It's only been two months since Bristol Palin joined the cast of Teen Mom: OG , but it seems the daughter of former Alaska Governor Sarah Palin is already looking to move on from the show. We suppose it shouldn't come as a huge shock that Bristol doesn't feel much in the way of loyalty toward her employers, given that her mother just up and quit being in charge of a whole ginormous state in the middle of a term. It seems the apple really didn't fall far from the tree in this case, and like her famous mom, Bristol believes she's destined for TV mega-stardom. Of course, it's anyone's guess as to why she thinks that, as thus far audiences have been as indifferent toward Bristol as they are toward Sarah. The Palins seem to have a distorted view of just how fascinating the rest of the world finds them, and in Bristol's case, that egomania is resulting in some intense conflicts with her Teen Mom bosses and co-stars … 1. Back In Action After spending some time away from the spotlight, Bristol is returning to public life in a huge way — with a starring role on one of TV’s most popular reality shows. 2. Big Shoes to Fill When the time came to replace Farrah Abraham, TMOG producers reportedly felt pressured to do something big. 3. Times Have Changed The original girls (the OGs, if you will) were unknowns when the show started, but now they’re full-blown stars with millions of social media followers. Unless the new additions to the case existed on a similar plane of popularity, they would likely be viewed as disappointments. 4. All-Star Casting So it was that Morgan J. Freeman and company focused on two established talents — The Challenge star Cheyenne Floyd, and Bristol Palin, who was once the most famous teen mom in the country. 5. Big Bucks Bristol Production insiders say Bristol is already being paid more than any of her co-stars, and it looks as thought the investment is not paying off for producers. 6. A Little Late What the top brass at MTV failed to consider is that Bristol’s fame peaked ten years ago, a time when much of the current TMOG audience was in elementary school, and thus, generally indifferent toward matters of national politics. View Slideshow
Miss Tigrova Is A Black Sea Beauty Rose McGowan Goes Fully Topless on her Instagram Olivia Munn’s Camel Toe has Arrived in Toronto! A Brief Tour Of ‘Sucker Punch’ Actress Emily Browning’s Hottest Pics (header image) Singer Ella Eyre Jumping In On The Braless Trend Out In London Delia Rose in White Lingerie! Kristen Stewart Is Sexually Ambiguous Butterfly Dakota Fanning Looking All Kinds Of Adorably Hot And Busty Eva Amurri Does a Bikini Good … read more
Alexis Ren posted up slutty Disney pics because she’s a slut and capable of sexualizing everything sacred in America in efforts to perpetuate her slut celebrity from being a travel slut that does nothing but hang out in a bikini while dudes around her do action and adventure stunts…in the new Feminism that’s not much different off old feminism which is if you’re hot…dudes will make you and themselves money with your tits. That said…she’s got a fucking ton of followers, yet has never really done anything and that in and of itself is amazing…but not as amazing as how she angled herself to be able to ear so much money with that fanbase…but instead of doing something of substance she just kept showing off her fake tits and slutty poses…which is ok…but there’s a way to polarize this shit and really manipulate the world…I expect more strategy behind this… She also posted this pic of her fake tits, saying her number one insecurity is her big forehead, not her joker mouth or her bolt on tits, but her forehead….and asking her fans their insecurities and people engaged in her content discussing all their insecurities… Like freshly 18 @E.Den….who said her “hips in my hips, small lips, skinny legs and arms and small butt”…. The post Alexis Ren Mickey Mouse Slut of the Day appeared first on DrunkenStepFather.com .
The last time I did a post on Perrie Edwards, I think she was topless. I had to remove the pictures from the site because of laywers and such getting angry at me, but the post actually went viral in an era where I thought viral didn’t happen unless brands were paying for it to happen. It basically went down like this. I posted it. The story got pushed to my twitter because that’s all I use twitter for. It’s automated, you know, low effort. And I guess a Lil Mix fan, a band I didn’t know exist, like Lil XAN cuz I’m old….and not from the UK….went nuts and next thing you know I am getting tweeted at from every angle, being told off by her fans you didn’t know exist. They were mad. I guess she matters and so does her spreading in a thong. JOIN THE NEWSLETTER YOU ASSHOLES! The post Perrie Edwards Spread Legs in a Thong of the Day appeared first on DrunkenStepFather.com .
S pike Lee ’s BlacKkKlansman delivers more than a brilliantly entertaining story. Officially, BlacKkKlansman is about Ron Stallworth ( John David Washington , son of actor Denzel Washington ), the first African-American police detective in the Colorado Springs Police Department who infiltrates the Ku Klux Klan with the help of a white proxy. The film is based on actual events discussed in Stallworth’s 2014 memoir, Black Klansman: Race, Hate, and the Undercover Investigation of a Lifetime . The actors humorously and yet believably drive home the film’s strong racial irony. Stallworth’s operation upsets a string of Klan meetings and attacks, including a comically rendered attempt to bomb the female head of the Black student union. Spike Lee's BlacKkKlansman ( @BlacKkKlansman ) is in theaters now! Read our #BlacKkKlansman review! https://t.co/QuEEwp5xwf — NewsOne (@newsone) August 10, 2018 Stallworth dupes the “Grand Wizard” of the KKK, David Duke (Topher Grace). Stallworth and Duke have a series of phone conversations about Stallworth’s feigned white nationalist beliefs and the upcoming ceremony marking his initiation into the “Organization.” Drama and hilarity abound when Stallworth is assigned to personally guard Duke at the event and Duke is unable to make any connection between his new initiate and the police officer. What makes this film good is not that it successfully delivers the story it promises, but that it also exposes how our racial past has only changed its bell-bottoms for straight-legs. Or put another way, BlacKkKlansman showcases how past racism still operates in the present. Using the past to illuminate the present Spike Lee offers a parody of U.S. President Woodrow Wilson’s enthusiastic endorsement of the 1915 box office hit, Birth of a Nation . Birth of a Nation , based on a novel by Thomas Dixon, Jr., and unabashedly titled The Clansman, an Historical Romance of the Ku Klux Klan , is set just after the American Civil War. Both book and movie were used as propaganda to depict the Klan as saving the white race from the newly emancipated Blacks, rendered in the film as crazed rapists and criminals. Lee successfully uses the past, as he has done in movies like Do the Right Thing (1989) , to artistically quash the anticipated criticism that a film by a Black director that portrays white racism is guilty of being anti-white. In contrast, by integrating the facts about Birth of a Nation , Lee explodes this phoney critique and points to the real racial irony: That films depicting white supremacy are likely to be wildly popular, even praised by presidents of their time, while a film that depicts the personal and professional impacts of racism, particularly on Black people, is subject to petty but popular criticism that the film is inherently anti-white. Lee does not tread lightly, but marches into this racial terrain at the end of the movie by explicitly invoking images of U.S. President Donald Trump’s equivocation that some white nationalists are very fine people . Comic relief; deadly serious To artistically execute this heavy history in a film that runs two hours and 15 minutes is no easy feat. But Lee does not disappoint. Lee deftly offers comedy as a necessary relief. For example, Connie Kendrickson, (Ashlie Atkinson), the wife of a Klan member, Felix Kendrickson (Jasper Paakkonen), is an eager-Jane, reminiscent of a classically uncool, geekish, eager-to-please teenager. She dresses up — rather badly — in a two-piece, too loose, bright red pantsuit to pursue her first terrorist act of planting a bomb. She foils the plan and the result is pure humor. Its good to see #JohnDavidWashington restate what he told me when other interviewers mention he's DENZEL's son like his phenomenal mother didn't play the largest role in his life. #BlacKkKlansman pic.twitter.com/5LNZTRvl4C — The Extraordinary Xilla (@BlogXilla) August 8, 2018 On the other hand, Lee interestingly and expertly weaves together the serious mini-dramas in Stallworth’s life. Stallworth must face personal conflicts in his love life when his (completely fictionalized) romantic interest (Laura Harrier) holds anti-cop views. And he must deal with persistent racism when he is formally admonished and told to accept routine anti-Black sentiments expressed at work or face consequences for complaining. Confronting American racism BlacKkKlansman is, of course, not the first time cinema has been used to confront similar themes of Blacks infiltrating the KKK or using covert police tactics. These themes have been variously treated in popular culture since at least the 1960s. The 1966 film, The Black Klansman was directed by Ted V. Mikels and depicts a light-skinned Black man, Jerry Ellsworth (Richard Gilden), whose daughter is murdered by the Klan. Ellsworth passes as white to become a member of the KKK to take revenge on the organization and avenge his daughter’s death. Another iteration was developed in the 1973 cult classic The Spook Who Sat by the Door , directed by Ivan Dixon and based on the 1969 novel of the same name by Sam Greenlee. In this film, Dan Freeman (Lawrence Cook) is an African-American who becomes a top CIA agent after being trained in advanced warfare, spy work and subversion. Freeman soon resigns from the CIA and lives by day as a social worker but by night as the leader of a Black nationalist group called the Freedom Fighters. Freeman leads the group in pro-Black both non-violent and aggressive military acts against corrupt police and anti-civil rights efforts. Then there’s David Chappelle ’s famous skit of Clayton Bigsby on Chappelle’s Show . Because Bigsby is blind, raised in an all-white group home, and no one ever tells him that he’s African-American, he develops deeply racist views and joins the town’s chapter of the KKK. He learns he is Black while lecturing at a white supremacist rally when the crowd requests that he take off his hood. Even then, his views don’t change. When asked why he divorced his wife of almost two decades, he responds that it is because she is a n***** lover. So BlacKkKlansman has to be more than just another cinematic episode depicting how a Black subversive is finally sticking it to “The Man.” This story is about much more than one Black police officer who successfully and brilliantly subverted and breached the Klan to assist efforts of Black liberation. And the film certainly does more than chase laughs by exposing the inanity of racist views. BlacKkKlansman is an insightful foray into the neo-passing genre. The neo-passing genre addresses contemporary injustices and asks audiences to consider and distinguish between “classic and popular narratives of passing” where contemporary versions of passing can be about performing resistance and contesting unjust social circumstances. As a neo-passing story, BlacKkKlansman is ultimately about the current reality that African-Americans specifically, and other racial minorities in general, must continue to endure racism; that they must still argue that saying “Black lives matter” always means all lives matter. That Lee is able to highlight this through an entertaining adaptation of the past makes his latest film one to see and discuss. Vershawn Ashanti Young , professor, Department of Drama and Speech Communication, University of Waterloo This article was originally published on The Conversation . Read the original article . SEE ALSO: Review: ‘BlacKkKlansman’ Movie Review: Spike Lee Delivers An Instant Classic If Only The Spike Lee’s ‘Drop Squad’ Really Existed [ione_media_gallery src=”https://newsone.com” id=”2741958″ overlay=”true”]
S pike Lee ’s BlacKkKlansman delivers more than a brilliantly entertaining story. Officially, BlacKkKlansman is about Ron Stallworth ( John David Washington , son of actor Denzel Washington ), the first African-American police detective in the Colorado Springs Police Department who infiltrates the Ku Klux Klan with the help of a white proxy. The film is based on actual events discussed in Stallworth’s 2014 memoir, Black Klansman: Race, Hate, and the Undercover Investigation of a Lifetime . The actors humorously and yet believably drive home the film’s strong racial irony. Stallworth’s operation upsets a string of Klan meetings and attacks, including a comically rendered attempt to bomb the female head of the Black student union. Spike Lee's BlacKkKlansman ( @BlacKkKlansman ) is in theaters now! Read our #BlacKkKlansman review! https://t.co/QuEEwp5xwf — NewsOne (@newsone) August 10, 2018 Stallworth dupes the “Grand Wizard” of the KKK, David Duke (Topher Grace). Stallworth and Duke have a series of phone conversations about Stallworth’s feigned white nationalist beliefs and the upcoming ceremony marking his initiation into the “Organization.” Drama and hilarity abound when Stallworth is assigned to personally guard Duke at the event and Duke is unable to make any connection between his new initiate and the police officer. What makes this film good is not that it successfully delivers the story it promises, but that it also exposes how our racial past has only changed its bell-bottoms for straight-legs. Or put another way, BlacKkKlansman showcases how past racism still operates in the present. Using the past to illuminate the present Spike Lee offers a parody of U.S. President Woodrow Wilson’s enthusiastic endorsement of the 1915 box office hit, Birth of a Nation . Birth of a Nation , based on a novel by Thomas Dixon, Jr., and unabashedly titled The Clansman, an Historical Romance of the Ku Klux Klan , is set just after the American Civil War. Both book and movie were used as propaganda to depict the Klan as saving the white race from the newly emancipated Blacks, rendered in the film as crazed rapists and criminals. Lee successfully uses the past, as he has done in movies like Do the Right Thing (1989) , to artistically quash the anticipated criticism that a film by a Black director that portrays white racism is guilty of being anti-white. In contrast, by integrating the facts about Birth of a Nation , Lee explodes this phoney critique and points to the real racial irony: That films depicting white supremacy are likely to be wildly popular, even praised by presidents of their time, while a film that depicts the personal and professional impacts of racism, particularly on Black people, is subject to petty but popular criticism that the film is inherently anti-white. Lee does not tread lightly, but marches into this racial terrain at the end of the movie by explicitly invoking images of U.S. President Donald Trump’s equivocation that some white nationalists are very fine people . Comic relief; deadly serious To artistically execute this heavy history in a film that runs two hours and 15 minutes is no easy feat. But Lee does not disappoint. Lee deftly offers comedy as a necessary relief. For example, Connie Kendrickson, (Ashlie Atkinson), the wife of a Klan member, Felix Kendrickson (Jasper Paakkonen), is an eager-Jane, reminiscent of a classically uncool, geekish, eager-to-please teenager. She dresses up — rather badly — in a two-piece, too loose, bright red pantsuit to pursue her first terrorist act of planting a bomb. She foils the plan and the result is pure humor. Its good to see #JohnDavidWashington restate what he told me when other interviewers mention he's DENZEL's son like his phenomenal mother didn't play the largest role in his life. #BlacKkKlansman pic.twitter.com/5LNZTRvl4C — The Extraordinary Xilla (@BlogXilla) August 8, 2018 On the other hand, Lee interestingly and expertly weaves together the serious mini-dramas in Stallworth’s life. Stallworth must face personal conflicts in his love life when his (completely fictionalized) romantic interest (Laura Harrier) holds anti-cop views. And he must deal with persistent racism when he is formally admonished and told to accept routine anti-Black sentiments expressed at work or face consequences for complaining. Confronting American racism BlacKkKlansman is, of course, not the first time cinema has been used to confront similar themes of Blacks infiltrating the KKK or using covert police tactics. These themes have been variously treated in popular culture since at least the 1960s. The 1966 film, The Black Klansman was directed by Ted V. Mikels and depicts a light-skinned Black man, Jerry Ellsworth (Richard Gilden), whose daughter is murdered by the Klan. Ellsworth passes as white to become a member of the KKK to take revenge on the organization and avenge his daughter’s death. Another iteration was developed in the 1973 cult classic The Spook Who Sat by the Door , directed by Ivan Dixon and based on the 1969 novel of the same name by Sam Greenlee. In this film, Dan Freeman (Lawrence Cook) is an African-American who becomes a top CIA agent after being trained in advanced warfare, spy work and subversion. Freeman soon resigns from the CIA and lives by day as a social worker but by night as the leader of a Black nationalist group called the Freedom Fighters. Freeman leads the group in pro-Black both non-violent and aggressive military acts against corrupt police and anti-civil rights efforts. Then there’s David Chappelle ’s famous skit of Clayton Bigsby on Chappelle’s Show . Because Bigsby is blind, raised in an all-white group home, and no one ever tells him that he’s African-American, he develops deeply racist views and joins the town’s chapter of the KKK. He learns he is Black while lecturing at a white supremacist rally when the crowd requests that he take off his hood. Even then, his views don’t change. When asked why he divorced his wife of almost two decades, he responds that it is because she is a n***** lover. So BlacKkKlansman has to be more than just another cinematic episode depicting how a Black subversive is finally sticking it to “The Man.” This story is about much more than one Black police officer who successfully and brilliantly subverted and breached the Klan to assist efforts of Black liberation. And the film certainly does more than chase laughs by exposing the inanity of racist views. BlacKkKlansman is an insightful foray into the neo-passing genre. The neo-passing genre addresses contemporary injustices and asks audiences to consider and distinguish between “classic and popular narratives of passing” where contemporary versions of passing can be about performing resistance and contesting unjust social circumstances. As a neo-passing story, BlacKkKlansman is ultimately about the current reality that African-Americans specifically, and other racial minorities in general, must continue to endure racism; that they must still argue that saying “Black lives matter” always means all lives matter. That Lee is able to highlight this through an entertaining adaptation of the past makes his latest film one to see and discuss. Vershawn Ashanti Young , professor, Department of Drama and Speech Communication, University of Waterloo This article was originally published on The Conversation . Read the original article . SEE ALSO: Review: ‘BlacKkKlansman’ Movie Review: Spike Lee Delivers An Instant Classic If Only The Spike Lee’s ‘Drop Squad’ Really Existed [ione_media_gallery src=”https://newsone.com” id=”2741958″ overlay=”true”]
What the world needs more of is girls like Oana Gregory…. I jumped into this post thinking she was some sex worker or sugar baby – which I guess is the same fucking thing – trying to get ahead or live the good life being pretty much a prostitute….I was like Gregory, that’s not her real name…. So I took it upon myself to google the bitch, and as it turns out…she’s far more famous than I expected. She’s not some instagram hooker sex working. She’s a Disney kid sex working… But I was right about one thing, her last name isn’t Gregory..that’s a stage name, stripper name, a name for the Execs at Disney who run the PEDO ring….it’s actually Oana Andreea Grigoru? …. You can follow Oana Gregory the Disney star turned Instagram thot… Or you can just get down here to her slutty bikini photoshoot where she spreads her legs to show us her mickey mouse ears….. Because you can be a Disney Kid and still a Romanian sex worker….the two aren’t mutually exclusive… More from her Instagram JOIN THE NEWSLETTER YOU ASSHOLES! The post Oana Gregory Bikini Photoshoot of the Day appeared first on DrunkenStepFather.com .
Bar Refaeli Sets A High Bar For Thong Bikinis Ana Braga and her Boobs Pose for Pics on the Street Iggy Azalea in a Bikini! Kendall Jenner Nipples of the Day Elsa Hosk In A Tiny Bikini Is The Hottest Thing On Two Legs Chloe Grace Moretz Shows Off A Lot More Than She Expected Bigger Than You Thought! 19-YO Lily-Rose Depp Mud Wrestling GIFs Reveal A Lady (HEADER IMAGE) Kate Dyakonova Nude Photoshoot of the Day … read more
I think that it’s asking a lot of me to post someone like Ashley Tisdale on her bikini party, day two, even after a weekend to reflect on it, and expect me to have some sort of life changing observation, when shit is played out, repetitive, boring even… I mean sure, she’s a girl from TV a few decades ago, in her 40s, wearing a bikini looking 20 pounds fatter than she was when she used to work out, before getting married and lazy as women tend to do, rocking bigger tits than she ever had due to a slowing down of her metabolism…. That makes her more interesting than all the women I saw in bikini this past weekend, who I realized for the first time, were wringing out their bikini tops, something I never noticed women do, and they do it by by squeezing their tits…which I guess is a wonderful thing to realize women do….45 years after first obsessing over women in bikinis…I’m late to the game…which I guess is how we feel about Tisdale getting slutty now…a little late to the game…but still half naked and ain’t nothing wrong with that. Here is her version of this for Instagram TO SEE MORE Ashley Tisdale – Doggy Style Bikini CLICK HERE JOIN THE NEWSLETTER YOU ASSHOLES! The post Ashley Tisdale Pussy Print Bikini of the Day appeared first on DrunkenStepFather.com .
