Tag Archives: films

‘The East’: How Marling & Batmanglij’s Dumpster-Diving Freegan Summer Inspired The Eco-Anarchist Sundance Thriller

Two Sundances ago Brit Marling mesmerized as the leader of a cult being infiltrated by two would-be documentarians in Zal Batmanglij ‘s Sound Of My Voice ; this year she returns to Park City as the infiltrator, playing a corporate operative who goes undercover within a volatile anti-capitalist eco-anarchist group in Batmanglij’s sophomore feature, The East . Hit the jump for a peek at the tense first trailer and let Ellen Page ‘s steely-pixie voice put you on edge. The East just debuted in Park City to mixed-positive buzz, with some critics praising Batmanglij’s yarn-spinning direction. Fox Searchlight has this pic and Park Chan-Wook ‘s Stoker at Sundance (both produced by the late Tony Scott ). As a fan of relative newcomer Marling I hope this one finds its footing, since Fox Searchlight is in the Brit Marling business but hasn’t yet been able to make her critically praised films ( Sound of My Voice , Another Earth ) into bona fide indie hits. That said, while The East packs more star power (Ellen Page, Alexander Skarsgård, Julia Ormond, Shiloh Fernandez, Patricia Clarkson, Toby Kebbell!) than Batmanglij and Marling’s previous collaboration the behind-the-scenes story of its creation is more of a curiosity factor. The action-mystery spy pic, reportedly shot for $6.5 million, according to Batmanglij, “came into being through our personal frustration with rampant consumerism and all the contradictions of living in modern civilization.” Per Fox Searchlight, co-writers Batmanglij and Marling found inspiration for their thriller after going off the grid on a “freegan” walkabout one summer, hopping trains and sleeping on the street and dumpster diving for food: “We had read about ‘Buy Nothing Day’ and tried it – there was something liberating about not buying anything for a day. So we thought we might try a buy nothing summer. We’d heard about the freegan movement – people desiring to live simpler, more community based lives. We wanted to know what that was like first hand,” says Marling. “Going weeks without spending a dollar is an amazing feeling,” the director says. “Everyone should try it. We didn’t see movies. We weren’t listening to recorded music. Everything was happening organically from the group. The spin-the-bottle game in the film came from an experience we had. Thursday nights that was what we did as a way of entertaining ourselves.” There were aspects of the transient life that took some getting used to, admits Marling. “I was a bit repelled at first about things like getting into a dumpster to look for food. But like Sarah, we learned there are packages of bread that have been thrown away because they’re past their sell-by date, but nothing is wrong with them. Much of our culture’s ‘waste’ is actually bounty. We slept 20 people to a room in sleeping bags on the floor. There were no showers, but after a while you learn your hair begins to clean itself.” I love Marling’s ballsiness. I have doubts about her hair maintenance tips. (But seriously, she has amazing hair, so…) Read more from the Sundance Film Festival : SUNDANCE: ‘Two Mothers,’ Two Secret Affairs And Uncomfortable Laughter SUNDANCE: Mother Pus Bucket! Michael Cera’s Not Sure He’d Take A ‘Ghostbusters 3’ Gig SUNDANCE: Directors Tease ‘Computer Chess,’ ‘Spectacular Now,’ ‘Emanuel And The Truth About Fishes,’ ‘Salma,’ And ‘Blackfish’ Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

See the original post here:
‘The East’: How Marling & Batmanglij’s Dumpster-Diving Freegan Summer Inspired The Eco-Anarchist Sundance Thriller

SUNDANCE: ‘Two Mothers,’ Two Secret Affairs And Uncomfortable Laughter

Naomi Watts and Robyn Wright star in what has likely been the most divisive film to screen at the Sundance Film Festival so far. Two Mothers is the story of two close friends (played by Watts and Wright) who have secretive affairs with each other’s sons. The weekend premiere in Park City sparked a mix of laughter and polarized reaction that took the feature’s stars and director, Anne Fontaine, by some surprise. Speaking to The Daily Buzz , Watts and Fontaine noted the difference between American and European audiences in finding humor. During the post-screening Q&A Fontaine told the audience that she wasn’t quite sure what to make of the spontaneous laughter during sensitive moments in the film, and later Watts echoed that sentiment on a radio show in Park City hosted by The Film Society of Lincoln Center’s Eugene Hernandez that she was unnerved by the guffaws. ” “We were sort of sitting there thinking, ‘oh my goodness, is that the reaction we want?'” said Watts. “But, in speaking to people after, I think they understood it.” Vulture reviewer Kyle Buchanan typified the polarizing effect Two Mothers had here, calling the film both “The best and the worst movie” at Sundance in his review , adding, “it is a doozy.” Set in an insular seaside community, Two Mothers has its share of lust and secrecy as the pair carry on their affairs with the others’ sons over the years. But once their relationships are discovered, the revelation threatens to tear their lives as well as the lives of the young men apart. “I couldn’t imagine that [the response] would be like that,” Fontaine said on The Film Society’s Daily Buzz. “It was so direct.” The audience continued to laugh even as the mothers’ sexual secrets came to light, further heightening confusion for the filmmaker and the film’s stars. “It was clearly an instinctual reaction to what was going on on the screen and I think before they had a chance to process it, it just came out,” Watts surmised. “I’ve been in situations where I certainly wasn’t supposed to laugh. Like even at a funeral or if someone tells me some bad news. I am capable of laughing because I can’t deal with it, it’s too much and it’s uncomfortable and I think that’s what was happening.” [ Sources: FilmLinc Daily , Vulture ] [Image courtesy of FilmLinc Daily]

Read the rest here:
SUNDANCE: ‘Two Mothers,’ Two Secret Affairs And Uncomfortable Laughter

SUNDANCE: ‘Two Mothers,’ Two Secret Affairs And Uncomfortable Laughter

Naomi Watts and Robyn Wright star in what has likely been the most divisive film to screen at the Sundance Film Festival so far. Two Mothers is the story of two close friends (played by Watts and Wright) who have secretive affairs with each other’s sons. The weekend premiere in Park City sparked a mix of laughter and polarized reaction that took the feature’s stars and director, Anne Fontaine, by some surprise. Speaking to The Daily Buzz , Watts and Fontaine noted the difference between American and European audiences in finding humor. During the post-screening Q&A Fontaine told the audience that she wasn’t quite sure what to make of the spontaneous laughter during sensitive moments in the film, and later Watts echoed that sentiment on a radio show in Park City hosted by The Film Society of Lincoln Center’s Eugene Hernandez that she was unnerved by the guffaws. ” “We were sort of sitting there thinking, ‘oh my goodness, is that the reaction we want?'” said Watts. “But, in speaking to people after, I think they understood it.” Vulture reviewer Kyle Buchanan typified the polarizing effect Two Mothers had here, calling the film both “The best and the worst movie” at Sundance in his review , adding, “it is a doozy.” Set in an insular seaside community, Two Mothers has its share of lust and secrecy as the pair carry on their affairs with the others’ sons over the years. But once their relationships are discovered, the revelation threatens to tear their lives as well as the lives of the young men apart. “I couldn’t imagine that [the response] would be like that,” Fontaine said on The Film Society’s Daily Buzz. “It was so direct.” The audience continued to laugh even as the mothers’ sexual secrets came to light, further heightening confusion for the filmmaker and the film’s stars. “It was clearly an instinctual reaction to what was going on on the screen and I think before they had a chance to process it, it just came out,” Watts surmised. “I’ve been in situations where I certainly wasn’t supposed to laugh. Like even at a funeral or if someone tells me some bad news. I am capable of laughing because I can’t deal with it, it’s too much and it’s uncomfortable and I think that’s what was happening.” [ Sources: FilmLinc Daily , Vulture ] [Image courtesy of FilmLinc Daily]

Read the rest here:
SUNDANCE: ‘Two Mothers,’ Two Secret Affairs And Uncomfortable Laughter

‘American Idol’ Brings Out Nicki And Mariah’s ‘Mean Girls’

The two divas tiffed about everything from movie quotes to ‘beauty lighting’ in the two-hour premiere. By Adam Graham Mariah Carey and Nicki Minaj Photo: FOX

See original here:
‘American Idol’ Brings Out Nicki And Mariah’s ‘Mean Girls’

Sundance 2013: Our 10 Must-See Movies

As we get ready to hit the Park City slopes, these are the films we can’t wait to see. By Kevin P. Sullivan Scarlett Johansson and Joseph Gordon-Levitt in “Don Jon’s Addiction” Photo: Future Film

Link:
Sundance 2013: Our 10 Must-See Movies

WATCH: The Best Of Tina Fey & Amy Poehler’s Golden Globes Performance

Aspiring awards-show hosts, do I have a training video for you.  Here, in one sweet video-clip compilation, is a highlight reel of Tina Fey  and Amy Poehler’s pitch-perfect performance at the Golden Globe Awards on Sunday. Included are Poehler’s lines about the “beautiful people of film rubbing shoulders with the rat-faced people of television,” Les Miserables  actress  Anne Hathaway not being cut out for porn, and  Fey’s warning to singer/songwriter  Taylor Swift to “stay away from Michael J. Fox’s son,” Sam.     This nicely edited clip, which was posted by The Guardian in the U.K.,  also features audience reaction to the jokes.  You get to see Jessica Chastain’s  gasp after  Poehler does the joke about Zero Dark Thirty director Kathryn Bigelow  understanding torture because of her three-year marriage to James Cameron. And Daniel Day-Lewis plays along by extending his index finger when Poehler and Fey tell the audience that the method actor actually worked for Steven Spielberg before Lincoln when he played E.T.  There’s even a bonus shot of Tommy Lee Jones scowling, which makes this video a must-have for any awards-show aficionado’s collection.  My only regret is that the video doesn’t include the shot of Poehler cuddling with George Clooney .  Check it out below, but put down the coffee cup first or you’ll be doing a spit take like Quentin Tarantino . RELATED:  Do The Tommy Lee Jones! 5 Top Golden Globe Moments WATCH: Jodie Foster Wins The Golden Globes With Her ‘Coming Out’ Speech [ The Guardian ] Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

Continue reading here:
WATCH: The Best Of Tina Fey & Amy Poehler’s Golden Globes Performance

Yep, ‘The Canyons’ Looks Pretty Terrible

I so wanted to be pleasantly shocked by The Canyons , the Paul Schrader -directed erotic L.A. noir starring wannabe comeback queen (and documented on-set terror , per that glorious NYT profile) Lindsay Lohan . The tongue-in-cheek trailer held some distant promise, although it was notably absent any extended look at the acting by LiLo and co-star/porn hunk James Deen , but now we’ve got three full unbroken minutes of The Canyons and, well, that comeback train’s going to be delayed at the station… if not completely derailed off the tracks in a fiery blaze. Where to begin? – ” This can’t be my phone?! ” – Lohan waking in full make-up, as you do – James Deen’s “sleeping” performance – That water bottle catch. Phew! – Christian’s entirely nonsensical plan to hide his girlfriend’s phone, then replace it with a duplicate phone, but keep it by his bedside Ikea table with the ringer on – The cringe-worthy domestic assault documented thusly in even more cringe-worthy fashion in the Times piece: Deen came to life; throwing the negligée-wearing Lohan hard to the ground and pounding his fist into a wall with such fury I wondered if he had broken his hand. Lohan lay slumped on the floor, her hands guarding her face, shoulders shaking, tears pouring down her cheeks. Between takes, she listened to Ryan Adams’s cover of “Wonderwall.” After three shots, Schrader said he was satisfied, and Lohan fumbled for a cigarette. She headed downstairs, and someone complimented her work. “Well, I’ve got a lot of experience with that from my dad.” Yeesh. So much to digest in just under three minutes. Can’t wait for the whole thing! [via The Film Stage ] MORE ON THE CANYONS : What People Are Missing In The NY Times Story On Lindsay Lohan WATCH: Lindsay Lohan & James Deen Get Retro Canyons Teaser Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

Originally posted here:
Yep, ‘The Canyons’ Looks Pretty Terrible

Welcome To Movieline’s Golden Globes Red Carpet Live Blog

Based on the incredible volume of Ryan Seacrest’s hair, it must be Golden Globes time! And for the next hour, Movieline will be bringing you our highly subjective play-by-play of the festivities. And at 8, join us as we live-blog the awards. See you after the jump. 

More:
Welcome To Movieline’s Golden Globes Red Carpet Live Blog

‘Jurassic Park 4’: Bring On The Feathered Dinosaurs!

The news of Jurassic Park 4 probably sent a lot of you scrambling for your brain’s groan button, and I can’t blame you. Though the original film is an important milestone in special effects, and boasts the last decent score John Williams ever wrote*, it preserved Michael Crichton’s dubious grasp of human nature and the book’s b-movie philosophizing – and the less said about the sequels, the better (especially the second film, which seems to consist largely of references to classic monster movies). Still! The dinosaurs, even the ones created using paleolithic CGI back in 1993, look insanely great, and given the advances in special effects that have occurred just in the 12 years since Jurassic Park 3 we can look forward to even more spectacular sauropods. But it isn’t just CGI that has advanced in the last twenty years; paleontology has also made some rather amazing discoveries. Beginning with the discovery of the feathered Sinosauropteryx fossil in 1996, over 30 new specimens have been found, and scientists are beginning to conclude that almost all dinosaur species probably had a coat of feathers. That sounds like a small difference, but it’s huge when you consider how radically that changes the appearance of these beasts. Despite the fact that the first feathered fossils of Archaeopertyx were discovered in the 1860s, dinosaurs were still seen in a largely reptilian context until quite recently. The 1970s and ’80s saw some major breakthroughs (among them the acceptance of the asteroid collision theory of dinosaur extinction), but even though the relationship between birds and dinosaurs was becoming more fully understood, that context remained the norm. Now, it would be a mistake to assume anything in Crichton’s novel is scientific, but his book did make great effort to plausibly reflect the consensus at the time. Jurassic Park , published in 1990, partly reflects that consensus. Dinosaurs in the novel were cloned from preserved DNA found in fossilized amber, with gaps in decayed DNA filled in using amphibian, reptile, and avian DNA. And regardless of the DNA used, as we saw in the film, with the exception of Velociraptors, they still largely resembled giant reptiles. However, Spielberg & Co. have the chance to update their look, and best of all it wouldn’t even require much of a stretch, plotwise, to explain the genetic retcon. Simply explain that advances in paleontology proved that their previous cloning relied too heavily on amphibian and reptile DNA. New clones corrected that mistake, relying more on avian DNA, and the result is a pack of dinosaurs that bear colorful plumage that would make Liberace seethe with jealousy. This doesn’t even begin to get into the new species we’ve discovered, like the aforementioned Sinosauropteryx (which would have been about the size of a chicken), that could populate the new film. And why should it have to? Apparently, T-Rex probably had feathers too. I could think of nothing cooler than that. [ For more on feathered Dinosaurs, check out this great article from Nature, published last summer. ] *Yeah, I said it. Ross Lincoln is a LA-based freelance writer from Oklahoma with an unhealthy obsession with comics, movies, video games, ancient history, Gore Vidal, and wine.  Follow Ross Lincoln on Twitter. Follow Movieline on  Twitter .

Read the original:
‘Jurassic Park 4’: Bring On The Feathered Dinosaurs!

Critics Choice Awards Spread The Love Around, Name ‘Argo’ Best Picture

On the heels of this morning’s surprising and not-so-surprising Oscar nominations , the Broadcast Film Critics Association handed their Critics Choice Awards to a rather familiar bunch as Lincoln , Silver Linings Playbook , Argo , Zero Dark Thirty , and Skyfall nabbed multiple major honors. In fact, the BFCA, an organization comprised of TV, radio, and online journalists, spread the love around to cover just about every Oscar favorite and token consolation prize there is. Take your bow, Cloud Atlas ! One thing’s clear: At least as of the close of voting on January 8, the critics’ group was feeling the Argo love. As Zero Dark Thirty and Les Miserables cool off in the Oscar race, Ben Affleck — snubbed for the Oscar, but honored with the Critics Choice Award for Best Director — and his jaunty ensemble period picture has been sneaking back into the hearts and minds of, at least, certain pundits. The BFCA/Critics Choice Awards tend to feel like the middle ground between the Golden Globes and the Oscars in terms of sensibility and taste, while the inclusion of separate Action and Comedy categories and acting subcategories give these voters every opportunity to strategically dole out awards to the widest variety of films. More power to Jennifer Lawrence , then, who was nominated as Best Action heroine and earned not one, but two additional nods for Silver Linings Playbook , for which she vied in both the Comedy and the straight dramatic Best Actress categories. Meanwhile, Jessica Chastain won the main Best Actress race, allowing both Oscar front-runners to win. That makes everyone happy, right? WINNERS OF THE 18TH ANNUAL CRITICS’ CHOICE MOVIE AWARDS: Best Picture – Argo Best Actor – Daniel Day-Lewis ( Lincoln ) Best Actress – Jessica Chastain ( Zero Dark Thirty ) Best Supporting Actor – Philip Seymour Hoffman ( The Master ) Best Supporting Actress – Anne Hathaway ( Les Miserables ) Best Young Actor/Actress – Quvenzhane Wallis ( Beasts of the Southern Wild ) Best Acting Ensemble – Silver Linings Playbook Best Director – Ben Affleck ( Argo ) Best Original Screenplay – Quentin Tarantino ( Django Unchained ) Best Adapted Screenplay – Tony Kushner ( Lincoln ) Best Cinematography – Claudio Miranda ( Life of Pi ) Best Art Direction – Sarah Greenwood/Katie Spencer ( Anna Karenina ) Best Editing – William Goldenberg/Dylan Tichenor ( Zero Dark Thirty ) Best Costume Design – Jacqueline Durran ( Anna Karenina ) Best Makeup – Cloud Atlas Best Visual Effects – Life of Pi Best Animated Feature – Wreck-It Ralph Best Action Movie – Skyfall Best Actor in an Action Movie – Daniel Craig ( Skyfall ) Best Actress in an Action Movie – Jennifer Lawrence ( The Hunger Games ) Best Comedy – Silver Linings Playbook Best Actor in a Comedy – Bradley Cooper ( Silver Linings Playbook ) Best Actress in a Comedy – Jennifer Lawrence ( Silver Linings Playbook ) Best Sci-Fi/Horror Movie – Looper Best Foreign Language Film – Amour Best Documentary Feature – Searching for Sugarman Best Song – Skyfall Best Score – John Williams ( Lincoln ) PREVIOUSLY IN AWARDS SEASON: Academy Award Nominees Announced – ‘Lincoln’ Leads 2013 Oscar Noms Academy Award Nominations — What Were The Biggest Snubs & Shocks Of The 2013 Oscar Noms? Academy Award Nominations − The Behind-The-Scenes Winners & Losers Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

Read this article:
Critics Choice Awards Spread The Love Around, Name ‘Argo’ Best Picture