Tag Archives: guitar

Big K.R.I.T. Makes ‘Important’ Music With B.B. King

‘He heard the record, he loved it and he also played the guitar on it,’ K.R.I.T. tells ‘RapFix Live’ about ‘Praying Man.’ By Rob Markman, with reporting by Sway Calloway Sway Calloway, Big K.R.I.T. and Ed Lover on “RapFix Live” Photo: MTV News Big K.R.I.T. may be a new artist, but the standout Mississippi MC has an old musical soul. On Tuesday, K.R.I.T. released his debut album, Live From the Underground, and while he features quite a few artists on his LP, the one that stands out the most is blues legend B.B. King . “I think doing a record with B.B. King allowed me the opportunity to blend two different generations across the board and make a song that I hope is extremely impactful,” the King Remembered in Time told MTV News correspondent Sway, Ed Lover and Doctor Dre when he appeared on “RapFix Live” on Wednesday. The record is “Praying Man,” a poignant story-driven rap on which K.R.I.T. rhymes from the perspective of three slaves who are facing death. During the first verse he rhymes as a slave hanging from a tree in a noose and in the second he tells the story of a slave jumps off his captive ship into the Atlantic Ocean. On the final verse, K.R.I.T. spits about a man running from a lynch mob. It’s all pretty deep and a far cry from most of today’s rap fare. “All three of these people are dead, but they’re rappin’ to you as if they didn’t know and the praying man that they’re talking about is death coming to take them from their situation,” the producer/MC explained of the track’s concept. “When I was working on the record I was like, ‘Yo, this would be crazy if I got B.B. King on the song.’ ” Krizzle’s wishful thinking eventually turned into a reality. “I was actually able to make it happen. He heard the record, he loved it and he also played the guitar on it. He gave it his own feel as well,” K.R.I.T. said before he confirmed that he will also shoot a video for the song. “I’m excited for people to hear it and when we do shoot a visual, because I know we got to, it gotta be cinematic.” Coming from the South, K.R.I.T., who built his buzz by releasing a trilogy of free mixtapes , felt it was his duty to tell these types of stories on his album after hearing stories about the civil rights movement from his grandmother. “It’s important that I talk about all that. It’s a lot of people that died for me to have the opportunity that I have now, just the freedom,” he said. “It shouldn’t be forgotten as far as the past is concerned.” What is your favorite song off Big K.R.I.T.’s Live From the Underground ? Let us know in the comments! Related Videos ‘RapFix Live’ Goes Big With K.R.I.T., N.O.R.E And A ‘Yo! MTV Raps’ Reunion Related Artists Big K.R.I.T. B.B. King

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Big K.R.I.T. Makes ‘Important’ Music With B.B. King

Bob Welch, Former Fleetwood Mac Member, Commits Suicide

Bob Welch, a musician best known for playing with iconic rock band Fleetwood Mac between 1971 and 1974, has committed suicide. He was 66. The artist’s body was found inside his Nashville home today, police confirm, discovered there by his wife around noon local time. He reportedly shot himself in the chest and left a suicide note. Following three years at the guitar and microphone with Fleetwood Mac, Welch formed British rock group Paris in 1976. He most well-known tracks include “Sentimental Lady” and “Ebony Eyes.” Our thoughts go out to his family.

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Bob Welch, Former Fleetwood Mac Member, Commits Suicide

Boyfriend/Girlfriend – Justin Bieber (Cover)

I’m obsessed with this song. Beat thanks to: CDaraBeats! www.youtube.com http://www.youtube.com/v/WWBD7JRSlb4?version=3&f=videos&app=youtube_gdata More here: Boyfriend/Girlfriend – Justin Bieber (Cover)

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Boyfriend/Girlfriend – Justin Bieber (Cover)

Ace Young Proposes to Diana DeGarmo on American Idol Finale!

Move over, Phillip Phillips and Jessica Sanchez. Ace Young just stole your spotlight. About a half hour prior to American Idol announcing its season 11 champion tonight, Young and Diana DeGarmo – who met during a production of Hair – were called on to the stage by Ryan Seacrest. Ace Young and Diana DeGarmo Get Engaged on American Idol Finale Young then got down on one knee, and in a proposal/product placement for Dave Webb Jewelry, said to his live-in girlfriend: “I want to make this last forever, and I will do anything in my power to have the most amazing life together, if you will have me.” Through tears, DeGarmo accepted! “I’m so speechless right now,” she said after Young put the engagement ring on her finger. “My makeup’s running!” Diane finished second on the third season of Idol in 2004, while Young placed seventh on season five. Congrats to the happy couple!

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Ace Young Proposes to Diana DeGarmo on American Idol Finale!

American Idol Results: Who Won?

Following a record 132 million votes, performances from Neil Diamond, Rihanna and Aerosmith and a proposal , American Idol crowned a season 11 champion tonight. Was it ballad singer extraordinaire Jessica Sanchez? Or Dave Matthews prototype Phillip Phillips? Unlike Ryan Seacrest, we won’t keep you in suspense for very long. The winner is… American Idol Winner: Announced! PHILLIP PHILLIPS! Not exactly a shocker, huh? The guitar-playing crooner was considered a favorite from his very first audition, considering his similar qualities to every other American Idol champion of the past five seasons. Jessica appeared genuinely happy for Phillip upon hearing the announcement, as Ryan handed Phillip his guitar, Phillips took the crowd ” Home ” and eventually dissolved into tears, heading into the crowd to hug his parents. Did Phillip Phillips deserve to win?

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American Idol Results: Who Won?

Justin Bieber "Be Alright" (Believe) Cover + Guitar Chords

www.twitter.com This is a song by Justin Bieber. He and Dan Kanter performed it as far as I know just once yet. So, it´s maybe unknown. It is a pretty typical Justin Bieber lovesong with a beautiful melodie, I think. I hope it will be on the upcoming album “Believe”. http://www.youtube.com/v/uQ5CsxjV_I0?version=3&f=videos&app=youtube_gdata Read more: Justin Bieber “Be Alright” (Believe) Cover + Guitar Chords

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Justin Bieber "Be Alright" (Believe) Cover + Guitar Chords

Mark Zuckerberg’s Big Week: $19 Billion And A Wedding

Facebook co-founder celebrates two grand achievements by making his company public and marrying longtime girlfriend Priscilla Chan. By Natasha Chandel Priscilla Chan and Mark Zuckerberg Photo: Priscilla Chan/ Facebook Facebook co-founder and CEO Mark Zuckerberg has had quite a week! Not only is he now worth a cool $19 billion after the Facebook IPO , but he also got hitched to long-time girlfriend, Dr. Priscilla Chan, in an intimate wedding on Saturday. Of course, the announcement became official when Zuckerberg changed his Facebook status to “married” and uploaded a wedding picture of the young couple. Facebook became a public company on Friday in the second largest IPO in financial history , with shares selling at $38 each. If that wasn’t enough pressure for a week, Zuckerberg took the big plunge when he swapped out his signature hoodie and jeans for a dark blue suit and tie for his surprise nuptials with Priscilla Chan, his girlfriend of nine years. The couple met at Harvard, when Zuckerberg was still developing his infamous social network, and have been an item ever since. Despite Zuckerberg’s rockstar status with fans and users alike, the technology mogul has led a significantly low-key life. His weekend ceremony included approximately 100 guests, including family and friends, none of whom had any idea they were attending a wedding. They were invited under the pretense of a graduation party for Chan, who also had an eventful week after graduating from medical school. Once everyone had gathered, it was announced the couple was finally tying the knot. According to reports, Zuckerberg designed a simple ruby ring for his lady love, who looked elegant and chic in a vintage-inspired lace gown. Guests dined on the couple’s favorite foods, including mouse-shaped chocolates — a treat the couple shared on their first date. Share your well-wishes for Mark Zuckerberg and Priscilla Chan in the comments!

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Mark Zuckerberg’s Big Week: $19 Billion And A Wedding

Red Hot Chili Peppers Go Long And Hard At Hangout Fest

Band’s Saturday-night set was lively and loose, capping a day that also saw spirited sets from Mac Miller and Skrillex. By James Montgomery Anthony Kiedis of the Red Hot Chili Peppers performs at the 2012 Hangout Music Festival Photo: Tim Mosenfelder/ Getty Images GULF SHORES, Alabama — Having been at this for more than two decades now, the Red Hot Chili Peppers clearly know how to headline a fest: play the hits, thank the crowd, occasionally swat at a beach ball, exit stage right. Maybe work a few well-placed curse words in there too. These things tend to be the same. So it’s a testament to both their versatility and their dedication that the Chili Peppers’ Saturday-night set at the Hangout Festival was anything but by the numbers, as the band jammed long and hard, stretching songs to the breaking point (and beyond), much to the delight of the raucous, sun-baked crowd. Perhaps it was because their headlining slot kicked off just minutes after seasoned jam-meisters the String Cheese Incident finished their two-and-a-half hour set (which, for them, was basically just a warm-up), or maybe they were taking their cues from Friday night’s headliner, Jack White , but from the minute the Peps strode on stage, they were playing fast and loose. Drummer Chad Smith, bassist Flea and guitarist Josh Klinghoffer started things off with a reverb-heavy psych jam that only morphed into “The Monarchy of Roses” when frontman Anthony Kiedis bounded on stage, then kept that momentum rolling into “Can’t Stop,” with the trio trading solos while Kiedis nodded in time to the beat. There were, of course, more straightforward moments too: the Peppers tore through a string of hits, including “Dani California,” “Under The Bridge” and “The Adventures of Rain Dance Maggie,” and attacked songs like “Blood Sugar Sex Magik” and their version of “Higher Ground” with impassioned pounding. Flea was his usual non-sequitur self, spouting stuff like “Sweet Home Alabama, mother—-er!” and “Forgive your parents!” into the mic, and Kiedis was, as always, the warrior-shaman showman, posing and preening, always in motion (he and Flea also made the rather interesting decision to wear pants with one leg cut off above the knee). But there was a general, genial looseness throughout their two-hour set, showcasing Smith’s lock-step drumming, Flea’s precision playing and Klinghoffer’s wild, winding fretwork. At several points, they seemed to be making it up as they went along, gleefully turning a few stray notes into lengthy, twisting jams: Klinghoffer would summon a solo from his guitar, while Flea would flail and pound along, Smith and touring percussionist Mauro Refosco kicked off the band’s encore with a twisting back-and-forth exchange, and after blasting through “Give It Away,” the band closed their set with a lengthy, voluminous instrumental. The Peppers have always drawn from funk, and Flea’s dabblings in Jazz have paced them for nearly twenty years now, but on Saturday night, the improvisational nature of both were readily apparent. Rather than do the usual headlining set, the band wanted to just play. It seems to be a recurring theme of the Hangout fest … and it served as a perfect capper on a day that also saw lively and loose sets from the likes of Gogol Bordello, Mac Miller and Skrillex (who, in a bit of inspired scheduling, kicked off opposite Randy Newman). The Red Hot Chili Peppers breathed new life into time-tested favorites &#8212 “Suck My Kiss” was pounding and primal, “Californication” soared to new heights, “Soul to Squeeze” was sanguine and sweet — and appeared to have a blast whilst doing so. You can’t teach old dogs new tricks, but, if you bring them to the beach (and scheduled them after a jam band), well, you can certainly make them push things to the limit … with fantastic results. If this whole “world-famous rock band” thing doesn’t work out for RHCP, their Hangout set was proof that they’d make a killing on the jam circuit. Your move, String Cheese. Related Photos Rockin’ Out At The 2012 Hangout Music Festival Related Artists Red Hot Chili Peppers

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Red Hot Chili Peppers Go Long And Hard At Hangout Fest

Red Hot Chili Peppers Go Long And Hard At Hangout Fest

Band’s Saturday-night set was lively and loose, capping a day that also saw spirited sets from Mac Miller and Skrillex. By James Montgomery Anthony Kiedis of the Red Hot Chili Peppers performs at the 2012 Hangout Music Festival Photo: Tim Mosenfelder/ Getty Images GULF SHORES, Alabama — Having been at this for more than two decades now, the Red Hot Chili Peppers clearly know how to headline a fest: play the hits, thank the crowd, occasionally swat at a beach ball, exit stage right. Maybe work a few well-placed curse words in there too. These things tend to be the same. So it’s a testament to both their versatility and their dedication that the Chili Peppers’ Saturday-night set at the Hangout Festival was anything but by the numbers, as the band jammed long and hard, stretching songs to the breaking point (and beyond), much to the delight of the raucous, sun-baked crowd. Perhaps it was because their headlining slot kicked off just minutes after seasoned jam-meisters the String Cheese Incident finished their two-and-a-half hour set (which, for them, was basically just a warm-up), or maybe they were taking their cues from Friday night’s headliner, Jack White , but from the minute the Peps strode on stage, they were playing fast and loose. Drummer Chad Smith, bassist Flea and guitarist Josh Klinghoffer started things off with a reverb-heavy psych jam that only morphed into “The Monarchy of Roses” when frontman Anthony Kiedis bounded on stage, then kept that momentum rolling into “Can’t Stop,” with the trio trading solos while Kiedis nodded in time to the beat. There were, of course, more straightforward moments too: the Peppers tore through a string of hits, including “Dani California,” “Under The Bridge” and “The Adventures of Rain Dance Maggie,” and attacked songs like “Blood Sugar Sex Magik” and their version of “Higher Ground” with impassioned pounding. Flea was his usual non-sequitur self, spouting stuff like “Sweet Home Alabama, mother—-er!” and “Forgive your parents!” into the mic, and Kiedis was, as always, the warrior-shaman showman, posing and preening, always in motion (he and Flea also made the rather interesting decision to wear pants with one leg cut off above the knee). But there was a general, genial looseness throughout their two-hour set, showcasing Smith’s lock-step drumming, Flea’s precision playing and Klinghoffer’s wild, winding fretwork. At several points, they seemed to be making it up as they went along, gleefully turning a few stray notes into lengthy, twisting jams: Klinghoffer would summon a solo from his guitar, while Flea would flail and pound along, Smith and touring percussionist Mauro Refosco kicked off the band’s encore with a twisting back-and-forth exchange, and after blasting through “Give It Away,” the band closed their set with a lengthy, voluminous instrumental. The Peppers have always drawn from funk, and Flea’s dabblings in Jazz have paced them for nearly twenty years now, but on Saturday night, the improvisational nature of both were readily apparent. Rather than do the usual headlining set, the band wanted to just play. It seems to be a recurring theme of the Hangout fest … and it served as a perfect capper on a day that also saw lively and loose sets from the likes of Gogol Bordello, Mac Miller and Skrillex (who, in a bit of inspired scheduling, kicked off opposite Randy Newman). The Red Hot Chili Peppers breathed new life into time-tested favorites &#8212 “Suck My Kiss” was pounding and primal, “Californication” soared to new heights, “Soul to Squeeze” was sanguine and sweet — and appeared to have a blast whilst doing so. You can’t teach old dogs new tricks, but, if you bring them to the beach (and scheduled them after a jam band), well, you can certainly make them push things to the limit … with fantastic results. If this whole “world-famous rock band” thing doesn’t work out for RHCP, their Hangout set was proof that they’d make a killing on the jam circuit. Your move, String Cheese. Related Photos Rockin’ Out At The 2012 Hangout Music Festival Related Artists Red Hot Chili Peppers

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Red Hot Chili Peppers Go Long And Hard At Hangout Fest

Jack White Rocks Hangout Fest, Avoids Getting A Tan

Headliner White closed out the first day of the beachfront festival in Alabama with a set long on hits, solos. By James Montgomery Jack White performs at Hangout Fest in Mobile, AL Photo: WireImage GULF SHORES, Alabama — Judging by his cadaverous complexion, Jack White probably doesn’t make it out to the beach all that often. Which is probably why his Friday night set at the Hangout Festival felt less like a headlining gig and more like one long (long) victory lap: He was determined to enjoy the experience. Sure, White took the stage long after the sun had set over the stretch of white-sand beach the Hangout calls home (it’s definitely the only fest where going barefoot is not only a viable option, but practically encouraged), but spurred on by the cheers of a raucous crowd and cooled by the gentle breeze of the Gulf, he tore through a wild 90-minute set. It was one that dove deep into his back catalog — featuring not only White’s new Blunderbuss tunes, but also songs from the White Stripes, the Dead Weather, the Raconteurs and the Danger Mouse-helmed Rome project too — and saw him break out roughly 100 fret-assaulting guitar solos, two backing bands … and exactly one fedora. He spoke barely a word (and nary a metaphor ) during his time onstage, preferring instead to let the music do the talking. Or, more precisely, the yelling. Because from the moment he kicked things off with a high-octane version of the Stripes’ “Dead Leaves and the Dirty Ground,” to the second the final echoes of “Seven Nation Army” were escaping out into the night air, White was plenty loud. And equally loose. “I Cut Like a Buffalo,” “Love Interruption” and (especially) “Ball and Biscuit” each unspooled over several minutes, with White stomping and pulling solos from his guitar, goofy smile on his face, while both of his crack backing bands followed close behind. It was clear that, on Friday night, White wanted to jam. Which is why, in just about every conceivable way, this wasn’t the kind of show you’d expect from the normally uptight White. Of course, he was still dressed like a country mortician and, sure, he made his backing bands dress in near-matching unis (black for his male band, the Buzzards; white for the female counterpart, the Peacocks), and the lighting scheme onstage never strayed from “ethereal blue,” but he seemed to draw genuine joy from letting his songs breathe: He turned “Hotel Yorba” into a hoedown, lent extra punch to new tracks like “Sixteen Saltines” and “Hypocritical Kiss” and led the audience in an extended chant during “Army,” which has almost inexplicably become his signature song on both sides of the Atlantic. Maybe it had something to do with the Gulf Stream, the postcard-perfect setting of the Hangout Fest (they have palm trees on the beach !) and the day of terrific music he was closing out — Friday also featured standout sets from Wilco, Alabama Shakes and Yelawolf, to name just a few — or maybe White just wanted to cut loose. But last night, his solos rang loud and proud, his voice was voluminous and creaky in all the right ways, and both of his bands proved worthy traveling partners on the lengthy musical excursions on which he led them. In short, White certainly seems to be enjoying life as a solo artist. Especially when he’s playing the songs he made with others. Now, if he could only work on that tan … you get the feeling he’d become a regular down here at the Hangout. Did you catch Jack White’s set at the Hangout Festival? Share your reviews in the comments! Related Artists Jack White

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Jack White Rocks Hangout Fest, Avoids Getting A Tan