Tag Archives: film

Adam Sandler Is No ‘Centerfold’ In ‘Jack And Jill’ Drag

Director Dennis Dugan dishes on Sandler playing both title roles and the comic ‘gusto’ of Al Pacino in our Fall Movie Preview. By Kara Warner Adam Sandler in “Jack and Jill” Photo: Columbia Pictures Adam Sandler and director Dennis Dugan have a long history together that includes teaming up on money-making screwball comedies like “Happy Gilmore,” “Big Daddy” and “You Don’t Mess With the Zohan.” Their big-screen antics continue this fall with the November release of “Jack and Jill,” a family comedy that has Sandler playing the role of Jack — and that of his sister Jill — alongside Katie Holmes and Al Pacino, who plays himself. If that sounds like a recipe for ridiculousness, check out what Dugan had to say recently about the hilarity that ensued during production, including what Sandler is like in drag and just how funny Pacino really is. MTV : How is Adam as a woman? Dennis Dugan : Wonderful. He plays this absolutely [straight]; [Jill is] essentially his identical twin sister, so not a centerfold, if I can be diplomatic. MTV : Does she think she’s a centerfold? Dugan : She’s this Bronx spinster, all that that entails in a single, 40-ish woman from the Bronx. She’s a really powerful personality that could be translated as a pain in the ass, depending on who you are, but has a really, really, really nice heart. She just doesn’t understand how annoying she is. MTV : What kind of Adam Sandler movie is this? How does it compare to your other offerings? Dugan : It’s very funny. It’s got a lot of heart. It’s PG and it’s a Thanksgiving/Christmas type of movie and, so far, in tests it appeals all the way across the board. And so if you were saying it was different from a normal Adam Sandler movie, it has a wide appeal to both — to women and boys too. So it plays out pretty equally among all the quadrants, where usually [our movies] are a tiny bit more focused on younger males. MTV : How was working with Al Pacino? Dugan : It was just absolutely wonderful when he said yes. We were delighted and then we were scared. He’s an artist, he wants to be as great as he can possibly be and he doesn’t care what project it is. I saw him on Broadway in “Merchant of Venice” and he has the exact commitment to playing the part of Al Pacino in the movie as he did Shylock. MTV : Would you say that Pacino or Katie Holmes is the more pleasant surprise in the film? Dugan : I wouldn’t say one or the other was more pleasant but it was just delightful. [Katie] is just the nicest human being and the most flexible in terms of working. She had a lot to do with most characters; Pacino had a little less to do in terms of split screens and all of the effects and green screens and all of that stuff. But Katie just has that smile on her face and it’s genuine. And then Al, like I said, we were kind of scared because we didn’t know what his process was but he just dives in, completely commits to everything. Every crazy thing we threw at him, he did, and did it with gusto, and that was nice because he’s delightful and happy and brave and I couldn’t have had a better time. From “Abduction” to “Muppets, “Moneyball” to “Breaking Dawn,” the MTV Movies team is delving into the hottest upcoming flicks in our 2011 Fall Movie Preview. Check back daily for exclusive clips, photos and interviews with the films’ biggest stars. Check out everything we’ve got on “Jack and Jill.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos Fall Movie Preview 2011 Related Photos Exclusive Photos From Fall’s Biggest Flicks

Read the rest here:
Adam Sandler Is No ‘Centerfold’ In ‘Jack And Jill’ Drag

Carey Mulligan Makes Her Full-Frontal Nude Debut in Shame

Shame , the second film by Steve McQueen (the British director, not “Bullitt”) had its world premiere at the Venice Film Festival last week. Even the jaded critics in the audience were shocked by the film’s sexplicit NC-17 content, including indiewire ‘s David Gritten , who called the movie “edgy” and “transgressive.” Gritten went on to say: Michael Fassbender plays Brandon, a successful thirtysomething Manhattan executive…He is obsessed by sexual gratification, and surfs internet porn on his computer at work and his laptop at home. He seduces women in bars, on the subway and in his office. Carey Mulligan co-stars as Fassbender’s capricious sister, who apparently proves that sex addiction can be genetic: Fassbender has several scenes involving full-frontal nudity and Mulligan has one of her own. .. Presumably it would receive an NC-17 rating, and even liberal American audiences are more likely to be turned off by its explicitness than their European counterparts. …in other words, a perfect date movie, if your date is a smut-minded European. (And if she is, does she have any single friends we can call?) This will be the full-frontal debut for pixie-maned Carey, who has briefly shown her suck sacks in When Did You Last See Your Father ? (2007) and The Greatest (2009). Carey’s will NOT be the only female flesh on display, either; earlier this summer, several up-and-coming actresses shocked passerby by engaging in public nudity while filming in Manhattan ( See the pics here ). Shame ‘s release dates are still TBA, but members can see more from Carey Mulligan right now here at MrSkin.com!

Here is the original post:
Carey Mulligan Makes Her Full-Frontal Nude Debut in Shame

REVIEW: Colin Firth’s Southern Accent the Least of Main Street’s Problems

At first glance, the formidable cast of Main Street appears to have gathered for a chance to work off the final original script from Horton Foote, the Pulitzered playwright and two-time Oscar-winning screenwriter (for 1962’s To Kill a Mockingbird and 1983’s Tender Mercies ) who passed away in 2009. But as the film creeps along with few signs of life, one begins to suspect the real reason they’re all there is to show off that most treasured item in any actor’s toolkit — the Southern accent. Main Street is an ensemble drama that functions as a display case for a range of regional drawls, from the authentic to absurd. Patricia Clarkson, playing Willa, a divorcee who’s returned to her hometown of Durham, North Carolina, easily walks away with best in show, but coming from Louisiana she’s in slightly more familiar territory than Colin Firth, who, as Gus Leroy, a representative of a toxic waste management company, is a sorely unconvincing Texan.

Go here to read the rest:
REVIEW: Colin Firth’s Southern Accent the Least of Main Street’s Problems

Nude Star Carey Mulligan Makes Her Full-Frontal Debut in Shame

Shame , the second film by Steve McQueen (the British director, not “Bullitt”) had its world premiere at the Venice Film Festival last week. Even the jaded critics in the audience were shocked by the film’s sexplicit NC-17 content, including indiewire ‘s David Gritten , who called the movie “edgy” and “transgressive.” Gritten went on to say: Michael Fassbender plays Brandon, a successful thirtysomething Manhattan executive…He is obsessed by sexual gratification, and surfs internet porn on his computer at work and his laptop at home. He seduces women in bars, on the subway and in his office. Carey Mulligan co-stars as Fassbender’s capricious sister, who apparently proves that sex addiction can be genetic: Fassbender has several scenes involving full-frontal nudity and Mulligan has one of her own. .. Presumably it would receive an NC-17 rating, and even liberal American audiences are more likely to be turned off by its explicitness than their European counterparts. …in other words, a perfect date movie, if your date is a smut-minded European. (And if she is, does she have any single friends we can call?) This will be the full-frontal debut for pixie-maned Carey, who has briefly shown her suck sacks in When Did You Last See Your Father ? (2007) and The Greatest (2009). Carey’s will NOT be the only female flesh on display, either; earlier this summer, several up-and-coming actresses shocked passerby by engaging in public nudity while filming in Manhattan ( See the pics here ). Shame ‘s release dates are still TBA, but members can see more from Carey Mulligan right now here at MrSkin.com!

More:
Nude Star Carey Mulligan Makes Her Full-Frontal Debut in Shame

‘Moneyball’ Is All About ‘Underdogs,’ Jonah Hill Says

‘If you’re not a baseball fan, it doesn’t mean you’re not going to love the movie,’ he tells MTV News in our Fall Movie Preview. By Kara Warner Brad Pitt and Jonah Hill in “Moneyball” Photo: Melinda Sue Gordon/Columbia In addition to his trimmed-down figure , Jonah Hill fans will see a new side of the “Superbad” and “Get Him to the Greek” actor come September 23, when “Moneyball” drops into theaters: his dramatic acting chops. The film is inspired by Michael Lewis’ 2003 best-seller of the same name, which revolved around Oakland A’s general manager Billy Beane and how he recruited undervalued yet extremely talented baseball players to build successful teams. In the film, Hill plays Peter Brand, a statistician who helps Beane (Brad Pitt) select players based on in-depth analysis of complex baseball statistics. Click for exclusive photos from Fall’s biggest flicks. When MTV News caught up with Hill recently, he was excited to talk about his dramatic work and emphasized the fact that the film is more about life than baseball. MTV : Did you read the book before you started the film? Jonah Hill : I had just been told that [director] Bennett [Miller] wanted to meet me and I should read the book “Moneyball” in preparation, and so I did, and I really, really loved it. MTV : Were you a baseball fan beforehand? And how did your appreciation for the game evolve over the course of working on the film? Hill : I grew up with baseball and really respect and appreciate the game, but in the past, since I was probably 12 or 13, I haven’t followed closely. So I wouldn’t say I was an avid fan, but I grew up being a Dodgers fan. But if you’re not a baseball fan, it doesn’t mean you’re not going to love the movie. We used baseball as such a metaphor for life. The movie is about these guys trying to create a baseball team with no money, but it’s really about choices and being an underdog, so I really can start to relate the game to the people playing it and seeing them as people and wondering about them, and I couldn’t help but start wondering about all the players as people and do their stats represent them and their value — that’s a lot of what the movies about. MTV : How is the film not just a sports movie? Hill : I hesitate to even call it a sports movie, because if you love baseball, you’re going to love it obviously that much more, but for people that I know that have seen it that don’t know the first thing about baseball, [they] love it because it’s a movie about underdogs. It’s really about being undervalued and proving your worth and value and the decisions you make in life. MTV : Everyone raves about Aaron Sorkin’s scripts and dialogue. What was your impression of the script? How does it rank versus some of the others you’ve seen? Hill : The script was written by Aaron Sorkin and Steve Zaillian. … I don’t think there’s any debate they are the two of the most successful and respected screenwriters in Hollywood, so between them and Scott Rudin and Mike De Luca, our producers, and Bennett Miller and Michael Lewis, who wrote the book, and Brad and Philip [Seymour] Hoffman and Robin Wright, I can say it was pretty crazy to be second lead in this movie. It was a laundry list of people I admired and respected, and it kinda didn’t seem real for the first few weeks I got the part. MTV : Was there a learning curve for you? Did you feel like more of a student on this production? Hill : I think I always feel like a student. I always work with people I admire or else I don’t go to work. To me, it’s about learning from people. The best advice I ever got was “Shut up and listen.” … This was obviously the most different. Drama, I had only done one other one, this movie “Cyrus,” and for me, those were two experiences, because I had done so many comedies, where I learned something totally different. MTV : What was your experience like with Brad Pitt, as far as the actor and the person? Hill : He’s great at both. I think he and I are really close in the movie. The movie is really the two of us playing off of each other a majority of the time, so if that chemistry wasn’t there between us, I think the movie would have completely failed. So I think we both knew that going in, and I think we both happened to like each other a lot. We definitely played some pranks on each other. That part of [Brad Pitt] lore is true, that he likes to do that. We played some really funny pranks — his a lot funnier than mine — and we became cool. He’s a really admirable dude, and I think he has inspired me in a lot of ways, both creatively and personally. If you look at his filmography, his choices are so diverse and cool and eclectic that it’s something I really just took away. He was really cool about sharing his history with me and really pushing me in a great way to make interesting choices. MTV : Can you give me a couple of those pranks? Hill : There were some golf-cart wars. We had these golf carts, and we would race them all the time to set and crash into each other. And he started messing with mine and eventually turned mine into a full-fledged Wham! mobile — the band Wham! — where eventually there was a bigger-than-life-sized portrait of myself as a member of Wham! next to George Michael on the front of it. It was bright pink, and eventually, by the end, if you turned on my golf cart, it blasted “Wake Me Up Before You Go-Go” and could not be turned off unless the engine was turned off. Sometimes I feel like he has a team of scientists working on f—ing with me. MTV : So what was your best retaliation you think? Hill : I got him with a prank to his car that I’m not going to reveal yet. It’s a secret. From “Abduction” to “Muppets, “Moneyball” to “Breaking Dawn,” the MTV Movies team is delving into the hottest upcoming flicks in our 2011 Fall Movie Preview. Check back daily for exclusive clips, photos and interviews with the films’ biggest stars. Check out everything we’ve got on “Moneyball.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos Fall Movie Preview 2011 Related Photos Exclusive Photos From Fall’s Biggest Flicks

Original post:
‘Moneyball’ Is All About ‘Underdogs,’ Jonah Hill Says

Madonna’s ‘W.E.’: The Venice Reviews Are In

Material Girl’s second directorial effort finds few early supporters at the film fest. By Eric Ditzian Madonna attends the “W.E.” premiere during the 68th Venice Film Festival Photo: Getty Images The Venice Film Festival turned into something of a feeding frenzy on Thursday, as critics practically fell over one another in an effort to drum up the harshest disses and most damning, damaging turns-of-phrase about Madonna’s second directorial effort, “W.E.” Their cackles of laughter echoed across the pond the next day, as the Weinstein Company attempted some damage control and a handful of defenders staked out claims that the film had been unjustly dismissed. Those supporters pointed to the lush visual landscape Madonna had captured and the touching love story she’d brought to life. But the critics weren’t having any of it. They slammed the garbled narrative structure, cheesy dialogue and directorial trickery that seemed to serve no other purpose than Madonna’s look-at-me self-servitude. Read on for those critiques and more. The Story ” ‘W.E. is rather better than expected; it’s bold, confident and not without amusing moments. Still, it’s undeniably a strange concoction. Madonna (who also co-scripted with [Alek] Keshishian) has fashioned a split-level story of two couples: the Windsors, and the growing attraction between Wally Winthrop (Abbie Cornish), a contemporary Manhattan woman, and Evgeni (Oscar Isaac), a handsome Russian working security at Sotheby’s. Wally, married to an eminent shrink who isn’t above slapping her around, desperately wants children. (He doesn’t.) Worse, she has inherited her mother’s and grandmother’s obsession with the Windsors (Andrea Riseborough, James d’Arcy) and doggedly researches their lives, seeking clues about how to live her own. In extreme moments, Mrs. Simpson actually appears to her.” — David Gritten, The Telegraph The Direction “What an extraordinarily silly, preening, fatally mishandled film this is. It may even surpass 2008’s ‘Filth and Wisdom,’ Madonna’s calamitous first outing as a filmmaker. Her direction is so all over the shop that it barely qualifies as direction at all. ‘W.E.’ gives us slo-mo and jump cuts and a crawling crane shot up a tree in Balmoral, but they are all just tricks without a purpose. For her big directorial flourish, Madonna has Wallis bound onstage to dance with a Masai tribesman while Pretty Vacant blares on the soundtrack. But why? What point is she making?” — Xan Brooks, The Guardian The Writing “The script is the first problem. Co-written with Alek Keshishian, it’s laden with clich

Bella Swan in Breaking Dawn: A Beautiful Bride-To-Be

You are cordially invited, readers, to the event that changes everything on The Twilight Saga. That’s how the Breaking Dawn trailer teases the Bella Swan and Edward Cullen, which will play a major role on the final installment of this franchise. But before this couple says “I do,” and before the honeymoon bedroom encounter that REALLY changes everything, Bella has to engage in a bit of wedding prep. Watch her do so in the latest still from the film, as her emotional parents stand by: For up-to-the-second coverage of Breaking Dawn, along with numerous other films, be sure to bookmark our friends at Movie Fanatic now. You won’t regret it!

Read the original here:
Bella Swan in Breaking Dawn: A Beautiful Bride-To-Be

‘Apollo 18’: The Reviews Are In!

Critics say the ‘found-footage’ film requires a suspension of disbelief to truly work. By Terri Schwartz “Apollo 18” Photo: Dimension Films “Apollo 18” is not a documentary — NASA made a point of clearing that up — but that doesn’t mean that a certain suspension of disbelief won’t make the movie a terrifying experience. The flick is just the latest to cash in on the found-footage premise made popular in 1999’s “The Blair Witch Project,” but it is the first to bring that filmmaking style to outer space. Some critics thought the premise worked in its new location, while others felt the film lost its momentum in the second hour. The consensus for is that it either will work for you or it won’t; which way will you sway? Check out what the critics have to say and make your decision in theaters this weekend. The Premise “These days, none but the most naive, gullible and uninformed of moviegoers would ever fall for the d

‘Margaret’ Trailer: Kenneth Lonergan Returns, But With a Whimper

http://www.youtube.com/v/OjkyIULm8Rw

Read more:

It’s been a very long road for You Can Count on Me director Kenneth Lonergan’s movie Margaret, which stars Anna Paquin as a girl who becomes the center of a web of people impacted by a fatal traffic crash. The film was announced in 2003, shot in 2005 and has been in legal and editing room hell ever since. Scott Rudin, the late Sydney Pollack (who also appears in the film), Martin Scorsese and his editor,… Broadcasting platform : YouTube Source : /Film Discovery Date : 01/09/2011 19:30 Number of articles : 2

‘Margaret’ Trailer: Kenneth Lonergan Returns, But With a Whimper

Coen Brothers Folk Music Movie Gets Co-Financing, Title

Remember that folk music movie Joel and Ethan Coen were working on back in June? It has co-financing and a title. Variety reports that StudioCanal will co-finance the film, now titled Inside Llewyn Davis , with Scott Rudin set to produce. The film — which will reportedly feature “live music” — is inspired, in part, by the life of famed musician Dave Van Ronk, an important figure in the growth of the folk music scene in New York’s Greenwich Village in the 1960s. [ Variety ]

Read more:
Coen Brothers Folk Music Movie Gets Co-Financing, Title