A video I made for Justin Bieber using the song “Can I Have This Dance” by Zac Efron and Vanessa Hudgens. Lyrics: Gabriella: Take my hand, take a breath Pull me close And take one step Keep your eyes locked on mine And let the music be your guide (Troy) Want you promise me (Gabriella) Now Want you promise me that you never forget (Troy) Well keep dancing (Gabriella) To keep dancing (together) wherever we go next Chorus: (Together) Its like catching lighting The chances we finding someone like you Its one in a million the chances we feeling the way we do and with every step together we just keep on getting better (Gabriella) so can I have this dance (Troy) can I have this dance (together) Can I have this dance Troy: Take my hand, take the lead and every turn, will be safe with me dont be afraid afraid to fall you know I catch you through it all you cant keep us apart (Gabriella) Even a thousand miles cant keep us apart (Together) Cause my heart wherever you are Chorus: (Together) Its like catching lighting The chances we finding someone like you Its one in a million the chances we feeling the way we do and with every step together we just keep on getting better (Gabriella) so can I have this dance (Troy) can I have this dance (together) Can I have this dance http://www.youtube.com/v/7jGbluXvdbE?f=videos&app=youtube_gdata Read more from the original source: Can I Have This Dance (Justin Bieber Video) with lyrics
Marquita Pring stars as one of four plus-size models featured in Vogue Italia’s cover story fashion spread “Belle Vere,” meaning “Real Beauties.” Photographer Steven Meisel ignores the weight debate, capturing her in a lush setting that exudes sensuality. Celebrating body diversity, Meisel puts her curves front and center. The Curvy Girl’s Guide To Lingerie Toccara Jones: Media Misuses The Word “Curvy” VH1 Casting Reality Show For Plus-Size Girls Only; Will You Watch?
Young Con is doing his thang. Check out the video and the facts below. Broadcasting platform : YouTube Source : loonwatch.com Discovery Date : 02/06/2011 20:38 Number of articles : 2
‘That’s the first time anybody has ever heard all three of us on a record,’ Drizzy tells MTV News of teaming with Rick Ross, Lil Wayne. By Rob Markman, with reporting by Ricky Louis Drake Photo: MTV News Drake is such a nice guy. When DJ Khaled approached Drizzy to appear on a track off of his upcoming Cash Money album, We the Best Forever, the Thank Me Later MC wanted to lend something memorable to his friend’s project. The result, “I’m On One,” Khaled’s latest single featuring Lil Wayne, Rick Ross and, of course, Drake. “Khaled waited, like, forever and a day. I was taking my sweet time trying to craft this piece of music because I knew he needed a special moment,” Drizzy told MTV News at the song’s video shoot in Miami. “When I did it, I was like, ‘OK, it’s gotta be me, Ross and Wayne.’ That’s the first time anybody has ever heard all three of us on a record.” After leaking the song onto the Internet on May 12, Khaled and company were out shooting the video for “I’m On One” this past weekend — just 15 days later — and that fact isn’t lost on Drake. “To be out here shooting a video, it’s amazing how things work nowadays,” he said. “I used to make music and never think anyone was gonna hear it, now I make music and two weeks later, we’re shooting crazy videos in Miami, living the life.” Aside from working with Wayne, who Drake is signed to and frequently shows appreciation for, the Toronto-born rapper spoke on his admiration for his “brother” Rozay. “That’s one of my favorite people to rap with in the world,” Drizzy said. “That’s family the same way YM is family, the same way that OVO is family,” he said, name-checking his Young Money and October’s Very Own teams. “Ross know what it is, MMG all day, I hold that close to my heart.” What do you think of “I’m On One”? Tell us in the comments! Related Artists Drake DJ Khaled
In part two of our ‘Seattle Sonics’ series, the band takes us to their Sip & Ship ‘nerve center’ and American Music shop. By James Montgomery Death Cab for Cutie’s Chris Walla and Jason McGerr Photo: MTV News SEATTLE — Chris Walla is a bit of a multitasker: That much is clear just by his rather prodigious output as a producer, solo musician and full-time member of Death Cab for Cutie . So it should probably come as no surprise that, for MTV News’ second edition of “Seattle Sonics,” Walla decided to take us to one of his favorite spots in Seatown: Sip & Ship, the kind of place that defines multitasking. See, S&S is the sort of place that seemingly only exists in Seattle: A communal, cozy combination shipping depot/coffee bar that also happens to be a gift shop. Oh, and they make a mean grilled cheese, too. Located in the city’s Ballard neighborhood — right down the block from a nefarious FedEx Office outpost — Walla first visited the shop six years ago (after a rather terrible experience at said FedEx), and in the time since, Sip & Ship has become the de facto home office for all things Death Cab. Merch, master tapes of albums, musical instruments and the occasional eBay purchase all pass through S&S. Walla has become close friends with the shop’s owners (one of them, Diana Naramore, even made a cameo in his “Sing Again” video ) and the coffee’s really great, too. “This place has become a communications and shipping and caffeine and calorie hub without which I don’t think Death Cab for Cutie would actually be able to do any business at all. This is one of the Seattle nerve centers of the band,” Walla explained. “We did a whole series of test-pressings for the new record, and we got four or five shipments of them here. We’d pick ’em up and then go home and listen to records.” Drummer Jason McGerr also chimed in: “It’s a far safer bet than my doorstep — which I don’t even step on all that often,” he said, laughing. And while Sip & Ship has been an important cog in the Death Cab machine for six years, there’s another spot nearby that’s been part of their lives for much longer: American Music, a Seattle institution since it first opened its doors in 1973 and the place where local bands (you know, like Nirvana, Soundgarden and Alice in Chains) went to get their gear. It’s not surprising that both Walla — who grew up nearby — and McGerr — who worked there in 1994, when he was 19 years old — chose it as the next place they took our cameras. “I traded all my paychecks for equipment, and I got to know a whole lot of local drummers,” McGerr said from his old post behind the American counter. “And there were times, 10 minutes before close, Dave Grohl would come in and sit down and just start blowing on drums and the front door would shut and we’d sit there and watch him. … There was always a scene happening within the store. If you played music and you got your supplies in Seattle, it was from American Music.” And American was also where you’d find Walla hanging out as a slightly awkward teenager, doing “double drummer stuff” with friend (and former Death Cab drummer) Nathan Good. And he did it mostly out of necessity, because back then, there weren’t many places 15-year-old music obsessives could hang out, due mostly to Seattle’s oppressive Teen Dance Ordinance , which made all-ages shows all but impossible to organize. And, really, to Walla, that’s what makes the place much more than a music store. It’s sort of his home away from home. “I got a lot of stuff here that was cast-off junk, but I still use it,” Walla said. “There are tons of music stores that are just enormous boxes, that are full of guitars and drums and cymbals and whatever, and they might have more stock than a place like American does, but American has the heart and soul of a music store that I want when I walk into a music store.” Death Cab for Cutie: Seattle Sonics continues all week on MTVNews.com. On Thursday, we’ll head to a vaunted (and now defunct) all-ages venue where DCFC learned how to be a band — and still made it home in time for curfew. Related Videos Death Cab For Cutie’s Guide To Seattle Related Artists Death Cab For Cutie
In part two of our ‘Seattle Sonics’ series, the band takes us to their Sip & Ship ‘nerve center’ and American Music shop. By James Montgomery Death Cab for Cutie’s Chris Walla and Jason McGerr Photo: MTV News SEATTLE — Chris Walla is a bit of a multitasker: That much is clear just by his rather prodigious output as a producer, solo musician and full-time member of Death Cab for Cutie . So it should probably come as no surprise that, for MTV News’ second edition of “Seattle Sonics,” Walla decided to take us to one of his favorite spots in Seatown: Sip & Ship, the kind of place that defines multitasking. See, S&S is the sort of place that seemingly only exists in Seattle: A communal, cozy combination shipping depot/coffee bar that also happens to be a gift shop. Oh, and they make a mean grilled cheese, too. Located in the city’s Ballard neighborhood — right down the block from a nefarious FedEx Office outpost — Walla first visited the shop six years ago (after a rather terrible experience at said FedEx), and in the time since, Sip & Ship has become the de facto home office for all things Death Cab. Merch, master tapes of albums, musical instruments and the occasional eBay purchase all pass through S&S. Walla has become close friends with the shop’s owners (one of them, Diana Naramore, even made a cameo in his “Sing Again” video ) and the coffee’s really great, too. “This place has become a communications and shipping and caffeine and calorie hub without which I don’t think Death Cab for Cutie would actually be able to do any business at all. This is one of the Seattle nerve centers of the band,” Walla explained. “We did a whole series of test-pressings for the new record, and we got four or five shipments of them here. We’d pick ’em up and then go home and listen to records.” Drummer Jason McGerr also chimed in: “It’s a far safer bet than my doorstep — which I don’t even step on all that often,” he said, laughing. And while Sip & Ship has been an important cog in the Death Cab machine for six years, there’s another spot nearby that’s been part of their lives for much longer: American Music, a Seattle institution since it first opened its doors in 1973 and the place where local bands (you know, like Nirvana, Soundgarden and Alice in Chains) went to get their gear. It’s not surprising that both Walla — who grew up nearby — and McGerr — who worked there in 1994, when he was 19 years old — chose it as the next place they took our cameras. “I traded all my paychecks for equipment, and I got to know a whole lot of local drummers,” McGerr said from his old post behind the American counter. “And there were times, 10 minutes before close, Dave Grohl would come in and sit down and just start blowing on drums and the front door would shut and we’d sit there and watch him. … There was always a scene happening within the store. If you played music and you got your supplies in Seattle, it was from American Music.” And American was also where you’d find Walla hanging out as a slightly awkward teenager, doing “double drummer stuff” with friend (and former Death Cab drummer) Nathan Good. And he did it mostly out of necessity, because back then, there weren’t many places 15-year-old music obsessives could hang out, due mostly to Seattle’s oppressive Teen Dance Ordinance , which made all-ages shows all but impossible to organize. And, really, to Walla, that’s what makes the place much more than a music store. It’s sort of his home away from home. “I got a lot of stuff here that was cast-off junk, but I still use it,” Walla said. “There are tons of music stores that are just enormous boxes, that are full of guitars and drums and cymbals and whatever, and they might have more stock than a place like American does, but American has the heart and soul of a music store that I want when I walk into a music store.” Death Cab for Cutie: Seattle Sonics continues all week on MTVNews.com. On Thursday, we’ll head to a vaunted (and now defunct) all-ages venue where DCFC learned how to be a band — and still made it home in time for curfew. Related Videos Death Cab For Cutie’s Guide To Seattle Related Artists Death Cab For Cutie
I messed up. So Jacob Lusk says about his final performance on American Idol , a rendition of “No Air” that got the soulful singer eliminated from season 10 this week. “I take full responsibility for my choices,” Lusk tells TV Guide in an elimination interview , opening up about his experience on the show and the cover that resulted in him going home. A few more excerpts are below… On feeling the pressure : I was getting a little tired, probably. And really trying to do different things, do something that really wasn’t my thing. This wasn’t the time to do that. I didn’t really have the greatest performance on Wednesday, and that’s why I was sent home. On conflicting advice : I definitely got some contradictory advice, but at the end of the day, it’s up to me to be myself. When you’re great, you’re great. And nobody can argue with that. On post-Idol plans : My primary focus is doing an album. I’d like to look into some theater, Broadway. You’re gonna hear some traditional R&B, which I feel is missing from the scene. There aren’t any Luther Vandross, Teddy Pendergrass, Marvin Gaye singers out there. There’s a lot of pop, bubble-gum, but not a lot of R&B. And that’s what I bring naturally. I don’t have to try to do that.
Meredith Vieira, 57, took the job in 2006 when Katie Couric became anchor at the CBS Evening News. Couric, 54, is also reportedly leaving. For Meredith Vieira, there may be no tomorrow at Today. Weary of the early hours and concerned about her husband, who has multiple sclerosis, Vieira is expected to leave as co-anchor when her contract expires later this year, TV Guide reports. Meredith Vieira (born December 30, 1953) is an American journalist, television personality, and game show host. Sh
The Real Housewives of Orange County return tomorrow night. What can viewers expect from the cast that kicked off this Bravo franchise? Referring to new co-stars Peggy Tanous and Fernanda Rocha , Vicki Gunvalson tells TV Guide: “Each time we get a new cast member, I open my arms and I don’t have preconceived notions about them, I just hope we can all get along and that was the case this year. It was just a good blend and a good fit and I was really excited about that. No drama on that end from me, so that was good. There may be some with the other girls, but I stood clear of it.” Will Gunvalson still be feuding with Tamra? She says : “I’m her friend, I love her and I want the best for her. She’s in a great place now and she’s extremely happy and that you’ll see this season… I knew Tamra was in a tough place. She had Simon telling her that it was my fault. I knew it wasn’t. I had nothing to do with their marriage woes.” And Vicki’s take on Alexis Bellino? “I’ve got nothing against Alexis. I think she’s very sweet, but I think she’s always ready to pick a fight and I’m not. She’s always trying to prove a point with me or prove she’s a businesswoman; it’s like, ‘Good for you.’ I don’t want to cause a fight. She’s just a little bit harder to get along with. She brings dirt up a lot. I don’t want to be around that. She’s just somebody I work with and that’s about it.”
When I was a little kid, I really, really, really loved the Oscars. For a wee gay movie-obsessed lad growing up in the suburbs of Atlanta, it was the sort of annual event to be anticipated with both excitement and reverence. Every year when we’d get the TV Guide issue with the full-page “Close-Up” box on the Oscars, featuring thumbnail pictures of the ten Best Actor and Actress nominees, my heart would race. Before I was old enough that my parents would let me stay up late and watch the whole thing (this was back when the show began at 9 p.m. on the East Coast), I somehow convinced them to nudge me awake at midnight, tell me who won in the major categories, and then I’d roll over and go back to sleep.
