Tag Archives: fact

Wiz Khalifa And Snoop Dogg: An Unlikely Chemistry

‘It’s amazing the way two people are the same kind of people from two different generations,’ Snoop says of his younger collaborator. By Steven Roberts Snoop Dogg Photo: MTV News Wiz Khalifa and Snoop Dogg share a few uncanny similarities. Yes, they’re both tall and lanky and (allegedly) quite fond of marijuana, but they have even more in common. Their music and laid-back, positive personalities have a universal appeal that seems to transcend genre, gender, race and class. And Snoop can thank his eldest son for bridging the generation gap between the artists. When MTV News caught up with Snoop recently, he said he had his son to thank for introducing him to Wiz’s music.

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Wiz Khalifa And Snoop Dogg: An Unlikely Chemistry

Adele Calls 21’s U.S. Success ‘Magical’

British singer’s second album debuts at #1 on Billboard chart. By James Montgomery Adele Photo: MTV News On Wednesday (March 2), America fell in step with the rest of the record-buying world when it was announced that Adele’s jaw-dropping sophomore album, 21, would debut at #1 on the Billboard albums chart , selling nearly 352,000 copies and easily outpacing Justin Bieber for the top spot. Of course, a U.S. #1 was just the latest accomplishment for the 22-year-old Brit, who also saw the album top the charts in the U.K. (and most of Europe too), but as she told MTV News recently , she values Stateside success in a way we probably can’t begin to comprehend. “Oh, it’s magical being here. I didn’t think I’d ever release a record here,” she said. “It’s a big deal in England. There’s a massive thing, like, ‘Did you crack America?!?’ The biggest acts in England, no one has any idea who they are here. “For people to [buy my albums in the U.S.] is amazing,” she continued. “And America is so big, and there are so many … there’s, like, five other artists that do what I do, better than I do, and in England, there’s like two of you. So it’s so much harder to get your foot in the door, so when you do get your foot in the door here and want people to see you, it’s like, ‘What?’ ” A chart-topping bow here in the States is even more gratifying considering the fact that not only did Adele record most of 21 here, but she steeped her songs in a wide spectrum of American influences — everything from country and R&B to the lithe wordplay of rappers like Kanye West, Mos Def and Nas. Not to mention the fact that, unlike back home in the U.K., Adele is largely left alone by the pesky paparazzi. Though, given her recent success, we suspect all of that might change. “The tabloids really don’t care here. I got [photographed by the] paparazzi for the first time in New York this morning, and that’s never happened, not even when I was straight off the Grammys,” she laughed. “Whenever I’m in New York, I’m left alone. … It’s been very slow here so far.” Have you checked out Adele’s new album? Share your reviews in the comments! Related Artists Adele

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Adele Calls 21’s U.S. Success ‘Magical’

Adele Says Writing 21 ‘Broke My Heart’

British singer’s second album hit stores in the U.S. on Tuesday. By James Montgomery Adele Photo: MTV News Adele’s jaw-dropping sophomore album, 21, officially hit stores in the States on Tuesday (February 22), having already topped the charts in her native U.K. (and most of Europe too). And while it might seem odd for her to be so excited about another release — especially since 21 has been out for more than a month worldwide — the 22-year-old songstress isn’t hiding the fact that she’s anxiously awaiting her first-week numbers here in the U.S. To hear her tell it, she never thought she’d get the opportunity to sell albums here at all. “Oh, it’s magical being here. I didn’t think I’d ever release a record here,” she laughed. “It’s a big deal in England. There’s a massive thing, like, ‘Did you crack America?!?’ The biggest acts in England, no one has any idea who they are here. … I’m not a radio artist here, I’m not on pop stations really, I have these songs that go everywhere. So it really is people are proper behind me here, because I sell records; I don’t sell singles. And that doesn’t happen anywhere.” And her (presumed) Stateside triumph would be even sweeter considering, during the promotional run for her last album, the Grammy-winning 19, she steeped herself in all things American. And a lot of those influences — country, R&B, bluegrass, jazz, plus a few you might not suspect — are all readily apparent on 21. “I was a proper sponge when I did my big bulk of American touring. I was on a tour bus, so I was literally driving across America; I wasn’t getting on planes or anything like that. I’d be in Baltimore and hear this amazing, crazy hip-hop, and then be in Atlanta, and then in Texas, Nashville and end up in California. [And] I loved it,” she said. “And that rubbed off on this record. I don’t think I’ve made an Americana-sounding record, but certainly the delivery of a lot of the blues and country and rockabilly artists, and hip-hop. Like, I’m totally fascinated with the way Kanye and Nas and Mos Def manipulate a word to make it rhyme and to make it really fascinating when it’s actually pretty mundane. Analyzing normal things, but making them electric, that’s definitely rubbed off on my delivery and my writing, the way I connect with my songs and channel them.” And while she’s channeled her love of American music into her new album (and a mysterious hip-hop collaboration that she can’t mention “just in case it doesn’t happen”), what resonates most with fans on both sides of the Atlantic is the unflinching honesty she displays throughout. Songs like “Rolling in the Deep,” “Set Fire to the Rain” and the shattering “Someone Like You” are very much about the death of her first, as she put it, “real relationship,” and that heartbreak not only provides the backbone to the album, but has connected with her fans in a way even she couldn’t have predicted. “It broke my heart when I wrote this record, so the fact that people are taking it to their hearts is like the best way to recover. ‘Cause I’m still not fully recovered. It’s going to take me 10 years to recover, I think, from the way I feel about my last relationship,” she said. “It was the biggest deal in my entire life to date. … He made me totally hungry. … He was older, he was successful in his own right, whereas my boyfriends before were my age and not really doing much. And he got me interested in film and literature and food and wine and traveling and politics and history, and those were things I was never, ever interested in. I was interested in going clubbing and getting drunk.” And so if (or, more likely, when) 21 tops the Billboard albums chart, Adele will celebrate in her own way. She’s gone through the heartbreak, she’s grown up, and she carries with her a truly tremendous new album. Though someone will probably have to tell her when her album is #1. Even though she’s anxiously waiting for those first-week numbers, she’s actually stopped paying attention. “I disconnected my Internet,” she laughed. “I have no idea what’s going on!” Will you be picking up Adele’s latest? Let us know in the comments! Related Artists Adele

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Adele Says Writing 21 ‘Broke My Heart’

Video of the Day: A Playable Angry Birds Cake

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So, the fact that this was inevitable doesn’t make it any less awesome: it took Mike Cooper ten hours to make a playable Angry Birds cake — complete with a working catapult and different flavored birds — for his son Ben’s sixth birthday, and about two minutes for the both of them to destroy it. Broadcasting platform : YouTube Source : Flavorwire Discovery Date : 21/02/2011 18:00 Number of articles : 2

Video of the Day: A Playable Angry Birds Cake

‘American Idol’ Judges Show Jacee Badeaux Some ‘Mercy’

The 15-year-old ‘Idol’ hopeful flubbed lyrics after being tossed from group but pluck pushes him through. By Adam Graham Jacee Badeaux at “American Idol” Hollywood Week Photo: FOX Jacee Badeaux doesn’t have typical “American Idol” looks or style, but he’s fast becoming a favorite in season 10 of the competition. Badeaux, the portly 15-year-old viewers were first introduced to when he blew the judges away with his unexpectedly soulful take on Otis Redding’s “Sittin’ on the Dock of the Bay” during the New Orleans auditions, was the center of a whirlwind drama on Wednesday’s (February 16) episode. He bounced around looking to find his place during Hollywood Week’s notorious group round, and was tossed from his original foursome (with Clint Jun Gamboa, Monique de Los Santos and Frances Coontz) when floating country crooner Scotty McCreery joined their ranks. Of course, it was Jacee who’d first given the thumbs-up to allow McCreery to link up with them. Left without a group at 1 a.m. on the night before the big group auditions, a teary-eyed Badeaux sought the comfort of his parents. “It’s OK, baby,” his mother told him. “Either way, it just wasn’t meant to be.” Mom turned out to know best, and Badeaux quickly fell in with another group, led by fellow outcast Brett Loewenstern , the mop-topped, red-haired singer whose tales of being bullied have been well-documented this season. Despite the fact that he’d never heard Duffy’s “Mercy,” which the group had been rehearsing for hours, Badeaux joined them and began learning the song. But the rehearsal time wasn’t quite enough for Badeaux, who made no secret of the fact that he didn’t know the words when he hit the rehearsal stage. So to the tune of Duffy’s 2008 hit, a smiling Badeaux sang, “I don’t wanna go home, yeah yeah/ But this is really fun, yeah yeah/ But I’m gonna do this, ’cause I know that I won’t be going home … hopefully.” When asked by the judges why he didn’t know his parts, he told his story of being kicked out of his first group late the night before and began to well up with tears. As his fellow contestants in the audience rose to their feet and gave him a standing ovation, Randy Jackson noted, “Jacee, you got some fans out there, dude.” And despite flubbing the lyrics — usually a death knell at this point in the competition — the judges let him through to the next round. But that wasn’t it for Badeaux. Next up was the group that unceremoniously dismissed Jacee, and McCreery — who had essentially replaced him in the group — came clean to the judges’ panel and to his fellow contestants. “I just wanna go on the record and say, for me personally, I wanna apologize for not sticking up for [Badeaux],” he said. ” ‘Cause I love all of y’all, but Jacee’s the best kid in this competition.” After his mea culpa, McCreery and his fellow groupmates made it through as well. But now that Badeaux is building momentum, his biggest obstacle could be himself, and learning the pesky words to those songs. What do you think of Jacee Badeaux? Let us know in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10: Hollywood Week

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‘American Idol’ Judges Show Jacee Badeaux Some ‘Mercy’

Does Bonnaroo Lineup Stray Too Far From Roots With Eminem, Lil Wayne?

Festival splits the difference between new acts and old, in a nod to its future and past. By James Montgomery Eminem Photo: Kevin Mazur/EM/WireImage On Tuesday (February 15), organizers announced the lineup for the 2011 Bonnaroo festival , a bill featuring plenty of nods to the fest’s past (mainstays Widespread Panic, My Morning Jacket and the String Cheese Incident, to name a few), but also — most notably — two of the biggest hip-hop acts on the planet, Eminem and Lil Wayne. Browse photos of the 2011 Bonnaroo performers . And, sure, mainstream hip-hop headliners aren’t exactly new for the ‘Roo — Kanye West topped the bill in 2008, and Jay-Z did it last year — but the tandem of Em and Wayne marks a definite departure for the 10-year-old fest, one that members of its die-hard fanbase may have a hard time digesting, if only for the fact that it’s such a departure from the days of old. When West took the stage at 4:30 a.m. in ’08 (a scheduling snafu he blamed, in part, on Pearl Jam running late with their set), those die-hards howled that Bonnaroo had moved too far from its roots. That deafening din was only amplified by the fact that the festival also featured Metallica as a headliner . And while we don’t expect the same kind of outrage this year, we have to wonder if, by tapping the likes of Eminem and Wayne, Bonnaroo had forever alienated the fans who made the festival what it is today. The answer, it seems, is no. “I first went in 2004, and even then the ‘traditional’ fans were already saying it’s too commercial, it’s BS, and that was when the jam-band scene was huge,” Caine O’Rear, editor of American Songwriter magazine, said. “I think you’ll have some purists who will complain, but overall, people will be psyched about the lineup. … Jay-Z was one the most well-received acts last year, which I think was a surprise to most people. [Widespread] Panic is a flagship Bonnaroo band, plus String Cheese Incident, My Morning Jacket … it appeals to this core demo. [Organizers] definitely consider the festival’s roots.” “I think, as a fan, I’m excited by this year’s lineup,” Josh Baron, editor of Relix magazine, added. “Once again, they’ve delivered a pretty unique lineup of programming. You’re not going to find these same acts together at any other festival in this country, if not the world, and that’s something [Bonnaroo organizers] always strive to do. And in this 10th year, they’re hyper-conscious of honoring their roots with a band like Widespread Panic, but also pushing the envelope with acts like Eminem and Wayne. … I don’t think this lineup is going to lose any more fans than they have past years; this isn’t the year that Bonnaroo jumped the shark. People who had that problem probably left the festival years ago.” And perhaps that’s always going to be the catch-22 as far as Bonnaroo is concerned: It is such a beloved institution — one that started in 2002 as a way of showcasing so-called jam bands and the flourishing community that surrounded them — that die-hards are always going to complain about the lineup. It’s sort of an annual tradition. And as organizers push the festival into its second decade, they’re always going to have to weigh the will of their original fans with the ever-evolving tastes of new audiences. “There’s no question [organizers] consider the festival’s history when they put together the lineups. You’re always going to see those core types of bands — Phish, Dave Matthews, Panic, the Dead. … They unequivocally know those are the fans that made the festival. They travel considerable distances to make the Bonnaroo experience what it is,” Baron said. “But part of what makes a festival is that it allows people to see music they normally wouldn’t. I wouldn’t buy a Lil Wayne ticket, but I’m excited to see him in concert, and Eminem is an undeniable performer. And as much as there’s a backlash to a band like Metallica, if you were there, it certainly wasn’t as if it was empty. There were tens of thousands of people watching Metallica.” “Clearly they’re hitting the big demos this year — hip hop, big indie, a lot of the big Americana acts — because I think a lot of people who go to these festivals have eclectic tastes,” O’Rear said. “And I think Bonnaroo is better for it.” What do you think of this year’s Bonnaroo lineup? Let us know in the comments! Related Photos Bonnaroo 2011 Lineup Related Artists Lil Wayne Eminem

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Does Bonnaroo Lineup Stray Too Far From Roots With Eminem, Lil Wayne?

Does Bonnaroo Lineup Stray Too Far From Roots With Eminem, Lil Wayne?

Festival splits the difference between new acts and old, in a nod to its future and past. By James Montgomery Eminem Photo: Kevin Mazur/EM/WireImage On Tuesday (February 15), organizers announced the lineup for the 2011 Bonnaroo festival , a bill featuring plenty of nods to the fest’s past (mainstays Widespread Panic, My Morning Jacket and the String Cheese Incident, to name a few), but also — most notably — two of the biggest hip-hop acts on the planet, Eminem and Lil Wayne. Browse photos of the 2011 Bonnaroo performers . And, sure, mainstream hip-hop headliners aren’t exactly new for the ‘Roo — Kanye West topped the bill in 2008, and Jay-Z did it last year — but the tandem of Em and Wayne marks a definite departure for the 10-year-old fest, one that members of its die-hard fanbase may have a hard time digesting, if only for the fact that it’s such a departure from the days of old. When West took the stage at 4:30 a.m. in ’08 (a scheduling snafu he blamed, in part, on Pearl Jam running late with their set), those die-hards howled that Bonnaroo had moved too far from its roots. That deafening din was only amplified by the fact that the festival also featured Metallica as a headliner . And while we don’t expect the same kind of outrage this year, we have to wonder if, by tapping the likes of Eminem and Wayne, Bonnaroo had forever alienated the fans who made the festival what it is today. The answer, it seems, is no. “I first went in 2004, and even then the ‘traditional’ fans were already saying it’s too commercial, it’s BS, and that was when the jam-band scene was huge,” Caine O’Rear, editor of American Songwriter magazine, said. “I think you’ll have some purists who will complain, but overall, people will be psyched about the lineup. … Jay-Z was one the most well-received acts last year, which I think was a surprise to most people. [Widespread] Panic is a flagship Bonnaroo band, plus String Cheese Incident, My Morning Jacket … it appeals to this core demo. [Organizers] definitely consider the festival’s roots.” “I think, as a fan, I’m excited by this year’s lineup,” Josh Baron, editor of Relix magazine, added. “Once again, they’ve delivered a pretty unique lineup of programming. You’re not going to find these same acts together at any other festival in this country, if not the world, and that’s something [Bonnaroo organizers] always strive to do. And in this 10th year, they’re hyper-conscious of honoring their roots with a band like Widespread Panic, but also pushing the envelope with acts like Eminem and Wayne. … I don’t think this lineup is going to lose any more fans than they have past years; this isn’t the year that Bonnaroo jumped the shark. People who had that problem probably left the festival years ago.” And perhaps that’s always going to be the catch-22 as far as Bonnaroo is concerned: It is such a beloved institution — one that started in 2002 as a way of showcasing so-called jam bands and the flourishing community that surrounded them — that die-hards are always going to complain about the lineup. It’s sort of an annual tradition. And as organizers push the festival into its second decade, they’re always going to have to weigh the will of their original fans with the ever-evolving tastes of new audiences. “There’s no question [organizers] consider the festival’s history when they put together the lineups. You’re always going to see those core types of bands — Phish, Dave Matthews, Panic, the Dead. … They unequivocally know those are the fans that made the festival. They travel considerable distances to make the Bonnaroo experience what it is,” Baron said. “But part of what makes a festival is that it allows people to see music they normally wouldn’t. I wouldn’t buy a Lil Wayne ticket, but I’m excited to see him in concert, and Eminem is an undeniable performer. And as much as there’s a backlash to a band like Metallica, if you were there, it certainly wasn’t as if it was empty. There were tens of thousands of people watching Metallica.” “Clearly they’re hitting the big demos this year — hip hop, big indie, a lot of the big Americana acts — because I think a lot of people who go to these festivals have eclectic tastes,” O’Rear said. “And I think Bonnaroo is better for it.” What do you think of this year’s Bonnaroo lineup? Let us know in the comments! Related Photos Bonnaroo 2011 Lineup Related Artists Lil Wayne Eminem

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Does Bonnaroo Lineup Stray Too Far From Roots With Eminem, Lil Wayne?

First Look: Ricoh CX5 Digital Point And Shoot Camera (video)

http://www.youtube.com/v/fcayqQKRC2w

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Ricoh’s CX5 shooter boasts a 10 megapixel sensor, 10x optical zoom and a 3-inch 920k LCD screen. Out of the box I noticed just how light the camera is, despite the fact that it isn’t the slimmest of point and shoots available on the market today. It can capture 720p HD video and has a Broadcasting platform : YouTube Source : Gadget Review Discovery Date : 11/02/2011 00:19 Number of articles : 2

First Look: Ricoh CX5 Digital Point And Shoot Camera (video)

Selena Gomez Sluts Out in a Tight Dress of the Day

I don’t know why Selena Gomez did a costume change at the Justin Bieber event she was at, but I can assume it has to do with the fact that she’s took Bieber’s cherry, and for some reason hasn’t been charged with statuatory rape, and is not considered a sex offender, even if she should be, and I think that’s gotta do with the fact that Usher and Kanye West beat her to it…I mean two black dudes ass raping a kid raises a lot more red flags than a recently turned 18 year old pedophile…not that it matters…cuz she’s wearing a fucking tight dress and really… Ariana Grande is some 17 year old Disney style teen starlet, who realizes that she’s got 5 months left before no one gives a fuck about her, so she’s gotta get the scandals out there fast, something I endorse…cuz this teenage slutting bullshit may be obvious, but never boring…I don’t find this hot, I just think its on the right path… I guess what I’ve learned today is that Justin Bieber concerts and events are highly erotic for perverts who like underage girls in low cut outfits…as someone from Canada, where 16 is legal, I don’t get excited about slutty average at best looking girls, but I get it…people want what they can’t have…so being under 18 instantly makes these bitches appealing…while I prefer girls who actually know how to get down…but I guess this isn’t about me…it’s about the leqders of tomorrow…Enjoy.

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Selena Gomez Sluts Out in a Tight Dress of the Day

Chris Farley Resurrected For Stage

Less than two years after Chris Farley was tastelessly summoned from the grave for a DirecTV commercial , the late actor is again being resurrected. Sorta. Alan Pagano and Carlo Rivieccio are recalling Farley for a private industry reading of their story The Fatman Cometh , about the last 18 months of the star’s life. Their project is set entirely in Farley’s Saturday Night Live dressing room and will premiere on Feb. 28 in New York City. [ Playbill ]

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Chris Farley Resurrected For Stage