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Dave Grohl Clarifies Supposed Anti-EDM Grammy Speech

‘Never has a 33-second acceptance rant evoked such caps-lock postboard rage,’ Grohl writes on the Foo Fighters’ Facebook page. By James Montgomery Foo Fighters onstage at the 2012 Grammy Awards Photo: Getty Images Midway through his MVP-like performance at Sunday’s 54th Grammy Awards — a tour de force that included wearing a Slayer T-shirt, engaging in a lengthy guitar duel with Bruce Springsteen and inadvertently standing in Paul McCartney’s spotlight for, like, 45 seconds — Foo Fighters’ frontman Dave Grohl strode to the stage to deliver a delightfully long-running acceptance speech, one that some thought took a few none-too-subtle jabs at the burgeoning EDM movement. Surrounded by his bandmates and Wasting Light producer Butch Vig , Grohl held the band’s Best Rock Performance award and spoke about the back-to-basics approach the Foos employed while making the album, which included eschewing computers and recording directly to 2-inch tape, saying in part: “To me, this award means a lot, because it shows that the human element of music is what’s important. Singing into a microphone and learning to play an instrument and learning to do your craft, that’s the most important thing for people to do. … It’s not about being perfect, it’s not about sounding absolutely correct, it’s not about what goes on in a computer. It’s about what goes on in here [your heart] and what goes on in here [your head].” Of course, most in the crowd cheered wildly at the statement, though there were those who thought Grohl’s comments also slighted electronic artists like Skrillex (who won three Grammys that night) and deadmau5, whom the Foos were set to perform with later in the telecast. So on Friday (February 17), Grohl took to the Foo Fighters’ Facebook page to clarify his comments. “Never has a 33-second acceptance rant evoked such caps-lock postboard rage as my lil’ ode to analog recording has,” Grohl wrote. “I love music. I love all kinds of music. From Kyuss to Kraftwerk, Pinetop Perkins to Prodigy, Dead Kennedys to deadmau5. … Electronic or acoustic, it doesn’t matter to me. The simple act of creating music is a beautiful gift that all human beings are blessed with. And the diversity of one musician’s personality to the next is what makes music so exciting and human. “That’s exactly what I was referring to. The ‘human element.’ That thing that happens when a song speeds up slightly, or a vocal goes a little sharp. That thing that makes people sound like people,” he continued. “Somewhere along the line those things became ‘bad’ things, and with the great advances in digital recording technology over the years they became easily ‘fixed.’ The end result? In my humble opinion, a lot of music that sounds perfect, but lacks personality. The one thing that makes music so exciting in the first place.” Grohl added that, while he felt those technological advances in recording have also taken the focus off “the actual craft of performance,” he in no way meant to suggest that artists like Skrillex or deadmau5 aren’t actual musicians. In fact, it’s the way they use that technology that makes them unique. “Look, I am not Yngwie Malmsteen. I am not John Bonham. Hell, I’m not even Josh Groban, for that matter. But … I do the best that I possibly can within my limitations, and accept that it sounds like me. Because that’s what I think is most important. It should be real, right? Everybody wants something real,” he wrote. “I don’t know how to do what Skrillex does (though I f—ing love it) but I do know that the reason he is so loved is because he sounds like Skrillex, and that’s badass. We have a different process and a different set of tools, but the ‘craft’ is equally as important, I’m sure. I mean…..if it were that easy, anyone could do it, right?” Grohl concluded by poking fun at the supposed controversy, joking, “Now, I think have to go scream at some kids to get off my lawn” and signing his post “Davemau5.” And then he probably went back to being awesome — since, you know, aside from acceptance speeches, it’s what he tends to do best. Did you think Grohl’s acceptance speech was targeted at EDM? Let us know in the comments! Related Photos 2012 Grammy Awards: Backstage And Audience Related Artists Foo Fighters

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Dave Grohl Clarifies Supposed Anti-EDM Grammy Speech

Dave Grohl Kicks Unruly Fan Out of Foo Fighters Show

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Video of Dave Grohl of the Foo Fighters kicking a fan out of a show in London because he was fighting in the crowd. via Uproxx Broadcasting platform : YouTube Source : Laughing Squid Discovery Date : 13/07/2011 15:57 Number of articles : 2

Dave Grohl Kicks Unruly Fan Out of Foo Fighters Show

Rihanna’s ‘Man Down’ Video Slammed For Violence

Parents Television Council and Industry Ears criticize depiction of murder in new clip. By Gil Kaufman Rihanna Photo: Jeff Kravitz/ WireImage Rihanna has more than said her piece about how her 2009 assault at the hands of ex-boyfriend Chris Brown has affected her. But in the new video for her single, “Man Down,” the singer is depicted shooting an unarmed man in the head in cold blood at a train station in what viewers later learn is retaliation for a previous sexual assault. “Mama, I just shot a man dead,” Rihanna sings in the video, which debuted on BET on Tuesday. The Parents Television Council, the Enough Is Enough campaign and the entertainment think tank Industry Ears released a statement on Wednesday condemning the video for what the group said was an apparent enticement to young women to turn to violence. ” ‘Man Down’ is an inexcusable, shock-only, shoot-and-kill theme song,” said Industry Ears co-founder Paul Porter, a former programming director at BET. The lyrics to the song match the narrative of the video, including such lines as, “I didn’t mean to end his life/ I know it wasn’t right … I took his heart when/ I pulled out that gun … Oh mama, mama, mama/ I just shot a man down/ In central station/ In front of a big ol’ crowd.” The PTC lamented that Rihanna had a “golden opportunity” to use her celebrity status to send an important message to young girls and victims of rape and domestic violence with the clip, but had missed the mark. “Instead of telling victims they should seek help, Rihanna released a music video that gives retaliation in the form of premeditated murder the imprimatur of acceptability,” said the PTC’s Melissa Henson. Though a spokesperson for Rihanna could not be reached for comment, the singer took to Twitter on Monday to give her fans a preview of the clip’s message. She wrote that it had a “very strong underlying message 4 girls like me.” MTV News spoke with director Anthony Mandler last month, when he revealed that Rihanna let him take the visual to the extreme. “We shot the video last month in Jamaica, and it’s my favorite song she’s ever recorded, so I was really excited to get involved,” he said. “And it’s just one of those songs that demands a strong narrative and visual, and let’s just say, she let me go all the way. So I think you can expect something that’s dramatic and shocking and intense and emotional and uplifting and enlightening.” The organizations have called for BET to stop airing the video immediately. A spokesperson for BET could not be reached at press time. For her part, Rihanna has continued to tout the empowerment message of the clip, tweeting on Wednesday, “Young girls/women all over the world … we are a lot of things! We’re strong innocent fun flirtatious vulnerable, and sometimes our innocence can cause us to be naive! We always think it could NEVER be us, but in reality, it can happen to ANY of us! So ladies be careful and #listentoyomama! I love you and I care!” It’s not the first time Rihanna has been embroiled in a video controversy. Her sexually-suggestive “S&M” clip was banned in a number of countries earlier this year, and some questioned whether she was glorifying domestic violence around the release of the video for her hit Eminem collaboration, “Love the Way You Lie.” What do you think of Rihanna’s video? Is it harmful or empowering? Share your thoughts in the comments below! Related Artists Rihanna

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Rihanna’s ‘Man Down’ Video Slammed For Violence

Foo Fighters’ ‘Walk’ Video: ‘Falling Down’ All Over Again

New clip is a humorous take on intense 1993 Michael Douglas film. By James Montgomery Dave Grohl in Foo Fighters’ video for “Walk” Photo: RCA The Foo Fighters’ new “Walk” video is, rather oddly enough, a near re-creation of the 1993 film “Falling Down,” the oft-disturbing portrait of the prototypical “angry white male” (as portrayed by Michael Douglas, complete with crew cut and short-sleeved work shirt) who is pushed to the brink by what he views as society’s decay — immigrants, crime, greed, bureaucracy, the fact that McDonald’s stops serving breakfast at 10:30 a.m. — and goes on a violent rampage as a result, culminating in a stand-off with police and his death. Only, you know, funny. Yes, “Walk” — which premiered Thursday (June 2) on MTV.com — is a bit strange: a humorous take on a film that a) most people probably don’t remember, and b) wasn’t all that humorous in the first place. It opens with frontman Dave Grohl (who, besides his long hair, is a dead-ringer for Douglas’ Bill Foster with his horn-rimmed glasses and striped tie) stuck in a traffic jam of suck: a snotty kid stares at him from the back of a station wagon; bumper stickers proudly proclaim “Bieber is my Co-Pilot,” “Thank You, President Bush” and, rather hilariously, “Coldplay”; well-heeled jerks kick back in their cozy convertibles. And, much like Foster, he snaps, leaving his car on the freeway and beginning a trek across Los Angeles, carrying his guitar case with him. We then follow him as he is pushed closer and closer to the edge, thanks to an ever-extending chain of society’s annoyances: his iPhone dies, a clerk at a convenience store refuses to give him change to make a call and he can’t find a payphone. Of course, unlike “Falling Down,” Grohl’s reactions and his interactions are played up for comedic value. He doesn’t smash up a Korean-owned grocery store, shoot up a fast-foot restaurant or stab a white supremacist. Instead, there is a rather humorous karate fight with some gangbangers (fellow Foos Taylor Hawkins and Chris Shiflett), and he drives a golf cart into a lake. And, unlike Bill Foster, Grohl’s voyage of carnage doesn’t end with a climatic showdown with police at Venice Fishing Pier, but rather at a Foo Fighters’ practice, where he and the band tear through the remainder of the song before the police come crashing in. Grohl gets tazed. The band poses for pictures with the officers. It is funny — and, unlike their “Rope” video , “Walk” looks like it cost a bit of cash — it’s just, well, odd. Those not aware of “Falling Down” will probably view this as another in a long line of funny Foos clips. But for those who’ve seen the film (which can be polarizing, to say the very least), it’s sort of impossible not to view “Walk” through the prism of the original. And that’s why it’s a weird thing to watch. Funny? Sure. A slightly odd choice? Most definitely. Then again, the Foo Fighters have long defied conventions, and with “Walk,” they continue down that path — with some silly costumes, of course. The Foos will perform “Walk” on the 2011 MTV Movie Awards , airing live Sunday at 9 p.m. ET/PT. Share your review of the “Walk” video in the comments below! Related Artists Foo Fighters

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Foo Fighters’ ‘Walk’ Video: ‘Falling Down’ All Over Again

Foo Fighters Call Upcoming Shows With Motorhead ‘A Real Rock Bill’

Handful of shows with hard-riffing legends kick off May 17 in Tulsa, Oklahoma. By James Montgomery Foo Fighters’ Dave Grohl Photo: MTV News If you couldn’t tell from their videos , continuing mission to spread the Gospel of Rock or avowed anti-“Glee” stance , the Foo Fighters are totally awesome. And for further proof of this point, consider the lineup they’ll take on the road this May, which features none other than hard-riffing legends Mot

Foo Fighters Slam ‘Glee’ Creator Ryan Murphy

‘F— that guy for thinking everybody should want to do ‘Glee,’ ‘ Dave Grohl says. By Jocelyn Vena Dave Grohl Photo: Gareth Cattermole/ Getty Images The Foo Fighters are the latest rock stars taking aim at “Glee” creator Ryan Murphy. In a new interview, Dave Grohl says that Murphy shouldn’t complain when bands don’t want to include their music on his hit Fox show. The “Glee” creator has butted heads with Guns N’ Roses guitarist Slash and had an epic war of words with Kings of Leon . Now the Foos are speaking out. “It’s every band’s right, you shouldn’t have to do f—ing ‘Glee,'” Grohl told The Hollywood Reporter. “And then the guy who created ‘Glee’ is so offended that we’re not, like, begging to be on his f—ing show. … F— that guy for thinking anybody and everybody should want to do ‘Glee.’ … I watched 10 minutes. It’s not my thing.” The band’s frontman isn’t the only Fighter who isn’t into the show. Drummer Taylor Hawkins feels the same as his bandmate. “The ‘Glee’ guy, what a f—ing jerk. Slash was the first one. He wanted to do Guns N’ Roses and Slash is like, ‘I hate f—ing musicals. It’s worse than “Grease.” ‘ Then [Murphy’s] like, ‘Well, of course he’d say that, he’s a washed-up ol’ rock star, that’s what they f—ing do.’ And then Kings of Leon say, ‘No, we don’t want to be on your show.’ And then he’s like, ‘Snotty little assholes.’ And it’s just like, dude, maybe not everyone loves ‘Glee,’ ” Hawkins said. “Me included. … Yeah, f— that sh–.” Related Artists Foo Fighters

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Foo Fighters Slam ‘Glee’ Creator Ryan Murphy

Foo Fighters Kick Off South By Southwest With Surprise Show

Band celebrate premiere of their new documentary, ‘Back and Forth,’ with a secret show on Tuesday night. By James Montgomery Dave Grohl performs at Stubbs on Tuesday Photo: Tim Mosenfelder/ Getty Images AUSTIN, Texas — Dave Grohl doesn’t do South by Southwest … too many bloggers and not enough headbangers for his liking. And really, at this point in his career, there’s no reason for him to change his mind. After all, he’s basically been one of the biggest rock stars on the planet for close to two decades now, first as the kit-smasher for Nirvana and then as the mastermind of the Foo Fighters, so there’s not much left for him to prove. Music industry schmooze fests aren’t exactly his kind of party. He prefers the company of Lemmy. Which is why it was sort of strange to see Grohl and the Foos stride onstage at venerable Austin BBQ shack/venue Stubb’s on Tuesday night to play a SXSW show. But then you realized that this was no ordinary South By showcase — it was the de facto post-party for the band’s new documentary, “Back and Forth,” which premiered earlier in the night as part of the SXSW Film Festival (which is probably why, after strapping on his guitar, Grohl bellowed into the mic, “We’re f—ing movie stars, yeaaaah!”). And in honor of the occasion, the Foos decided to play their forthcoming Wasting Light album in its entirety. Whether the folks in the audience liked it or not. So for the next hour, Grohl and Co. barreled through Light, taking nary a break to address the crowd. Starting with the slipstream guitars of “Bridge Burning” and chugging all the way through to album-closing “Walk,” the Foos delighted in not only exploring the crags of their latest effort — the surging squall of “White Limo,” the spiky fretwork of “Dear Rosemary,” the elastic drums and chords of first single “Rope” — but in wringing as much emotion as possible out of its softer moments, most notably on the standout “I Should Have Known.” It started out hushed, with Grohl delivering the opening lines like an expert dramaturge, then gradually built on wooshing surges of synth before finally growing into a growler, with guitarists Chris Shiflett and Pat Smear crunching chords and drummer Taylor Hawkins bashing away behind the kit. “And that’s the new record,” Grohl announced at the conclusion of the set, and whether or not the SXSW rabble truly got it is largely beside the point. There’s a reason Grohl declared last month to NME that the Foos’ new album is “sequenced like a setlist” … because it truly is. Of course, he wasn’t about to wait around and take the audience’s temperature. Because as soon as those words left his lips, Grohl spat “… And this isn’t!” and lurched into one of the band’s biggest hits, “One by One.” With the band thundering behind him and the crowd really, truly into it for the first time all night, Grohl took it upon himself to finally address the SXSW crowd (or as he called them, “You industry mother—-ers, you f—ing nerds”), and then spent the next hour trying his hardest to win them over. Or convert them. He bashed through hits like “Everlong,” “Learn to Fly” and “The Pretender,” attempted to coax a sing-along from the crowd during “My Hero” (and, unsatisfied with their efforts, declared, “You clearly need to do more shots”), headbanged majestically on “Times Like These,” and, finally, with set-closing “Best of You,” may have succeeded in his efforts. Because as the Foos left the stage, even the industry mother—-rs and the f—ing nerds were cheering. And Grohl smiled, knowing that, even though it’s not his kind of party, he and the Foos had not only kicked off the SXSW Music Fest, they’d conquered it too. Related Videos MTV First: Foo Fighters’ ‘Rope’ Related Artists Foo Fighters

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Foo Fighters Kick Off South By Southwest With Surprise Show

The Foo Fighters’ ‘Rope’ Video: The Walls Are Closing In

Band’s brand-new clip is a claustrophobic companion piece to upcoming Wasting Light album. By James Montgomery Dave Grohl in the Foo Fighters’ “Rope” video Photo: RCA Earlier this year, when MTV News spoke to producer Butch Vig , he made it a point to mention that the Foo Fighters ‘ Wasting Light album was recorded not just in Dave Grohl’s garage, but on analog tape, and that it avoided any and all digital manipulation until its final mastering. It wasn’t a gimmick. Rather, it was a matter of necessity, the only way Vig and Foos frontman Dave Grohl knew to do justice to the “primal” and “raw” songs the band was thundering through. Fuzzed-out guitars, blown bass and Grohl’s guttural wails (all readily apparent on songs like “White Limo”) just wouldn’t sound appropriately skuzzy on anything but 2-inch tape, after all. And so, with after all that discussion of tape, perhaps it’s not surprising that the Foo Fighters’ new video for Light’s proper first single, “Rope,” was shot entirely on VHS . No digital cameras, no big budgets, no pretenses. Much like the album itself, the “Rope” video is a rough and raw, back-to-basics kind of thing. It’s little more than a really killer performance clip — the Foos riffing their way through the song in stark black-and-white — which is appropriate, since, at its very core, Light is very much a killer rock record, one that sounds unmistakably like a band setting up in a tiny room and just letting it rip. But the “Rope” video also binds itself to Light in another, less apparent way. As Grohl — who directed the clip — explained, it’s modeled after the Foo Fighters’ own cluttered rehearsal space , meant to feel slightly “claustrophobic.” The big secret is that the band is really performing in a room within a room. And watching it, one gets the feeling that the walls are getting slightly closer with each passing frame — a tension that’s echoed in the song and the album itself. The pervasive sentiment on Wasting Light is one of creeping claustrophobia, the snarling guitars and booming bass rattling off Grohl’s garage walls, which seem to be closing in on the band with each song. So, really, while it’s easy to admire “Rope” strictly for its rough-hewn, warts-and-all look, its deeper appeal lies in the way it complements the very essence of Wasting Light itself. Committed to tape, creeping in at the corners — that’s synergy, people. Claustrophobically so. Related Videos MTV First: Foo Fighters’ ‘Rope’ Related Artists Foo Fighters

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The Foo Fighters’ ‘Rope’ Video: The Walls Are Closing In

Dave Grohl Says Foo Fighters’ ‘Rope’ Video Is ‘Claustrophobic’

New clip premieres on MTV on Thursday, with exclusive band Q&A to follow on MTV.com. By James Montgomery The Foo Fighters Photo: Steve Gullick Over the years, Dave Grohl has directed a handful of Foo Fighters videos — “My Hero,” “Monkey Wrench,” “All My Life” — and these generally fall under the category of “the ones where the bandmembers don’t wear funny disguises.” In fact, if there’s a unifying theme to his work, it’s probably that. But if you dig a bit deeper, you start to notice another similarity between Grohl’s videos: They’re all, on some level at least, performance clips. They’re artfully done, of course, but still feature the band doing what they do best: rocking hard. So, when it came time to direct the Foo Fighters’ brand-new video for “Rope” — which makes its world premiere Thursday at 7:54 p.m. ET/PT on MTV — Grohl didn’t stray far from his tried-and-true formula. “I’ve made a couple Foo Fighters videos, and it’s easy for me to come up with a treatment or direct the band because I know what we’re like, and I know what we look like when we play. So most of the Foo Fighters videos that I’ve done have at least a little bit of performance in them,” he told MTV News. “Some of them are entirely performance-based, like the new one. The video for ‘Rope’ was meant to really just look like the band performing the song in a really tight, claustrophobic space, not unlike our rehearsal space. I think practicing in this little rehearsal space that we have really influenced that idea, and we actually set up just as we do in rehearsal for the video.” Of course, as “Rope” proves, even the simplest of concepts can pack a wallop. As Grohl said, there’s a creeping claustrophobia to the new video, a rapidly ratcheting sense that the walls are closing in … a feeling that’s echoed on the band’s upcoming Wasting Light album . This not only adds another level to the clip, but makes it a worthy addition to Grohl’s ever-growing, exceedingly hairy body of work, too. “I’d say my body of work is thin in places, and some places don’t have hair where there should be, and other places there’s, like, lots of hair. But it’s pretty nice,” he laughed. “It’ll get big, it’ll get smaller, it just depends. But I’m very proud of my body of work. Let’s just say it’s waxed.” The Foo Fighters’ ‘Rope’ video premieres live at 7:54 p.m. ET/PT on Thursday on MTV and MTV.com, followed by an exclusive Q&A session from one lucky Foo fan’s house to be live-streamed on MTV.com. Fans can submit questions via Twitter ( @MTVNews using hashtag #askfoos). Related Videos Gearing Up For The Foo Fighters’ ‘Rope’ Video Premiere Related Artists Foo Fighters

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Dave Grohl Says Foo Fighters’ ‘Rope’ Video Is ‘Claustrophobic’

Dave Grohl at Pre GRAMMY Gala

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Dave Grohl at Pre GRAMMY Gala

Dave Grohl at Pre GRAMMY Gala