Greta Gerwig has found herself having a moment with the premiere of Frances Ha in select theaters last week. As the film's distribution continues to grow, See the article here: Greta Gerwig Compares 'Frances Ha' Swagger To Justin Bieber
Greta Gerwig is the co-writer and star of Frances Ha. We caught up with her at the premiere of the film at the Museum of Modern Art in New York. Greta talks …
Who needs Eeyore when you’ve got the lovely and witty Greta Gerwig feeling blue in black and white in this clip from Noah Baumbach ‘s Frances Ha . Gerwig is Frances, a live-in-the-moment New Yorker with a knack for getting herself into awkward situations. In this clip, Frances frets over whether she looks older than her 27 years, and her anxiety is helped along by Michael Zegen ( The Walking Dead) who assures her that “27 is old, though.” Zegen’s character must be in his 20s, too, because most men know by the time they turn 30 that loaded questions like that should be avoided at all costs. Frances Ha gets a limited release date on May 17. For reference, the poster is not black and white. It’s hot pink. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.
Greta Gerwig has gone from so-called Mumblecore actress, appearing in indie titles LOL , Hannah Takes The Stairs and Nights and Weekends to bigger fare by the likes of Ivan Reitman and Woody Allen in No Strings Attached and the recent To Rome with Love . But what most audiences may not know, is that she’s picked written some of the material she’s played on screen, including her latest Frances Ha , which she co-wrote with director Noah Baumbach . The comedy is Gerwig’s second match-up with Baumbach following 2010’s Greenberg and the pair began bouncing ideas off each other, eventually creating the hysterical black and white feature that debuted at the recent Toronto International Film Festival and will be having its U.S. premiere at the upcoming New York Film Festival . “We started trading some ideas after Greenberg Gerwig said in New York this week. “I knew I wanted to work with Noah again, and luckily he felt the same way.” Baumbach and Gerwig emailed sent email back and forth, creating Frances Ha ‘s electric personalities and hypnotic banter. In the film, Gerwig plays Frances, a New Yorker who is constantly on the move. Her best friend Sophie (Mickey Sumner) ups and moves into a plush apartment with a friend in New York’s TriBeCa neighborhood, leaving Frances to fend for herself. A budding dancer, she is dropped from her apprenticeship at a dance company, but her slow descent never does little to undermine her determination to succeed. Friendship is at the heart of the film and the sometimes racy lifestyle of twenty-somethings living in New York is played out honestly, even with some discomfort. “If you want to get technical about it, anything other than women falling in love is under-represented across the board [in movies],” said Gerwig. “When we were writing it, Frances and Sophie emerged rather than something that was imposed. It became clear that this was the most important relationship in her life and we decided that that was the story we would focus on.” Though Gerwig and Baumbach were obviously very aware of the script, the Oscar-nominated director of The Squid and the Whale decided not to let the other actors see the entire screenplay. He decided to experiment with actors only focusing on only their material and be left in the dark as to how their words and deeds fit into the bigger picture. “I thought there might be something interesting to having actors play at the moment and what was in front of them instead of having them in some ways tell the overall story, so that was the experiment…I didn’t want them to think how this scene falls in the movie,” said Baumbach. “They may know all too well where a scene falls in the movie. You don’t want the characters to know that really.” Gerwig received praise for her performance at a pre-NYFF screening of the film this week. Her character is a case study in contrasts. She’s smart, but makes bad decisions. She’s determined, but is constantly stumbling. She has strong relationships, but she’s often left in the lurch. Gerwig wrestled up a persona that would have been difficult for just any actor to pull off Frances’ unique peculiarities. Asked how she tackled Frances, Gerwig wasn’t quite sure how her personality came about. “I never really particularly meant to have a different way of acting than anyone else,” she said. “I don’t mean to sound like Johnny Cash, but that line, ‘I play guitar like this because I don’t know any other way’ – I don’t know any other way to act.” Continuing she added, “It’s always weird when you talk about acting because it inevitably descends into something mystical. But it’s from the inside coupled with needing to know why I am saying something. Working on the script doesn’t make acting any easier. It actually in some ways makes it more difficult because you know what something is supposed to be.” IFC Films picked up Frances Ha and will release the film in theaters and VOD at a future date.
Maybe it’s because I’ve been obsessing more than usual over Joel Kinnaman since rolling through all of Season 1 of AMC’s The Killing in a matter of days (I know, late to the party), but I dare any other Kinnaman-lover out there to watch the new trailer for Lola Versus and not fixate on the future RoboCop ‘s 10 seconds of trailer screen time. Phew. That said, it’s quite winning on its own, thanks to Greta Gerwig ‘s charm and the hazy-golden gleam of the New York City streets she’s traipsing along as she tries to figure out what to do after fiance Kinnaman calls off their engagement. In the span of two minutes I was hooked by Gerwig’s adorable moping, Zoe Lister-Jones’ spunk, the relatable crisis that is turning 30, single or otherwise, and those fleeting moments of beautiful Joel Kinnaman. Oh, did I mention Joel Kinnaman is in this? What, may I not covet Kinnaman like you covet your wispy WASP-y dream girl (whom I also adore because Gerwig is irresistibly appealing even when chattering about weddings and boys)? Anyhow! After many a micro-indie outing for Gerwig ( LOL , Hannah Takes the Stairs ), bigger indies ( Greenberg ) and a few mainstream toe-dips ( Arthur , No Strings Attached ), Lola Versus might be the charming vehicle that shows mainstream audiences why we love her so. Co-scripted by director Daryl Wein and co-star Lister-Jones (who both acted in and wrote 2009’s break-up indie Breaking Upwards ), Lola Versus will be distributed by Fox Searchlight, who’s pushing the film’s similarities with 2009’s hit (500) Days of Summer . Head to Apple for HD. Synopsis: Greta Gerwig plays Lola, a 29-year-old woman dumped by her longtime boyfriend Luke (Joel Kinnaman) just three weeks before their wedding. With the help of her close friends Henry (Hamish Linklater) and Alice (Zoe Lister-Jones), Lola embarks on a series of desperate encounters in an attempt to find her place in the world as a single woman approaching 30. What do you think — is Lola Versus the new (500) Days of Summer ? (500) Days of Kinnaman , perhaps? Lola Versus will premiere at Tribeca before opening in limited release on June 8.
Though the full schedule for the Venice Film Festival comes out Thursday, we already know what will close the gondolier-friendly celebration: Whit Stillman’s Damsels in Distress , which concerns “young women at an East Coast university, the transfer student that joins their group and the young men they become entangled with.” The comedy — which stars Movieline heroine Greta Gerwig and Adam Brody — premieres Sept. 10, after the awards ceremony. George Clooney’s The Ides of March opens the fest on Aug. 31. [ Deadline ]
Not that anyone really asked for it, but, like it or not, you’re getting a new Arthur movie this weekend. If you’re a fan of the original film about an booze-loving millionaire, you may be at least curious how this new version stacks up to the original. Is Arthur still a mad, drunken fool? Is it a scene-for-scene remake? Since you may have some questions before you fork over your hard earned money, Movieline compares the two films so that you won’t be lost between the moon and New York City.
Last year’s Greenberg may have marked Greta Gerwig’s entrance into mainstream cinema — when you come from the world of making nano-budgeted improvised films with your friends, a Noah Baumbach project is a big film – but 2011 will be the year the indie darling truly goes Hollywood. In this week’s friends-with-benefits comedy No Strings Attached , Gerwig stands out as Natalie Portman’s level-headed BFF ; in April, she’ll play the object of Russell Brand’s affections in Arthur . And next month, she’ll vie for her first major acting award at the Spirit Awards, nominated (opposite No Strings Attached co-star Portman) for her work as a winsome Los Angeleno in Greenberg .
Who’s excited for 2011? I said, who’s excited for 2011?? Oh. Well, maybe this list of dates, designations, and not just few fearless predictions for the next year in culture might help stimulate your interest. Failing that, there’s always the rest of Movieline’s future-positive anticipations to get you through. Onward!