Tag Archives: focus-features

Memo to Hollywood: Don’t Mess With Louis Vuitton

I hesitate to even pass along word of the luxury fashion purveyor’s ongoing litigiousness lest this site land in its hungry crosshairs, but: Have you heard about the lengths to which Louis Vuitton is going to keep its brand safe from the grubby likes of The Hangover Part II ? Or how another, recently resolved court victory has possibly shored up its case against the film’s studio Warner Bros.? Memo to Hollywood: Either get your clearances up front or do not even think of messing with these guys. This has been going on for a while , but THR Esq. now offers up the bone-chilling latest: On March 22, a judge granted a summary judgment victory to Louis Vuitton over a Super Bowl TV commercial produced by Hyundai that featured for approximately one second a basketball that bore resemblance to a flower-like symbol on chestnut-brown background design that was trademarked by Louis Vuitton. The French brand says that the judge’s decision two weeks ago shows why it should be able to go forward with its claims against Warner Bros. for infringing and diluting its trademark by showing for one brief moment in [ The Hangover Part II ] Zach Galifianakis telling someone who pushes his bag, “Be careful, that is … that is a Lewis Vuitton.” In mid-March, Warner Bros. responded to the lawsuit by telling a New York judge that it had a First Amendment right to feature trademarks and incorporate real-life references to brands without getting the consent of owners. The studio added there wasn’t any confusion, and if there was, it was de minimis and/or the responsibility of the company that had actually produced the knock-off handbag. Meanwhile, the designer isn’t backing down, arguing in a court filing (with its victory versus Hyundai in mind) that “Louis Vuitton’s ‘aggressive’ enforcement of its trademark rights and prompt action against those who misuse its trademarks are necessary concomitants of its exclusive rights in the brand.” Fine, but to what end? Is “the brand” — and apparently its business — so fragile that millions of dollars in legal expenses are themselves necessary concomitants of relevancy in 2012? Or is this just the more socially permissible way of shoring up the market share that all those knock-off merchants in Lower Manhattan have eroded in recent years? Either way, to all you screenwriters and studio legal departments alike: Maybe stick to Samsonite? [ THR Esq .] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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Memo to Hollywood: Don’t Mess With Louis Vuitton

Memo to Hollywood: Don’t Mess With Louis Vuitton

I hesitate to even pass along word of the luxury fashion purveyor’s ongoing litigiousness lest this site land in its hungry crosshairs, but: Have you heard about the lengths to which Louis Vuitton is going to keep its brand safe from the grubby likes of The Hangover Part II ? Or how another, recently resolved court victory has possibly shored up its case against the film’s studio Warner Bros.? Memo to Hollywood: Either get your clearances up front or do not even think of messing with these guys. This has been going on for a while , but THR Esq. now offers up the bone-chilling latest: On March 22, a judge granted a summary judgment victory to Louis Vuitton over a Super Bowl TV commercial produced by Hyundai that featured for approximately one second a basketball that bore resemblance to a flower-like symbol on chestnut-brown background design that was trademarked by Louis Vuitton. The French brand says that the judge’s decision two weeks ago shows why it should be able to go forward with its claims against Warner Bros. for infringing and diluting its trademark by showing for one brief moment in [ The Hangover Part II ] Zach Galifianakis telling someone who pushes his bag, “Be careful, that is … that is a Lewis Vuitton.” In mid-March, Warner Bros. responded to the lawsuit by telling a New York judge that it had a First Amendment right to feature trademarks and incorporate real-life references to brands without getting the consent of owners. The studio added there wasn’t any confusion, and if there was, it was de minimis and/or the responsibility of the company that had actually produced the knock-off handbag. Meanwhile, the designer isn’t backing down, arguing in a court filing (with its victory versus Hyundai in mind) that “Louis Vuitton’s ‘aggressive’ enforcement of its trademark rights and prompt action against those who misuse its trademarks are necessary concomitants of its exclusive rights in the brand.” Fine, but to what end? Is “the brand” — and apparently its business — so fragile that millions of dollars in legal expenses are themselves necessary concomitants of relevancy in 2012? Or is this just the more socially permissible way of shoring up the market share that all those knock-off merchants in Lower Manhattan have eroded in recent years? Either way, to all you screenwriters and studio legal departments alike: Maybe stick to Samsonite? [ THR Esq .] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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Memo to Hollywood: Don’t Mess With Louis Vuitton

Moonrise Kingdom Cast Gathers For Frowny ‘Vintage Team Photo’

You’ve seen the trailer . You’ve parsed the poster . Now study in the stern countenances awaiting you in Moonrise Kingdom , Wes Anderson’s Cannes-opening reverie for which a new “vintage team photo” is making the rounds. To my knowledge, this is the first and probably only time we’ll get Anderson’s ensemble — including Bill Murray, Bruce Willis, Frances McDormand, Edward Norton and the young campers of New Penzance Island — in one place before the film hits theaters next month. Except for Tilda Swinton, I guess; “Social Services” just gets a picture frame. And Snoopy R.I.P.? Nooo! Whatever. It’s better Photoshop than this . [Click for bigger; via Focus Features] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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Moonrise Kingdom Cast Gathers For Frowny ‘Vintage Team Photo’

Moonrise Kingdom Cast Gathers For Frowny ‘Vintage Team Photo’

You’ve seen the trailer . You’ve parsed the poster . Now study in the stern countenances awaiting you in Moonrise Kingdom , Wes Anderson’s Cannes-opening reverie for which a new “vintage team photo” is making the rounds. To my knowledge, this is the first and probably only time we’ll get Anderson’s ensemble — including Bill Murray, Bruce Willis, Frances McDormand, Edward Norton and the young campers of New Penzance Island — in one place before the film hits theaters next month. Except for Tilda Swinton, I guess; “Social Services” just gets a picture frame. And Snoopy R.I.P.? Nooo! Whatever. It’s better Photoshop than this . [Click for bigger; via Focus Features] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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Moonrise Kingdom Cast Gathers For Frowny ‘Vintage Team Photo’

Next Week in NYC: Join Gary Oldman for a Free Career Retrospective

Focus Features and the good folks at WNYC are going all out for first-time Oscar nominee Gary Oldman , lining up a six-film retrospective of the actor’s work that will culminate Feb. 8 in Manhattan with a screening and Oldman Q&A for Tinker Tailor Soldier Spy . The best part: It’s free . Which naturally means you’d better act fast to reserve your seats. The screenings commence Monday at the Landmark Sunshine, comprising a nifty selection of Oldman’s best work over the last quarter-century including Sid and Nancy, Prick Up Your Ears, JFK and The Contender . (And, uh, Bram Stoker’s Dracula , which my memory perhaps betrays, but you tell me.) The complete schedule is below; you can book your seats over at OldmanRSVP.com . Tell him Movieline said hello! Feb. 6 at 6:30 PM : Sid and Nancy (1986) Feb. 6 at 9:00 PM : JFK (1991) Feb. 7 at 6:00 PM : The Contender (2000) Feb. 7 at 9:00 PM : Bram Stoker’s Dracula (1992) Feb. 8 at 5:00 PM : Prick Up Your Ears (1987) Feb. 8 at 7:30 PM : Tinker Tailor Soldier Spy (2011), followed by Q&A with Gary Oldman [ OldmanRSVP.com ]

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Next Week in NYC: Join Gary Oldman for a Free Career Retrospective

SUNDANCE: Richard Gere Wall Street Thriller Arbitrage Leads Latest Deals (Updated List)

Our Sundance bidding-war preview may have foreseen only part of the fervor around the John Hawkes/Helen Hunt drama The Surrogate , but how’s this for compensation: As predicted , the Richard Gere/Susan Sarandon Wall Street thriller Arbitrage went to Roadside Attractions (with its partners at Lionsgate) for just over $2 million . Bam! That’s not it for deals, either: Get the updated roster of Sundance pics -– and see which offerings earned raves, and which didn’t — after the jump. Arbitrage (Lionsgate/Roadside Attractions) – Nicholas Jarecki’s dramatic feature-filmmaking debut stars Richard Gere as a billionaire hedge-fund fraud seeking to cash in before he’s exposed. Susan Sarandon, Brit Marling and Tim Roth co-star. Look for the studio duo to duplicate the multi-platform success they enjoyed in 2011 with Margin Call , another financial-world potboiler picked up in Park City. The Surrogate (Fox Searchlight) – Sundance favorite John Hawkes turns in an brave performance as real life poet Mark O’Brien, who yearns to lose his virginity with a sex therapist (Helen Hunt) despite being paralyzed from the head down. Fox Searchlight paid a reported $6 million for the pic, which may face tricky ratings deliberations due to Hunt’s full frontal nudity. Beasts of the Southern Wild (Fox Searchlight) – The smallest narrative to get a deal thus far at Sundance comes off of strong buzz and acclaim for the tale of a young girl and her ailing father who live in a fantastical alternate version of the American South. Red Lights (Millenium Films) Negative reviews hurt the profile of this Rodrigo Cortes ( Buried ) thriller, despite featuring Cillian Murphy, Sigourney Weaver, Robert De Niro, and last year’s Sundance darling Elizabeth Olsen. For a Good Time, Call… (Focus Features) – The feature debut of shorts director Jamie Travis pairs Lauren Anne Miller and Ari Graynor as frenemies who start a phone sex line together, one of a gaggle of raunchy female-driven comedies in this year’s line-up. Celeste and Jesse Forever (Sony Pictures Classics) – With Rashida Jones and Andy Samberg leading a cast of familiar players, this was bound to attract buyer attention galore. Sony Pictures Classics snatched it up for a reported $2 million, adding C&J to their previous Sundance acquisitions Searching for Sugar Man and The Raid. Previously announced Sundance 2012 deals: Searching for Sugar Man (Sony Classics) – The documentary about 1960s musician Rodriguez played well to critics and was snatched up by SPC for a reported six figures. The Queen of Versailles (Magnolia Pictures) – Another well-received doc, Lauren Greenfield’s examination of Florida real estate mogul David Siegel was picked up by Magnolia on Friday. Black Rock (LD Distribution) – Katie Aselton’s thriller about three female friends (Aselton, Lake Bell, Kate Bosworth) surviving a weekend getaway gone wrong was the first Midnight selection to seal a deal, partnering with newbie venture LD Distribution. The Words (CBS Films) – Bradley Cooper, Zoe Saldana, and Jeremy Irons lead a cast of recognizable stars in this literary drama about a writer (Cooper) who claims credit on someone else’s manuscript and is confronted by its real author, so it’s easy to see why buyers were interested. CBS Films reportedly made the most expensive buy of the fest so far, laying down $2 million for the film. Whether or not that move was smart remains to be seen, as this first review over at The Playlist is less than encouraging. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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SUNDANCE: Richard Gere Wall Street Thriller Arbitrage Leads Latest Deals (Updated List)

Bingham Ray Dies At Sundance

October Films co-founder and San Francisco Film Society executive director died near the Sundance Film Festival. By Josh Wigler Bingham Ray Photo: Arun Nevader/WireImage PARK CITY, Utah — Bingham Ray, a champion of independent filmmaking, died on Monday (January 23) near Park City, Utah, the Sundance Institute has announced. Ray, 57, was the co-founder of October Films and the executive director of the San Francisco Film Society. He suffered a stroke during the Sundance Film Festival last week and was initially hospitalized in Park City. Following a second stroke, Ray was transferred to Provo, where he later died. “It is with great sadness that the Sundance Institute acknowledges the passing of Bingham Ray, cherished independent film executive and most recently Executive Director of the San Francisco Film Society,” reads a statement posted on Deadline . “On behalf of the independent film community in Park City for the 2012 Sundance Film Festival and elsewhere, we offer our support and condolences to his family. Bingham’s many contributions to this community and business are indelible, and his legacy will not be soon forgotten.” “The board of directors and staff of the Film Society are stunned and deeply saddened by the untimely death of our executive director Bingham Ray,” said Pat McBaine, board president of the San Francisco Film Society. “We at the Film Society and the entire film community have lost far too early an energetic and visionary impact player who has helped shape the independent film industry for decades in so many important and valuable ways.” Ray is perhaps best known as the co-founder of October Films, the 1990s-era independent film production company and distributor responsible for movies such as “Secrets and Lies,” “Lost Highway” and “Cherry Falls.” October was later acquired by Universal Pictures and renamed USA Films, which itself became the basis of Focus Features, Universal’s art house arm that counts “In Bruges” and “Milk” among its many credits. The San Francisco Film Society named Ray as executive director in November 2011 after the death of the SFFS’ director Graham Leggat this past August. Share your condolences with Bingham Ray’s friends and family in the comments below.

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Bingham Ray Dies At Sundance

Shia LaBeoummer: Wettest County Dumped to August

After their not-so-dextrous handling of The Road throttled director John Hillcoat’s film into cultural oblivion, let’s be honest: There’s something bittersweet about watching the Weinsteins suffocate Hillcoat’s anticipated follow-up Wettest County for old times’ sake. Starring Shia LaBeouf, Tom Hardy and Jessica Chastain in an adaptation of Matt Bondurant’s acclaimed Depression-era novel The Wettest County in the World , the movie has been shifted from its relatively favorable April 20 release date to the death row of Labor Day weekend — Aug. 31, where, to be fair, where Focus Features has dined out the last two years with similarly adult-targeted fare like The American and The Debt . Of course, those movies had proven stars in George Clooney and Helen Mirren, respectively; practically since its inception, Wettest County has been viewed as a dramatic mainstream proving ground for leading men LaBeouf and Hardy. Now it’s more like some kind of three-legged race to the holiday box-office finish line, with the duo facing off against the supernatural thriller 7500 . Good luck, fellas! Anyway! All the more resources for the surging #ConsiderUggie campaign . [ LAT ]

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Shia LaBeoummer: Wettest County Dumped to August

Talkbalk: Bill Murray as Franklin D. Roosevelt, Totally Random or Just Right?

Just last Friday, Movieline’s casting department notified you that Notting Hill director Roger Michell was on the lookout for an actor to play Franklin Delano Roosevelt in his romantic drama Hyde Park On Hudson . Our casting execs were thinking of someone along the lines of James Cromwell or Jon Voight again, but apparently Michell and UK’ s Film4 had a completely different actor in mind for the movie. Ladies and gentleman, meet the up-and-comer who will be playing the next Franklin D. Roosevelt: Bill Murray! Join as after the jump to share your thoughts on this surprise casting choice.

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Talkbalk: Bill Murray as Franklin D. Roosevelt, Totally Random or Just Right?

Help Movieline Caption the First Images of January Jones in X-Men: First Class

Now that Betty Draper has been reduced to a constantly frowning plot device during this season of Mad Men , it stand to reason that Emmy-nominated star January Jones would want to branch out a bit and ply her trade on the big screen in a big, fun comic book movie. However, if the first images of Jones as Emma Frost on the set of next summer’s X-Men: First Class are any indication, she didn’t stray very far from her Mad Men wheelhouse. Here are some caption-ready photos of Jones in various stages of high-hatted misery.

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Help Movieline Caption the First Images of January Jones in X-Men: First Class