebunskaya, who followed last week’s high-kicking jumping jive routine with a quickstep to a tune from “Chicago.” Their story, a husband and wife who were arguing because she was late for a date, was a major hit with the judges. Lysacek danced on a couple of broken toes, he revealed later, and they were still able to earn 26 out of 30. Following them was former astronaut Buzz Aldrin and Ashly Costa, who danced a graceful waltz. The concern going in was that Aldrin would over-think his movements, “I just don’t know if I can turn off my mind and just move,” Aldrin said. Theirs was a story of a soldier’s return to his daughter — judge Bruno Tonioli said that Aldrin looked regal; Carrie Ann Inaba said he got points for storytelling through the routine. Overall, judges found the 80-year-old’s technique poor and gave the duo 13 points. “Bachelor” star Jake Pavelka says he’s been bitten by the dancing bug. It showed when he and partner Chelsie Hightower took the stage, doing a dramatic quickstep to the Bangles tune, “Walk Like an Egyptian.” They gyrated and shimmied all over the stage, incorporating Egyptian hand freezes into their routine to convey the story of Cleopatra and an explorer. Judges loved that they appropriated the Egyptian moves into their dance; they also got high marks for the slick production, earning a score of 21. Comedian Niecy Nash and Louis Van Amstel waltzed as a couple from the ’60s who fall in love despite their racial differences. Judge Len Goodman thought they pulled off the emotion of the dance, but said they must work on better technique moving forward. Inaba wasn’t sure that the story came across in the dance. “I’m not used to seeing people see me cry,” Nash admitted. “I’m used to people seeing me be funny. I felt so vulnerable. It made me a little bit nervous when I got out there.” The judges gave them a 21. Chad Ochocinco performed a paso doble, in which he tried to seduce his partner, Cheryl Burke, but she wanted nothing to do with him. “Our paso doble is art imitating life for us. For real. I continue to try, and I keep getting rejected,” he joked. “The power is back. The presence is back. … But you still danced like a crackhead,” Tonioli said. Still, judges thought he was much better than last week, saying he came out with determination and dominated the dance enough to earned 20 points. Crowd favorite Pamela Anderson was surprised last week when she and Damian Whitewood landed in the bottom two. She said she cried all night, put it behind her and moved on. This week, she played the role of a gypsy flamenco dancer. “I’ve always been an animal activist, and I thought bullfighting was so senseless and violent,” she said, adding that she used that passion in the paso doble. Judges praised her fluid movement. “I thought you had an intensity about it. … You need refinement in the dance, that’s all,” Goodman said. Judges gave the duo 21 points. Soap star Aiden Turner and his partner Edyta Sliwinska performed a quickstep, “The quickstep should be carefree, and to me this was a little bit careful,” Goodman said. “I would like for you to go for it a little bit more.” In spite of that, judges thought his confidence was growing and that he was improving, despite being a little too light and bubbly on his feet. “The quickstep is the hardest thing I’ve ever learned. Wow. What a week it’s been,” Turner said. Judges gave them a 20. ESPN reporter Erin Andrews did a waltz that was fairly similar to last week’s foxtrot. In a story that was all about trust, she gave herself to her partner Maksim Chmerkovskiy and had to follow him … blindfolded. “My biggest concern while wearing a blindfold, is I don’t want to trip on my feet and take a tumble right into all the people sitting in the front row!” Goodman thought it was a boring start, and said they should have done more waltzing. Judges gave them a 23. Kate Gosselin and Tony Dovolani did a paso doble to Lady Gaga’s “Paparazzi,” a song that the reality star said speaks directly to her. She channeled that experience and let loose some frustrations in a dance that the judges called odd and strange. Goodman said it looked as though she overcame her nerves but that the entire performance was pedestrian. “You had the look of the super bitch from hell,” Tonioli said, before the judges gave them a 15. Completing the final dance was Pussycat Doll Nicole Scherzinger and Derek Hough , who earned the first 10s of the season last week. “My goal is to challenge myself more and more every week. We’re not taking the easy road on this dance,” she said of their quickstep to Cole Porter’s “Anything Goes.” Goodman said they broke the rules, and that even though their routine was beautifully done, it wasn’t a quickstep. “We weren’t trying to be disrespectful in anyway, but we did take the song literally,” Scherzinger said. “We just wanted to have fun with it.” They earned a 23. Who was your favorite couple on last night’s “Dancing With the Stars”? Share your reviews here!

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‘Dancing With The Stars’ Recap: Evan Lysacek Pulls Ahead Of The Pack

Love, sex and the male brain

Although men have earned the reputation for being more stoic than women, they actually have stronger emotional reactions than we do. They just don't show it very often. (CNN) — Although women the world over have been doing it for centuries, we can't really blame a guy for being a guy. And this is especially true now that we know that the male and female brains have some profound differences. Our brains are mostly alike. We are the same species, after all. But the differences can sometimes make it seem like we are worlds apart. The “defend your turf” area — dorsal premammillary nucleus — is larger in the male brain and contains special circuits to detect territorial challenges by other males. And his amygdala, the alarm system for threats, fear and danger is also larger in men. These brain differences make men more alert than women to potential turf threats. Meanwhile, the “I feel what you feel” part of the brain — mirror-neuron system — is larger and more active in the female brain. So women can naturally get in sync with others' emotions by reading facial expressions, interpreting tone of voice and other nonverbal emotional cues. And so begins the 'Man Trance' All that testosterone drives the “Man Trance”– that glazed-eye look a man gets when he sees breasts. As a woman who was among the ranks of the early feminists, I wish I could say that men can stop themselves from entering this trance. But the truth is, they can't. Their visual brain circuits are always on the lookout for fertile mates. Whether or not they intend to pursue a visual enticement, they have to check out the goods. To a man, this is the most natural response in the world, so he's dismayed by how betrayed his wife or girlfriend feels when she sees him eyeing another woman. Men look at attractive women the way we look at pretty butterflies. They catch the male brain's attention for a second, but then they flit out of his mind. Five minutes later, while we're still fuming, he's deciding whether he wants ribs or chicken for dinner. He asks us, “What's wrong?” We say, “Nothing.” He shrugs and turns on the TV. We smolder and fear that he'll leave us for another woman. Men look at attractive women the way women look at pretty butterflies. Not surprisingly, the different objectives that men and women have in mating games put us on opposing teams — at least at first. The female brain is driven to seek security and reliability in a potential mate before she has sex. But a male brain is fueled to mate and mate again. Until, that is, he mates for life. Despite stereotypes to the contrary, the male brain can fall in love just as hard and fast as the female brain, and maybe more so. When he meets and sets his sights on capturing “the one,” mating with her becomes his prime directive. And when he succeeds, his brain makes an indelible imprint of her. Lust and love collide and he's hooked. The 'Doting Daddy Brain' A man in hot pursuit of a mate doesn't even remotely resemble a devoted, doting daddy. But that's what his future holds. When his mate becomes pregnant, she'll emit pheromones that will waft into his nostrils, stimulating his brain to make more of a hormone called prolactin. Her pheromones will also cause his testosterone production to drop by 30 percent. These hormonal changes make him more likely to help with the baby. They also change his perceptual circuitry, increasing his ability to hear a baby cry, something many men can't do very well before their wives are pregnant. And a word to the wise for all the young mothers who are reluctant to let your husbands hold and care for your newborn. The more hands-on care a father gives his infant, the more his brain aligns with the role of fatherhood. So, hand over the baby. His emotions run deep Although men have earned the reputation for being more stoic than women, they actually have stronger emotional reactions than we do. They just don't show it very often. The male brain can fall in love just as hard and fast as the female brain, and maybe more so. Studies of men's faces show that the male brain's initial emotional reaction can be stronger than the female brain's. But within 2.5 seconds, he changes his face to hide the emotion, or even reverse it. The repeated practice of hiding his emotions gives men the classic poker face. It's his poker face and his analytical response to personal problems that can put him in the doghouse. She's crying as she talks about what's wrong with the relationship, and instead of hugging her, his mind is racing to find a way to resolve the problem as soon as possible. With practice and because of the way their brains are wired, men use their analytical brain structures, not their emotional ones, to find a solution. They enjoy this advantage, but women often take affront to it. When you're telling your husband your problem and he tries to solve it instead of hearing you out, you may think he's being insensitive. But that's not what's going on in his brain. He's working to solve the problem so he can relieve your pain as quickly as possible. Not because he doesn't care or doesn't want to listen, but because he loves you. 'Lovable Grandpas' and 'Grumpy Old Men' As men age, the male brain hormones change and the male brain and body goes into the stage of life called andropause. The king of male hormones — testosterone — goes down and the queen of female hormones — estrogen — goes up. Whether Grandpa is your kids' hero or the grouch they hate to visit depends a lot on how he handles these hormonal changes. For example, if his testosterone levels drop to an abnormally low level, he can feel tired, irritable and even depressed. Some men in this condition seek hormone replacement therapy and others find relief in exercise, more frequent sex, and spending more time with other people. Whether Grandpa is your kids' hero or the grouch they hate to visit depends a lot on how he handles these hormonal changes. The grandpa that kids can't wait to see is the one who's feeling the effects of the hormone oxytocin, often called the “cuddle hormone.” He's fun and playful and likes to hear what his grandchildren have to say. He's much more patient with your children than he was with you, when you were growing up. The love circuits of the mature male brain can be hijacked by his grandkids, even more than they were by his own children. The 'Lonely Hearts Club' Not only is the mature male brain more receptive to closer bonds, but it's also more sensitive to loneliness. Nobody thrives when they're lonely, but it seems to take a major toll on older men. Sixty percent of divorces in couples over the age of 50 are initiated by women, leaving their husbands shell-shocked and devastated. Once his wife leaves, unless he makes a point of socializing more with other people, his brain stops getting the social workout it needs to make him feel good about himself. If he becomes a loner, his social-approval circuits don't get activated. In brain scan studies of older males researchers have found that the brain's pleasure and reward areas, the VTA and the NAc, remain more active in men who are social. So don't begrudge the divorcee or the new widower some socializing and seeking female companionship. The bottom line The human brain is the best learning machine on the planet and human beings are capable of making major changes in our lives. But there are some things that the male brain and female brain are not likely to change anytime soon. And it makes more sense to deal with these brain realities, than to argue with them or ignoring them. The best advice I have for women is make peace with the male brain. Let men be men. The opinions expressed in this commentary are solely those of Louann Brizendine. http://www.cnn.com/2010/OPINION/03/23/brizendine.male.brain/index.html?iref=alls… added by: MotherForTruth

American Idol: Miles to Go Before We Sleep [Recaps]

On last night’s fitful episode, we saw the dreams of teenagers laid out bare and glorious in front of us. And we saw the dreams of a contestant hoisted onto Ryan Seacrest’s petard and bled to completion. As with every major event in life, last night’s show began with a group number. The group numbers are always grim and embarrassing, but aren’t they especially awful this year? I mean because the contestants are so awful. There’s nothing exciting or silly-fun about watching these idiots shuffle and lurch across the stage doing jerky, soap-bubble choreography. It’s just like… it’s sort of aggressive, as if the show knows how bad it is. “Ha ha, and you’re still watching. So here, you pathetic glutton, eat up this slop, c’mon shovel it in, look look, Tim Urban’s snapping his fingers and pretending to sing, that’s it fatty, eat through the tears, choke it down. Oh here’s Andrew Garcia doing a bee-bop routine with a big dumb grin on his face, cram it down that gullet of yours, you helpless slob.” And you’re just sitting on the couch, weeping and weeping, bits tumbling and dribbling out of your mouth. You are a filthy, pathetic creature. But you cannot stop. You have pulled over to the side of the road of life and you are eating that American Idol super value meal and you are crying. Yours is a terrible shame. Life is a terrible shame. And I’m pretty sure that’s not how people are supposed to feel watching American Idol group numbers. But oh well. We can talk for a second about Miley Stinkvirus. You know what she did? You know what she’s actively trying to do? She is trying to rebrand herself, from Teen Sensation to Serious Artist. But Miley was born in a rain barrel, just like her daddy, and really buys into those ads that called Ruby Tuesdays “simple, fresh American dining.” American dining . Sounds classy! To that end, Miley and Miley’s people (read: Dad) believe certain things about what it means to be a Serious Artist that are just hilariously off. You know, because you always see Fiona Apple sitting at a white piano in a white gown while fog rolls around her ankles. So that’s what Miley did and after a spell she got up from the beautiful piano playing and really got into the emotion of the song, doing some awkward head banging and just trying to seem wild and free and just so musical . To call it an epic failure would be to call My Lai an “oopsy.” After Miley got in her very classy, understated half-mile long platinum Hummer limo and sped off and away forever, it was time for Joe Jonas and Demi Lovato to sing. See the two of them starred together in a Disney movie called Camp Rock , and there are maybe dating rumors, but they don’t really mean anything because Joe Jonas is gayer than Olivia Newton-John’s bed linens. They are just a showbiz pair, a platonic Tracy & Hepburn of the New Age. I don’t know what was going on — if it was a strange theme or something — but Joe & Demi also sang a serious song. It was basically the same thing as Miley’s tune, just with less fog and piano and more of Demi Lovato’s singing hand. You know the singing hand. The non-mic-holding hand that’s just all “uhhhuhhhooohhuuh…. this is what singing looks liiiiike…” It was very sad, though I will admit that Demi really didn’t sound bad at all. Joe Jonas is a whispery wimble of a wimp and didn’t leave much of an impact. I mean, after all, he’s more accustomed to people impacting him. (HAM & EGGS!) And that was that. Then Ryan dimmed the lights and began to unbutton Tim Urban’s shirt and a gasp went through the audience and then the Stage Manager came on the loudspeaker and was all “Uh, Ryan. Ryan, no. It’s not that part of the show. That’s your little aftershow thing. We’re still live.” Ryan smiled, embarrassed. He slowly backed away from Tim. He cleared his throat. “Your, uh, bott— ahem — bottom three, ladies and gentlemen.” Then the Jonas Brothers walked out and the Stage Manager said “Goddamnit, no not that bottom three, the bottom three in the competition. Jesus Christ. It’s like Nathan Lane exploded in here.” After Ryan did a hold-for-editing for a second, he began again and announced the bottom three. They were: Joe, Nick, & Kevin Jonas Paige Miles Katie Stevens (yayyyy!) Tim Urban (gasssssp) I was of the mind that Timmy Tim-Tim Urbane would soar back up toward the top after last week’s bottom three scare, but I guess not. I guess I have overestimated the throbbing thumb-votes of teen texting America. I guess teen girls are really more into the whole Michael Lynche look these days. The girls are really going apeballs over your cousin, Phil Dweezy. (Your Aunt Karen tells me he’s talking about moving to California. Can you believe that? Little Philly, in California ? I told Karen, I said ‘Keeks, I think you should support him in whatever he wants to do, you know he’s getting to the age where he ought to be on his own, but California, that’s awful far.’ And I said what about Philadelphia, that’s pretty close and they got lots of music there, plenty of rock groups he could join. But I don’t know if she’ll listen.) Anyway, it seems that Tim Urban’s sexy days are numbered on this show, which is fine. It really is. We’ll just have to gawp at… shudder … Casey… Johnso… NO I CAN’T DO IT. I can’t do it. We will gawp at no one. No more gawping when Tim Oiban goes home. Which will be soon. The Katie Stevens bottoming was punishment for her being awful and boring, I aver. I hope she gets the boot and is put in the robot junkyard, because her model is flawed. But of course in the end it was Paige who was given her walking papers. Good, that’s fine, that’s fair. She sounded good enough in her last hurrah song, though it didn’t matter. Simon had bluntly told her before she sang that no matter how she sounded, they were not going to waste their precious, precious save on her. Oohhh The Save. What an exciting new element it brings to the show! Not! Schwing! I’m gonna hurl! I don’t even own a gun! I don’t think I have much else to say about this. The Miley fog is rolling in across the moors and I’ve got to sit down and play my white piano, here in my gown. I’ll weep and weep and weep, playing the Idol theme tune over and over again until it is next week and I can eat my next delicious meal. Can’t wait to see you there.

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American Idol: Miles to Go Before We Sleep [Recaps]

Lacey Brown Thinks Lack Of ‘Energy’ Led To ‘American Idol’ Exit

‘Even though I’m a bubbly, happy person, not every song that I sing is gonna be uptempo,’ she says. By Katie Byrne Lacey Brown Photo: FOX Lacey Brown had an “American Idol” Cinderella story. In season eight, she just missed the cut for the top 36 when the judges opted for another quirky singer, Megan Joy, instead. Well, this was her year. Not only did she get past Hollywood Week to the top 24, she even made it to the top 12 and the big stage. Unfortunately, her performance of the Rolling Stones’ “Ruby Tuesday” didn’t cut it, and she was the first finalist to get the boot . We caught up with the 24-year-old Texan on Thursday (March 18) to talk about why she decided to try out again this year, the judges’ conflicting advice and what’s next. Q : The judges have been offering a lot of conflicting advice this season. Do you think that made it harder to show America what kind of artist you want to be? A : It’s difficult with the criticism this year, because it has been a little bit confusing, and therefore I would change things week to week, which can leave the audience kind of questioning who I am. I would say I’m a very different artist. I have a very different voice that’s not suited for a lot of different genres, but I really see myself doing more of a pop/folk mix. I definitely can see myself making an album soon. I would love to do that, if I get the chance to. I just want to give people the chance to hear something that’s fresh and new and different. There’s not a lot of voices like mine right now on the radio, so I kind of take pride in the fact that I’m a lot different. I’ve always been a little bit more unique and individual, and I try to embrace that, and I tried to show that in my performances. Hopefully people can get that, and hopefully they like it. I’m looking forward to writing some new music that fits my voice and that people really like. Q : What made you come back this year after making it so far last season? A : I’m one of those people that gets very competitive. [ Laughs. ] And I decided that it’s way too much of an experience to not try again, to try to get further. If I would have made it into the top 36 last year, I wouldn’t have been able to come back this year. So I’m really glad I got a second chance. I’m really glad I decided to come back, because I needed to work on a couple things and come back and get further in the competition. That wasn’t a hard decision at all, because everybody that’s involved in this show — all the contestants, all the relationships — everything about this has just been a blast for me. So I just decided, “I’m gonna do it twice!” [ Laughs. ] Q : Can you pinpoint your downfall in the competition? A : I would probably have to say energy. They kept asking for energy in my songs, and I kept trying to give it, and they kept saying it was a sleepy performance. They wanted to see a little bit more energy, because [I have] a happy and bubbly type of personality, and they just wanted to see that transferred into my music. The issue that I was having is, I really love to sing ballads. I love telling a story with a song. I love the emotion of the song. I’m very artsy, so that side of me comes out when I sing. I think I kept picking songs that I really loved to sing and really felt, and maybe it didn’t transfer as well onstage. Maybe that was it. But I wouldn’t have changed any of it, because that’s who I am. Even though I’m a bubbly, happy person, not every song that I sing is gonna be uptempo. Q : Did you get a chance to talk to the judges after the results show? A : All the judges came up afterwards. I think they genuinely care about the contestants. Sometimes it’s hard to hear their critiques, but they’re there to help you. It’s a fine line between taking what they say personally and taking what they say and applying it to fix yourself and work things out that you need to work out. When they came up afterwards, they had nothing but nice things to say, things like, “This is just another step into your career. You have great vocals. You’re very unique.” They’re just full of compliments, because they want to see us succeed. And they don’t want us to feel like all hope is lost, because it’s not. I’m in the top 12 right now, and even though I got voted off, this is not the end-all for me. This is a great opportunity to jump-start my career. I think that’s the point they were trying to make. Q : Who are some of your musical influences, and would you ever like to work with them? A : I have a lot of influences right now. One of my biggest influences is Patsy Cline. Unfortunately, I won’t be able to work with her. I learned a lot from her performances, like how to tell a story in a song to make you feel like you’ve fallen in love again or make you feel like your heart’s broken. She was a great performer. … Also, there’s new and upcoming people who I’ve been following for a couple years like Pete Yorn, who’s just an amazing musician and singer that has a great vibe, and not a whole lot of people know who he is yet, but I think he’s an upcoming huge deal. I have a lot of indie bands that I like, and I got a couple country bands that I really like right now. I’m finding influence from everywhere. Were you sad to see Lacey go? Will you follow her post-“Idol” career? Let us know in the comments below! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos Meet The ‘American Idol’ Top 12 ‘American Idol’ In 60 Seconds Related Photos ‘American Idol’ Season Nine Performances ‘American Idol’ Top 12 Party

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Lacey Brown Thinks Lack Of ‘Energy’ Led To ‘American Idol’ Exit

‘American Idol’ Gets A Boost From Tim Urban, Michael Lynche

Aaron Kelly and Andrew Garcia, however, get some tough words from the judges. By Gil Kaufman Tim Urban Photo: Fox The top eight men took the stage on “American Idol” on Wednesday (March 10), a night when the front-runners staked a claim for their spots in the top 12, and the weaker members of the herd punched their tickets home. When the dust settled, Michael Lynche emerged as the new one to beat with a performance so strong, it brought judge Kara DioGuardi to tears, and seeming also-ran Tim Urban possibly saved himself with his strongest performance to date. Lee Dewyze made it clear that he intends to hang around, coming out strong with a Dave Matthews-like acoustic ramble through Owl City’s “Fireflies.” It wasn’t always on key, but he made up for it with his infectious charm and barroom sandpaper drawl. Randy Jackson thought it was too soft a song for Lee’s voice, and a bit pitchy, but he liked how he made it his own, and Kara appreciated the confident vibe he brought to the tune. “There’s nothing to rave about after that,” said Simon Cowell, who didn’t feel his favorite male semifinalist had “a moment” but still displayed solid progress. As his star has steadily risen on the show, Alex Lambert nailed his song choice with Ray LaMontagne’s weary ballad “Trouble,” a tune that perfectly fit his dry-throated voice and sad-eyed, innocent demeanor. “The only thing standing in the way of you winning is you right now,” Kara said, praising his unique voice but counseling him to let it rip. Ellen busted out the ripening banana metaphor one more time and said Lambert is getting better and better every week, even as he maintains his innocence. Continuing with the inappropriate advice, Simon said Lambert needs to loosen up, perhaps by imagining Jackson in a bikini. With two weeks of bad news behind him, Tim Urban went for it by tackling Leonard Cohen’s iconic — and hard-to-sing — “Hallelujah.” Strumming an acoustic guitar, Urban didn’t try to reinvent the wheel but capably hung in there for his strongest effort to date. Ellen, feeling bad about slagging Urban every week, ran up onstage and hugged him as a kind of apology, and Simon patted himself on the back for giving Urban back his confidence, calling it Tim’s best performance to date. “You walked in some pretty big shoes, and I think you did a pretty good job, Tim,” Randy said, as Kara predicted he might have sung his way back from the brink with his honest, emotional take on the song. Needing to find his groove again, Andrew Garcia went back to the well for a cover of Christina Aguilera’s breakthrough hit, “Genie in a Bottle.” The Santana-like flamenco/soul take felt like another high point, with Garcia making the song his own. Kara, though, sensed he was fighting with the melody and straining too hard to recapture his “Straight Up” glory, saying, “It just wasn’t great.” It was a good idea, but too pitchy and not dynamic enough for Randy, though Ellen loved the song choice and wished the genie had come out of the bottle earlier. “It was a little bit desperate,” Simon said. Casey James went with Keith Urban’s “You’ll Think of Me,” a safe, straightforward acoustic country ballad that highlighted his soulful tone. That’s exactly what Randy thought, encouraging Casey to go edgier and more rock. For Simon, it was James’ second-best effort, one that made him seem sincere and sounded great, even if it was a bit forgettable. His former number-one fan, Kara said she was missing the spark, but was glad he wasn’t trying to be a phony rock star anymore. A singer seemingly on the bubble, Aaron Kelly, also chose a country tune — Lonestar’s “I’m Already There” — which started out pitchy and tentative and didn’t get much better as he rose from his stool and wiggled awkwardly back and forth, alternating between pure and off-key notes. The singing wasn’t great for Ellen, but she thought Aaron carried himself like a much older, more experienced singer than he is. “I love you, you come out on stage every week and you give it your all,” said Kara, who then pointed out that the song is about a man calling home to talk to his kids, which just doesn’t make any sense coming from a 16-year-old. Simon, however, totally disagreed, saying it was the right type of song for him and he had the right emotion, even if it wasn’t a great vocal. Todrick Hall’s philosophy? If you might go home, go big. His unexpected take on Queen’s “Somebody to Love” turned out to be a bold choice for the dancer, who turned the tune into a sanctified gospel showpiece. “Todrick is back!” Randy announced, calling it one of the best male vocals he’s heard in weeks. Cowell took it down a notch, dubbing the performance more fit for Broadway than an “Idol” recording artist while giving Hall props for performing and not just sitting on a stool and strumming a guitar. Then Big Mike Lynche brought down the house. He also switched it up, singing British icon Kate Bush’s classic ballad “This Woman’s Work,” evoking Maxwell with his silky, between-the-sheets R&B version. The praise was unanimous. Simon said it was the best performance of all the live shows so far, Ellen declared the personal trainer the new one to beat, and DioGuardi literally burst into tears at the emotion the new dad put into the tune. All a dumbfounded Randy could say was “Really?” Four more singers go home Thursday night as this year’s top 12 is revealed. What did you think of the men’s performances? Who killed it? Who blew it? Who is definitely making it to the top 12? Let us know by leaving your comments below. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘Lost Boys: The Tribe’: Exclusive Trailer And Details Related Photos ‘American Idol’ Season Nine Performances The ‘American Idol’ Season 9 Top 24

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‘American Idol’ Gets A Boost From Tim Urban, Michael Lynche

Justin Timberlake Says ‘Hallelujah’ Was A Perfect ‘Fit’ For Haiti Telethon

‘Hopefully there will continue to be a lot of different ways that everyone can help,’ he says after ‘Hope for Haiti Now.’ By Maura Johnston Justin Timberlake backstage at the “Hope for Haiti Now” telethon Photo: MTV News When Justin Timberlake was asked to perform on Friday night’s “Hope for Haiti Now” telethon, he didn’t hesitate to say yes — and he knew exactly what song he was going to perform. “Obviously, I was going to help answer phones and help make donations,” Timberlake told MTV News. “But as soon as I got that call, all of a sudden ..

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Justin Timberlake Says ‘Hallelujah’ Was A Perfect ‘Fit’ For Haiti Telethon

Gisele Bundchen Expecting a Boy … or a Girl!

While some “celebrities” like Kourtney Kardashian whore their unborn children out for headlines, others choose to keep their private lives to themselves. Gisele Bundchen is one of those people. The supermodel and Tom Brady aren’t ones to divulge pregnancy details – or even find them out personally! Rumors may be flying that she’s expecting a baby boy, but pregnant Gisele Bundchen says she doesn’t yet know the sex of her baby.

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Gisele Bundchen Expecting a Boy … or a Girl!

Project Runway: Ripped from the Headlines

Project Runway is all about vision and delusion. The vision to tell a boldface lie, the delusion that people will believe it. The vision of finally having a good episode, the delusion that we’ll not make fun of it

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Project Runway: Ripped from the Headlines