Maybe I am getting old, or shit is getting repetitive…and just doesn’t matter to me…because I did not give a single fuck that this past weekend was the big blow-out weekend for Halloween… College girls…and old moms alike were out in their full slut gear…as skimpy as their wild side allowed…because Halloween allowed them to have a carte blanche…an excuse….and full rights to let loose and be like “it’s halloween, here’s my fucking pussy lips hanging out of my underwear”….. I think I didn’t care because there are sluts everywhere, and they don’t need halloween to be half naked….and those are the sluts I like….and not the 9-5 slut in the same costume ever other girl is wearing trying to be sexy… Sure I like prude bitches letting it all out cuz they have an socially acceptable excuse to…but shit just doesn’t give me a boner….maybe cuz it’s always the same fucking costume….on a different fucking body…or maybe just cuz it’s played out. Yes, I am too cool for Halloween. Here’s Fergie as a cat hiding her dick for Twitter….cuz it is Halloween…even though people should be doing this everyday….
Rachel Fox is some 16 year old girl who was on Desperate Housewives and who understands that she doesn’t need Halloween to get half naked for attention…she can just do it any fucking day by wearing a bathing suit or a bikini…and all the perverts who are into 16 year old starlets trying to get noticed the best way there is to get noticed…getting half naked before they turn 18 like they were Miley, Vanessa Hudgens, Taylor Momsen and all the other young Hollywood TWHORES (that’s Tween Whore in My Language)…..because perverts and the media will always pay the fuck attention to TWHORES… ure this could be pics of her in latex, space alien for her trick or treating….cuz I think kids at 16 still trick or treat…but instead it’s more innocent, subtle, and not some Halloween bullshit…which works nicely for those of us who hate Halloween and its commercial appeal….I’m such a hipster…all anti-establishment and too cool for Halloween.
Rap music is cool and all, but it’s not for everybody. More importantly, it’s not appropriate for all occasions. Some of the language and reoccurring themes in the genre tend to make people not used to the culture uncomfortable. Playing rap music, using or reciting rap lyrics or even just being a rapper can rub people the wrong way in certain situations… Continue
This is for the POTUS with daughters… President Obama Admits He’s Embarassed To Listen To Rap Music Around His Daughters We know that Barry likes don a pair of Beats By Dre and nod his head to some good ol’ fashioned American hip-hop every now and then, but apparently listening to rappers’ harsh language with his baby girls isn’t exactly his cup o’ tea. Via Glamour GLAMOUR: Thinking about Sasha and Malia, when you ran for office last time, they were both little girls, and now Malia is a teenager. What kind of music does she listen to? PRESIDENT OBAMA: You know, we actually don’t constrain what she listens to. We expect her to show some good judgment. She listens to my iPod and has gotten hip to stuff that was made well before she was born like Motown, jazz, classic rock. There’s a whole bunch of stuff that she’s picking up on. We actually share tastes in hip-hop and rap music but we don’t listen to it together, because some of the language in there would embarrass me—at least while I’m listening to it with her. Folks like Jay-Z, Nas, we both like them, but when it comes on and I’m sitting with her and Sasha, then I fast-forward because it would make me blush…. It’s interesting, both Malia and Sasha, they’re very much up on pop culture, but what I’m pleased to see is that they’re interested in making culture too. They both play the piano, and Sasha’s dancing, and Malia’s interested in filmmaking. We gotta commend ol’ Barry O’ for keepin’ it 100. However, its interesting that The President said that he and Michelle don’t regulate their daughters music choices. Do you think that children of Sasha (11) and Malia (14) age should be kept from music with cursing and sexual themes? Image via WENN/SplashNews
Just a couple of days into the Toronto International Film Festival this year, a curious commonality was noticeable in a number of the documentaries that I screened – re-enactments. While I only managed to see just under half of the nearly 50 documentary features in the TIFF line-up , it was surprising to see the storytelling approach — where significant past events are recreated via actors and, sometimes, animation — relatively widely employed. While some notable non-fiction films have made effective use of the practice — such as The Imposter or The Thin Blue Line — re-enactments more often feel in line with television productions of the Unsolved Mysteries variety. They remain a controversial element of documentary making, potentially challenging a film’s authenticity by introducing an outside, fictional element. It’s significant that the practice of re-enactment is the singular focus of one of the festival’s most-discussed docs, The Act of Killing , making this challenging film an appropriate place to begin. Director Joshua Oppenheimer, together with Christine Cynn and other anonymous co-directors, turn Indonesian gangsters into would-be Hollywood stars. The former death-squad leaders, responsible for the massacre of more than a million undesirables in 1965-1966, gleefully go along with Oppenheimer’s unusual plan, re-enacting the techniques they used to torture and murder suspected Communists, from off-the-cuff demonstrations of the cleanest way to strangle a victim to more elaborate set pieces involving interrogations and the destruction of a village. Verisimilitude is not the intent here. Although these over-the-top re-enactments push the limits of documentary ethics, they also shed light on the outsized personalities of the main subjects and reveal their histories and character. This conflation of a horrific reality with stylized fantasy also challenges the viewer and the perpetrators and becomes an unexpected form of therapy for the latter group. Mea Maxima Culpa: Silence in the House of God More literal examples of re-enactments are present in Alex Gibney’s Mea Maxima Culpa: Silence in the House of God , the prolific Oscar-winner’s exploration of child sexual abuse by Catholic priests. Focused around a Milwaukee priest who abused countless boys at the deaf school he ran, the film features the American Sign Language testimony of a number of men, spoken aloud by the likes of Ethan Hawke and John Slattery, but not distractingly so. Despite the forcefulness of the now-grown victims’ anger, expressed via their demonstrative signing and reinforced by the actors’ delivery (itself a form of re-enactment), Gibney decides to go one step further, recreating key sequences from their stories: silent scenes in which the priest prowls through the dorms ready to pounce on a sleeping young boy, or abuses the sanctity of the confessional booth. These sequences lack in subtlety and while they don’t undermine the strength of the film as a whole, they seem entirely superfluous. [ Editor’s Note: Gibney talks about his reasons for using these re-enactment sequences in an upcoming Movieline interview. ] Even more conventional is the use of re-enactments in Janet Tobias’ N o Place On Earth , the story of Ukrainian Jews who spent nearly a year and half living, literally, in caves to avoid capture during World War II. The majority of the film consists of actors portraying the circumstances of their flight from persecution and the conditions of their underground existence. Still-living survivors offer commentary in intermittent talking-head sequences, but the intended weight of the film is in the re-enactments which at times break from simply illustrating the story to feature actual scripted sequences. In the process, No Place on Earth ventures a step too far into docudrama. Given that the film is a production of the History Channel, it will likely connect with TV viewers, but, personally, scenes with the survivors re-visiting their cave sanctuary late in the film carried far more emotional resonance than the recreations.
Joe always going to keep it a hunnid Vice President Biden has never been one to bite his tongue when it comes to his political opponents, especially Mitt Romney and his VP nominee, Paul Ryan. Speaking at a campaign event in Virginia on Tuesday, Biden told the Obama supporters that they have more to fear than just an attack on the middle class if Romney is elected, and that their very freedom is at stake: “Look at their budget, and what they are proposing,” Biden said. “Romney wants to let–he said in the first hundred days, he’s going to let the big banks once again write their own rules. Unchain Wall Street.” Biden then paused, and said, “they going to put y’all back in chains.” Many GOP members were quick to react to Biden’s remarks, making a racial connection between the vice president’s “chains” comment and slavery. Biden was speaking to a largely black crowd in the heart of Danville,Virginia; a city with a long history of racial tension. Although his language may seem extreme to some, historically, working class people have been enslaved by corporations, and big business is something “Money Makin” Mitt is very familiar with. Do you think Biden’s statements were too extreme or is he right? Source
In Hip-Hop music and culture, the terms “Peace, God,” “Word Is Bond,” and “Cipher,” among others, all pepper the language of the participants and proponents within the culture. While the phrases and terms have flair, the sayings have origins that were established just as Hip-Hop was forming as a known entity. The Nation of Gods and Earths (NGE), also referred to as the Five Percent Nation of Islam, is the source of those and other popular phrases… Continue
Uggie Mania rolls on! On the occasion of his retirement from the biz, everyone’s favorite canine actor, Uggie the dog , (well, maybe not everyone’s ) was honored today with a history-making pawprint ceremony outside of Grauman’s Chinese Theatre in Hollywood. Guests celebrated with a fire hydrant-shaped cake as the Artist and Water for Elephants co-star sank his paws into the wet cement of Hollywood legend, making him not only the first dog performer to receive the honor, but the first cast member from the Oscar-winning The Artist (which also happens to be released on DVD and Blu-ray this week). [ CBS News ]
Uggie Mania rolls on! On the occasion of his retirement from the biz, everyone’s favorite canine actor, Uggie the dog , (well, maybe not everyone’s ) was honored today with a history-making pawprint ceremony outside of Grauman’s Chinese Theatre in Hollywood. Guests celebrated with a fire hydrant-shaped cake as the Artist and Water for Elephants co-star sank his paws into the wet cement of Hollywood legend, making him not only the first dog performer to receive the honor, but the first cast member from the Oscar-winning The Artist (which also happens to be released on DVD and Blu-ray this week). [ CBS News ]
