Man, the Twilight publicity team is really working overtime this week. Here they got Kristen Stewart to show off some sweet leg action, which is the big story with these pictures, right? As opposed to her and the dude she cheated on doing press together, which nobody cares about aside from little girls and their moms. If you ask me, I think that whole affair thing was all faked to pump up the movie. What, you don’t think the Twilight PR team has that kind of power? Listen, if they’re able to get Kristen to smile and stop dressing like an emo teenager, they’re capable of anything. » view all 24 photos Related Articles: Kristen Stewart Does Toronto Kristen Stewart’s Golfing Short Shorts Kristen Stewart Fills Out A T-Shirt Nicely Kristen Stewart Flashes Her Angry Face Photos: WENN.com
We’ve been basking in glorious movie nudity recently with Helen Hunt making her full frontal debut in The Sessions (2012) and Nadine Velazquez doing the same in Flight (2012). Unfortunately the good times are taking a break this week because there is a dearth of skin in theaters. First up, the big budget teen vampire series The Twilight Saga: Breaking Dawn Part 2 (2012) comes to its epic conclusion. There’s no nudity here, but the knowledge that Kristen Stewart goes topless in On The Road (2012) may get your stake pounding. Next slinky stunner Keira Knightley stars as the titular Anna Karenina (2012), but doesn’t show off any of her period pieces. Then Jennifer Lawrence is non-nude in Silver Linings Playbook (2012), but the silver lining is a topless shower scene from nudecomer Brea Bee 14 minutes in. More after the jump!
New York City fans rave about the final ‘Twilight’ film after a Thursday night screening. By Jocelyn Vena, with reporting by Andrew MacLean Robert Pattinson and Kristen Stewart lead the final battle in “The Twilight Saga: Breaking Dawn – Part 2” Photo: Summit Entertainment
New in theaters, Kristen Stewart closes the Twilight saga in Breaking Dawn Part 2 , but the real pulse pounder is her nude debut in On The Road . New on Blu-ray, Italian eyeful Monica Bellucci busts out her bountiful boobage in A Burning Hot Summer, and the complete series of Entourage packs pink from porn star Sasha Grey and more.
After spending four years and five movies playing Bella Swan’s vampire sister-in-law Rosalie Hale in the Twilight series, Nikki Reed understandably has a bittersweet perspective on the billion-dollar franchise coming to a close in this week’s Breaking Dawn Part 2 . On the one hand, she won’t miss the hate mail from fans who have taken her character’s onscreen iciness to Kristen Stewart ‘s heroine to heart for four films. But few of Twilight ‘s central figures have been as close to the saga as long as Reed has, dating back to even before director Catherine Hardwicke had cast Stewart and Robert Pattinson in the roles that would skyrocket them, the films, and all of their cast, to global fame. “Catherine called me seven or eight months before it was happening and she was like, ‘Hey, do you like the vampire genre? Because there’s this thing I’m thinking about and there are actually some books, and some fans — I don’t know if you’re into it…’ It was that sort of conversation,” said Reed, who at the time had acted in a handful of indie films including 2003’s Thirteen , which she co-wrote with director Hardwicke. Tempted by the role of Edward Cullen’s disapproving adopted sister Rosalie, Reed decided against early retirement from acting and took the gig, joining Stewart, Pattinson, and their fellow Twilight cast mates at the film’s Portland shoot — the first and last time the cast would be able to make a Twilight movie in relative anonymity. “We were just kids, and no one knew who anyone was,” Reed remembered. “There were no stars, there was no celebrity. We were just people together.” Fast forward to 2012: Reed has four non- Twilight films in the pipeline, including turns in Empire State with Liam Hemsworth and Dwayne Johnson and In Your Eyes , from producer Joss Whedon. She recently launched her own jewelry line, Mattlin Era , featuring designs inspired by her mother and grandmother. And with musician husband Paul McDonald — who she met on the red carpet for Hardwicke’s Red Riding Hood , another cosmically unpredictable byproduct of the Twilight saga’s success — Reed recently debuted her first album anchored by “All I’ve Ever Needed,” an original song they wrote for the Breaking Dawn soundtrack. PHOTOS: Kristen Stewart, Robert Pattinson & Co. Premiere ‘Breaking Dawn 2’ How do you feel right now about Twilight and your experience with this franchise now that it’s coming to a close? Having us all together is such a special thing. As the movies have gotten bigger it’s become more rare. In the beginning when there wasn’t this kind of success or fan base for the films, we were all together more. Now there’s more isolation and we don’t get to all hang out in the same room like we used to. It feels really sad, and there are not many moments in your life when you can consciously close a chapter. You reach a milestone like you’re graduating college, and you’re like, oh — I’m aware that this is going to completely change my life when this is done. You normally look back on things in hindsight, but with this we’ve known that it’s been coming to an end since the beginning. It’s really sad for me. I feel really sad. Everyone else is like, “No, it’s fun and exciting!” and it’s all those things, too. But it’s hard to know what an experience this has been, and be conscious of that, and still know that it’s done. And don’t get me wrong, I’m happy about this film and I want it to come out so that the fans can see it. It’s a lot of mixed feelings. Is that why you’ve been driving by Elizabeth Reaser’s house, sending her photos when she’s not home? Isn’t that funny! We both live outside of Hollywood on the same mountain, but I live one mountain over and she lives on the street that I take to get into town. So I drive by her house four times a day, and sometimes when I’m feeling goofy I’ll pull over and get out and take a picture of her license plate and I’ll go, “This is how close I was.” It’s just silly! I see her all the time. Rosalie finally gets some nice, warm moments in Breaking Dawn Part 2 – she’s become basically like a godmother to baby Renesmee, able to exercise her latent maternal instincts. How happy were you to bring Rosalie to this point as a character? I think one of the greatest challenges with this franchise for me has been knowing that Stephenie [Meyer] wrote such multifaceted, dynamic character but only getting to play one aspect of that person. It sort of makes everything look a lot more superficial than it is; there’s so much depth to all of the characters she wrote. They all have incredible back stories. If you sit down with her and ask her questions, she has answers to everything — this is her world. Also, even if the fans have read the books and know the character and connect with the character, what we bring to life is so different than what’s in the books sometimes, and it’s almost impossible to portray. So I think I’ve been waiting for this moment, not just for myself but for Rosalie. It’s been so hard defending her for so many years and defending who she is – No, she’s not that, and she’s not this, and there are all these feelings inside! Subconsciously people in general have a hard time disassociating an actor from a character; people who play the villain — you look at John Lithgow on Dexter , playing that character on that show has changed my whole perception of him. Every time I see him in something else now, I can only think of that, and you don’t even know you’re doing it. If I had known going in that playing the outcast and playing the least-liked character was going to… how you’re perceived by the fans is different from how the rest of the cast is perceived because of how they connect you with your character. So I’m happy I didn’t realize that going in, because that would have given me a lot of anxiety about the next four years of my life. It’s interesting to see how the fans will connect with you more now that Rosalie is on Bella’s side. Now you’re playing the hero. That’s an interesting, unexpected drawback to being a part of the Twilight franchise — especially considering how much the popularity of the franchise has changed your lives, with screaming fans at events and paparazzi out in public. It’s bizarre, but I can’t cry about that because my mother would kill me. I’m so blessed to be in the position I’m in, and this is today — I don’t know what tomorrow’s going to bring, but I can tell you that being in this series, there’s no golden ticket here. Any of us who think that are crazy, because you have to constantly work hard. You’re constantly proving yourself. And even when you’ve done a great job, you have to do something else to show people that you can do something great in some other role. We’re always trying to grow and better ourselves, and I feel like I can’t complain. There are so many perks and so many wonderful things about being a part of this. Any time I get down — which I do, by the way. When I get hate mail I get really down on myself and I read it to my mom and my mom is like, “So what? Who cares? These people don’t know you, so you can’t take the praise or the hate to heart.” All of it comes from a very distant place, so you have to receive all of it that way. Even the love, you have to appreciate it but from a distance, because you don’t want that to be absorbed either. People actually send you hate mail? People send everyone hate mail. That’s the way the world works right now, I’m nothing special. [Laughs] Trust me. It’s just the way that the world communicates now, the way that everyone functions. I love this quote, and it was a friend of mine who told me this and I think about it consciously whenever I’m feeling like this: “If it’s not personal, you don’t take it personally.” If that person doesn’t know me, it’s not personal. Whatever you have to say about me doesn’t actually exist because this relationship doesn’t exist. You don’t know me.
Kristen Stewart sat down with Conan O’Brien Wednesday night and delivered one of the all-time endearingly awkward Kristen Stewart gaffes. On her recent decision to quit smoking, she said, “I was a bit of a faker; I was a circumstantial smoker. I just feel like I wasn’t addicted to nicotine.” Kristen Stewart on Conan I just wanted something… in my mouth,” she said, following a momentary hesitation and the realization of what was about to come out of it. “There you go. I had to do it, sorry,” he told the cheering crowd. “This just reminded me of the Sarah Silverman show last week,” Conan responded. “Why did I, why did I just do that?” Kristen lamented. “I’m glad for the Internet that you did do that,” Conan added. “Yeah, me too,” Stewart replied. “I love the Internet, it’s my favorite thing.” With videos like this, it’s totally THG’s too girl. Give Kristen, whose relationship tumult has been well documented, and who recently lashed out at a reporter over Internet rumors, credit for being a good sport. The final chapter of the Twilight Saga arrives at midnight tonight. For the lowdown on whether you should go get in line, read our Breaking Dawn Part 2 review !
Robert Pattinson And Kristen Stewart Get Close At The Breaking Dawn Premiere In Spain Only time will tell whether or not seemingly sprung Hollyweirder Robert Pattison has actually taken his girlfriend Kristen Stewart back after she dirty-dogged him earlier this summer with married film director Rupert Sandders, but for now, they’re all smiles and walking red carpets like there was never an affair in the first place. RobStew got all up close and personal for the camers on the red carpet for the Spain premiere of their latest film ‘Breaking Dawn Part II’ which officially hits theaters tomorrow. Do you think RPatz has run back to the arms of the one who loves him fawked him over, or is he just frontin’ for the cameras until the movie hype dies down as to not disrupt his cash flow? Images via Wenn
Whether you’re a devoted Twihard, an absolute hater or someone who’s still just completely bewildered by Stephenie Meyer ‘s oeuvre, you must give the Twilight saga this — these stories are incredible, unabashed distillations of teenage (or just teenage-at-heart) female fantasy. Male equivalents, like, say, most superhero stories, have come to dominate the mainstream and fill the summer blockbuster schedule to such an extent that the Twilight films are striking simply in how very different they are. And how crazily well they target certain girlish pleasure centers with their themes of eternal romance, playing house with the advantages of unlimited vampiric wealth, and being the one that everyone wants without even trying . The wildest though hardly the best chapter of the series, franchise closer Breaking Dawn — Part 2 will also be basically bulletproof in terms of box office. That leaves the film free to indulge in the giddy insanity that also colored Part 1 , with its bruising, bed-breaking sex, accelerated monstrous pregnancy and Cronenbergian birth sequence. Like its predecessor, Part 2 was directed by Bill Condon . It picks up with Bella ( Kristen Stewart ) freshly vampirized by her husband Edward ( Robert Pattinson ) after the difficult birth of their daughter Renesmee — initially a CG-enhanced infant and, later, Mackenzie Foy — and skips the surreal, semi-metaphorical treatments of sex and fecundity for more movie-friendly but less interesting action. Renesmee, you see, is aging rapidly, moving from baby to adorable little girl at an unusual rate — and when she’s spotted bounding high in the air the way only a mini half-immortal can, she’s mistaken for a child vampire, the creation of which is against the rules. The sinister Volturi, led by Aro (Michael Sheen, in a performance that goes beyond camp to a higher, gigglier level), prepare to descend on Forks, Washington to dole out punishment, while the Cullens, prompted by one of Alice’s (Ashley Greene) visions, go about gathering allies to their side from covens around the globe. Breaking Dawn — Part 2 ends with a credit sequence for the entire series, including actors who don’t appear in this installment, and watching Anna Kendrick and other actors who played Bella’s classmates flash on screen, it’s hard to think back to when the series was merely a dreamy supernatural high school drama. With its hybrid offspring, soulmate-bonding with babies, international array of bloodsuckers (including Lee Pace as a character I’m choosing to call Revolutionary War Vampire) and an outrageous battle sequence in the snow in which heads are popped off bodies like caps off of beer bottles, this film is very far from the normalcy of Edward and Bella meeting in biology class, or from anything that makes sense. PHOTOS: Kristen Stewart, Robert Pattinson & Co. Premiere ‘Breaking Dawn 2’ At this point in the franchise our central couple is, after much pining and love triangulation, a done deal, and while the two obviously have troubles to deal with, they’re no longer of the impossible-romance variety. Bella and Edward are irrevocably in this together as they prepare to face a threat to their family and their home, which may be why this installment lacks the irresistibly overheated melodramatics of the earlier chapters. With clumsy CGI and awkwardly choreographed fights, these films have never handled action well, but it’s the main focus of the latter half of Breaking Dawn — Part 2 . It’s Jacob ( Taylor Lautner ) — who obligingly doffs his shirt under cheerily contrived circumstances not far into the film — who’s left to carry the torch for difficult love stories by imprinting on and forever hovering around Renesmee, which is actually creepier when she becomes a girl than when he’s mooning over an infant. There’s no way for this development not to read as ridiculous, and the way Lautner chooses “mildly pained” from his limited array of expressions appears to indicate he agrees as he lingers near his potential child bride. Of course, a lot of Breaking Dawn — Part 2 is ridiculous, often knowingly so, with its winking moments of fan service and a gigantic array of characters, many of them signaling their cultural identity with amusing broadness. (The Amazonian vampires were entertaining, but it’s the gothy Romanians who really won me over). The film actually packs in so many new characters and explorations of superpowers (Bella, it turns out, is a “Shield”) that it feels like it’s just trying to avoid having to deal with its protagonists, unsure of what to do with them now that they’re together and married. Aside from a tastefully shot sex scene and one closing affirmation of devotion, the film plays down their relationship now that it’s not plagued with reasons the two can’t be together. And there have been so many. As ludicrous and enjoyably over-the-top as Breaking Dawn — Part 2 can be, it’s not a terribly satisfactory capper to the Twilight franchise because it sets aside the strange undercurrents of desire and danger that defined the series and made it such a hair-tearing conundrum for feminists mystified by the appeal of its passive blank of a heroine. Bella’s an empowered badass in this last installment, wielding newborn strength while showing unusual self-control and learning to use her new abilities — and that’s why things feel off. Bella’s foremost qualities in this series come through in her being protected, being rescued, being adored — she’s a fantasy of finally being recognized as precious after always having been undervalued. And as Bella and Edward ride off into the glittery sunset together to live in their fancy cottage with their walk-in closets and mutant child, it’s nice to see Bella holding her own, but also a curious final twist on the Twilight saga’s darkest appeal — the lure of being the thing that is fought over. READ MORE ON TWILIGHT : The ‘Twilight’ Scream-O-Meter: Notes From The ‘Breaking Dawn 2’ Premiere Taylor Lautner On Jacob And Renesmee’s ‘Breaking Dawn’ May-December Relationship: ‘I Was Worried About It’ Follow Alison Willmore on Twitter . Follow Movieline on Twitter .
Whether you’re a devoted Twihard, an absolute hater or someone who’s still just completely bewildered by Stephenie Meyer ‘s oeuvre, you must give the Twilight saga this — these stories are incredible, unabashed distillations of teenage (or just teenage-at-heart) female fantasy. Male equivalents, like, say, most superhero stories, have come to dominate the mainstream and fill the summer blockbuster schedule to such an extent that the Twilight films are striking simply in how very different they are. And how crazily well they target certain girlish pleasure centers with their themes of eternal romance, playing house with the advantages of unlimited vampiric wealth, and being the one that everyone wants without even trying . The wildest though hardly the best chapter of the series, franchise closer Breaking Dawn — Part 2 will also be basically bulletproof in terms of box office. That leaves the film free to indulge in the giddy insanity that also colored Part 1 , with its bruising, bed-breaking sex, accelerated monstrous pregnancy and Cronenbergian birth sequence. Like its predecessor, Part 2 was directed by Bill Condon . It picks up with Bella ( Kristen Stewart ) freshly vampirized by her husband Edward ( Robert Pattinson ) after the difficult birth of their daughter Renesmee — initially a CG-enhanced infant and, later, Mackenzie Foy — and skips the surreal, semi-metaphorical treatments of sex and fecundity for more movie-friendly but less interesting action. Renesmee, you see, is aging rapidly, moving from baby to adorable little girl at an unusual rate — and when she’s spotted bounding high in the air the way only a mini half-immortal can, she’s mistaken for a child vampire, the creation of which is against the rules. The sinister Volturi, led by Aro (Michael Sheen, in a performance that goes beyond camp to a higher, gigglier level), prepare to descend on Forks, Washington to dole out punishment, while the Cullens, prompted by one of Alice’s (Ashley Greene) visions, go about gathering allies to their side from covens around the globe. Breaking Dawn — Part 2 ends with a credit sequence for the entire series, including actors who don’t appear in this installment, and watching Anna Kendrick and other actors who played Bella’s classmates flash on screen, it’s hard to think back to when the series was merely a dreamy supernatural high school drama. With its hybrid offspring, soulmate-bonding with babies, international array of bloodsuckers (including Lee Pace as a character I’m choosing to call Revolutionary War Vampire) and an outrageous battle sequence in the snow in which heads are popped off bodies like caps off of beer bottles, this film is very far from the normalcy of Edward and Bella meeting in biology class, or from anything that makes sense. PHOTOS: Kristen Stewart, Robert Pattinson & Co. Premiere ‘Breaking Dawn 2’ At this point in the franchise our central couple is, after much pining and love triangulation, a done deal, and while the two obviously have troubles to deal with, they’re no longer of the impossible-romance variety. Bella and Edward are irrevocably in this together as they prepare to face a threat to their family and their home, which may be why this installment lacks the irresistibly overheated melodramatics of the earlier chapters. With clumsy CGI and awkwardly choreographed fights, these films have never handled action well, but it’s the main focus of the latter half of Breaking Dawn — Part 2 . It’s Jacob ( Taylor Lautner ) — who obligingly doffs his shirt under cheerily contrived circumstances not far into the film — who’s left to carry the torch for difficult love stories by imprinting on and forever hovering around Renesmee, which is actually creepier when she becomes a girl than when he’s mooning over an infant. There’s no way for this development not to read as ridiculous, and the way Lautner chooses “mildly pained” from his limited array of expressions appears to indicate he agrees as he lingers near his potential child bride. Of course, a lot of Breaking Dawn — Part 2 is ridiculous, often knowingly so, with its winking moments of fan service and a gigantic array of characters, many of them signaling their cultural identity with amusing broadness. (The Amazonian vampires were entertaining, but it’s the gothy Romanians who really won me over). The film actually packs in so many new characters and explorations of superpowers (Bella, it turns out, is a “Shield”) that it feels like it’s just trying to avoid having to deal with its protagonists, unsure of what to do with them now that they’re together and married. Aside from a tastefully shot sex scene and one closing affirmation of devotion, the film plays down their relationship now that it’s not plagued with reasons the two can’t be together. And there have been so many. As ludicrous and enjoyably over-the-top as Breaking Dawn — Part 2 can be, it’s not a terribly satisfactory capper to the Twilight franchise because it sets aside the strange undercurrents of desire and danger that defined the series and made it such a hair-tearing conundrum for feminists mystified by the appeal of its passive blank of a heroine. Bella’s an empowered badass in this last installment, wielding newborn strength while showing unusual self-control and learning to use her new abilities — and that’s why things feel off. Bella’s foremost qualities in this series come through in her being protected, being rescued, being adored — she’s a fantasy of finally being recognized as precious after always having been undervalued. And as Bella and Edward ride off into the glittery sunset together to live in their fancy cottage with their walk-in closets and mutant child, it’s nice to see Bella holding her own, but also a curious final twist on the Twilight saga’s darkest appeal — the lure of being the thing that is fought over. READ MORE ON TWILIGHT : The ‘Twilight’ Scream-O-Meter: Notes From The ‘Breaking Dawn 2’ Premiere Taylor Lautner On Jacob And Renesmee’s ‘Breaking Dawn’ May-December Relationship: ‘I Was Worried About It’ Follow Alison Willmore on Twitter . Follow Movieline on Twitter .
