James Gunn just spent one of the most successful weekends of his life in Toronto, premiering his new superhero-splatter-comedy SUPER to Midnight Madness raves before selling it off to IFC Films in the festival’s first distribution deal. In the end, though, Gunn’s biggest triumph may have come in writing and directing the film he wanted to make exactly how he wanted to make it, with Rainn Wilson’s nobody Frank adopting the crimefighting persona the Crimson Bolt after his wife (Liv Tyler) is all but kidnapped by a local drug baron (Kevin Bacon). It’s a lot harder than it sounds in an age of indie-market turbulence, comic-book genre saturation, and even Gunn’s own creative apprehensions following his 2006 debut Slither . He spoke to Movieline about these and other subjects — from Joe Strummer to God — over the weekend.
Originally posted here:
James Gunn on His TIFF Hit SUPER, Sidekick Sex and Blending Art House with the Grindhouse
