No, this isn’t the devastating end to a Hitchcock movie: Farley Granger, the actor whose 60 years of credits included starring roles in the Master of Suspense’s Rope (1948) and Strangers on a Train (1951), died of natural causes at age 85 in New York City. You’ll notice he was also gorgeous. Let’s revisit a trailer from his finest hour on film and discuss his fantastic legacy.
If you didn’t get your poster fill from The Tree of Life and Harry Potter and the Deathly Hallows Part II , don’t worry: The boys from The Hangover Part II have arrived from Thailand, and they’ve brought a monkey in a sleeveless jean jacket. Let’s get this party started?
Courtney Love shrugged. “We’ve been in lots of rooms together,” she said to a packed theater of moviegoers at the Museum of Modern Art, where Hit So Hard , a documentary about her band Hole (and, more specifically, drummer/addict/survivor Patty Schemel) had its New York premiere Monday night. The crowd laughed, steeped in nostalgia and recognition — not that Love was talking about this room or this crowd.
Miami Music Week continues with one of EDM’s best. By Adam Stewart Kaskade Photo: KirillWasHere.com MIAMI — It was another big night at Fontainebleau’s LIV nightclub, where Miami’s A-list once again turned out to champion one of dance music’s best. After Laidback Luke’s “Super You & Me” party featuring Skrillex on Wednesday night and an epic set by Swedish House Mafia’s Axwell on Thursday, the room was redecorated and the stage was set to host a full night devoted to none other than Kaskade. Kicking off his day with a surprise guest set at Pete Tong’s BBC Radio 1 Pool Party at the Surfcomber, Kaskade (born Ryan Raddon) arrived at LIV fully warmed up by the energetic bikini-clad crowd. The line stretched out into the street and the venue was jam-packed with diehard fans lucky enough to get on the right side of the velvet rope of one of Miami Music Week’s biggest shows. Mid-set, a tripped fire alarm caused a brief intermission while the system reset. The crowd, however, egged on by Kaskade’s impromptu storytelling and comedic sense on the mic, began their own frenzied chants, including the hook from the circa-2000 techno hit “Kernkraft 400” by Zombie Nation, a moment that sparked nostalgia for more than just a few in the crowd. But when the green light came to turn the music back to max, Kaskade kicked the party into high gear. Raddon has always had a knack for bringing his biggest to the stage, and tonight was no exception. With a massive remix of his and Deadmau5’s “Move for Me” — transformed into a very catchy, wobbly synthed banger — the crowd couldn’t resist the temptation to sing along to the new rendition of one of his biggest hits ever. He then dropped a rework of another one of his original smashes, this time with “Don’t Stop Dancing Girl,” which he infused with melodic piano riffs and thumping beats. Shortly thereafter, Raddon, known for his penchant for mash-ups, which he often shares with his fans on #MusicMondays, dropped a mix of Marco V’s “Reaver” with Red Carpet’s 2007 smash “Alright.” Rounding out the hour with Max Vangeli and AN21’s remix of Pendulum’s “The Island,” Raddon again set the bar as one of the world’s premier DJs, whose success and talent in the studio transitions seamlessly to his live gigs and beyond. To those lucky enough to attend Kaskade’s night at LIV, it was one for the ages. Checking out Kaskade tonight on Ultra Music Festivals Main Stage? Be sure to stick with MTV News, and follow our team on Twitter (@Adam MTVNews & @ASBhansali) for all of the latest Miami Music Week action! Related Videos Pump Your Fist For Miami Music Week Related Photos Miami Music Week
Miami Music Week continues with one of EDM’s best. By Adam Stewart Kaskade Photo: KirillWasHere.com MIAMI — It was another big night at Fontainebleau’s LIV nightclub, where Miami’s A-list once again turned out to champion one of dance music’s best. After Laidback Luke’s “Super You & Me” party featuring Skrillex on Wednesday night and an epic set by Swedish House Mafia’s Axwell on Thursday, the room was redecorated and the stage was set to host a full night devoted to none other than Kaskade. Kicking off his day with a surprise guest set at Pete Tong’s BBC Radio 1 Pool Party at the Surfcomber, Kaskade (born Ryan Raddon) arrived at LIV fully warmed up by the energetic bikini-clad crowd. The line stretched out into the street and the venue was jam-packed with diehard fans lucky enough to get on the right side of the velvet rope of one of Miami Music Week’s biggest shows. Mid-set, a tripped fire alarm caused a brief intermission while the system reset. The crowd, however, egged on by Kaskade’s impromptu storytelling and comedic sense on the mic, began their own frenzied chants, including the hook from the circa-2000 techno hit “Kernkraft 400” by Zombie Nation, a moment that sparked nostalgia for more than just a few in the crowd. But when the green light came to turn the music back to max, Kaskade kicked the party into high gear. Raddon has always had a knack for bringing his biggest to the stage, and tonight was no exception. With a massive remix of his and Deadmau5’s “Move for Me” — transformed into a very catchy, wobbly synthed banger — the crowd couldn’t resist the temptation to sing along to the new rendition of one of his biggest hits ever. He then dropped a rework of another one of his original smashes, this time with “Don’t Stop Dancing Girl,” which he infused with melodic piano riffs and thumping beats. Shortly thereafter, Raddon, known for his penchant for mash-ups, which he often shares with his fans on #MusicMondays, dropped a mix of Marco V’s “Reaver” with Red Carpet’s 2007 smash “Alright.” Rounding out the hour with Max Vangeli and AN21’s remix of Pendulum’s “The Island,” Raddon again set the bar as one of the world’s premier DJs, whose success and talent in the studio transitions seamlessly to his live gigs and beyond. To those lucky enough to attend Kaskade’s night at LIV, it was one for the ages. Checking out Kaskade tonight on Ultra Music Festivals Main Stage? Be sure to stick with MTV News, and follow our team on Twitter (@Adam MTVNews & @ASBhansali) for all of the latest Miami Music Week action! Related Videos Pump Your Fist For Miami Music Week Related Photos Miami Music Week
Even with director/actress Jodie Foster and rising star Anton Yelchin in attendance for the much-anticipated SXSW premiere of The Beaver , the packed house’s buzzing was focused on one hot topic: Mel Gibson.
As a bunch of brassy strippers once taught us, you’ve gotta have a gimmick if you want to get ahead. The same goes for dancers as it does for indie films, three of which demonstrated that time-tested lesson Monday night at SXSW. Which brings us to our Movieline Pro Tips of the Day: Bringing fun/hands-on props to delight the crowd after your movie screens can help the goodwill linger. Loudly heckling your own movie for kicks while a dozen or so journalist types sit near you, aghast and annoyed? Not so much.
Brian Taylor took a break from Ghost Rider: Spirit of Vengeance duties to trek down to SXSW in support of The FP — a film he describes as “a Jerry Bruckheimer action movie from the ’80s” where said action is Dance Dance Revolution. His ties to the indie action-comedy trace back to his close circle of filmmaking friends: Director Brandon Trost is a frequent DP and collaborator to Taylor and partner Mark Neveldine, while actors from Neveldine + Taylor’s Crank films also show up in The FP . As Taylor closed out his brief SXSW visit, he shared his love for The FP gang via phone along with details on Ghost Rider 2 ‘s new origin story, Crank 3 , and how one might go about filming a 3D movie… on the iPhone.
The hits just keep on coming at the Tribeca Film Festival. Just one week after announcing the competition slate for the April fest , organizers unveiled the 33 films selected as Spotlight presentations, and the list looks pretty cool. God Bless Ozzy Osbourne will have its world premiere at Tribeca, as too will A Good Old Fashioned Orgy (starring Jason Sudeikis) and Carol Channing: Larger Than Life . Tribeca will also show Vera Farmiga’s directorial debut Higher Ground and the latest from Michael Winterbottom. Click ahead for the full list of films.
SNL superstar Kristen Wiig breezed into Austin midnight Sunday for what director Paul Feig accurately termed “Kristen Wiig Appreciation Night” — a double header of this Friday’s Paul followed by a special work in progress screening of this summer’s Bridesmaids . The May 13 comedy marks Wiig’s first honest-to-goodness starring vehicle, an event in itself, but here’s even better news: Bridesmaids isn’t just the smart and grounded antidote to the shrill chick flicks we all hate; it’s the most raunchy, sweet and wonderfully vulgar R-rated comedy in recent memory. Bring it, Hangover 2 .