Tag Archives: itunes

New Michael Jackson Song ‘Much Too Soon’ Released Online

Melancholy love ballad was recorded during Thriller era. By Gil Kaufman Michael Jackson Photo: Eamonn McCormack/ WireImage Yet another new song from the upcoming first posthumous album from Michael Jackson, Michael, has appeared online, and it should appease fans who feared that the 10-song effort would draw primarily from the singer’s less-fruitful later years. “Much Too Soon” dates back to the late King of Pop’s legendary 1982 Thriller album. Like the melancholy “Hold My Hand,” another song from the album due out on December 14, the latest track is an earnest love ballad. “Much Too Soon” premiered on the iTunes’ social networking site, Ping , on Tuesday (November 30). Singing over a gently picked acoustic guitar and soft, majestic strings, Jackson employs his fragile falsetto to moon about a lover who has left him. The tune mixes a folk feel with touches of classical guitar and a Stevie Wonder-like harmonica break. “She was there just sitting at the table/ Thinking now that things won’t be the same/ And wouldn’t you like to go with me?/ And she answered ‘no’ to me/ But I guess I learned my lesson much too soon,” Jackson sings as subtle choir voices rise behind him. “Take away this never-ending sorrow/ Take this lonely feeling from my soul/ If only I knew what things bring tomorrow/ She’d be sitting here beside me.” At just under three minutes, the melancholy ballad has the intimate feel of a credits track that might roll at the end of a tear-jerker movie, and according to notes on the Ping site, it was always a favorite of Jackson’s. “Michael always liked the song and would pull it back out of the vaults for each subsequent album project but never found the right home for it,” the site revealed. “Here it finds its place as the bittersweet closing to the stellar collection.” The song was written by Jackson and co-produced along with one of the executors of his estate, John McClain. The string sections features famed arranger David Campbell (Adam Lambert, Metallica, My Chemical Romance). “Hold My Hand,” featuring vocals from Akon, is the first official single from the album. Its universal plea for peace features some classic Jackson lyrics delivered over a lilting Caribbean beat. “Much Too Soon” is actually the third tune from Michael to surface in recent weeks, following on the heels of the uptempo “Breaking News.” That never-before-heard track — set to a propulsive, robotic beat and layered with MJ’s signature helium-high vocals — was another in a series of songs Jackson penned lashing out at the intrusive media. What do you think of this new Michael Jackson song? Share your reviews in the comments. Related Artists Michael Jackson

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New Michael Jackson Song ‘Much Too Soon’ Released Online

Rihanna Brings Barbados Bliss To ‘Good Morning America’

‘Only Girl (In the World)’ singer performs her two

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Rihanna Brings Barbados Bliss To ‘Good Morning America’

Susan Boyle Tops Billboard Chart With The Gift

Taylor Swift’s Speak Now drops to #2, with Kid Cudi coming in at #3. By Gil Kaufman Susan Boyle Photo: Venturelli/ Getty Images What a difference a year makes. This time last year, viral sensation Susan Boyle crushed the competition when her debut album, I Dreamed a Dream, sold more than 701,000 copies in its first week on the charts. Next week, Scottish singer Boyle will once again snag a #1 debut with her second effort, The Gift, but with a decidedly more modest first-week tally of 318,000, according to figures provided by Nielsen SoundScan. That will still give her more than enough to top last week’s #1, Taylor Swift ‘s Speak Now , which falls to #2 on sales of 212,000, giving the country-pop crossover star a three-week total nearing 1.6 million. Other debuts in the top 10 include Kid Cudi ‘s second effort, Man on the Moon II: The Legend of Mr. Rager , which will come in at #3 (169,000), followed by the NOW 36 compilation (#4, 89,000), Bon Jovi Greatest Hits (#5, 88,000), country legend Reba McEntire ‘s All the Women I Am (#7, 64,000) and Cee Lo Green ‘s Lady Killer (#9, 41,000). The rest of the top 10: Jason Aldean , My Kinda Party (#6, 81,000); Sugarland , The Incredible Machine (#8, 60,000); and Lil Wayne , I Am Not a Human Being (#10, 35,000). Onetime rivals Eminem and Mariah Carey are a study in contrasts. Slim Shady moved another 34,000 copies of his smash comeback, Recovery , to land at #11 after more than five months on the charts as he zeroed in on nearly 3 million in sales, while Carey’s holiday album, Merry Christmas II You, tumbles eight spots in its second week as sales fell 41 percent to 33,000. Wins at the Country Music Awards boosted Lady Antebellum ‘s Need You Now 10 spots to #13, as sales kick up 68 percent to 33,000, while that show’s big winner, Miranda Lambert , leaps 26 spots to #15 with Revolution, which was up 137 percent on sales of 29,000. Creed offshoot Alter Bridge has a solid debut at #17 with AB III (28,000), while rapper Twista is further down the list at #42 with the debut of his latest, Perfect Storm (14,000). It’s all about Cudi on the iTunes album chart, as Mr. Rager took the top spot, followed by Swift, Cee Lo, Aldean, and Mumford & Sons, whose Sigh No More continues its iTunes domination. Alter Bridge comes in at #6, beating out Bon Jovi, Boyle, Kings of Leon’s Come Around Sundown and Katy Perry’s Teenage Dream. It’s a “Teenage Dream” of a different sort on the iTunes singles chart, where the kids from “Glee” top the tally with their cover of the Perry hit, pushing Ke$ha’s “We R Who We R” down to #2. Perry takes the #3 slot with “Firework,” followed by Pink’s “Raise Your Glass,” the Black Eyed Peas’ “The Time (Dirty Bit),” Rihanna and Drake’s “What’s My Name,” the Far East Movement’s “Like a G6,” Rihanna’s “Only Girl (in the World),” Nelly’s “Just a Dream,” and Trey Songz’s “Bottoms Up.” Next week’s charts were slated to be dominated by new discs from Josh Groban, Rascal Flatts, Rihanna, Kid Rock, Nelly and Keith Urban, but with the surprise announcement of the release of the Beatles’ catalog on iTunes this week, those artists could all get a challenge from the gold standard Fab Four catalog, which stormed the iTunes album and singles charts within 24 hours of its release on Tuesday. Related Artists Susan Boyle Taylor Swift Kid Cudi

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Susan Boyle Tops Billboard Chart With The Gift

Disturbed Knock Katy Perry From Billboard #1 Slot

Eminem’s Recovery holds at #3. By Gil Kaufman Disturbed’s “Asylum” Photo: Warner Music Group It was a short trip to the top for Katy Perry . Despite locking down not one but two of the summer’s biggest smashes with “California Gurls” and the title track to her Teenage Dream album, Perry lost her #1 slot on the Billboard 200 after just one week, as veteran Chicago metal act Disturbed wrangle their fourth #1 debut in a row with Asylum . The album moved 179,000 copies, according to figures provided by Nielsen SoundScan. They’re followed by the 35th edition of the Now! series at #2 (105,000), with Eminem holding pat at the #3 slot with Recovery, which moved another 93,000, putting his smash return to form one week away from passing the 2.5 million mark. Other newcomers in the top 10 include R&B singer Lyfe Jennings , who hit #6 with I Still Believe (36,000), the Goo Goo Dolls with Something for the Rest of Us (#7, 34,000) and classic-rock sister duo Heart , whose Red Velvet Car crashes in at #10 on sales of 27,000. In an overall weak sales period, the rest of the top 10 include Perry at #4 (88,000, down 54 percent), Fantasia , Back to Me (#5, 40,000, down 66 percent from week one), Justin Bieber , My World 2.0 (#8, 31,000) and Camp Rock 2: The Final Jam (#9, 28,000). After debuting at #4, Usher ‘s Versus drops to #13 as sales were cut in half to 22,000, while the Arcade Fire hold mostly steady with The Suburbs, which ticks up two spots to #14 (21,000) as the Canadian indie heroes steam toward 300,000 sold in just over a month. Academy Award-winning country songwriter Ryan Bingham debuts at #19 with Junky Star (17,000), while alt metal rockers Papa Roach hit #23 (16,000) with their first live album, Time for Annihilation … On the Record and On the Road, which also contains five new studio tracks. As it turns out, there was plenty of competition for Fabolous , whose There Is No Competition 2: The Funeral Service could only muster a #32 debut (12,000), while real-life indie couple Jenny and Johnny come in at #37 with their debut, I’m Having Fun Now (10,000). Perry’s run at the top of the iTunes album charts was also a quick one, as Disturbed topple her there as well, pushing the pop tart down to #2, followed by Eminem, Goo Goo Dolls, Arcade Fire, Mumford & Sons ‘ Sigh No More , the Camp Rock soundtrack, the Weepies ‘ Be My Thrill , Ray LaMontagne and the Pariah Dogs ‘ God Willin’ & the Creek Don’t Rise and Bingham. Though iTunes does not release detailed sales data, it’s clear Perry still has some singles love, as “Teenage Dream” continues its run atop the iTunes singles chart, followed by the same, slightly shuffled cast of characters including Bruno Mars (“Just the Way You Are”), Taio Cruz (“Dynamite”), Eminem (“Love the Way You Lie”), Usher (“DJ Got Us Fallin’ In Love”), Enrique Iglesias (“I Like It”), Nelly (“Just a Dream”), Ke$ha (“Take It Off”), Taylor Swift (“Mine”) and B.o.B (“Magic”). Things should be pretty tame at the top next week, as new albums by Stone Sour , Interpol and Anberlin jockey for position with the latest from singer/songwriter Sara Bareilles . Related Photos Concept Art For Katy Perry’s ‘California Gurls’ The Evolution Of: Katy Perry Related Artists Disturbed Katy Perry

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Disturbed Knock Katy Perry From Billboard #1 Slot

Nelly ‘Feels Good’ About ‘Just A Dream’ Making The Charts

‘It’s always great when your fans come out and support [you],’ he says of landing at #8 on the iTunes singles chart. By Jayson Rodriguez, with reporting by Matt Elias Nelly Photo: MTV News Nelly returned to the top 10 this week as his new single “Just a Dream” broke through on the iTunes singles chart to land at #8. After mixed reactions to his last project, Brass Knuckles, the St. Louis rapper said he felt excited to reconnect with his audience. The track is featured on his forthcoming album 5.0, which is set for release this fall. “It’s great,” Nelly told MTV News about “Just a Dream” being embraced digitally. “It’s always great when your fans come out and support [you] anytime in your career. But definitely after 10 years, and when you haven’t been quite on the scene as much as your fans would like you to, but when they do get a glimpse of you and they feel good, it also makes you feel good.” “Just a Dream” was produced by Jim Jonsin (Lil Wayne’s “Lollipop” and T.I.’s “Whatever You Like”) and co-written by Rico Love (Usher, Beyonc

Eminem Back On Top Of Billboard Chart With Recovery

Last week’s surprise #1, Arcade Fire, drop down to #2. By Gil Kaufman Eminem Photo: Jeff Kravitz/Getty Images Eminem might lend you the crown for a week, but this summer’s chart king is not ready to abdicate his throne just yet. A week after falling back to #2, Slim Shady’s Recovery will be back on top of the Billboard 200 albums charts next week thanks to sales of 133,000, according to figures provided by Nielsen SoundScan. That means that not only did Em cross the 2.1 million mark in just eight weeks, but he pushes back last week’s #1, Arcade Fire ‘s The Suburbs , to #2, as the Canadian indie rockers saw a steep (66 percent) decline on sales of 52,000. Among the newcomers in the top 10 are the Camp Rock 2 soundtrack (#3, 41,000) and the latest from Zakk Wylde’s Black Label Society , Order of the Black (#4, 33,000); country singer Blake Shelton with All About Tonight (#6, 33,000); and college crooner Mike Posner , whose major label debut, 31 Minutes to Takeoff, lands at #8 on sales of 29,000. The rest of the top 10: Justin Bieber , My World 2.0 (#5, 33,000); Rick Ross , Teflon Don (#7, 30,000); Kidz Bop 18 (#9, 27,000); and Avenged Sevenfold , Nightmare (#10, 27,000). Though he fell out of the top 10 to #11, Drake ‘s Thank Me Later racked up another 24,000 in sales, pushing the rapper to the cusp of platinum status. Lady Gaga ‘s The Fame continues to move units (#13, 21,000) nearly two years after its release, but her The Remix album had a swift fall from the top 10, dropping from a #6 debut to #16 in week two as sales fell 58 percent to 17,000. Houston legend Bun B ‘s Trill O.G. album suffered a similar fate, shedding 60 percent of sales in its second week to drop 13 spots to #17 (16,000). As the movie disappointed at the box office, the Beck-fueled soundtrack to “Scott Pilgrim Vs. the World” also had a soft landing, coming in at #24 (13,000). With a four-pack of VMA nominations and a performance slot in hand, Florence and the Machine ‘s Lungs saw a huge bump on the charts, leaping from #105 to #61 on sales of 6,000. Over on the iTunes charts, Em continued his stranglehold on the top, lording over the albums tally yet again, with Arcade Fire just behind (iTunes does not release sales data), followed by Posner, Mumford & Sons’ Sigh No More, Camp Rock 2, Shelton, the “Pilgrim” soundtrack, the Step Up 3D soundtrack, Black Label Society, and Zac Brown Band’s You Get What You Give . On the iTunes singles chart, Em and Rihanna also kept their spot at #1 with “Love the Way You Lie,” followed by the usual suspects: Taio Cruz (“Dynamite”), Katy Perry (“Teenage Dream”), Enrique Iglesias (“I Like It”), Taylor Swift (“Mine”), Usher (“DJ Got Us Fallin’ in Love”), B.o.B (“Magic”), Posner (“Cooler Than Me”), Perry again (“California Gurls”) and Jason DeRulo (“Ridin’ Solo”). Eminem seems safe for another week, as the only major competition in the cycle is from Iron Maiden , John Mellencamp , David Gray , and Ray LaMontagne , with a possible dark horse #1 in country singer Trace Adkins . Related Artists Eminem Arcade Fire Blake Shelton Mike Posner Avenged Sevenfold Rick Ross (Hip-Hop) Justin Bieber Black Label Society

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Eminem Back On Top Of Billboard Chart With Recovery

Eminem Makes It Four Weeks In A Row Atop Billboard

Korn come in a distant #2 with Korn III — Remember Who You Are. By Gil Kaufman Eminem’s Recovery Photo: Interscope What a difference a year makes. Last summer, Eminem ‘s comeback album, Relapse, held on to the top position on the Billboard albums chart for two weeks before beginning a slow downhill march that had it out of the top 10 within two months. This time around, Em’s latest, Recovery, is showing some serious hang time. The disc will stay in the #1 slot for the fourth week in a row, racking up another 195,000 in sales for a one-month total just a hair shy of 1.5 million copies, according to figures from Nielsen SoundScan. The better news for Slim Shady is that sales dropped just 15 percent from the week before, unlike some previous chart-toppers, which have seen steep drops after high debuts. Veteran metal act Korn are way behind at #2 with their Roadrunner Records debut, Korn III — Remember Who You Are, which sold 63,000 copies. The other debuts in a fresh-faced top 10 come from Christian act Newsboys , whose Born Again is in at #4 (45,000); former Police singer Sting , with his orchestral Symphonicities disc (#6, 36,000); country singer Jerrod Niemann with Judge Jerrod & the Hung Jury (#7, 34,000); metal supergroup Hellyeah ‘s Stampede (#8, 28,000); and M.I.A. , whose divisive ///Y/ just barely makes it into the top 10 at #9 on sales of 28,000. As for the rest of the top 10, Drake slips a spot to #3 with Thank Me Later, which moved another 50,000 copies as it soared past 833,000 in five weeks. Justin Bieber holds fast at #5 with My World 2.0 (41,000), and the “Twilight Saga: Eclipse” soundtrack drops six spots to #10 (28,000). It was a short sojourn in the top 10 for Outkast’s Big Boi , as his solo debut, Sir Lucious Left Foot: The Son of Chico Dusty , falls 11 spots to #14 in week two on sales of 26,000 as traffic dropped 59 percent. Warped faves the Maine have a solid debut at #16 with Black & White (25,000). The Danger Mouse and Sparklehorse compilation Dark Night of the Soul — which finally saw official release after a label squabble kept it bottled up last year — lands at #24 (16,000). And An Airplane Carried Me to Bed, the first effort from Owl City mastermind Adam Young’s Sky Sailing side project , lands at #30 on sales of 13,000. Further down the list, the soundtrack to “Inception” hits #53 (8,000) with the latest from rapper Paul Wall , Heart of a Champion, not too far behind at #58 on sales just under 8,000. The news continues to be grim for Christina Aguilera , as her soft-selling Bionic shed another 33 percent of business in its sixth week on the charts, dropping 25 spots to #59 on sales of 7,000; the album looks to be stalling out around 200,000 copies, by far the weakest showing of the singer’s career. Whether because of good word-of-mouth, placement on the latest “Twilight” soundtrack or positive reviews for their major-label debut, Infinite Arms, Band of Horses makes a huge jump up the charts after two months, leaping 58 spots to #70 on sales of 6,000. Over on the iTunes charts, Eminem holds down the top spots on the singles and albums charts again, as his hit collabo with Rihanna, “Love the Way You Lie,” continues to dominate the action. The singles chart remains almost exactly the same as last week, with the only change coming from a flip-flop at #2 and #3 between Taio Cruz and Katy Perry , with Cruz’s “Dynamite” hopping up above Perry’s “California Gurls.” (iTunes does not provide detailed sales figures for its charts.) On the iTunes album side, there was plenty of action, as below Eminem is the debut of the Sting symphonic disc, followed by M.I.A., Sky Sailing, Korn, Drake, the Maine, “Eclipse,” Jack Johnson ‘s To the Sea and Lady Gaga ‘s The Fame. Next week look for chart debuts from Rick Ross with Teflon Don , another Kidz Bop disc and Sheryl Crow ‘s Justin Timberlake-assisted 100 Miles From Memphis. Related Artists Eminem Korn

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Eminem Makes It Four Weeks In A Row Atop Billboard

Eminem’s Recovery Goes Platinum, Stays Healthy At #1

Drake’s Thank Me Later holds onto Billboard #2, while ‘Eclipse’ soundtrack jumps up to #3 with movie’s release. By Gil Kaufman Eminem Photo: Kevin Mazur/ WireImage He may not have crossed the platinum plateau in his first week on shelves, but Eminem cruised past it in the second week, as Recovery moved another 313,000 copies to hold on to the #1 spot on next week’s Billboard 200 albums chart. Despite a 58 percent sales dip, Slim Shady bested all comers with his latest, as his two-week total went up over 1 million, according to figures provided by Nielsen SoundScan. That was more than enough to keep beating Drake ‘s Thank Me Later, which sold 105,000 copies for a three-week total just shy of 709,000 and the #2 slot on the chart. And after “The Twilight Saga: Eclipse” smashed box-office records last week, the soundtrack moves up seven spots to #3 (65,000, up 69 percent). The only newcomers in the top 10 are which lands at #4 in its first week (58,000) and Warped Tour rappers 3OH!3 , whose Streets of Gold comes in at #7 (41,000). The rest of the top 10 is made of familiar faces: the NOW 34 collection (#5, 45,000), Justin Bieber ‘s My World 2.0 (#6, 41,000), Jack Johnson ‘s To the Sea (#8, 35,000), Miley Cyrus ‘ Can’t Be Tamed (dropping six spots to #9 as sales tailed off by 68 percent to 32,000) and Lady Antebellum ‘s Need You Now (#10, 30,000). Further down the line, disco revivalists Scissor Sisters debut at #18 with Night Work (18,000), and the score for “Eclipse” is close behind at #20 (17,000). The march down the charts continues for Christina Aguilera ‘s Bionic , which falls another 10 spots in its fourth week on the charts, dropping to #32 on sales of 12,000 for a one-month total of just under 182,000. Indie faves Wolf Parade land at #48 with Expo 86 (8,000), and punk survivor Alejandro Escovedo , with a little help from Bruce Springsteen , debuts at #101 with Street Songs of Love (5,000). Over on the iTunes charts, Eminem holds onto #1 on the album tally, with the “Eclipse” soundtrack surging up six spots to #2, followed by Drake, 3OH!3, The-Dream, Johnson, Scissor Sisters, the “Eclipse” score, Hillsong Live ‘s A Beautiful Exchange and the Roots’ How I Got Over . The recent releases by Cyrus, Ozzy Osbourne , Sarah McLachlan and B.o.B have all been knocked out of the top 10. Though iTunes doesn’t provide sales data, suffice it to say that Katy Perry ‘s “California Gurls” is hanging strong on the singles list, knocking Slim Shady out of the #1 spot he held last week with his Rihanna duet, “Love the Way You Lie.” Taio Cruz has to settle for moving up six spots to #3 with “Dynamite,” followed by B.o.B’s “Airplanes, Travie McCoy ‘s “Billionaire,” Mike Posner ‘s “Cooler Than Me” and Jason DeRulo ‘s “Ridin’ Solo.” The singles chart is filled out by Eminem again at #8 with “Not Afraid,” Usher at #9 with “OMG” and Drake’s “Find Your Love” at #10. Look for chart debuts next week from Big Boi, Kelis , Enrique Iglesias and Kylie Minogue . Related Videos MTV News’ Chart Watch ‘Drake: Better Than Good Enough’ Related Photos The Evolution Of: Eminem Drake’s Style: From A To Drizzy Related Artists Eminem Drake

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Eminem’s Recovery Goes Platinum, Stays Healthy At #1

How Did Eminem’s Recovery Have Such A Big Debut?

Rapper’s more mature style appears to have appealed to wide audience, experts say. By Gil Kaufman Eminem’s Recovery Photo: Interscope At this point, we’re used to Eminem debuting at #1 . After all, he’s done it six times in a row, including two records that sold more than 1 million copies in their first week on the charts. But following last year’s comeback album, Relapse, which sold nearly 2 million copies despite Em admitting that it was not his finest hour , it wasn’t a lock that Recovery would be greeted with the same instant success as the Detroit rapper’s previous work. There were the fans who were turned off by the weird accents he adopted on Relapse, the dark, gory vibe of the campaign promoting that album and the overall grim nature of the music, not to mention the lack of a breakout, signature hit. And while Relapse did very solid business its first week out, with sales topping 608,000, even some experts were surprised when Recovery snagged the year’s highest debut to date , with sales of 741,000 after initial projections had it in the 500,00-600,000 range. In a music industry starved for hits, Recovery became only the third album since 2008 to debut with more than 700,000 copies sold. So how did Eminem do it again? Chalk it up to a killer first single, some clever promotional gimmicks, more visibility for the rapper and a mature attitude that may have broadened his fanbase after a dozen years in the game. “I think for him, [ Relapse ] didn’t connect with his fans the way he wanted it to, so he wasn’t happy with that,” Eminem’s manager, Paul Rosenberg, told The Detroit News on Tuesday. ” Recovery offers more of an emotional connection for listeners. … I think Em made the kind of album that people were waiting for with Recovery. ” From a jokey viral campaign featuring the ShamWow guy appearances on “The Soup,” “The Late Show With David Letterman,” the BET Awards and “Late Night With Jimmy Fallon” and a one-page profile in the New York Times Sunday magazine , in which he came out in favor of gay marriage, Eminem has done more press and appearances in the past month for the new album than he did for almost the entire Relapse cycle. The heightened exposure from the typically reclusive rapper has clearly helped keep his name in the news and might have boosted sales. “We sold a ton more of it than the last time,” said Carl Mello, director of purchasing for the 28-store Newbury Comics chain of record stores. “Which is always a surprise in these days, with trends being the way they are.” Mello chalked the big first week up to more crossover airplay and the album’s first single, “Not Afraid,” which he thinks brought more people into the store to buy the album. “On the last one, he would have a single and it would go top five and then disappear. On this one, they actually played it on the radio and there was definitely some anticipation for it.” Mello said the album did much better than he expected in the Newbury stores and had the kind of crossover appeal the rapper hasn’t shown since his heyday in the early 2000s. The album didn’t appear to be affected by leaking two weeks early and, as the News noted, it was the first of Em’s records not to announce itself with a pop-culture-skewering first single like “My Name Is,” “The Real Slim Shady,” “Just Lose It” and “We Made You.” As he typically does, Em offered cryptic details at first about the disc, tweeting in mid-April that he’d tossed the planned Relapse 2 album to work on a new disc. “Not Afraid” hit radio two weeks later and debuted at #1, and within weeks, the album’s cover leaked out , generating more buzz. The grimier “Won’t Back Down” leaked out earlier this month and was used in commercials for the shooter video game “Call of Duty: Black Ops,” and the second official single, the Rihanna-assisted ballad “Love the Way You Lie,” has already hit #1 on the iTunes singles chart, with a video on the way. By going with the pensive, midtempo “Not Afraid” — a serious-minded track in which Marshall Mathers, now 37, ponders his recent problems and tries to connect with fans who have also lived through hard times — as the first single, Entertainment Weekly correspondent Simon Vozick-Levinson said the rapper was signaling he’d turned a corner. While the CD was expected to be big, at a time when even some major career stars are struggling to follow up hit albums (Christina Aguilera, John Mayer, Miley Cyrus), the more robust promotional push and the crucial first single are major factors. “When he put out the last album, people were just getting used to him being back after four or five years away, and he didn’t do many interviews or appearances,” Vozick-Levinson said. “But now he’s out front, doing late-night talk shows and reminding people that he has a new album. He’s put the work in, and it’s paid off. “But he also picked the right first single,” he added. “Last time he came back with singles that didn’t connect with people, and there was no clear idea of why he was back and what he was doing with his career. ‘Not Afraid’ was a smart choice, because it had the message that he’s older and wiser, that he’s grown up with his audience and he’s more mature than in the past.” And while he’s not sure the rest of the album lives up to that standard, Vozick-Levinson said the song clearly connected with Em’s audience, and the not-so-hidden double meaning of the album title was perfect for these tenuous times. “He sent a message that he’s connected with the audience in the way it is packaged too. Recovery has a double meaning about his own sobriety and his own recovery and also about the economic climate. People want to believe in the idea of things getting better and making a fresh start.” Eschewing the traditional violent, sophomoric between-song skits, tapping major stars like Pink and Rihanna and opening up his stable of producers after years of relying on mentor Dr. Dre has also helped Eminem connect to a new generation of hip-hop fans who are used to hearing MCs like Drake and B.o.B chant and sing their choruses in between bars. Though he can’t singlehandedly save the music biz, Vozick-Levinson said what’s good for Eminem is ultimately good for an industry struggling to turn around a nearly decade-long slide in album sales. “You can’t transfer his success to other artists, because he’s always been so unique,” he said. “But it’s good news for the industry that something like this can still happen and blockbuster sales and career artists still exist.” Were you surprised by Eminem’s blockbuster debut? Let us know in the comments! Related Photos Eminem And Jay-Z Perform On The ‘Late Show With David Letterman’ Related Artists Eminem

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How Did Eminem’s Recovery Have Such A Big Debut?