Tag Archives: films

The Time Joel Silver Destroyed A $5K Couch During The Filming Of ‘Die Hard’

We all know producers can be a bunch of real, ah, prickly people. They kind of have to be, since their job, so long as it’s their actual job and not just a title given to them because they invested a couple of mil into the production, is to make sure everything goes smoothly, the film stays within budget, and the money isn’t wasted on limos when it could be wasted instead on expensive CG effects that look completely dated within 3 years*. As a result, these guys tend to be blunt as hell and not afraid to hurt some mothaf*ckin’ feelings when they rolling deep through the movie hood , as it were. Take Joel Silver , the famously take-no-prisoners producer of the Lethal Weapon and Die Hard films.** Screenwriter Doug Richardson, the guy who Wrote Die Hard 2: Die Harder , and Bad Boys , has shared a story from the making of Die Hard over on his official site , and it’s a most triumphant example of producer due diligence at the expense of expensive furniture you’ll ever hear. Remember the scene in Die Hard when the roof of Nakatomi Plaza explodes, and the penthouse lobby and fountain area is completely trashed? You might have noticed there’s an expensive looking couch in that scene; You might have also noticed that it appears to survive the initial explosion, only to show up seconds later completely aflame. There’s a reason for that — the couch wasn’t just expensive looking , it actually cost $5,000 back in 1988 which in today’s money is about 5 trillion dollars.*** Apparently, the scene drew cheers and high fives from everyone on the crew after they pulled it off during the shoot; except for Silver that is, whose eagle-eyed penny-pinching powers detected something odd, or as Richardson puts it, “possible sabotage.”  To set the scene for what happens next, you might want to find a copy of Who Framed Roger Rabbit  and check out Silver’s blustery cameo as the director of the Baby Herman cartoon. Joel called for the entire crew to assemble on the nearly-demolished set, gathering the mob around a gorgeous, leather Roche-Bobois sofa.  Estimated value, five thousand dollars.  The couch, despite the conflagration that they’d all just witnessed, was in showroom condition.  Untouched by destructive fire, explosives, or water. “I wanna know,” Joel shouted, “Who just ruined my shot!” You see, Joel had been around more than a few movie sets.  He knew how things worked.  He understood how the occasional underhanded crew member operated.  In this case, he suspected that one crew member had paid off another crew member on the special effects crew to make certain that the five-thousand-dollar sofa survived the wreckage. “Somebody on this crew,” announced Joel, “Decided to furnish their home at the expense of the movie.” Can you blame them though? I mean, this was the ’80s, and we didn’t have Ikea to make giant couches affordable yet. With that, Joel produced a bottle of lighter fluid, doused the expensive sofa in accelerant, and tossed a match to it.  The lesson ended as the couch erupted in flame.  The set was cleared again.  And camera operators were ordered to “roll film.” Five grand must seem a trivial sum for a movie with a $28-million budget, but damned if you can’t respect someone for making sure every dollar spent on the movie ended up onscreen. I just wonder if he hummed “Ode To Joy” while torching some lowly grip’s living-room dreams. No word from Richardson if similar hijinks happened during the making of Die Hard 2. Probably not, I mean, how many times can the same thing happen to the same guy? * I kid, I kid! ** And a jillion others of course. He helped Walter Hill get The Warriors and Streets of Fire made! *** I’m guessing this is the case based on the way people are freaking out about raising the minimum wage. [ Source: Movies.com ] Ross Lincoln is a LA-based freelance writer from Oklahoma with an unhealthy obsession with comics, movies, video games, ancient history, Gore Vidal, and wine. Follow Ross Lincoln Twitter.  Follow Movieline on Twitter .

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The Time Joel Silver Destroyed A $5K Couch During The Filming Of ‘Die Hard’

Watch: ‘Dead Man Down”s First Trailer Gives Bright Lights, Moody City

Colin Farrell is back in another sure-to-be-very-good film that will probably not do so well at the box office, the upcoming revenge thriller Dead Man Down , directed by Niels Arden Oplev. Farrell plays a mob hitman blackmailed by a disfigured young woman (Noomi Rapace) interested in procuring his services to exact revenge on the man who cut up her face. That man happens to be a crime lord played by Terrence Howard , and naturally we can expect a lot of seething menace and angry looks between him and Farrell before things come to a head. The first trailer for Dead Man Down has been released. Here’s a look: This is Oplev’s first film since directing the 2009 original version of The Girl With The Dragon Tattoo . That film was objectively awesom, and history will remember it as vastly superior to Fincher’s 2011 remake. Given Oplev’s record, the excellent cast, and the fact that it looks like we’re getting the In Bruges and Seven Psychopaths Collin Farrell instead of the Total Recall Colin Farrell, I have a hard time imagining that this will suck. Unfortunately, while the trailer is sufficiently moody and violent, it makes Dead Man Down feel like a billion other hitman-finds-redemption movies. Still, the cover of Shine On You Crazy Diamond is kind of amazing, even if it doesn’t displace The Scissor Sisters from the list of greatest of all Pink Floyd covers. Dead Man Down comes out March 8. Follow Ross Lincoln Twitter.  Follow Movieline on Twitter .

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Watch: ‘Dead Man Down”s First Trailer Gives Bright Lights, Moody City

David Cronenberg Talks ‘Cosmopolis,’ High Frame Rates, And ‘Bullshit’ Oscars

2012 brought us two whacked-out limousine-set films from auteurs bearing all the markings of future cult classics. But while Leos Carax’s Holy Motors received universal critical praise, David Cronenberg ‘s Robert Pattinson -starring Cosmopolis left critics a little more divided , although how anyone could dislike a film featuring an R-Pattz prostate exam is one of life’s great mysteries. Movieline spoke with Cronenberg, a man who at this point seems physically incapable of tolerating bullshit, about his career, Oscar hopes and realities, and new advances like the High Frame Rate Peter Jackson used on The Hobbit . Along the way he riffed hypothetical on what he’d do for awards season glory, assessed the comfortable niche he’s carved out for himself on the fringes of the studio system, and revealed what he really thinks about… cats. Happy New Year! The Blu-ray release of Cosmopolis is coming out in the heart of Oscar-campaign season. I get the sense it doesn’t bug you too much that this film isn’t being discussed more as a contender. Yes. Every year I try to be as disconnected as possible. This year it’s been very easy because we haven’t been nominated for any awards. It’s not sour grapes, it’s not compensation; it’s a relief. It’s very easy to get caught up in it if you are nominated. The people who are releasing the movie get excited, they want you to do more, and you understand it because the awards can maybe get more people to see the film. This, on its face, is a good thing. However, it is all bullshit, it is all annoying and it is all very problematical. But it gives people stuff to write about, gives structure, we understand. But I won’t be watching any of the awards shows. It’s not just showing up that night, there’s months of campaigning. Oh, yes. I’ve talked with several people, one of whom was Denys Arcand, a French Canadian director who won the Best Foreign Language Oscar for The Barbarian Invasions — I know him well. He said he would never, ever do it again. He said it was a year, an incredibly intense year, and ultimately rather boring. Because he’s not doing anything creative at all, just selling. For a guy like Denys Arcand, though, does an award affect his bottom line? Does it affect his career? Will he be able to buy a new house after winning? No, not really. On the contrary, it’s caused him to retreat. He’s decided he doesn’t want to be involved in anything remotely Hollywood. He wants to make Quebecois films. He attempted to make some movies in English with emerging stars and it was a disaster — it’s not his sensibility. For an actor, though, perhaps it’s a different story. Viggo Mortensen was nominated for some of your films, Keira Knightley was discussed for A Dangerous Method . But let’s say she had won — would that have elevated her, and gotten her roles she wouldn’t have gotten otherwise? I don’t think so. She’s incredibly sought after — despite the fact that the British critics are often on her, but they like to eat their own, let’s face it. She’s too smart and beautiful and too talented, it drives them crazy. I don’t see [an award] doing anything for her. End of the year lists, though — Cosmopolis did end up placing second in Cahiers du Cinema ‘s top ten of the year. Yes and on Sight and Sound ‘s list, as well. So the snooty-pants Euros are digging the movie. And, it’ll no doubt end up somewhere on my top 20, I think. [Note: it came in at #12.] If I gave you money would you put it higher? No. Well? Depends how much money. C’mon, let’s talk. A hundred grand goes a long way. Would you give me a hundred grand to write that Cosmopolis is the best movie of the year? No! [Laughs.] But it’s a thought. Let’s be honest — at this stage in your career, let’s say you met the most reputable critic in the world, you met him at a bar and he said, “Oh, man, I’m in a real money crunch right now, I will make Cosmopolis my #1 of the year for X amount of dollars,” do you consider it for a second? No. But that’s because I’m too cheap. But… fact is, I have been on those lists, New York Times has been very positive on my last few movies, we got three great reviews from three critics at the New York Times for A Dangerous Method . But we still didn’t get…[laughs]…it didn’t… Still nobody in the States sees your damn movies, it’s Europeans only! That’s right. It doesn’t do much. But, listen, you like the validation, especially when they are intelligent people who write beautifully and when they applaud your movie it is terrific and gratifying. Pragmatically, it doesn’t do much. Better to get good reviews over bad, obviously, but we all know terrible movies that got terrible reviews that made a lot of money. There’s no one to one relationship. You just have to get very ’60s… just go with the flow.

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David Cronenberg Talks ‘Cosmopolis,’ High Frame Rates, And ‘Bullshit’ Oscars

One Of The Last Top 10s Of 2012

Top 10s abound, but what the hell, its New Year’s Eve and there are mere hours left (in the Western Hemisphere at least) to look back on the year while it’s still here – Happy New Year Australia, N.Z., Japan and much of Asia. [ Related: Mash-Ups, ‘Moonrise,’ And ‘Miami’ Connections: Jen Yamato’s Top 10 Movie Moments of 2012 and Amy Nicholson’s / Top 10 of 2012 / Written In Haiku ] For those trolling the internet Monday and stumble on this list, I hope it’ll spawn more Top 10s. Either in your own mind or better yet – in the comments below. Or even just give your Top 5 or hell… Just your one favorite. Or even your least favorite. Just go for it, don’t be shy. Below is my ten favorites for 2012. I admit, mine may be loaded with some of the “cold and corny prestige pics and all those ‘respectable’ ‘films’ headed for Oscar gold” as my fab colleague Jen Yamato describes – but there it is… My favorite, Amour , was also the toughest to watch, but it just stayed with me through the rest of the year after having the privilege to see it for the first time in Cannes last May. I saw it again in December and it stayed with me as my favorite even if I was rather numb walking out of the theater. It is one helluva tough one, but so good. Disagree? Go for it and say why in the comments. My top 10 follows with an ever so brief comment and a trailer (admittedly, there are still a couple of ‘key’ movies I still need to see). And what were your faves of 2012? 1. Amour – The toughest movie I, well, loved. 2. Zero Dark Thirty – I knew what the ending would be, but my palms sweat for hours in the lead-up. 3. Silver Linings Playbook – I thought I’d be bored as I was ‘dragged’ to see it at a festival. I completely loved it. 4. Lincoln – I like political intrigue – even of the 19th century sort. Tommy Lee Jones was Amazing. 5. Beasts of the Southern Wild – No stars – fantastic acting and a great new voice in filmmaking in the form of Benh Zeitlin. 6. How to Survive a Plague – It’s hard to hold back the tears watching as these brave people fight for their lives under the scepter of hate. 7. Anna Karenina – Sumptuous. No surprise the Revolution came along. 8. Holy Motors – This movie may go down as one of 2012’s most important. 9. On the Road – Sit down, light up and go for the ride. Garrett Hedlund is a good trip. 10. Argo – Again, you know what the end will be but it still gets the heart racing. The final scenes when the film hits you over the head with how they barely get out is a bit much though.

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One Of The Last Top 10s Of 2012

Let’s Have A Big Hand For The Sexiest Movie Trends of 2012!

We can all agree that 2012 has been an excellent year for the movies , but the more salacious among us will note that it’s been an awesome year to perv out at the movies. Although we didn’t get another look at the Fassmember and all the conflicting feelings it brought up (Hotness! Confusion! Embarrassment at being psyched to see him naked in Shame when actually it’s really f***ing depressing!) there were some rather interesting trends that reared their heads that invite a closer look. Whether studios are getting braver or filmmakers are getting bolder is a debate for another time — and please don’t suggest that 50 Shades had too much to do with it. Let’s salute all the sexin’ that happened onscreen in 2012. Hair Here, There, and Everywhere Merkin-makers must have been counting their coins this year because going au naturel was all the rage, although I’m sure that the Brazilian waxers weren’t going hungry either. Neither of the leading ladies in Killer Joe kept their pants on the whole time, which wasn’t too much of a shock given director William Friedkin ‘s bold career. ( Cruising , anyone?) The very first scene puts us — and Emile Hirsch — face to face with Gina Gershon’s lustrous bush* as Gershon throws open the door to the family trailer wearing nothing but a T-shirt. Juno Temple is probably the most naked, though, as the uncomfortably young and dotty Dottie, who’s given to Killer Joe (the frequently shirtless Matthew McConaughey ) as a retainer until her brother and dad can pay him for killing their mother. (Got all that?) I’m not sure if Dottie is psychic and otherworldly or, you know, touched in the head, or even if she’s of age, but let’s get back to that later in the “Is This Even Legal?” section. *(Actually a merkin, as per this interview .) In the slightly more matter-of-fact dramedy The Sessions , Helen Hunt sheds her clothes in a professional manner as a sex surrogate hired by a man who’s spent most of his life in an iron lung. Some critics have commented that it seems unfair to show Hunt’s character completely nude while John Hawkes remains covered, but even Hawkes would have a hard time pulling off a nude scene as a paralyzed polio survivor. Sarah Polley’s Take This Waltz kept it casual when it came to the full frontal females. After an apparently hilarious incident of pool-peeing, Michelle Williams and Sarah Silverman enjoyed a tête–à–tête in the communal YMCA showers with a whole bunch of other ladies from their water aerobics class. Although I’ve never enjoyed a chill convo with my shower neighbors at the gym, I did appreciate finally seeing a wider variety of female bodies on screen. The extras were different ages and ethnicities, shapes and sizes, and they were just doing what bodies do when they’re not on sexual display. They all seemed a lot less pissed than I would have been if some yahoo had ruined my water aerobics class, too. Coming in Handy Handjobs aren’t just for high school any more, y’all. In fact, some of the most highfalutin films of the year show or imply manual stimulation. There was all sorts of snickering among the less mature among us (ahem) about masturbation in The Master , wherein the sort-of-but-not-really L. Ron Hubbard stand-in played by Philip Seymour Hoffman gets an almost stern handjob from his wife, Oscar hopeful Amy Adams . Seriously: that didn’t look like much fun. Hyde Park on Hudson gives a new meaning to kissing cousins when FDR’s “distant cousin” Margaret Stuckley (Laura Linney) gives a surreptitious hand to the cigarette-chomping prez, played by Bill Murray . The less said about this, the better. It’s not even clear what to call the scene in Holy Motors when Monsieur Merde (French for shit, for those of you playing at home) suffers from some sort of ecstatic priapism in the presence of a gorgeous fashion model played by Eva Mendes. But let’s not leave out the ladies! There was nothing quite as steamy as Gina Gershon subtly but skillfully manipulating Jennifer Tilly in Bound (under the tutelage of Susie Bright, who was a consultant on the early Wachowski film), but it seems practically greedy to ask for that much hotness once every decade or so. However, the sweetly sexy Hello I Must Be Going does have a hot and heavy make-out scene between freshly divorced Amy ( Melanie Lynskey ) and younger man Jeremy (Christopher Abbott of Girls ) that involves some deft fingerbangin’. Sisters don’t always have to do it for themselves, you know. Homoerotic Tension It seems like folks were waiting on tenterhooks to see Kristen Stewart joyfully jack off Sam Riley and Garrett Hedlund in On the Road , but the real hotness in that movie is Hedlund’s portrayal of Dean Moriarty’s playful pansexuality. His toothy, mischievous grin reels in not just the ladies but soulful men like Tom Sturridge’s Carlo Marx, a stand-in for Allen Ginsberg. And honestly, I don’t believe for a second that Marylou (Stewart) was the only one who wanted that threesome with Sal (Riley). Movieline has already explored the bondage-y vibe between James Bond and Skyfall villain Silva , which gave many viewers all sorts of naughty thoughts about Javier Bardem and Daniel Craig. I’d be seriously remiss if we left out Ezra Miller , the freaky fashion plate who came out as queer in a delightful Out magazine feature . As Patrick, Miller is the best part of The Perks of Being a Wallflower , and not just because he’s the best Frank-N-Furter this side of Tim Curry. (Those gams!) The tumultuous relationship he has with a closeted schoolmate is heartbreaking and the realest part of this YA adaptation. Also, he is extremely hot, and I don’t care if that makes me a dirty old lady. Plenty of people fall in love at the office, and in About Cherry , their office is a porn studio, filmed at Kink.com ‘s headquarters at the Armory in San Francisco. Young porn starlet Angelina (Ashley Hinshaw) and director Margaret (Heather Graham) feel the heat when Rollergirl gets behind the camera for a movie, but it’s not until they break up with their respective significant others that they become a sexy power couple. Jack and Diane is full of smoldering teen lust, and Riley Keough is fully channeling her grandfather Elvis as a young soft butch falling for Brit pixie Diane, played by Juno Temple. There’s lots of smooching and yearning and whatnot, including an ill-fated attempt at shaving Diane’s pubes, but there’s also a werewolf interlude because teenage lust can be scary or something. NEXT: First timers, role-playing, and Rust & Bone

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Let’s Have A Big Hand For The Sexiest Movie Trends of 2012!

Lessons We Can Learn From 2012’s Most-Pirated Films

Good news, everyone! 2012 has been a pretty great year for the film industry. Ticket sales were up worldwide by 5% over 2011, and a record box office haul of $10 billion means plenty of celebrating at studio holiday parties. Of course, Biggie wasn’t lying when he preached the harsh truth that with mo’ money comes mo’ problems, and so it is that while bootleg film watching didn’t quite rival ticket sales, with hundreds of millions of illegal downloads piracy is nothing to sneeze at. TorrentFreak has helpfully compiled a list of the year’s most frequently stolen films, and while it contains few surprises – is anyone shocked that the year’s biggest films would also be among the most pirated? – we can learn a lot from what it is people are actually pirating. Here are the films you were most likely to steal in 2012: 1. Project X 2. Mission Impossible: Ghost Protocol 3. The Dark Knight Rises 4. The Avengers 
5. Sherlock Holmes: A Game of Shadows 
6. 21 Jump Street 7. The Girl With the Dragon Tattoo 8. The Dictator 9. Ice Age: Continental Drift 10. The Twilight Saga: Breaking Dawn, Part 1 So what can we learn from this? For starters, Robert Downey Jr. clearly needs to invest in an illegal file sharing operation. No, we definitely do not condone piracy, but the pirates have spoken, and they’re firmly on team RDL. He might as well cash in on their adoration. Also noteworthy is the fact that the single most pirated film was Project X, which also has the distinction of being the lowest-grossing film on the list. It’s probably rational to think the film’s R-rating led to a lot of underage downloads from people who might otherwise be its target audience. But while some might suggest this only means teen comedies should be tamed down for a PG-13 rating, we think there’s a more obvious solution: eliminate the ratings system entirely. We look forward to a G-rated Machete sequel with plenty of nudity. Finally, this list conclusively proves that pirates have zero interest in prestige films. Every single one of these movies was a giant hit aimed at a wide audience. Now some might argue that movies with broad appeal are going to be more sought-after targets than those that play for a few weeks in an arthouse theater in Pasadena, but it seems just as likely pirates simply don’t like film snobs. The obvious take away: all tentpole movies should debut at Sundance and TriBeCa. [Source: Screen Crush ]

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Lessons We Can Learn From 2012’s Most-Pirated Films

Amy Nicholson’s / Top 10 of 2012 / Written In Haiku

2012 was a ho-hum year for “serious” cinema. As proof, the Oscar race has narrowed to films like the chipper Argo and dreary Zero Dark Thirty — a chase so routine that the alternative is a Steven Spielberg period piece as wholesome and agreeable as enriched bread. But it was also a banner year for the films that we’ll still want to watch in 2022: Ambitious over-reachers ( Cloud Atlas , The Master , Les Miserables ), loony passion projects ( Killer Joe , Magic Mike , The Paperboy ), and perfect popcorn flicks ( Step Up 4 , The Expendables 2 , Premium Rush ). That last category is frequently left off top ten lists, but it deserves our applause. When studios get tired of risking $250 million on a single blockbuster (and audiences get tired of paying $14 just to keep up with water cooler conversation), mid-priced modest hits like Looper will be our collective salvation — and help build the next generation of filmmakers and stars. The films that made my Top Ten did so because they were bold, memorable and flawless (or at least two of the three). But of course, if critics can judge art, we should take our own creative risks. And so I’ve written my remarks in haiku. 1) DJANGO UNCHAINED Quentin ‘s bold bloodbath An unflinching masterpiece Sam Jackson kills it 2) LOOPER Two actors, one nose In a cornfield dodging fate But can it be done? 3) ANNA KARENINA Old, cold tragedy Blazes with heat and magic Goes ignored, alas 4) 21 JUMP STREET Is our kids learning? Channing Tatum ‘s agent is Let Sir Abs crack jokes 5) COMPLIANCE At minimum wage, A maximum need to please Few brave souls say no 6) PITCH PERFECT Queen Rebel Wilson Bow down before her glory Or sing if you must 7) HOLY MOTORS A quick change artist Speeds through ten lives not his own Who is he? Who cares 8) THE GREY Liam punched a wolf But what mattered was the gloom Snow and fate and death 9) SEVEN PSYCHOPATHS More like ten psychos Softened by dogs and bunnies But still murderous 10) THE PAPERBOY Sweaty, sexy Efron Plus a pervy director Give Kidman a prize Disagree with my picks? Say so in verse. Amy Nicholson is a critic, playwright and editor. Her interests include hot dogs, standard poodles, Bruce Willis, and comedies about the utter futility of existence. Follow her on Twitter. Follow Movieline on Twitter .

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Amy Nicholson’s / Top 10 of 2012 / Written In Haiku

WATCH: ‘Modern Imbecile’s Idiot’s Guide To Making Movies For Dummies,’ Episode 2: Directing

So you’ve got your low-budget indie feature cast, for better and most definitely for worse . What next? Learn how to DIRECT the thing, Modern Imbecile-style, in the latest installment of Idiot’s Guide To Making Movies For Dummies presented by Slamdance TV, in which Don and Lizard Man show Wallace the finer points of shooting a love scene. Check back next week for the next installment of Modern Imbecile’s Idiot’s Guide To Making Movies For Dummies , with new episodes posting each week leading into the Slamdance Film Festival. Slamdance alums Kevin M. Brennan and Doug Manley have teamed up with Slamdance TV to present Modern Imbecile’s Idiot’s Guide To Making Movies For Dummies. In the five part web series, Slamdance TV’s very own Ben Hethcoat goes behind the scenes of Wallace Cotton’s latest feature film, COP HEAT starring Brennan and Manley as the titular duo, Don and Lizard Man. COP HEAT: “Two hot for the streets. Two hot to handle.” Join the festival ‘By Filmmakers, For Filmmakers’ in this Slamdance TV original web series which explores the independent filmmaking process. Slamdance Film Festival takes place January 18-24 in Park City, UT. For more information visit slamdance.com Facebook.com/SlamdanceFilmFestival Twitter @ Slamdance PREVIOUSLY: ‘Modern Imbecile’s Idiot’s Guide To Making Movies For Dummies,’ Episode 1: Casting Follow Movieline on Twitter .

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WATCH: ‘Modern Imbecile’s Idiot’s Guide To Making Movies For Dummies,’ Episode 2: Directing

R.I.P. ‘Thunderbirds’ Creator Gerry Anderson Dead At 83

The man who nearly single-handedly made puppets cool has gone to see the great manipulator in the sky. Gerry Anderson, creator of the pioneering puppetry technique called ‘Supermarionation’ and the popular series Thunderbirds , died Wednesday in Oxfordshire, England, at the age of 83 from complications due to Alzheimer’s disease. He is survived by four children, and by his third wife, Mary. Born in London on April 14, 1929, Anderson’s long career in television began in the 1950s, when he worked as a freelancer on numerous film and television productions. In 1957, he cofounded AP Films to produce the children’s series The Adventures Of Twizzle , which featured Anderson’s first use of extensive puppetry. This was followed by another series, Torchy The Battery Boy , in 1958, and finally Four Feather Fall in 1959, which was the first series to employ the technique for which he would become most well known. Anderson’s Supermarionation programs enjoyed considerable success during the 1960s (one of them was even picked up in the US by ABC), but it was the 1964-65 series Thunderbirds that made him world famous. The series focused on the Tracy family, adventurers who ran a high tech rescue service in the 21st century. It spawned two Supermarionation feature films, Thunderbirds Are Go! and Thunderbirds 6 , as well as a 2004 live action film which flopped. Other Supermarionation productions included Supercar , Joe 90 , The Secret Service , and Captain Scarlet and the Mysterons . Supermarionation, which combines marionettes with complex wire work and motorized puppet faces, achieves the effect of presenting the puppets as independent actors. Though the technique fell out of favor as special effects improved during the 1970s, Supermarionation’s influence can still be seen not only in films and TV shows that deliberately mimic it — like Trey Parker and Matt Stone’s Team America: World Police (below) — but in the worldwide success of The Muppets and the films made by Jim Henson’s Creature Shop in the 1980s. Interestingly, Anderson never liked working with puppets, seeing his Supermarionation programs as a way of making it possible to transition to live action, which just goes to prove once and for all that you don’t get to pick what you’re great at. Though Anderson transitioned to live action in the 1970s, with the exception of Space: 1999 his puppet-free productions never enjoyed the same level of fondness and influence. In recent years he produced a computer animated update of Captain Scarlet , and numerous aborted projects. He was awarded an MBE in 2001. We’ll be firing up Thunderbirds Are Go! in memorium. Ross Lincoln is a LA-based freelance writer from Oklahoma with an unhealthy obsession with comics, movies, video games, ancient history, Gore Vidal, and wine. Follow him on twitter (@rossalincoln). Follow Movieline on Twitter .

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R.I.P. ‘Thunderbirds’ Creator Gerry Anderson Dead At 83

WATCH: Ryan Gosling Sheds A Manly Tear In ‘The Place Beyond The Pines’ Trailer

“If you ride like lightning, you’re going to crash like thunder,” sounds like something Dennis Hopper  would have said in the 1970s (and, actually, the 80s, too), but the always-compelling Ben Mendelsohn gets the line in Derek Cianfrance’s The Place Beyond The Pines . Although you only hear Mendelsohn deliver it in voiceover in this trailer for the feature, it’s a warning he delivers to his partner-in-crime motorcycle stuntman-turned-bank robber Ryan Gosling in the film. As you can piece together from the clip below (which comes via Yahoo! ),   Gosling turns outlaw to support the surprise son he finds out he has (thanks to a fling with Eva Mendes’ character) and ends up on a collision course with a cop played by Bradley Cooper. (That tear Baby Goose sheds in the church is over his little boy, who’s played by a kid named Anthony Pizza, believe it or not.)  But don’t be like the guy in Yahoo! comments section who thinks the trailer gives away the whole movie.   The Place Beyond the Pines is way more complex than a heist  flick. As the tag line in the trailer reads: “One moment defines your life. One decision becomes your legacy.” I’m curious to see whether Cianfrance has re-edited the film since I saw it at the Toronto International Film Festival . I thought the way he structured the movie  was daring and inspired, if a bit unwieldy in places, but there was some grumbling among the crowd that the movie’s three interlocking stories didn’t fit together so well. The movie opens theatrically March 20. RELATED:  Ryan Gosling: ‘I’m Not Allowed to Have An Opinion’ About The Media’s Coverage Of My Life The Principals Behind The  Pines : Gosling and Cianfrance On Robbing Banks, Fatherhood, Face Tattoos, And More [ Yahoo! ] Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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WATCH: Ryan Gosling Sheds A Manly Tear In ‘The Place Beyond The Pines’ Trailer