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James Langston Hughes was born February 1, 1902, in Joplin, Missouri. His parents divorced when he was a small child, and his father moved to Mexico. His grandmother raised him until he was thirteen, when he moved to Lincoln, Illinois, to live with his mother and her husband, before the family eventually settled in Cleveland, Ohio. It was in Lincoln, Illinois, that Hughes began writing poetry. Following graduation, he spent a year in Mexico and a year at Columbia University. During these years, he held odd jobs as an assistant cook, launderer, and a busboy, and traveled to Africa and Europe working as a seaman. In November 1924, he moved to Washington, D.C. Hughes’s first book of poetry, The Weary Blues, was published by Alfred A. Knopf in 1926. He finished his college education at Lincoln University in Pennsylvania three years later. In 1930 his first novel, Not Without Laughter, won the Harmon gold medal for literature. Hughes, who claimed Paul Lawrence Dunbar, Carl Sandburg, and Walt Whitman as his primary influences, is particularly known for his insightful, colorful portrayals of black life in America from the twenties through the sixties. He wrote novels, short stories and plays, as well as poetry, and is also known for his engagement with the world of jazz and the influence it had on his writing, as in Montage of a Dream Deferred. His life and work were enormously important in shaping the artistic contributions of the Harlem Renaissance of the 1920s. Unlike other notable black poets of the period—Claude McKay, Jean Toomer, and Countee Cullen, Hughes refused to differentiate between his personal experience and the common experience of black America. He wanted to tell the stories of his people in ways that reflected their actual culture, including both their suffering and their love of music, laughter, and language itself. Langston Hughes died of complications from prostate cancer in May 22, 1967, in New York. In his memory, his residence at 20 East 127th Street in Harlem, New York City, has been given landmark status by the New York City Preservation Commission, and East 127th Street has been renamed “Langston Hughes Place.” In addition to leaving us a large body of poetic work, Hughes wrote eleven plays and countless works of prose, including the well-known “Simple” books: Simple Speaks His Mind, Simple Stakes a Claim, Simple Takes a Wife, and Simple’s Uncle Sam. He edited the anthologies The Poetry of the Negro and The Book of Negro Folklore, wrote an acclaimed autobiography, The Big Sea and co-wrote the play Mule Bone with Zora Neale Hurston. A Selected Bibliography Poetry Ask Your Mama: 12 Moods for Jazz (1961) Collected Poems of Langston Hughes (1994) Dear Lovely Death (1931) Fields of Wonder (1947) Fine Clothes to the Jew (1927) Freedom’s Plow (1943) Montage of a Dream Deferred (1951) One-Way Ticket (1949) Scottsboro Limited (1932) Selected Poems (1959) Shakespeare in Harlem (1942) The Dream Keeper and Other Poems (1932) The Panther and the Lash: Poems of Our Times (1967) The Weary Blues (1926) Prose Good Morning, Revolution: Uncollected Social Protest Writings by Langston Hughes (1973) I Wonder as I Wander (1956) Laughing to Keep From Crying (1952) Not Without Laughter (1930) Remember Me to Harlem: The Letters of Langston Hughes and Carl Van Vechten, 1925-1964 (2001) Simple Speaks His Mind (1950) Simple Stakes a Claim (1957) Simple Takes a Wife (1953) Simple’s Uncle Sam (1965) Something in Common and Other Stories (1963) Tambourines to Glory (1958) The Arna Bontemps-Langston Hughes Letters (1980) The Big Sea (1940) The Langston Hughes Reader (1958) The Ways of White Folks (1934) Drama Black Nativity (1961) Collected Works of Langston Hughes, vol. 5: The Plays to 1942: Mulatto to The Sun Do Move (2000) Don’t You Want to Be Free? (1938) Five Plays by Langston Hughes (1963) Little Ham (1935) Mulatto (1935) Mule Bone (1930) Simply Heavenly (1957) Soul Gone Home (1937) The Political Plays of Langston Hughes (2000) Poetry in Translation Cuba Libre (1948) Gypsy Ballads (1951) Selected Poems of Gabriela Mistral (1957) Translation Masters of the Dew (1947)

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