Alyssa Miller is a hot American Model…which is rare…not because every American girl has become obese thanks to hormones in the food, high fructose corn syrup and processed meats….but because modeling agencies love importing the pussy…. She was born in 1990, the year of the hypercolor, she was in SI this past year, overshadowed by that pig Kate Upton….even though she’s way hotter than Kate Upton…but I don’t need to tell you that…you’re either hung up on the Kate Upton bitch cuz of marketing…or you really like floppy sloppy titties….while this Alyssa Miller…is just right….at least in pictures….who cares.
Alyssa Miller is a hot American Model…which is rare…not because every American girl has become obese thanks to hormones in the food, high fructose corn syrup and processed meats….but because modeling agencies love importing the pussy…. She was born in 1990, the year of the hypercolor, she was in SI this past year, overshadowed by that pig Kate Upton….even though she’s way hotter than Kate Upton…but I don’t need to tell you that…you’re either hung up on the Kate Upton bitch cuz of marketing…or you really like floppy sloppy titties….while this Alyssa Miller…is just right….at least in pictures….who cares.
Alyssa Miller is a hot American Model…which is rare…not because every American girl has become obese thanks to hormones in the food, high fructose corn syrup and processed meats….but because modeling agencies love importing the pussy…. She was born in 1990, the year of the hypercolor, she was in SI this past year, overshadowed by that pig Kate Upton….even though she’s way hotter than Kate Upton…but I don’t need to tell you that…you’re either hung up on the Kate Upton bitch cuz of marketing…or you really like floppy sloppy titties….while this Alyssa Miller…is just right….at least in pictures….who cares.
Here’s some Miley Twitter erotica cuz I love her hot body…even when it is clothed and sprawled out on a day bed like she’s either medicated and ready to be taken advantage of…or just tired on her Memorial Day….because her life isn’t one long, never ending vacation…..you know full of money, celebrity perks, and the abilty to do whatever the fuck she wants at any given time….because she has a staff that caters to all her needs….a life that I guess is so exhausting….exhaustion that if I was in the room…I’d definitely have to sneak attack with my fingers/mouth/and/or/penis….I’ve been accused of rape at least once for this kind of romance….I call Sloth-rotica…..
Janice Dickinson is a monster….sure she’s got big old fake tits but they kind of lose their appeal when her skin looks like it is melting off her body in some freaky reptile shedding of skin ritual that happens when a bitch is too tanned, too old, too anorexic, too disgusting….but be happy she’s decided to cover up her zombie corpse pussy this time…even though the rest of her rotting body is pretty fucking bad too….but for the record…I’d still eat her up like this was ALIVE and I needed the food for survival and it wouldn’t take a plane crash to motivate me….I’m ready for it right now motherfucker….but that’s cuz I am addicted to HER NAKED ZOMBIE PIC … TO SEE THE REST OF THE PICS FOLLOW THIS LINK
“I think we have bigger problems in our country than sending armed FDA agents into peaceful farmers’ land and telling them they can’t sell milk directly from the cow,” Rand Paul said yesterday in a rousing speech calling for an end to the Food and Drug Administration’s police powers. More from the transcript, provided by Paul’s office: Some of you might be surprised the FDA is armed. Well, you shouldn’t… Broadcasting platform : YouTube Source : Reason Magazine – Hit & Run Discovery Date : 23/05/2012 23:51 Number of articles : 2
Miley Cyrus has a young tight body….something I have been seeing everywhere lately…thanks to girls getting ready for summer and dressing the fucking part…more open minded to short shorts and no bras….making every man a sex offender just leaving his fucking house….and I think it has something to do with the hormones in the foot…I have this theory that the hormones in the food affects the development of vaginas and sex drive…you know altering bitches to be busty, meaty pussy cunts, who wanna fuck and dress half naked….because all the meaty pussy I’ve seen in my life has been born after 1988…..around the same time food was being made in labs….and I’ve decided to go on a personal quest to study this…with no scientific background…but a labia measuring dream…in hand…I vow to try to reach a solid sample of girls to prove my theory to be truth….it is an exciting journey and I am glad to be taking it…. TO SEE THE REST OF THE PICS FOLLOW THIS LINK
Madonna’s Hairy Spic Hipster daughter’s little teen tits are spilling out of her American Apparel shirt and I like it….partially because I am a pervert who likes all tits spilling out of shirts….but mainly because I like little rich cunt who aren’t quite 18 in general….Not only is their style pretty fucking racy cuz they aren’t scared to show off what the hormones in the food makes that made them hit puberty at 7 has done to them, rocking better teen bodies than ever, dressed in clothes that showcase that fact better than ever, to the point where leaving the house makes you feel like a sex offender…..but they attend sex parties where they lick each other’s assholes….at least according to Oprah…that pervert…. Either way, here’s some hipster spic hotness…. TO SEE THE REST OF THE PICS FOLLOW THIS LINK
If you were a movie-watching child of the ’90s (or, shall we say, an adolescent girl with a pulse) you knew Devon Sawa as a teen idol golden boy of the decade. But after a little more than a dozen years as an actor — during which time he graduated from kiddie fare ( Little Giants , Casper , Now & Then ) to Tiger Beat bait ( Wild America ) to what he calls his “edgy” phase ( SLC Punk , Idle Hands , Final Destination , Slackers , and Eminem’s “Stan” video), Sawa departed Hollywood to reassess his career, not knowing if he’d return to acting. During his self-imposed exile from the spotlight — and the party culture and poor career choices that he admits marked his mid-aughts — Sawa spent time in Southeast Asia. He trained in muy thai. He restored a heritage building in his hometown of Vancouver, British Columbia. By the time a script serendipitously found its way to his mailbox, enticing him back into the acting game after his years-long absence, Sawa was ready to start fresh. A celebrated guest turn as reformed assassin Owen Elliot on The CW’s sleeper hit Nikita followed, along with turns in the Toronto Film Festival thriller 388 Arletta Avenue , the indie horror pic The Sibling , and this week’s After Dark Action slate offering, The Philly Kid . Movieline met with Sawa to discuss (OK, obsess over) his beloved ’90s films and the disparate fan followings they inspired, the unexpected similarities between directors Steven Spielberg and Dr. Dre, how he spent his four years away from acting, and why it’s always OK to give your phone number to the Coen brothers . What brought you to The Philly Kid in the first place? You aren’t playing the hero here, but rather a more vulnerable character, which I thought was a more interesting choice. First of all, when I read the script the lead was already cast with Wes [Chatham] and he couldn’t have done a better job, but this was appealing to me because he’s kind of the guy who doesn’t care anymore; he’s got the slouch, and he drinks, and he’s got a gambling problem. It’s a character I’ve never played before and I wanted to be that character that doesn’t worry so much about the way he looks, you know what I mean? You play the friend who sucks Wes’s Dillon back into fighting, part Paulie from Rocky and part Worm from Rounders … The thing about Jake is that he’s a likeable guy, he’s a loveable guy, and that’s what makes Dillon want to help him out. He doesn’t ever mean to do anything wrong, he’s just got no filter and he makes the wrong decisions… a lot. But he means well. Given your sports training, have you considered taking the action hero route? Or do you have a different path in mind? Acting first. I want to do action, but I don’t want to be the guy who does just action. I’ve been working a lot on character, and I want to be able to do what Pacino and Hoffman do. But I still love doing action, so I’m trying to do both. You’ve done a number of indie movies as well as Nikita in the last few years — where did this project fit in? It came at the right time. It was the end of season one of Nikita so I knew for sure I wasn’t working on that. My agent called and said there was this MMA script, and I was like, “Oh, let me read it!” Baton Rouge was a big part of it because I love the South, and being from Canada it’s like the polar opposite — the food, the feel… I just love it down there. So it just fell in place. Obviously many of us have been watching your career from the start, but audiences really caught up with you in recent years thanks to your recurring role on Nikita . I took a break at the age of 25 just to step away from the business and figure things out — figure out if I wanted to do this anymore because I’d been working straight from the age of 11. And when I came back after four or five years, it was kind of like starting fresh again. People hadn’t seen me in a while, the last things they saw me in were some indie horror movies that I’m not really proud of, and the Nikita people were the first to step up and take a shot at me — “OK, let’s see him.” I went in and read with them and it went great, and that opened up a whole bunch of new doors. That’s why I love them so much. A lot of people were like, “Eh, Devon, we haven’t seen him in a while — what’s he been doing?” And Nikita was like, “Sure, this could work.” It was supposed to be for two episodes, but I got on there and it’s still going. It must be curious to have the experience of being famous as a child actor, and getting all the way to age 25 then stepping away and coming back. Between your early work, your Nikita work, and your newfound Twitter fame, what do you think has helped you most get back in the game? Nikita , for sure. I love Twitter. [Laughs] I don’t know if it’s really helped, but it’s a lot of fun. I have friends that are on The Vampire Diaries now that I met through Twitter. It’s a great thing, but I don’t know whether it’s helped or not. In ways you’re more candid on Twitter than most actors, which is part of why I think folks like to follow you. It’s not doing anything wrong, that’s for sure. No one’s told me to stop. I dread the call from my manager saying, ‘Did you really say this on Twitter?’ But you never know. Let’s go back to the beginning. You began acting at a young age, which is when you first made a name for yourself. Tell me about your childhood… I had a great childhood! I started doing Nerf commercials — I was the national Nerf spokeskid, which was my first kind of big thing. Did you know then that you wanted to act for a living? Yeah, I was a very energetic kid in grade 5 and started doing theater, traveling with this group doing all the elementary schools. I just loved it, I loved being on stage. Then I auditioned for the Nerf thing and got that, loved that — I ran around shooting Nerf guns. How can any kid complain about that? Exactly. And at the end of every commercial they’d give me a big box of these Nerf guns that the prop guy would put different springs in to make them shoot farther! So it was great. And then Casper came along. As a kid I was doing school with Christina Ricci and then Jonathan Taylor Thomas, going to Savannah, so it was all great. Then after Wild America when I was 17 I stepped away for two years, and came back, and I was going through that phase where I didn’t want to be in those teen magazines anymore. I was really against those things. That seems like the toughest transition for a child actor to make, out of adolescence and teen years into young adulthood. It really was. I wanted to do edgy, weird stuff, like SLC Punk and Idle Hands and the “Stan” video. That’s when I was in my weird phase. I guess it worked out. I admit I was enamored of Little Giants and Now & Then , but I have a friend who’s obsessed with Slackers . Like a number of your films, it has quite the cult following. There were a certain couple of years in college when I think that was a big movie! My agent’s assistant was like, “I love Slackers !” And he started reciting a scene that I don’t even remember. I’m like, “OK, dude!” I guess people like that. And I was really, really proud that Idle Hands made it to the New Beverly Cinema last year. That’s when you know you’re in a cult hit. Did you go? I didn’t. But the next one… How often do you go to the New Beverly? Because I swear I saw you there once, which is when I became aware that you were a fan of the theater and a huge movie nerd. You did. I am. I used to go all the time, but now I’m in Woodland Hills. I go to the Aero theater more, but I love them both. I really am a movie nerd. I love going to see the old films on the big screen. I just saw a new print of West Side Story at the Aero theater and that was great, I went to see back to back Indiana Jones es, back to back Godfather s… it’s the only way to see them. So, back to this edgy phase. Slackers , Idle Hands — those films came right before your self-imposed break from Hollywood. What prompted that? That was the point when the fame, or whatever — what club or what party I was going to — became more important. Then I started doing some movies that I wasn’t so proud of. They were kind of straight-to-DVD horror movies and whatnot. Why do you think you were doing those movies? They threw a little money at you, and you want to work, and you think they’re going to do better — it sounds good on paper — and then it comes out and somewhere down the line, something didn’t work out. And I wasn’t really proud of them, so I stepped away.
Before IMAX became a way to boost action sequences — Tom Cruise dangling from the tallest building in the world, the Joker’s gang rappelling down from a Gotham City high-rise to rob a bank — the outsized format was primarily the domain of nature films like To the Arctic 3D , which aim to dazzle with large-scale shots of mountains and dolphins and Australia and other impressive-looking things. Forty minutes long and narrated by Meryl Streep , To the Arctic uses spoonfuls of cuteness — featuring walruses and caribou, though polar bears are its primary animal stars — to make its fairly grim environmental message go down a little easier. Directed by Greg MacGillivray, an old hand at IMAX docs, To the Arctic tries to balance out its underlying sense of global warming alarm with spectacular imagery and footage of the far north ecosystem at work. Of course, even when it comes to the most roly poly of polar bear cubs, life at the top of the world isn’t easy, and while the film discreetly leaves the majority of the process of hunting and gobbling down seals off screen, it does include some potentially troubling sequences involving the food sources the male bears turn to when desperate. Polar bears aren’t easy to film — a segment about how would-be cinematographers camouflage remote-controlled cameras in order to get closer shots of the animals shows one bear breaking a device like an enraged celebrity attacking a paparazzo. So when the filmmakers find a family of bears and are able to stick with them for several days, they end up catching a chase across the ice. It’s a mother polar bear and her two cubs who are the heart of To the Arctic , the trio traveling across the diminishing sea ice as the mother searches for food for her offspring in the lean summer months when hunting is more difficult. Survival isn’t a certainty — earlier footage shows a mother swimming for nine days and hundreds of miles in search of meat, her cub not surviving the journey. But in the case of these bears, their most dangerous enemy turns out to be males of their own species, who will eat cubs when they can’t find seals to nosh on. The mother anxiously herds her children across the ice floes, always on the lookout for other bears, though despite her caution one finds them and tries to track them down. (Parents with children and sensitive stoners planning on seeing the film can rest assured there are no scenes of violent polar bear cannibalism.) To the Arctic flutters from place to place, peering in at some Inuit hunters and researchers who dive beneath the ice, then traveling with a pair of scientists tracking caribou migrations before pausing to watch walruses loll in the sun and then jumping to a ship departing from Svalbard. The only thematic ties beyond a shared region are the environmental threats being posed by global warming, which is making it harder to polar bears and walruses to hunt and is wreaking havoc on the caribou migration patterns. The film is marked by a few jarring stylistic touches, like a score that wavers between dramatic instrumentals and Paul McCartney songs (“Mr. Bellamy,” “I’m Carrying” and “Little Willow”) and opening credits that explode into shards of ice that fly at you — narrated by Meryl Streep BOOM! Streep offers her voiceover with nary a sly twinkle, even when delivering lines about the “frisky dance of the northern lights” or urging that “we can help keep the Arctic white.” But it’s the visuals you’re here to see, and they look great on the massive screen in three dimensions, especially in helicopter shots that whirl past waterfalls cascading off of glaciers or travel over the fantastic tundra like there’s an army of orcs to be discovered just over the next bluff. 3-D and IMAX may no longer be new, but in moments like those, they can still summon a sense of awe. Follow Alison Willmore on Twitter . Follow Movieline on Twitter .
