Dance music superstar’s new (RED) campaign includes a special live-stream event on World AIDS Day. By Akshay Bhansali Tiesto performs at the 2011 Electric Daisy Festival Photo: C Flanigan/Getty Images
If you thought Japanese animation was all horny teens and laser guns and rocketships, prepare to have your mind blown by a tragic tale of wartime and lost youth ( Grave of the Fireflies ). And if you thought French star Alain Delon was known only for his work for art-house directors like Luchino Visconti and Jean-Pierre Melville (and for appearing on the cover of The Smiths’ The Queen is Dead album), get ready to watch him buckle his swash ( Zorro ). HIGH: Grave of the Fireflies (Section 23; $19.98 DVD, $29.98 DVD) WHO’S RESPONSIBLE: Written and directed by Isao Takahata, based on the novel by Akiyuki Nosaka. WHAT’S IT ALL ABOUT: Teenage Seita and his young sister Setsuko are on their own after their mother dies in the firebombing of Tokyo in the waning days of World War II. There’s never a good time for children to be separated from their loving parents, but there are few junctures of history worse than being in Japan in the final months of that bloody conflict. The two do what they can to survive, but hopelessness is hard to overcome. WHY IT’S SCHMANCY: My friends in the cartoon biz love to say “Animation is not a genre,” so even though this is an animated movie, and one about kids no less, Grave of the Fireflies is an intensely moving (and often disturbing) film that’s definitely not for the youngest of viewers. Director Takahata doesn’t have the PR in the Western world of his Studio Ghibli partner Hayao Miyazaki ( Spirited Away , My Neighbor Totoro ), but he’s made two movies (this one and Pom Poko ) that leave me a sobbing wreck every time. Fireflies deserves to be mentioned in the same breath with other antiwar classics like Forbidden Games and Spirit of the Beehive , both of which are also told from young people’s perspectives. WHY YOU SHOULD BUY IT (AGAIN): It’s a gorgeous piece of work, even when the misery portrayed is hard to watch, so the fact that the film is finally getting a Blu-Ray release in the U.S. is exciting news. This version also features a new English-language dub, as well as storyboards for the film (and for some deleted scenes), along with the Japanese theatrical trailer. LOW: Zorro (Somerville House; DVD $19.98, Blu-Ray $24.98) WHO’S RESPONSIBLE: Written by Giorgio Arlorio; directed by Duccio Tessari; starring Alain Delon, Ottavia Piccolo, Stanley Baker, Moustache. (Yes, Moustache.) WHAT’S IT ALL ABOUT: Nobleman Don Diego de la Vega (Delon) masquerades as his dead friend and fills in as the governor of an embattled province so that by night, as masked swordsman Zorro, he can engineer the overthrow of the despicable Colonel Huerta (Baker) and his troops. Zorro fights on behalf of the oppressed peasants with the help of Brother Francisco (Giampiero Albertini) and the beautiful Hortensia (Piccolo). WHY IT’S FUN: The character of Zorro dates all the way back to the pulp magazines of the early 20th century, and he’s been a reliable standard of film and TV, portrayed by everyone from Douglas Fairbanks to Antonio Banderas. (And I will admit a soft spot for George Hamilton’s hilariously spoofy turn in Zorro, the Gay Blade .) If you’re a fan of spaghetti Westerns — those wonderfully grimy and wildly entertaining horse operas that inspired Quentin Tarantino’s upcoming Django Unchained — you’ll enjoy watching Italian day players pretending to be South American peasants. Delon puts a fun spin on the material, and director Tessari (most known for his contributions to the screenplay of A Fistful of Dollars ) keeps thing exhilarating and exciting. This was my first Zorro movie as a child — it played theatrically in 1976 and then seemed to air perpetually on television soon thereafter — and it imprinted on me for life. (As did the catchy theme song, which will never, ever leave your head after you hear it.) WHY YOU SHOULD BUY IT (AGAIN): This Blu-Ray debut offers up a few extras, including trailers and radio spots, biographies of Delon and Tessari, and side-by-side comparisons that demonstrate how much better the digital restoration makes this zippy Euro-adventure look. READ MORE HIGH & LOW ON DVD! Alonso Duralde has written about film for The Wrap, Salon and MSNBC.com. He also co-hosts the Linoleum Knife podcast and regularly appears on What the Flick?! (The Young Turks Network). He is a senior programmer for the Outfest Film Festival in Los Angeles and a pre-screener for the Sundance Film Festival. He also the author of two books: Have Yourself a Movie Little Christmas (Limelight Editions) and 101 Must-See Movies for Gay Men (Advocate Books). Follow Alonso Duralde on Twitter . Follow Movieline on Twitter .
Even Jean-Luc Godard , the bad boy of the French New Wave, loved a good car crash. And Mel Brooks loves sitting down with an erudite interviewer just as much as he loves a good fart joke. Together these auteurs climb the peaks and plumb the depths of this week’s High and Low with new DVD releases that belong on the shelf of any film lover who enjoys a good Marxist dialectic leavened with the occasional showtune-singing Nazi. HIGH: Weekend (The Criterion Collection; $29.95 DVD, $39.95 Blu-Ray) WHO’S RESPONSIBLE: Written and directed by Jean-Luc Godard. Starring Mireille Darc, Jean Yanne, Juliet Berto. WHAT’S IT ALL ABOUT: A fairly despicable bourgeois couple (Darc and Yanne), who are both cheating on and planning to kill each other, travel to the country to attempt to get money from the wife’s dying father, even if that involves patricide. They get stuck in a mammoth traffic jam and auto accident that appears to run the entire length of France. The further along they travel, the closer they seem to get to the end of civilization itself. WHY IT’S SCHMANCY: A brutal satire on capitalism that tests its audiences with repeated musical cues and a lengthy static shot of workmen eating sandwiches while the narrator goes off on a lengthy tangent about colonialism — the “I Am John Galt” speech for the far left — Weekend is one of Godard’s most daring and entertaining movies, with the always-provocative auteur throwing everything at the screen. (The film’s final title card declares “ fin du cinema .”) WHY YOU SHOULD BUY IT (AGAIN): Besides marking the film’s Blu-Ray debut, this Criterion release features a thicker-than-usual booklet with color artwork, an essay by Gary Indiana and excerpts from a 1969 Rolling Stone interview with Godard. There are also archival interviews with cast and crew members, excerpts from a French TV show about Godard that was filmed partially on the Weekend set by filmmaker Philippe Garrel, and other goodies. LOW: The Incredible Mel Brooks (Shout Factory; DVD/CD $89.93) WHO’S RESPONSIBLE: This five-DVD, one-CD collection features some of the many highlights of Mel Brooks’ career in film, television and recordings. WHAT’S IT ALL ABOUT: This is one-stop shopping for fans of Melvin Kaminsky (Brooks’s given name). The set includes a five-part documentary about his filmmaking career ( Mel and His Movies ), interviews (vintage and contemporary) with Dick Cavett, hilarious appearances on The Tonight Show and Mad About You , episodes of programs he created ( Get Smart and When Things Were Rotten ), and much, much more. WHY IT’S FUN: This compilation makes it into “Low” only because Brooks himself famously noted that his work “rises beneath vulgarity.” But while he’s always been a rule-breaker — has anyone dared to satirize racism as sharply and hilariously as Brooks did in Blazing Saddles ? — his comic genius has made him an icon of 20th-century popular culture. WHY YOU SHOULD OWN IT: Like Shout Factory’s recent box set of Steve Martin’s television work, this is a meticulously curated collection of an extraordinary artist. (Where else are you going to find a 60 Minutes segment on the same DVD collection as sketches from The Electric Company and vintage Mad Men –era TV spots directed by Brooks before he took his vision to the big screen?) In addition to all the digital treats, there are also essays by Leonard Maltin, Gene Wilder and Bruce Jay Friedman. Here’s as good a glimpse into the wonderfully warped mind of a director-writer-actor-producer-songwriter as you’re probably ever going to find. Alonso Duralde has written about film for The Wrap, Salon and MSNBC.com . He also co-hosts the Linoleum Knife podcast and regularly appears on What the Flick?! (The Young Turks Network) . He is a senior programmer for the Outfest Film Festival in Los Angeles and a pre-screener for the Sundance Film Festival. He also the author of two books: Have Yourself a Movie Little Christmas (Limelight Editions) and 101 Must-See Movies for Gay Men (Advocate Books). Follow Alonso Duralde on Twitter. Follow Movieline on Twitter.
James Marsden is not a Barry Manilow fan, no matter what you may have read in his IMDb.com bio. In an interview with The Hollywood Reporter , the Bachelorette actor explains that he’s the victim of “a famous actor friend of mine” who “likes to go into other people’s bios and add things.” Marsden won’t identify the guy, but apparently, the wiseacre managed to get the usually reliable IMDb to embellish the Enchanted actor’s bio with the erroneous tidbit that Marsden was a big fan of the “Copacabana” crooner. As a result, Marsden has had to field frequent questions on the subject, most recently when Access Hollywood ‘s Billy Bush asked him about Manilow at the Napa Valley Film Festival on Nov. 9. A spokesperson for IMDb told THR that information submitted to the site “goes through a series of consistency checks before it goes live,” but that given “the sheer volume of the information, occasional mistakes are inevitable, and, when reported, they are promptly fixed.” The Manilow reference does appear to have been removed from IMDb, but why do I feel like it’s only a matter of time before the bio bandit strikes again. [ The Hollywood Reporter ] Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.
The 23rd James Bond film lived up to its lofty hopes at the box office, continuing its stellar run Stateside after scoring hundreds of millions overseas including the U.K. where it opened theatrically late last month. The third 007 feature starring Daniel Craig grossed $87.8 million plus $2.2 million from Thursday night IMAX screenings. Skyfall ‘s total pushed the box office’s top 10 to over $159.1 million. Wreck-It Ralph placed second after debuting atop the box office last weekend. Steven Spielberg ‘s anticipated Lincoln , meanwhile opened in limited release at just 11 theaters with a stunning $81,800 per screen average. It should easily be in the upper echelon if not the top grossing film next week when it goes wide. 1. Skyfall Gross: $87.8 million (Cume: $90 million) Screens: 3,505 (PSA: $25,050) Week: 1 Skyfall stole the box office over the weekend with the highest grossing Bond opening in the franchise’s fifty year history. Quantam of Solace opened with $67.5 million which was the previous record. The latest film’s was also double Casino Royale ‘s $40.8 million debut which was the current 007, Daniel Craig’s, first turn as the dashing British operative. In addition to this weekend’s $90 million take, it has grossed $428.6 million worldwide. 2. Wreck-It Ralph Gross: $33,056,000 (Cume: $93,690,000) Screens: 3,752 (PSA: $8,810) Week: 2 (Change: – 32.6%) The pic dropped one spot in its second weekend, remaining in the same number of theaters in its second round. Last weekend it debuted with a $13,070 screen average. With momentum going its way, a $200 million gross is not out of the question. 3. Flight Gross: 15.1 million (Cume: $47,770,299) Screens: 2,047 (PSA: $7,377) Week: 2 (Change: – 39.4%) The film, which debuted at the New York Film Festival last month dropped almost 40% added 163 theaters in its second weekend and remained third in the overall box office chart. Flight ‘s total compares to star Denzel Washington’s $41.9 million total for the 2010 thriller Unstoppable at this point in its release. That film ended up at $81 million. 4. Argo Gross: $6,745,000 (Cume: $85,710,958) Screens: 2,763 (PSA: $2,441) Week: 5 (Change: – 33.9%) The Ben Affleck-directed film held solid in its first month with only incremental declines week to week. This time, it had its most sizable drop. Still, it has held on and in 11 less theaters than last week and it dropped one spot. 5. Taken 2 Gross: $4 million (Cume: $131.2 million) Screens: 2,487 (PSA: $1,608) Week: 6 (Change: – 32.4%) The feature topped the box office in its early October debut, but then skidded heavily in its second weekend. Since then it dropped less severely though its sixth weekend drop at nearly 33% compares to the previous weekend’s 23% decline. Still, the film placed fifth as did last week with 152 less locations. 6. Here Comes the Boom Gross: $2.55 million (Cume: $39,061,095) Screens: 2,044 (PSA: $1,248) Week: 5 (Change: – 27.7%) The pic dropped 270 screens from the previous weekend, though its nearly 28% drop shows the movie is holding solidly going into its second month in release. 7. Cloud Atlas Gross: $2,525,000 (Cume: $22,711,706) Screens: 2,023 (PSA: $1,248) Week: 3 (Change: – 53.1%) The film debuted with a $9.6 million gross, but fell 44% in its second weekend and a much steeper 53% drop in the third. Its reported $100 million production budget will be a huge loss for sources that invested in this ‘independently produced’ feature, which will struggle to top out at $30 million. 8. Pitch Perfect Gross: $2,503,800 (Cume: $59,030,443) Screens: 1,391 (PSA: $1,800) Week: 7 (Change: – 18.3%) The film’s $17 million budget has been more than tripled in the box office. Pitch Perfect dropped only 18.3% after dropping 111 locations from the previous weekend. 9. The Man With The Iron Fists Gross: $2,489,760 (Cume: $12,718,085) Screens: 1,872 (PSA: $1,330) Week: 2 (Change: – 68.5%) Ouch, the title added four locations but dropped a stunning 68.5% and dropped five spots from its opening. Still the pic’s $15 million budget should handily be made up, minus P&A. 10 Hotel Transylvania Gross: $2,350,000 (Cume: $140.9 million) Screens: 2,566 (PSA: $916) Week: 7 (Change: – 46.7%) The animated pic lost 356 theaters vs last weekend. Worldwide, the feature has grossed over $270.4 million. Not bad for an $85 million budget. It has been losing momentum, but it may cross $150 million before all is said and done. [ Sources: Rentrak, Box Office Mojo ]
Actor Daniel Day-Lewis was reticent playing U.S. President Abraham Lincoln in the now much anticipated film that opens this weekend beginning in limited release and heads out wide the following week. But after a long build-up before actually taking on the 16th U.S. leader, he reflected that he now feels “nourished” by the role and hopes Lincoln will “stay with him forever.” Both Day-Lewis and director Steven Spielberg made their only joint television appearance on ABC, which airs Friday evening on World News with Diane Sawyer and Nightline . “This seemed like such an important thing,” said U.K.-born Day-Lewis. “The last thing I wanted to do was to desiccate the memory of the most dearly loved president of this country.” Day-Lewis said that he became familiar with Lincoln while studying up on the Civil War and Spielberg recalled going to Washington, D.C. as a youth. “I think it might have been from the cards that you got with bubble gum,” Day-Lewis said. “That was a huge currency at the school where I was and there was a big series on the Civil War. … We were constantly swapping cards back and forth to try to get the completed set.” Added Spielberg: “All I saw was a giant. I never forgot that experience. … I felt he was looking directly at me.” Spielberg added that the found the idea of making Lincoln daunting, but said that Doris Kerns-Goodwin’s Team of Rivals shed light on a part of the President he had hoped to discover. “He was awkward to look at. His voice didn’t fit his stature, and he would just disarm a room with just a crazy story that had no relevance to the issue of why they were in the room to begin with,” he said. “There were so many odd, strange things about Abraham Lincoln that I think nobody knew how to pigeonhole him.” Spielberg said he had considered fully chronicling Lincoln’s life, but decided to narrow this portrait of him to the period when he struggled to pass the 13th Amendment to the U.S. Constitution which formally abolished slavery. “We didn’t have the real estate to really give an accurate Lincoln portrait,” he told ABC News. “It would have been like a greatest-hits album. You know, all those moments you read about in class — two minutes for that, five minutes for the Gettysburg Address, let’s do a little montage of the debates. I realized we had to take a position, our position, and get on with it. … I will certainly carry this with me.” Tommy Lee Jones Clip in Lincoln follows: Official Log-line: Steven Spielberg directs two-time Academy Award® winner Daniel Day-Lewis in “Lincoln,” a revealing drama that focuses on the 16th President’s tumultuous final months in office. In a nation divided by war and the strong winds of change, Lincoln pursues a course of action designed to end the war, unite the country and abolish slavery. With the moral courage and fierce determination to succeed, his choices during this critical moment will change the fate of generations to come. Watch the video on YouTube [Source: ABC News ]
As far as underdog success stories go, no film this year holds a candle to the crazy true resurrection of the obscure Florida-set 1987 rock ‘n’ roll martial arts pic Miami Connection . A totally ’80s actioner shot independently by Korean-born Tae Kwon Do expert and future Grandmaster Y.K. Kim, the film tanked so hard upon initial release (in just eight theaters in Central Florida) that it sat languishing in obscurity for decades… until the maverick visionaries at Drafthouse Films discovered the gloriously cheesy and infectiously sincere tale, about five orphaned Tae Kwon Do black belts who face off against biker ninjas while moonlighting as a synth rock band . Thanks to Drafthouse Films, the upstart distribution arm of the Drafthouse Cinema specializing in a kind of bold, genre-leaning fare that has so far yielded one Oscar-nominee ( Bullhead ) and another Oscar hopeful (Korea’s 2012 contender Pieta , by Kim Ki-Duk) in just two years of existence, contemporary audiences can share the unbridled joy that emanates from Miami Connection ‘s unique combination of martial arts action, ’80s rock, and genuinely sweet message of friendship (forever). Miami Connection has everything: Evil biker ninjas, “stupid cocaine,” catchy songs with titles like “Friends Forever,” a touch of romance, a lot of bromance, and, at the center of it all, one Y.K. Kim. A cross between Jackie Chan and Bruce Lee, Kim plays Mark, a college student who lives, plays rock and roll, and trains in Tae Kwon Do with his four best friends John (Vincent Hirsch), Jack (Joseph Diamand), Jim (Maurice Smith), and Tom (Angelo Janotti). When Jane (Kathy Collier) joins their band Dragon Sound, her seedy brother and his evil ninja-gangster pal set out to destroy them. Awesomeness ensues! The Korean-born Kim wrote, co-directed, and starred in Miami Connection , which began as an action movie pitch from a director who’d seen Kim promoting his martial arts philosophies on Korean TV. Kim knew nothing of filmmaking, but he seized the opportunity, recruiting some of his own Tae Kwon Do students to star alongside him. It wasn’t the smartest financial venture, to say the least. Kim, still a force of nature who now runs a martial arts school, tours as a motivational speaker, and developed a five-step program for success, has no regrets about the indie bomb that ended his filmmaking career before it even had a chance to take off. “All my friends and community leaders and media came up to me and said, ‘Don’t try to make a movie – you are a martial arts expert, you are not a movie maker,'” he remembered when we met to chat in Austin at Fantastic Fest , where Miami Connection played to a raucous crowd. “So many people in Central Florida tried and not one person finished a movie, and that means you were asking for bankruptcy. But all my students were excited; with martial arts spirit you don’t just give up. So I started.” Long hours, not enough money, and crew shortfalls threatened to derail the production; Kim stepped into multiple roles behind the scenes and went without sleep. “You name it, I did casting, cleaning up, catering, dialogue, location scout,” he said. “Five nights I didn’t sleep, just five or ten minutes here in the daytime, like a cat.” Through the blood, sweat, and tears, Kim and Co. thought they were making a hit movie, until everyone in Hollywood passed after watching the film. “I went to Hollywood, showed it to Warner Bros., Paramount, Universal, you name it – over 100 distribution companies, and every single person said, “This is trash! Don’t even try. You will waste more money and it’s not going to work,'” said Kim. After taking Miami Connection to Cannes, Kim and actor Joe Diamand sat down to rewrite the film, adding in elements of Kim’s Tae Kwon Do martial arts philosophy. The new version opened theatrically in eight theaters in Florida, but poor word of mouth effectively killed the film upon arrival. “One guy was a very popular movie critic in the newspaper – I still have his review – and he wrote: ‘Worst Movie Of The Year – don’t go watch!'” Kim said. “People listened to him and in weeks, it was dead. I lost all the movie, dead. The name Y.K. Kim was trash. But I started a new life. I built it up right away. I’m a fighter.” Diamond and his fellow martial arts students/actors were, he says, “devastated” by the failure. “It was as if all the air had been kicked out of our guts,” said Diamand. “We were horrified; we just couldn’t believe it. We had a lot more hope.” “We were just so numb after putting all the energy into it and getting no recognition for it that it was one of those memories we wanted to forget about,” he continued. “On the one hand it was viewed as pure inept campiness originally, and now it’s being viewed as more real and sincere – we were martial artists going out there pretending to be actors, rather than actors pretending to be martial artists.” The re-embracing of Miami Connection by contemporary audiences has heartened Kim, Diamand, and the rest of Dragon Sound, who reunited at Fantastic Fest to play all two of their original Miami Connection rock songs. “You can’t fake this stuff,” Diamond said. “We really did feel this way about each other because we were all martial arts students practicing together. People originally thought we were trying to be actors but really it’s about being martial artists and getting that message across about friendship and a true indomitable spirit. This is how we lived; this is what we believed in. And this is what we wanted to show.” Before joining Grandmaster Kim and Diamand in cementing our newfound eternal friendship in song in a karaoke room at Austin’s Highball (we sang Queen’s “You’re My Best Friend,” in case you were wondering), Grandmaster shared with me five lessons from the philosophy that life, martial arts, and now Miami Connection have taught him. Hit the jump for Grandmaster Y.K. Kim’s life lessons (and the real story of how all those biker boobs popped up in Miami Connection …
It appears that Selena Gomez is dipping into another Mickey-less role, solidifying her catapult into adulthood. Gomez is starring with Ethan Hawke in a film titled Getaway . A photo hit the internet today with the hoodied (with baseball cap) former child-star in the front seat of a vehicle with Hawke in the pic. Also starring Jon Voight (that’s an interesting one!), Paul Freeman and Bruce Payne, the film is an Action-Crime feature that is set for release next August. OnTheFlix said it is “about a retired race car driver who tries to track down his kidnapped wife with the help of a younger female computer hacker.” Gomez mentioned that she’s filming the pic in Bulgaria. Speaking about another film she recently completed, Spring Breakers , at the Toronto International Film Festival in September, Gomez said she is eager to move on to more mature roles. When my series ended, I was invited to do a couple of films,” said the former Wizards of Waverly Place star in Toronto . “I thought the independent film route would be best for me…The biggest challenge is that I have a younger generation of fans who follow my music, shows and clothing line.” Continuing about her fans she added: “Everything I do is for them and this may not be so accessible to them. But the other side is that people put you in a box and it is a challenge for me because some may not take me seriously because of the brand I have – that I’m fortunate to have – but it’s also about doing things that I just want to do for me.” Starring James Franco and Vanessa Hudgens, that Harmony Korine-directed Spring Breakers revolves around several college girls who get arrested after robbing a restaurant in order to fund their spring break vacation. But, they’re bailed out by a drug and arms dealer who wants them to do some dirty work. [ Sources: The Playlist , OntheFlix ]
Bérénice Marlohe moves through Skyfall with the beauty and grace of a panther, and there’s a reason for that. In an interview with Movieline , the 33-year-old French-Chinese-Cambodian actress, who plays the femme fatale Sévérine in Skyfall , says she based her character, in part, on a mythical creature that was part-snake, part-dragon and part-jungle cat. Figuratively speaking, of course. Like all actresses who share screen and bedroom time with 007, Marlohe is beautiful in an exotic and ethereal way, but, as the conversation below suggests, she would rather be celebrated for playing a bad girl than a Bond Girl . Movieline: What is the essence and significance of being a Bond Girl for you? Marlohe: Honestly, I never took into consideration this title ‘Bond Girl’ while creating my character, because, it’s a beautiful title, but it’s so abstract. You can’t start there. When I think Bond girl, I see women in bathing suits. That is not enough. Also, I was so focused on creating a real human being — but on a surreal level — that I totally forgot about the Bond Girl stuff. Perhaps five years from now, when I see the movie again, I’ll think, Ah, yes, I am in the Bond movie, so I am a a Bond girl . But it was very far from me when I making the movie. You’ve said that your performance as Sévérine in Skyfall was inspired by music. What was on your playlist? Because I did a lot of piano from 10 to 18 years old, I feel a strong connection with music, whether it is classical, like Mozart’s Requiem , or rock or pop. It’s so powerful. You connect directly with the whole universe. So, I listen to music a lot on sets because, it puts me right away into a mood and world that the scene requires. For this movie, I used a lot of the music from 300 because it gave me that feeling of power and animal strength. I listened a lot to Shirley Bassey, who I discovered on YouTube while I was researching the part. She’s so powerful and glamorous, and there is a lot of light in her being and her voice. Grace Jones, too. What a voice. I feel connected to these women, and this gives me some quality of being present and full of strength. I used a lot of heavy metal stuff, too — Rage Against the Machine, which I love. You’re listening to this music while you’re rehearsing? Yeah, while building the character and most of all on set to stay focused and stay in my imaginary sphere. Right before a scene, music inspires me and enables me to hit certain feelings, emotions. You’ve also said that you took some inspiration from the mythical creature the Chimera, which also happens to be the name of the yacht on which you and James Bond travel to meet Silva. Yes. Actually, I didn’t know what a Chimera was until I read the script. I found this word, and I was curious. I looked it up on the Internet, and I saw the pictures of this mythical animal with three heads. For me, it was a great starting point because it is part-dragon, part-snake and part-panther. It’s not part-panther actually, but that’s how I imagined it, and it helped me connect with my instinct, my animality. Sévérine is complex. She does have a panther-like sexiness. She has snaky qualities, too, and yet, she’s also very fearful. You do an impressive job of communicating all of these qualities and emotions in a fairly short time. Is that from channeling the Chimera? Absolutely. PHOTO GALLERY: Meet ‘Skyfall’ Siren Bérénice Marlohe, Your New Bond Girl Where does the fear come from? The fear. Ahhh. (Laughs) Well, I had to…just go very far in my imagination and connect to my inside world. It’s a whole mix of so much stuff. What’s next for you? I’m very excited because I have two independent movies, English-American collaborations. The first one is called Spitfire. My big fantasy as an actress for a long long time was to have one of those amazing roles that usually you see going to male actors. For instance, Gary Oldman in Leon: The Professional , or the one I prefer, Heath Ledger’s Joker in The Dark Knight . These are roles that fascinate me, so finally I will have this ability to create something like that. I’m excited about that. What type of character do you play? Did you see Snatch? You have bad guys, but also you have a bit of comedy because you see all of their defects. So it’s a mix of comedy and this quality of being a bit crazy. I always wanted to play a mafia chief or a role like that because it gives you a lot of freedom to create something funny. This will be the kind of role you usually see going to a guy. This excites me a lot as a woman. So, you play a gangster? Ah, maybe! Maybe. Did you see Lena Headey in Dredd 3D ? No. You should see it . She plays a brutal crime boss called Ma-Ma. Oh yeah? She will inspire you. There is also Pan , which will be a reinterpretation of Peter Pan . It will be directed by Ben Hibon, who did Mirror Mirror with Julia Roberts. It’s a beautiful universe. Are you Wendy? No, but it will be with Terence Stamp. He’s one of my favorite actors. I love how in his eyes you see so much majesty and authenticity. So, I look forward to being in that movie. MORE IMAGES IN MOVIELINE’S PHOTO GALLERY: Meet ‘Skyfall’ Siren Bérénice Marlohe, Your New Bond Girl Read more on Skyfall and 50 years of James Bond . Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.
Also in Friday’s early round-up of news briefs: Oscar winner Javier Bardem gets a Hollywood Honor ahead of Skyfall release; A Royal Affair , Chasing Ice and Starlet are among this year’s look at new Specialty Releases; And Harold & Kumar writers are eyeing their next gig. Twilight Fans Set Up Tent City for Monday’s Breaking Dawn – Part 2 Premiere Distributor Summit is offering camping spots to 2,200 Twi-hards, making this the franchise’s largest camp to date and almost double last year’s. The final Twilight premiere takes place at LA Live on Monday, Deadline reports. Lindsay Lohan’s Barbara Walters 20/20 Interview Stopped By Lohan’s New PR Team Dissatisfied with “the direction ABC wanted to take the interview,” Lohan’s new PR reps, Rogers & Cowan, have said that the actress will not appear on 20/20 for an interview with Walters on a scheduled slot set to air November 16th, Deadline reports. Specialty Release Preview: Chasing Ice , Citadel , Coming Up Roses , In Another Country , A Royal Affair , Starlet Bernadette Peters and French actress Isabelle Huppert will open their latest respective films Coming Up Roses and In Another Country ,. Starlet with Dree Hemingway has a San Fernando Valley adult film industry bent, while Citadel won SXSW Festival’s Audience Midnight section prize. Film sales outfit Submarine releases the climate-change documentary Chasing Ice via its distribution label Submarine Deluxe, scoring talk show attention as a result of Hurricane Sandy’s devastation, while Magnolia’s A Royal Affair will get a traditional theatrical rollout, Deadline reports. Javier Bardem Nabs a Hollywood Star Academy award-winning actor Javier Bardem has received a star on the Hollywood Walk of Fame. Bardem, who plays villain Silva in the latest Bond movie Skyfall , was joined by his female co-stars Naomie Harris and Berenice Marlohe. Bardem received a best supporting actor Oscar for his role in the Coen brothers film No Country for Old Men in 2008, BBC reports. Harold & Kumar Writers Set to Direct Cherries The story centers on three dads who come together to stop their daughters from fulfilling their sex pact to lose their virginities on prom night. Cherries would be a reunion of several key Harold & Kumar behind the camera talent, THR reports.