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‘Titanic’ Theme Song Makes Kate Winslet ‘Feel Like Throwing Up’

‘Bless you, Celine, but it does rather haunt me,’ the actress admits to MTV News of ‘My Heart Will Go On.’ By Fallon Prinzivalli Kate Winslet Photo: MTV News “Like throwing up.” That’s how Kate Winslet feels when she hears Celine Dion ‘s “My Heart Will Go On,” the once-inescapable theme to “Titanic.” “No, I shouldn’t say that,” Winslet added, thinking through her response before coming to this conclusion: “No, actually, I do feel like throwing up.” Since its release in 1997, the film has stuck with Winslet wherever she goes. It was the movie that helped her sky-rocket to the A-list, after all, and no one is likely to forget Dion’s iconic song from “Titanic,” set to be re-released in 3-D on April 4. “I wish I could say, ‘Oh listen, everybody! It’s the Celine Dion song!’ But I don’t,” Winslet admitted. “I just have to sit there, you know, kind of straight-faced with a massive internal eye roll.” Winslet went on to explain that every time she walks into a bar or a restaurant with a pianist, they never miss an opportunity to start playing the notes. “It’s thrilling for people to surprise me with the Celine Dion song,” she laughed. But they not only play the tune for her, they also encourage the Oscar winner to sing it herself. “I did a talk show recently in Italy and they actually had a live pianist who started gently playing the theme song. I was not even gently, rather severely, urged to go and sing it as though I had in fact sung it myself in the first place. It was like, ‘No! I’m not going to do that.’ They’re like, ‘Oh no, come on it will be funny.’ No, it won’t be funny. At all. And I’m not going to.” Unfortunately for the actress, it’s not just the theme song that haunts her. Whenever she boards a boat, she’s the butt of jokes. “Honestly, I actually now get onto boats and say, ‘No jokes, OK? No jokes. Can we just move on from that? And if you have any jokes, let’s just get them out of the way right now. Thank you. Anyone? Jokes, jokes? OK, moving on.’ And then they still tell jokes,” Winslet said. The most common joke is asking her to head to the front of the boat with them to reenact the iconic scene between hers and Leonardo DiCaprio ‘s characters on the rail. To that she replies, “Oh, yeah! Oh, that one! Oh, don’t worry, it’s my party piece. Sure, come on up, bring your granny.” But Winslet is actually an amazing sport about the jokes. She understands how deeply the film touched its audience. And now that it will be on the big screen again, it can reach a whole new generation — including her children who will see it for the very first time. “What’s negative about it? Really, nothing at all,” she said of the 3-D treatment. “It’s very different and much more present. It’s bigger — if you can believe that — but it is and you really do feel like you’re in it.” Audiences will be able to relive the tragic love story — or experience for the first time — when “Titanic” it hits theaters in 3-D on April 4. Check out everything we’ve got on “Titanic.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Photos ‘Titanic 3D’ Premiere

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‘Titanic’ Theme Song Makes Kate Winslet ‘Feel Like Throwing Up’

Snow White And The Machine: Florence Welch Tapped For ‘Huntsman’ Soundtrack

‘Breath of Life’ to be featured in Kristen Stewart movie, arriving June 1. By James Montgomery Florence Welch of Florence and the Machine Photo: Universal/ Island Records “Snow White and the Huntsman” doesn’t hit theaters until June 1, but we already have information about the film’s soundtrack — and just who will be involved in it. Namely, Florence and the Machine , who will channel all their ethereal, otherworldly magic into a brand-new song — called “Breath of Life” — for the “Huntsman” soundtrack. We’ve yet to hear “Breath,” but thanks to the good folks at Universal, we know it’s one of many songs featured on the soundtrack and comes backed by a full orchestra and choir. At press time, there’s still no info on who else will join Florence Welch on the soundtrack or when it will be released, but Flo definitely seems like a natural fit for the film, which stars Kristen Stewart as the titular heroine, Charlize Theron as the Evil Queen and Chris Hemsworth as the other titular character, the Huntsman. Judging by an early trailer for the film , this most certainly isn’t your mom’s adaptation of Snow White. Instead, it gets plenty dark and features Snow in full battle mode, armor and all. Late last year, Stewart praised the film and said she was having such a good time filming “Huntsman” that she was already open to making sequels . In particular, she loved punching Hemsworth in the kisser. “It made such a sound, it was in a scene,” Stewart recalled of the big moment. “Girls, if you’ve ever wondered if it works, it works. It literally spun him right around. I was supposed to miss him by this much. I basically knocked him right out of his close-up. It’ll definitely be in the movie.” Check out everything we’ve got on “Snow White and the Huntsman.” For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com . Related Photos Snow White And The Huntsman Scenes From The ‘Snow White And The Huntsman’ Teaser Trailer

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Snow White And The Machine: Florence Welch Tapped For ‘Huntsman’ Soundtrack

‘Titanic’ Looks ‘Spectacular’ In 3-D, James Cameron Says

Film’s 3-D conversion ‘takes it to a whole different level,’ director tells MTV News at U.K. premiere of re-release. By Kevin P. Sullivan, with reporting by Vicky Nwosu-Hope James Cameron and his wife at the “Titanic 3D” premiere Photo: Getty Images Nearly 15 years after “Titanic” became the biggest movie ever to grace the silver screen, director James Cameron has expanded his blockbuster into the third dimension. On April 4, “Titanic” sets sail in 3-D after a painstaking conversion that Cameron believes enhances the picture’s overall effect. MTV News spoke with the director in London, on the red carpet for the U.K. premiere of the re-release, which hits theaters days before the 100th anniversary of the ship’s sinking. “It’s really a dream come true to get this film back into cinema because it just has a whole different effect on people when they take three hours out of their life to just sit and have the unbroken experience and let the story take them along,” Cameron said. “It can be quite a profoundly emotional experience, and you’re not going to get that watching it on video. The 3-D just enhances the whole thing. It takes it to a whole different level. ” Cameron decided to begin the process in 2005, while he was prepping his next ambitious project, “Avatar.” “I was pretty convinced at that time that 3-D was really going to transform the cinema experience. I wanted cinema owners, the exhibitors, to embrace the conversion to digital projection, so that there’d be a place to show 3-D movies,” Cameron said. “I was thinking of ‘Avatar,’ but I was also saying, ‘Look, we can do films like “Titanic.” We can take “Jaws,” “Star Wars,” whatever your favorite movies are, we can convert them to 3-D and give them a whole new life.’ So we started doing test to see what a conversion of ‘Titanic’ would look like. We did a minute and a half of it, and it looked spectacular. ” The 3-D re-release offered Cameron the opportunity to reflect on what made “Titanic” a worldwide sensation. Cameron said he feels that it didn’t have everything to do with the movie’s young star Leonardo DiCaprio . “Women could relate to it, not just because of the Leo-mania thing, but because a lot of young women struggle with the sense of identity in societal expectation. The character of Rose was really written very much about those ideas,” Cameron said. “I think it was a simplification after the fact that [DiCaprio] is why women were so attracted to the movie.” Check out everything we’ve got on “Titanic.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Photos ‘Titanic 3D’ Premiere

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‘Titanic’ Looks ‘Spectacular’ In 3-D, James Cameron Says

REVIEW: Not-So-Spooky Intruders Preys On, and Over-Psychoanalyzes, Childhood Fears

A movie about childhood nightmares that plays too much like an actual, incoherent nightmare to make a good movie, Intruders is a psychodrama divided against itself. Little kids don’t need a reason to get worked up about what’s in their closet, or to be told to worry. When it comes to being scared their imaginations are half cocked at all times, more than prepared to fill every blank with the bogeyman. Although Intruders , much like last year’s Insidious , is framed as a sins-of-the-father spook-fest, it assumes too little of its audience — specifically that we too need only contemplate a darkened wardrobe or the outline of a giant, grabby dude to want to jump out of our skin. Despite being separated by the English channel and a few countries in between, both little Juan (Izán Corchero) and 12-year-old Mia (Ella Purnell) are having the same bad dream: A man in a Grim Reaper/Hazmat getup visits them in the night and tries to steal their faces. Juan, with his penchant for creepy bedtime stories, seems to have frightened himself into a state. Mia, having been mysteriously drawn to the tree on her grandparents’ estate where a hand-written story of the “Hollow Man” is hidden, becomes cursed with the subject’s presence. Why the pair have imagined or conjured this faceless fellow is a question that director Juan Carlos Fresnadillo ( 28 Weeks Later ) leaves wide open, much like my bedroom door every night until I was about 17. With the hall light on, please. Although the expertly chilled atmosphere of this dark world is re-visited every other scene — with Fresnadillo leaning on the scare horn — storywise we have to assume what any parent would: Either these kids have been eating too many Doritos or it’s a dreamlife kink that will eventually work itself out. “It’s just a story,” Mia’s father, John ( Clive Owen ), tells her. “You needn’t be afraid of stories.” They’re both a little afraid of mom (Carice van Houten), though, and why not — she’s always throwing cold water on their bonding time, not least of all when she actually threw cold water on the bogeyman effigy John built and lit up in the backyard to help ease Mia’s fears. Owen is as warm and doting a presence here as he was in the recent online-exploitation parable Trust , and he tries to give the similarly plotted unseating of that stability the same dad-on-fire urgency. But the script (by Nicolás Casariego and Jamie Marques) feels disordered somehow, as though the materials for a decent horror allegory arrived in the mail without instructions and a few key pieces missing, and the Intruders team tried to put it together anyway. Least successful is the toggling back and forth between Juan — who is carted to and from the Catholic Church as his mother (Pilar López de Ayala) seeks help for his night terrors — and Mia, who favors her father and whose storyline is favored in the film. When John is involved in a dreadful accident at work on a construction site, the story slouches in a potentially interesting direction: Are these two so close that they’re actually sharing anxieties? And what would a little Spanish boy have to do with that? When neither Jesus, nor dad, nor ACT security, nor the police can vanquish the Hollow Man from Mia’s bedroom, the resolution appears by a kind of process of elimination: Psychiatry to the rescue! If it didn’t work for Psycho , the medical, explanatory twist tanks what little dramatic momentum Intruders had going into the home stretch. Owen and Purnell, a strikingly beautiful young girl last seen playing the young Keira Knightley in Never Let Me Go , do their best to bring emotional life to an oddly staged, pseudo-confessional conclusion. Their commitment is wasted on an ersatz psycho-thriller more interested in the aesthetics of scary movies than the whys, whats and wows. Follow Michelle Orange on Twitter . Follow Movieline on Twitter .

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REVIEW: Not-So-Spooky Intruders Preys On, and Over-Psychoanalyzes, Childhood Fears

Was Jennifer Lawrence Too ‘Curvy’ To Play Katniss In ‘Hunger Games’?

Fan groups respond to one critic’s suggestion that Lawrence’s ‘womanly figure makes a bad fit’ for Katniss. By Elizabeth Lancaster Jennifer Lawrence in “The Hunger Games” Photo: Lionsgate Fans flooded in droves into movie theaters this weekend to see “The Hunger Games.” In the wake of the highly anticipated release, much of the criticism surrounding the movie has been not about the young stars’ performances, but their appearances. Most recently there has been criticism of Jennifer Lawrence’s weight, with some sighting that as Katniss, a girl who grew up in a famine-stricken district of a dystopian society, she should have been thinner. New York Times film critic Manohla Dargis wrote , “A few years ago Ms. Lawrence might have looked hungry enough to play Katniss, but now, at 21, her seductive, womanly figure makes a bad fit for a dystopian fantasy about a people starved into submission.” The statement is receiving much backlash, considering Lawrence is now a certified movie star that countless young women look up to. Putting aside the negative body-image issues the comment suggests, one wonders whether Dargis is accurate in her assessment of the actress/character disparity? MTV News asked expert “Hunger Games” fans to weigh in. Most had the same message: They loved what Lawrence brought to her character and that the scrutiny is misguided. “Katniss may not have been as thin or small in stature as depicted in the book, but it’s not unfathomable that her hunting prowess would have allowed her to have some meat on her bones,” TheHob.org’s Gabby Vittoria responded. She went on to point out that “Peeta wasn’t tall in the movie; Clove wasn’t big and brawny; Katniss wasn’t smaller than most of the Tributes. These physical changes certainly didn’t take away from the story and messages in the movie. Besides, for me, Jennifer’s acting and the quality of the film makes her weight a non-issue.” Many fans not only disagreed with the film critic but were affronted by these reviews of Lawrence. “I’m offended by this critique on so many levels, and honestly, I was shocked that it was ever an issue and that a professional critic would bring it up in the film’s review,” Sara Gundell from the Hunger Games Examiner fan site stated. This backlash about Lawrence’s weight comes in the wake of the questioning of Rue’s race in the film. The pre-teen is played by Amandla Stenberg, who is African American. In recent days her casting was the subject of racially fueled criticism by a handful of moviegoers who have suffered their own backlash. What do you think of the criticism of Jennifer Lawrence’s weight? Sound off in the comments below! Check out everything we’ve got on “The Hunger Games.” For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com . Related Photos ‘Hunger Games’ World Premiere Red Carpet

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Was Jennifer Lawrence Too ‘Curvy’ To Play Katniss In ‘Hunger Games’?

Amandla Stenberg, Hunger Games Star, Responds to Racist Tweets

Amandla Stenberg, the 13-year old actress who plays Rue in The Hunger Games , has spoken out on the unexpected, ignorant, racist controversy that has somehow enveloped her beloved character. In response to posts on Twitter that dared to wonder why Rue was portrayed by an African-American on screen – one actually wrote: “Why did the producer make all the good characters black?” – Stenberg has taken the mature road and released a statement that reads: “As a fan of the books, I feel fortunate to be part of The Hunger Games family. It was an amazing experience; I am proud of the film and my performance. I want to thank all of my fans and the entire Hunger Games community for their support and loyalty.” No, thank YOU, Amandla, for bringing such an important character to life. You can’t see us at the moment, but take our word for it: we’re holding up three fingers in your honor.

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Amandla Stenberg, Hunger Games Star, Responds to Racist Tweets

Citizen Ruth: Looking Back at Alexander Payne’s Prescient Abortion Satire

What’s the Film : Citizen Ruth (1996), available on DVD and Hulu Why it’s an Inessential Essential : The premise — one woman’s attempt to have an abortion turns into a national debate and bidding war — was a bold choice out of the gate for writer-director Alexander Payne. Citizen Ruth is his first feature film, and like his subsequent work, it has a biting wit, absurdities from every corner, and deeply flawed characters. Ruth (Laura Dern) is a dim-witted screw-up who is pregnant for the fifth time; her four offspring have been placed elsewhere because of her addiction to inhalants. When she is charged with a felony for huffing “patio sealant,” the judge coerces her to terminate the pregnancy. In jail, she meets anti-abortion crusaders who start a tug-of-war with pro-choice rivals over the unborn child, who becomes widely known as Baby Tanya after a clinic doctor manipulates Ruth into imagining keeping it. Tackling this tricky subject matter, Payne found an unreal story to tell, except that part of it was real. In the DVD commentary, he and co-writer Jim Taylor reveal that the plot was inspired by the true story of a woman who was offered money by anti-abortion and pro-choice camps to honor their respective wishes for her fetus. The parallels to reality don’t stop there. In one of Dern’s best unhinged moments, Ruth screams at two overzealous medical staffers at a clinic, who then pull out all the stops and force her to watch a video of abortion footage. That seems far-fetched, though maybe not in places like Arizona, where a lawmaker recently proposed a bill that would require women to watch an abortion before having one. The state representative, Terri Proud, calls her idea “(The) Reproductive Games.” Truth is catchier than fiction. Why We Recommend It Now : Released in 1996, Citizen Ruth resonates today, of course, because the issue of affordable health care has evolved into a fight over reproductive rights. Although Baby Tanya, were she real/alive, would be old enough to have a Sweet 16 party this year, not much has changed in the public discourse. Payne skewers the radicals on both sides, who are largely motivated by impressing their leaders — Tippi Hedren, for example, as a mother/god figure to the lunatic pro-choice activists. Their behavior is over the top, but their ideologies still echo. Among the points the movie makes so nicely is that extremists tend to lose sight of the real people and issues involved. When Sandra Fluke testified about hormonal birth control, the point she made — that the drug treats medical conditions — was lost once Rush Limbaugh piped in and turned Fluke into an abstraction and a “prostitute.” Ruth is unfit to be a mother, yet a contingent of crazies think she should take a stab at parenthood, aided by 15 grand, because somehow it’ll just all work out. There’s something to be said for laughing so we don’t cry, and Citizen Ruth allows us to do that. The DVD has few extras, but it does feature a revealing commentary track from Payne, Taylor, Dern and production designer Jane Ann Stewart. Explaining that the film doesn’t take sides, Stewart says her team strived to make both camps look a little foolish. Payne gets to the heart of the matter, saying, “Jane, you asked me, ‘Is nothing sacred?’ And it’s true. Everything is sacred, and nothing is sacred. Everyone is open for being examined as a human being.” Other Interesting Trivia : Payne says the film’s limited release was probably the reason he didn’t receive one threatening letter over it, though he was concerned about potential violence at the time from groups like the Army of God. Dern recalls a conversation with the women who ran Planned Parenthood in Texas, who called her to say how much they loved being mocked in the film. Also, let the end credits roll a couple minutes for a hint at Ruth’s fate. PREVIOUS INESSENTIAL ESSENTIALS The Last Temptation of Christ The Sitter

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Citizen Ruth: Looking Back at Alexander Payne’s Prescient Abortion Satire

Bully’s Latest Gambit: Permission Slips

It has come to this for “unaccompanied” teenagers desperate to see the unrated Bully : “An AMC spokesman said it will indeed allow that, but only if the child presents a signed permission slip from a parent, either via a form letter made available by the theater or an improvised note on a standard piece of paper. The move is an apparent attempt to support the film — AMC executive Gerry Lopez has two teenagers and has been vocal about its importance — while still paying deference to the Motion Picture Assn. of America and its ratings system.” Related: Is Harvey Weinstein just recycling tricks from his Kids playbook ? [ LAT ]

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Bully’s Latest Gambit: Permission Slips

In the Trayvon Martin Aftermath, How Soon Is Too Soon for Neighborhood Watch?

High five to Fox for pulling their bullet-ridden Neighborhood Watch marketing materials from Florida theaters this week following the February killing of Trayvon Martin. Trying to get as much distance as possible from the teaser’s emphasis on grown men Ben Stiller , Vince Vaughn , Jonah Hill , and Richard Ayoade stalking and finger-shooting suburban kids is a good idea and a sensitive move — not to mention a no-brainer necessity, PR-wise — so the studio’s forthcoming campaign will likely focus on the film’s “broad alien-invasion comedy” elements. But even four months from now, will it be too soon for Neighborhood Watch to make fun escapism out of vigilante violence? A Fox representative explained the studio’s decision to THR : “We are very sensitive to the Trayvon Martin case, but our film is a broad alien-invasion comedy and bears absolutely no relation to the tragic events in Florida,” a Fox spokesperson tells THR. “The movie, which is not scheduled for release for several months, was made and these initial marketing materials were released before this incident ever came to light. The teaser materials were part of an early phase of our marketing and were never planned for long-term use. Above all else, our thoughts go out to the families touched by this terrible event.” Extending that retraction on a wider scale might even be in order, seeing as the media firestorm over Martin and his shooter, George Zimmerman, is now a national conversation and not just one for Floridians. Which brings us to the big question: Is the Trayvon Martin case too big, too incendiary, or just too heartbreaking for Neighborhood Watch to come out as planned, and perform well, in four months’ time? What’s in the teaser trailer may be an indication of the problem here: Whether or not it’s revealed in marketing materials, the film seems to glorify the kind of volunteer policing that Martin shooter Zimmerman was a part of in real life. The sounds of Dr. Dre’s “Still D.R.E.” underscore the comically grandiose slow-motion crawl of the Neighborhood Watch gang — they’re lazy suburbanites using a self-important Neighborhood Watch front to get away from their families, but once the aliens invade they’ll become true-blue heroes. (Since I haven’t seen the film, I’m only guessing here — maybe it’ll turn out that the aliens were only visiting peaceably, their presence horribly misunderstood by overzealous would-be heroes, who resolve their differences with nonviolence.) That setup would be fairly harmless if it didn’t tap directly into the debate over what really happened on February 26 in Sanford, FL. Zimmerman was an active Neighborhood Watch captain in his gated community who, by many accounts, took citizen policing very seriously; following Martin as a suspicious person on the day of the incident led to the unarmed 17-year-old’s fatal shooting, which Zimmerman claimed was an act of self-defense. Neighborhood Watch , penned by Seth Rogen , Evan Goldberg, and Jared Stern as a ” hard R ” and directed by Lonely Island ‘s Akiva Schaffer, is still on Fox’s schedule for a July 27 wide release. According to the THR report, the studio doesn’t plan on pushing back the debut, despite the ongoing furor over the Martin case. I’d like to think that Martin’s death will be resolved but not forgotten by then, if only to give his family and all who’ve become invested in the case some closure, but I’m skeptical that four months — or five, or a year, or any measure of time — will be long enough that I won’t be thinking of George Zimmerman while watching Ben Stiller blow away the aliens who darken his doorstep. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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In the Trayvon Martin Aftermath, How Soon Is Too Soon for Neighborhood Watch?

Sam Worthington Laughs Off ‘Titans’ Hair Controversy

‘I got more criticism about my hair than Jennifer Aniston did when she started ‘Friends,’ ‘ the ‘Wrath of the Titans’ star quips to MTV News. By Kevin P. Sullivan Sam Worthington in “Wrath of the Titans” Photo: Warner Bros. When previews began to play for “Wrath of the Titans,” the follow-up to 2010’s “Clash of the Titans,” the element of the trailer that got the biggest reaction wasn’t the mythological beasts or the battling gods, but the longer locks on star Sam Worthington’s head. Gone was Perseus’ anachronistic buzz cut from the original — a nitpicking problem for some who saw “Clash” — and in its stead was Worthington’s naturally curly hair. “I got more criticism about my hair than Jennifer Aniston did when she started ‘Friends,’ ” Worthington quipped to MTV News. With so much of the attention leading into the film’s premiere focused squarely on Worthington’s head, the actor told MTV News he isn’t too worried about those people’s opinions. “My brain goes, ‘If that’s the only thing you’re going to be focusing on, maybe you should get out more,’ ” Worthington said. Liam Neeson, Worthington’s co-star, offered some kind words about the change in hairdo. “His hair was good,” Neeson said. “The hair was good,” Worthington agreed. Within the fictional realm of “Wrath of the Titans,” the change in hairstyle makes sense for its own reasons. “The story jumps 10 years,” Neeson said. The sequel picks up a decade after the end of “Clash of the Titans.” Perseus is now a father and recent widower, and it isn’t long before his deadbeat dad Zeus comes a-callin’, asking for help once more. Still, Worthington continued to make light of the hairy discussion, suggesting that if the franchise were to continue, his hair options have no bounds. “It took Perseus 10 years. If we did another one, I’d just go longer. I’ll just keep going,” he said. “By the time you get to ‘Wrath of the Titans 10,’ I’ll look like Cousin Itt.” “And each hair is a demigod,” Neeson added. “Think about that.” Check out everything we’ve got on “Wrath of the Titans.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: ‘Wrath Of The Titans’

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Sam Worthington Laughs Off ‘Titans’ Hair Controversy