Selena Gomez makes me cry on the inside….she used to be this 18 year old girl who was pulling off the age old question as to whether a girl can be a sex offender cuz society really hates older men fucking teen girls, but do they really care when girls fuck teen boys, and Selena proved they don’t….but maybe that’s because she looked 14 thanks to the Disney genetic modification, project Peter Pan, than doesn’t allow her to age….but does allow her to wear a fucking bikini, take self shot nudes, release a sex tape, flash her twat and all things good….and Teen Vogue decide to pull this garbage off…what a waste of a photoshoot.
If you think your day is bad enough as is, it is about to get worse….someone did a dubstep edit, which in and of itself is the devils work….to a clip from the Octomom porn….which in and of itself is the devlis work….making one big video of fucking evil….it may burn your eyes, rob your soul, rape you on the inside and that’s why I am posting it. IF YOU WANT THE SEX TAPE – AND YOU DO FOLLOW THIS LINK
Gina Gershon is 50 and in her bikini. I don’t know shit about her, but apparently she went to High School with Lenny Kravitz at Beverly Hills High along with the cast of 90210 …which is something I wish my WIKIPEDIA page read, but unfortunately, I don’t have a wikipededia page, because I don’t matter, it is like I don’t even fucking exist according to the internet….and supported by my soul….you see cuz I’m dead on the inside…I blame my wife’s disgusting vagina for ruining me… TO SEE THE REST OF THE PICS GO
she says its always been the mystics that go head to head with the devils, she says repetitive prayer is ok to start but evolve to spontaneous soon and evolve past the petition point, matrue out of asking for stuff, *I never did that by the way) I pray for othes and used to think it was that way that you pray for others and others pray for you. Its only been lately I realized it was good to pray for yourself but not for stuff. You dont have to judge others journey she says. She says when you start showing your bangles or beads or what represents your power then evil is alerted to you. Opening your mouth, exposing your on journey is not of service. Chanel grace as a daily basis of service. The more you go inside the more attuned that you are. The more you do the more you recieve Grace and instructions. No attachments. Dont put it on your business card. Fly under the radar. This world is a monastary and you are devoted to it and your companion is God. What it brings is the extroidinary to your ordinary life. Wisdom and higher thought for social change. http://www.youtube.com/v/bS8U1LUgkJY?version=3&f=videos&app=youtube_gdata See the article here: carolyn myss Entering the Castle for wounded children who chat their grace away
www.hayhouse.com Caroline Myss has been in the field of energy medicine and human consciousness for 20 years. She is a New York Times best-selling author whose books include Anatomy of the Spirit, Why People Dont Heal and How They Can, Sacred Contracts, and Entering the Castle. Carolines latest book, DEFY GRAVITY: Healing Beyond the Bounds of Reason, will be published by Hay House in October 2009. Listen to Caroline every week on www.HayHouseRadio.com® http://www.youtube.com/v/rWuC_Rgt744?version=3&f=videos&app=youtube_gdata See original here: Caroline Myss on The Mystical Experience
‘Everybody felt what I was saying and was riding,’ former Murder Inc. boss says about October ‘RapFix Live’ appearance. By Rob Markman Irv Gotti Photo: MTV News No matter if he was producing hits for Jay-Z or J.Lo or running Murder, Inc Records, Irv Gotti always approached the game with passion. Gotti brought that same love to MTV’s “RapFix Live” in October when he essentially campaigned to become Def Jam’s next president . “It caused a buzz, and I want people to know I didn’t start the whole ‘Irv Gotti for president’ thing; the people did,” the former Def Jam A&R told MTV News as he walked the red carpet at the reopening of Jay-Z’s 40/40 Club in Manhattan last week. “It was a crazy thing, and it was all good.” Gotti has a storied relationship with the groundbreaking rap label. After he produced “Can I Live” from Hov’s 1996 debut, Reasonable Doubt, Irv helped set up a deal between Jay’s Roc-A-Fella Records and Def Jam. Next, Gotti coaxed DMX to the powerhouse label and then Ja Rule. In 2005, the federal government charged Gotti’s Murder Inc. label with money laundering, and even though Irv was cleared of the charges , his relationship with Def Jam soured. Back in October, Irv made his pitch to return to the record company in a very big way. “If you don’t want to hire me — the best man for the job, the man who will die for it — cool, I understand. You think I’m Suge Knight, you think the feds may come in here again if you hire me, cool,” he said at the time. “Put somebody in there, because you not giving any sign or any indication that you care about my culture.” A number of artists and industry mainstays spoke out in support of Irv, while others quietly championed him behind the scenes. “It was one of the best ‘RapFix’ [interviews] ever,” Jadakiss told MTV News in November. “He said a lot of stuff that doesn’t get said. He was able to [vent] without hating on the record labels or channeling any hate. … Everything he said — me being on the inside looking out and him being on the inside looking out but now on the outside looking in — I think he nailed every point. I think everything he said was excellent, and almost everything was true.” It doesn’t seem like Def Jam brass will put Irv in the big chair, but Gotti is appreciative of the support he has gotten from the hip-hop community. “Everybody was riding. It was a lot of love,” he said last week. “Everybody felt what I was saying and was riding.” Who do you think should be Def Jam’s next president? Tell us in the comments! Related Videos ‘RapFix Live’ With Method Man And Irv Gotti
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Producer Noah ’40’ Shebib gives MTV News the inside story in an exclusive interview. By Steven Roberts Drake Photo: John Shearer/ Getty Images Despite all the critical and commercial acclaim Drake ‘s Take Care has rightly earned, the Toronto MC has remained relatively quiet when promoting the album. Relative in the sense that Thank Me Later ‘s release was accompanied by the hoopla of in-store signings and a documentary . That’s not the only way the two projects differ. Where TML featured a number of A-list hitmakers, from Kanye West to Swizz Beatz, the biggest name in Drake’s sophomore effort’s production credits is Just Blaze. The album certainly doesn’t suffer from that lack of notoriety, however. In fact, it sounds more focused with the lesser-known T-Minus , and Drake’s right-hand man Noah “40” Shebib stealing the show. Their efforts helped to make it more Drake’s album — however introspective, weird and altogether refreshing that might be. When MTV News caught up with 40, he attributed their creative fearlessness to the autonomy Lil Wayne and Cash Money allowed them. “We’re afforded all of the creative freedom in the world,” 40 explained. “They really trust us and have from day one. It’s a great feeling to know that me and Drake just get to make music. We don’t really have to clear it with A&Rs or anybody. We are our own A&R’s. We just make it happen, and we take it, say, ‘Hey, look, this is what we did. Let’s put it out.’ ” 40 gave MTV News the inside look at the making of many Take Care songs, including those that shows us another side of Weezy: “HYFR” (produced by T-Minus) “He trusts us enough to take chances; he’ll go there with his raps. Not just getting on the song, but he’ll participate [in the song’s theme]. On ‘HYFR,’ he’ll show that introspective side of himself along with Drake. That’s amazing, and those are some of Wayne’s illest moments, always have been for him. “The Real Her” (produced by 40 and Drake) “Even on ‘The Real Her,’ a lot of people will be like, ‘Nah, nah, I can’t get on that sh–,’ but Wayne will be like, ‘F— that. … I’m going to get on that sh–.’ … I like it.’ And that’s what it is to me. You have to make music with that attitude. We love the music we make.” “Take Care” (produced by Jamie xx and 40) “We’ve always been a fan of Jamie as well as the xx, and we had been to their studio and sat with them prior to this when we were in London last year. We had loved that Gil-Scott [Heron] record, and the remix Jamie had done, and I guess between Oliver and Drake and myself, but specifically Oliver and Drake felt that song never got its shine. ‘Man, what a great record. It never was as big as it should’ve or could’ve been.’ ” “Motto” (produced by T-Minus) “That song was right at the end of the process. That’s one of my favorites. T[-Minus] sent the record to Drake. I think Drake cut it in Vegas, maybe. He cut the vocals, sent it over to me, I gave it to Gadget, Gadget mixed it, sent it to mastering the next morning and got it mastered, on radio 24 hours later.” “Headlines” (produced by Boi-1da and 40) “There’s a couple of things about radio. That’s a catchy song. ‘They know, they know, they know.’ It’s corny, it’s catchy, it’s perfect. That will run on radio all day. You balance with those evils when you make music. I understand what’s going to work on radio as much, sometimes I want to make different types of music. But the thing is, you want to win. You want to have your cake and eat it too.” “Crew Love” (produced by 40, the Weeknd and Illangelo) ” ‘Crew Love’ is just a moment for Drake as far at the content of the record and what was going on around him in life and his people and his team. That was just an important record for him to make, and Weeknd was someone he wanted to include on that.” “The Ride” (produced by Doc McKinney and the Weeknd) “Was really just a vibe. It was a vibe that the Weeknd caught, and it was just so crazy that Drake wanted to rap on it — as simply put as that.” “Underground Kings” (produced by T-Minus and 40) “Sometimes, Drake will have a song title in his head or an idea of what the record is and what he wants it to be and then he’ll search for the beat, and I think he found that beat from T-Minus. It was just a matter of finding a place for the chorus. We got the mix right and the bass sort of eating up any speaker that gets in the way of it.” “Marvin’s Room” (produced by 40) “The honesty is mind blowing. He says things in that record that are like, ‘Whoa, really?’ But that’s shock value, and that’s a great thing to bring to the table. The further it goes, the bigger the smile on my face. I want him to say the craziest sh– you can imagine.” “Buried Alive” (produced 40 and Supa Dups) “I had given it to Drake at some point, because he had asked for it or wanted it. He just sent it to Kendrick [Lamar] at some point. I had no idea. A few days later, he was like, ‘I got this Kendrick verse!’ ‘On what?’ ‘On the beat you did!’ ‘What beat?’ When we listened to it, we loved it.” All week, we’ll bring you highlights from our candid interview with Drake producer Noah “40” Shebib . Be sure to keep it locked here as 40 talks Take Care and his thoughts on everything from working with Lil Wayne to Drizzy’s next single with Rihanna. For more on 40, check out Wednesday’s “RapFix Live” at 4 p.m. ET on MTV.com! Related Videos Drake’s ‘Take Care’: Behind The Scenes Related Photos ’40’ Making ‘Take Care’
Oscar-ed out for the week? Don’t be! Movieline’s Institute for the Advanced Study of Kudos Forensics is here to remind both the casual and obsessive fan alike that the Academy Awards are, first and foremost about movies . With that in mind, let’s have a look at where this season’s Oscar Index crop landed after one of the most turbulent patches in recent memory.
It’s been quite a day , and quite a week for Oscar watchers, but just imagine what Academy president Tom Sherak and Co. have been dealing with on the inside of the RatnerGate hullaballoo! They’re probably thanking their lucky stars for Oscar-winning uber-producer Brian Grazer, who has agreed to step in to patch together the 2012 Academy Award telecast. Hit the jump to read invisible sighs of relief between the lines of the AMPAS official press release.
