Tag Archives: Game

‘Tron: Legacy’: The Reviews Are In!

Critics call Disney’s reboot/sequel a ‘catchy popcorn pleasure’ that is ‘destined to split audiences.’ By Eric Ditzian “Tron Legacy” Photo: Disney It’s been a good year for studios that waited three decades to update old-school flicks. In April, Warner Bros. gave 1981’s “Clash of the Titans” a coat of CGI splendor and ended up with a film that grossed almost $500 million worldwide. Can Disney, which has resurrected 1982’s computer-world-based adventure film “Tron” for a new generation, mirror the success of “Clash”? At this point, at least, “Tron: Legacy” is receiving far kinder reviews than “Clash.” That doesn’t mean, of course, that “Tron” can top the $61 million domestic opening of the latter. Disney’s 3-D film is predicted to land somewhere in the $40-45 million range. Will it defy expectations? Will positive word of mouth spread? Is the movie worth a trip to the theater on opening weekend? Check out what the critics are saying about “Tron: Legacy” and decide for yourself. The Story “Sam Flynn (Garrett Hedlund), the son of video game developer Kevin Flynn (Jeff Bridges), is left as the uninterested heir to his father’s corporation after the elder Flynn’s disappearance 20 years earlier. Following a mysterious signal, Sam finds himself pulled into the same computer world that has trapped his father. Reunited, the Flynns team with a Quorra (Olivia Wilde), a cyber warrior, to defeat Clu, a program left in charge of the Grid whose rise to power puts both the computer world — and our world — in danger.” — Silas Lesnick, ComingSoon.net The Comparison to the Original “[T]his is one of the smartest ideas for a reboot in yonks. Where its fellow 1982 sci-fi releases, ‘E.T.’ and ‘Blade Runner,’ are still universally celebrated, ‘Tron’ ‘s visuals and ponderous tone have aged as badly as Manic Miner. The concept at the Disney film’s core, however, remains beautifully simple: What if a man got sucked into a computer? That notion, revisited with today’s turbo-boosted VFX technology, has now given Mickey Mouse a stonking tentpole. And make no mistake, ‘Tron Legacy’ — part sequel, part remake — is a proper event movie, complete with nattily digitized Cinderella’s Castle at the start, a journey to a fully realized alien world and the best 3D since ‘Avatar.’ ” — Nick de Semlyen, Empire The Effects “The FX in ‘Tron: Legacy’ have an almost Einsteinian elegance: They infuse light with gravity. If one of the discs hits a combatant, he’ll shatter into glassy fragments, and Sam, absorbing the physics of the game, must learn to treat his body almost as part of the surrounding architecture. He becomes a ruthless digital specter. As long as it’s engaged in light-hurling bouts of force, or motorcycle chases through a landscape so ominously enveloping it looks like ‘Blade Runner’ after gentrification, ‘Tron: Legacy’ is a catchy popcorn pleasure.” — Owen Gleiberman, Entertainment Weekly The Dissenters “This is one of those big-budget projects destined to split audiences (a good thing, always). Directed by Joseph Kosinski, who did the ‘Halo’ and ‘Gears of War’ commercials, ‘Tron: Legacy’ comes to life when Sam, played by a too-cool-for-school Garrett Hedlund, learns the ways of the Lightcycles and the perilous joys of racing on ‘ribbons of light.’ Here, we get the sweep and simple excitement we need. Elsewhere, we get exposition more sluggish than the stuff we had to wade through in the second and third ‘Matrix’ movies, and a strained, opaque brand of intellectual-property mythology that might mean tons to ardent fans of the first ‘Tron,’ but less to others.” — Michael Phillips, Chicago Tribune The Final Word ” ‘Tron: Legacy’ is a surprising film for many reasons, not the least of which being that it contains more substance than is easily explored — if also to some extent, articulated — in just one viewing. And perhaps it might seem like a pre-emptive defense against logical or narrative shortcomings to make one of its central themes the idea that perfection, as we can imagine it, is ultimately unknowable. But it’s a point that’s well-taken, and if I have to endure the kind of imperfection that produces a film like ‘Tron: Legacy,’ which is interesting, inspiring and for better or worse, simply incomparable, then it’s worth it.” – Todd Gilchrist, Cinematical Check out everything we’ve got on “Tron: Legacy.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos The Vehicles Of ‘Tron Legacy’ ‘Tron Legacy’ Clips Related Photos The Vehicles Of ‘Tron Legacy’ ‘Tron: Legacy’ Premiere In Los Angeles ‘Tron Legacy’ Official Images

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‘Tron: Legacy’: The Reviews Are In!

‘Tron: Legacy’: The Reviews Are In!

Critics call Disney’s reboot/sequel a ‘catchy popcorn pleasure’ that is ‘destined to split audiences.’ By Eric Ditzian “Tron Legacy” Photo: Disney It’s been a good year for studios that waited three decades to update old-school flicks. In April, Warner Bros. gave 1981’s “Clash of the Titans” a coat of CGI splendor and ended up with a film that grossed almost $500 million worldwide. Can Disney, which has resurrected 1982’s computer-world-based adventure film “Tron” for a new generation, mirror the success of “Clash”? At this point, at least, “Tron: Legacy” is receiving far kinder reviews than “Clash.” That doesn’t mean, of course, that “Tron” can top the $61 million domestic opening of the latter. Disney’s 3-D film is predicted to land somewhere in the $40-45 million range. Will it defy expectations? Will positive word of mouth spread? Is the movie worth a trip to the theater on opening weekend? Check out what the critics are saying about “Tron: Legacy” and decide for yourself. The Story “Sam Flynn (Garrett Hedlund), the son of video game developer Kevin Flynn (Jeff Bridges), is left as the uninterested heir to his father’s corporation after the elder Flynn’s disappearance 20 years earlier. Following a mysterious signal, Sam finds himself pulled into the same computer world that has trapped his father. Reunited, the Flynns team with a Quorra (Olivia Wilde), a cyber warrior, to defeat Clu, a program left in charge of the Grid whose rise to power puts both the computer world — and our world — in danger.” — Silas Lesnick, ComingSoon.net The Comparison to the Original “[T]his is one of the smartest ideas for a reboot in yonks. Where its fellow 1982 sci-fi releases, ‘E.T.’ and ‘Blade Runner,’ are still universally celebrated, ‘Tron’ ‘s visuals and ponderous tone have aged as badly as Manic Miner. The concept at the Disney film’s core, however, remains beautifully simple: What if a man got sucked into a computer? That notion, revisited with today’s turbo-boosted VFX technology, has now given Mickey Mouse a stonking tentpole. And make no mistake, ‘Tron Legacy’ — part sequel, part remake — is a proper event movie, complete with nattily digitized Cinderella’s Castle at the start, a journey to a fully realized alien world and the best 3D since ‘Avatar.’ ” — Nick de Semlyen, Empire The Effects “The FX in ‘Tron: Legacy’ have an almost Einsteinian elegance: They infuse light with gravity. If one of the discs hits a combatant, he’ll shatter into glassy fragments, and Sam, absorbing the physics of the game, must learn to treat his body almost as part of the surrounding architecture. He becomes a ruthless digital specter. As long as it’s engaged in light-hurling bouts of force, or motorcycle chases through a landscape so ominously enveloping it looks like ‘Blade Runner’ after gentrification, ‘Tron: Legacy’ is a catchy popcorn pleasure.” — Owen Gleiberman, Entertainment Weekly The Dissenters “This is one of those big-budget projects destined to split audiences (a good thing, always). Directed by Joseph Kosinski, who did the ‘Halo’ and ‘Gears of War’ commercials, ‘Tron: Legacy’ comes to life when Sam, played by a too-cool-for-school Garrett Hedlund, learns the ways of the Lightcycles and the perilous joys of racing on ‘ribbons of light.’ Here, we get the sweep and simple excitement we need. Elsewhere, we get exposition more sluggish than the stuff we had to wade through in the second and third ‘Matrix’ movies, and a strained, opaque brand of intellectual-property mythology that might mean tons to ardent fans of the first ‘Tron,’ but less to others.” — Michael Phillips, Chicago Tribune The Final Word ” ‘Tron: Legacy’ is a surprising film for many reasons, not the least of which being that it contains more substance than is easily explored — if also to some extent, articulated — in just one viewing. And perhaps it might seem like a pre-emptive defense against logical or narrative shortcomings to make one of its central themes the idea that perfection, as we can imagine it, is ultimately unknowable. But it’s a point that’s well-taken, and if I have to endure the kind of imperfection that produces a film like ‘Tron: Legacy,’ which is interesting, inspiring and for better or worse, simply incomparable, then it’s worth it.” – Todd Gilchrist, Cinematical Check out everything we’ve got on “Tron: Legacy.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos The Vehicles Of ‘Tron Legacy’ ‘Tron Legacy’ Clips Related Photos The Vehicles Of ‘Tron Legacy’ ‘Tron: Legacy’ Premiere In Los Angeles ‘Tron Legacy’ Official Images

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‘Tron: Legacy’: The Reviews Are In!

Porn Company Creates Kinect Sex Game

By NewsCore – A demonstration of a new sex game for the Kinect video game console received more than 11,000 hits on YouTube by Thursday morning — just 15 hours after it was posted. The controller-free console designed for family fun became a new medium for pornography less than two months after it was released. The game allows users to simulate sex acts using the console's advanced technology, which requires users to move their bodies instead of a controller. “The open-sourcing of device drivers for Kinect have enabled the device to be used directly from connected PCs operating on Windows 7. The Kinect interface provides another exciting interface option for users of the sex-simulation software to control the experience in extraordinary new ways,” the game's developer, 3D sex-simulation producer ThriXXX, told cnet.com. More………. http://www.myfoxny.com/dpp/news/national/porn-company-creates-kinect-sex-game-20… added by: CarlosBobthe3rd

‘How Do You Know’ Star Reese Witherspoon Recalls Softball ‘Crash Course’

‘I’m not a ringer or anything,’ she tells MTV News of her newfound skills. By Kara Warner, with reporting by Josh Horowitz Reese Witherspoon Photo: MTV News Because director James L. Brooks has only made six films in his career, most actors jump at the chance to work with him — as was the case when Brooks approached Reese Witherspoon for a role in the upcoming romantic comedy “How Do You Know.” “[It was] incredibly flattering and terrifying at the same time,” Witherspoon told MTV News recently regarding her reaction to Brooks’ initial interest. “When he called me, I was like, ‘He wants to meet me? And do what?’ We sat down, and he said, ‘I want to write this character, and I want you to play it.’ And I was like, ‘Great!’ And he said, ‘I want you to be a professional softball player. Do you play softball?’ ” ‘Yes, of course I do!’ ” Witherspoon recalled responding — but she admitted to MTV News in a whisper: “No, I don’t play softball. But I learned. I did a crash course with the UCLA Bruins, and they taught me. Three hours a day for four months. They really helped.” Given the fact that there’s not much of Witherspoon’s character playing softball in the film, we wondered what motivated her to commit to such extensive training. “I think it’s a completely different culture growing up as an athlete. You have a completely different high school experience, you have a completely different college experience, your whole career is over in your 30s — that’s just a different life,” she explained. “In a way, it’s almost a suspended adolescence. My character doesn’t really have much romantic knowledge. She’s dated a bunch of athletes on the road and stuff, but she’s never had to be in a real relationship. It was important to assimilate to that culture, because I didn’t know anything about it.” So given her newly acquired skills, can we call on Witherspoon to play on our team in a future pickup softball game? “I’d look really good doing it, because I know how to look good doing it,” she admitted. “I’m just not sure I’d help you win the game. I’m not a ringer or anything. Don’t call me in. I’m not going to help.” Check out everything we’ve got on “How Do You Know.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: ‘How Do You Know’

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‘How Do You Know’ Star Reese Witherspoon Recalls Softball ‘Crash Course’

Jay Electronica Is Our Fire Starter Of The Year

Nomadic MC spit heat in 2010, conjuring the ‘Ghost of Christopher Wallace’ with Diddy, earning a nod from Nas and a deal with Jay-Z’s Roc Nation. By Jayson Rodriguez Jay Electronica Photo: Gus Stewart/ Redferns/ MTV News Jay Electronica is an MC shrouded in as much mystery as his densely packed rhymes. Raised in New Orleans, with stops in Detroit, Philadelphia and Brooklyn, which the rapper now calls home, the literary-leaning rapper arrived on the scene as a fully formed adult. His lyrics prove the point with references to everything from the JFK assassination (“My World (Nas Salute)”) to Kurt Vonnegut (“Exhibit A (Transformations)”). But with few details in terms of backstory beyond his hard-to-find rhymes, his narrative is being scripted in real time for the hip-hop community. The start of that tale was officially birthed this year with Jay’s breakout hit, the Just Blaze-backed “Exhibit C.” With an elaborate rhyme pattern and illustrious production, Jay Elect announced his arrival with a boom bap harder than a DJ Premier drum snare. “You either build or destroy, where you come from?” he spits over the sweeping number. “The Magnolia Projects in the 3rd Ward slum, hmm/ It’s quite amazing that you rhyme how you do/ And how you shine like you grew up in a shrine in Peru.” The underground anthem resonated beyond the blogs, rattling mainstream radio to the point that DJ Enuff penned a blog on his site about wanting to play the record on New York’s Hot 97 in spite of the track’s ethereal backpack appeal. From then on, the MC — with his esoteric storytelling and heart-stinging lines — was hailed as the second coming of Nas. Diddy co-signed his appeal by riding shotgun on Jay’s “The Ghost of Christopher Wallace.” And Electronica also joined forces with Talib Kweli, Mos Def and J.Cole for the thumping “Just Begun.” While fellow 2010 breakouts like Wiz Khalifa may have a bigger online base, and 25-year-old J. Cole may have the benefit of even more years ahead to develop and build a career, it’s Jay Electronica who has the presence, sculpted pedigree and once-in-a-generation skill set to make an impact — right now. That was never more evident then last month when the Erykah Badu-loving MC (he has a child with the singer) spurned offers from Diddy and several labels to ink a deal with Jay-Z’s Roc Nation . “It’s obvious that he really genuinely loves it and is a student of rap and the game,” Jay-Z told MTV News of his latest signee . “You can’t write those sort of songs or come to that sort of conclusion without having a deep love for what you’re doing and a deep understanding and a deep drive.” The nomadic MC has now plugged himself into the matrix of the music industry, where expectations for him will be tracked by bottoms lines, SoundScan sheets and Grammy voters. The wild child has grown-man responsibilities to contend with when it comes to music. The future remains uncertain, but the past 12 months have been nothing short of riveting and make Jay Electronica our 2010 Fire Starter of the Year. For more on our Mixtape Daily year-end award winners, be sure to check out a special edition of “RapFix Live,” when this week’s guest will be Joe Budden. “RapFix Live” airs on Thursday at 4 p.m. ET on MTV.com. For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines . Related Videos 2010 Mixtape Daily Year End Awards

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Jay Electronica Is Our Fire Starter Of The Year

Lil Wayne ‘Didn’t Understand’ His #7 Hottest MCs Ranking

‘Label me what you wanna label me,’ Weezy says during radio interview. By Alvin Blanco Lil Wayne Photo: John Parra/ WireImage Even while he was in the midst of his eight-month stay on Rikers Island, Lil Wayne still managed to land at #7 on MTV News’ 2010 Hottest MCs in the Game list. Weezy appeared on satellite-radio channel Shade 45 on Tuesday (December 14) and talked about what he considered to be a pretty low ranking. Host DJ Drama said he heard rumblings that, despite his incarceration, Wayne should have been higher on the list. Lil Wayne was #1 on the list in 2007 and had been in the top five until this year. Drama asked the rapper whether he was upset about where he fell on 2010’s list. “I was, I’m not gonna front, I was,” Weezy admitted. “I didn’t understand it. Somebody tried to explain it to me, like, ‘Nah, it was a list about this.’ They was trying to tell me it was some kinda, l don’t know. … It’s all good. Label me what you wanna label me; everybody know them n—as ain’t f—ing with me, man.” Drama then pointed out that Lil Wayne prot

Lil Wayne ‘Didn’t Understand’ His #7 Hottest MCs Ranking

‘Label me what you wanna label me,’ Weezy says during radio interview. By Alvin Blanco Lil Wayne Photo: John Parra/ WireImage Even while he was in the midst of his eight-month stay on Rikers Island, Lil Wayne still managed to land at #7 on MTV News’ 2010 Hottest MCs in the Game list. Weezy appeared on satellite-radio channel Shade 45 on Tuesday (December 14) and talked about what he considered to be a pretty low ranking. Host DJ Drama said he heard rumblings that, despite his incarceration, Wayne should have been higher on the list. Lil Wayne was #1 on the list in 2007 and had been in the top five until this year. Drama asked the rapper whether he was upset about where he fell on 2010’s list. “I was, I’m not gonna front, I was,” Weezy admitted. “I didn’t understand it. Somebody tried to explain it to me, like, ‘Nah, it was a list about this.’ They was trying to tell me it was some kinda, l don’t know. … It’s all good. Label me what you wanna label me; everybody know them n—as ain’t f—ing with me, man.” Drama then pointed out that Lil Wayne prot

Leighton Meester in Lingerie for Allure of the Day

It’s about fucking time that this Leighton Meester bitch steps up her game and stomps the yard due to jealousy of her costar Blake Lively, who has been getting all the attention. I mean Leighton didn’t suck all that dick, do all those foot fetish movies, or release a fucking sex tape like her ciminal mother taught her at a young age to do to get ahead, to be second rate to spoiled little Blake Lively….Sure she’s given Lively her moment to shine, but I can only assume Meester is pissed off and ready to bring what she knows best, which is getting naked for money and fame, because Blake Lively just doesn’t have that same drive or whore morals and values, cuz Blake Lively didn’t have the same struggles. It’s like seeing her bring the ghetto streets she was from to a fashion magazine so everyone knows who the made man is, and by made man I mean the bitch you should probably use a condom with, If you know what I mean and if you don’t, I’m saying she’s a whore.

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Leighton Meester in Lingerie for Allure of the Day

‘American Idol’ Competitor ‘The Voice Of America’ Coming Next Spring

Mark Burnett-produced show will pair singers with celebrity mentors. By Gil Kaufman Mark Burnett Photo: Frederick M. Brown/ Getty Images “American Idol” has ruled the TV landscape for almost a decade, drawing the biggest small-screen ratings of any show and quickly dispatching a series of wannabe competitors. But for next season, NBC has teamed up with “Survivor” heavyweight producer Mark Burnett to launch what could be the most serious challenge to the “Idol” throne yet. According to The Hollywood Reporter , NBC is aiming to steal the thunder of both “Idol” and Fox’s other upcoming reality singing show, Simon Cowell’s “The X Factor,” with a singing competition tentatively called “The Voice of America.” The show is based on the #1 program in the Netherlands, “The Voice of Holland,” which has reportedly put up some of the biggest ratings in Dutch TV history, steamrolling that country’s versions of “Idol” and “X Factor.” The new singing program is slated to premiere next spring, potentially going up against “Idol” and getting a jump on the fall launch of the first season of the American version of “The X Factor.” “Voice” will feature a panel of four celebrity coaches, who will sit with their backs to the contestants during the audition rounds in order to focus on their voices, not their looks. If they approve of the performance, they will push a button that will send the singer to the next round, claiming them as one of their students. If more than one judge likes a singer, that singer gets to choose which celebrity will be his or her coach. “Somebody will show up with all the right moves and look like a star, but their voice is only good, not great, and they don’t get chosen,” Burnett explained. “You’re dealing only with your sense of hearing — do you believe this voice is worthy of your commitment? The coaches have skin in the game and will be a part of the careers of these young performers after the show.” After the four teams are set, the coaches will mentor the contestants and pit the teams against one another, with viewers picking the winner. At times, the mentors will also place two team members against each other, giving them the same song to sing in front of the studio audience in order to decide which one they would like to keep developing. The final performance rounds, featuring the top vote getters from each team, will air live. The winner will receive a recording contract. The heat from the new kid on the block comes as “Idol” continues to tinker with its formula. In addition to the previously announced changes to its format, Entertainment Weekly reported on Monday that after the 325 Hollywood-round contenders were whittled down to 60, the whole crew moved to Las Vegas, where the remaining singers have been rehearsing to perform Beatles songs on the stage where Cirque du Soleil performs its Beatles homage, “Love.” New in-house mentor Interscope boss Jimmy Iovine has not only been providing advice on the new “American Idol,” but has brought along a group of mega-producers to guide the singers as well. Among the knob twiddlers offering advice: Alex da Kid (“Love the Way You Lie”), Tricky Stewart (“Baby”), Rodney “Darkchild” Jerkins (“Telephone”), Polow da Don (“Turnin’ Me On”) and Jim Jonsin (“Whatever You Like”). Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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‘American Idol’ Competitor ‘The Voice Of America’ Coming Next Spring

‘American Idol’ Competitor ‘The Voice Of America’ Coming Next Spring

Mark Burnett-produced show will pair singers with celebrity mentors. By Gil Kaufman Mark Burnett Photo: Frederick M. Brown/ Getty Images “American Idol” has ruled the TV landscape for almost a decade, drawing the biggest small-screen ratings of any show and quickly dispatching a series of wannabe competitors. But for next season, NBC has teamed up with “Survivor” heavyweight producer Mark Burnett to launch what could be the most serious challenge to the “Idol” throne yet. According to The Hollywood Reporter , NBC is aiming to steal the thunder of both “Idol” and Fox’s other upcoming reality singing show, Simon Cowell’s “The X Factor,” with a singing competition tentatively called “The Voice of America.” The show is based on the #1 program in the Netherlands, “The Voice of Holland,” which has reportedly put up some of the biggest ratings in Dutch TV history, steamrolling that country’s versions of “Idol” and “X Factor.” The new singing program is slated to premiere next spring, potentially going up against “Idol” and getting a jump on the fall launch of the first season of the American version of “The X Factor.” “Voice” will feature a panel of four celebrity coaches, who will sit with their backs to the contestants during the audition rounds in order to focus on their voices, not their looks. If they approve of the performance, they will push a button that will send the singer to the next round, claiming them as one of their students. If more than one judge likes a singer, that singer gets to choose which celebrity will be his or her coach. “Somebody will show up with all the right moves and look like a star, but their voice is only good, not great, and they don’t get chosen,” Burnett explained. “You’re dealing only with your sense of hearing — do you believe this voice is worthy of your commitment? The coaches have skin in the game and will be a part of the careers of these young performers after the show.” After the four teams are set, the coaches will mentor the contestants and pit the teams against one another, with viewers picking the winner. At times, the mentors will also place two team members against each other, giving them the same song to sing in front of the studio audience in order to decide which one they would like to keep developing. The final performance rounds, featuring the top vote getters from each team, will air live. The winner will receive a recording contract. The heat from the new kid on the block comes as “Idol” continues to tinker with its formula. In addition to the previously announced changes to its format, Entertainment Weekly reported on Monday that after the 325 Hollywood-round contenders were whittled down to 60, the whole crew moved to Las Vegas, where the remaining singers have been rehearsing to perform Beatles songs on the stage where Cirque du Soleil performs its Beatles homage, “Love.” New in-house mentor Interscope boss Jimmy Iovine has not only been providing advice on the new “American Idol,” but has brought along a group of mega-producers to guide the singers as well. Among the knob twiddlers offering advice: Alex da Kid (“Love the Way You Lie”), Tricky Stewart (“Baby”), Rodney “Darkchild” Jerkins (“Telephone”), Polow da Don (“Turnin’ Me On”) and Jim Jonsin (“Whatever You Like”). Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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‘American Idol’ Competitor ‘The Voice Of America’ Coming Next Spring