Tag Archives: Lyrics

7 Black Eyed Peas Lyrics Dumber Than Anything In “My Humps”

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Will.i.am recently told MTV that The Black Eyed Peas would no longer be performing their 2005 hit “My Humps” because, to quoth willz, “It got to the point where we didn’t want to play ‘My Humps’ no more. You know, ’cause ‘I met a girl down at the disco,’ I just didn’t want to say … More » Broadcasting platform : YouTube Source : Idolator Discovery Date : 23/04/2011 00:54 Number of articles : 2

7 Black Eyed Peas Lyrics Dumber Than Anything In “My Humps”

Eenie Meenie – Sean Kingston & Justin Bieber + Lyrics

I KNOW ITS NOT “SHORTY” BUT I DIDNT COME UP WITH THE LYRICS Rude comments aimed toward Justin Bieber or any other person WILL be deleted so dont bother hating instead go spread the love LYRICS (Sean) Eenie meenie miney mo Catch a bad chick by her toe If she holla (if, if, if she holla) let her go Shes indecisive She cant decide She keeps on lookin From left to right Girl, cmon get closer Look in my eyes Searchin is so wrong Im Mr. Right You seem like the type To love em and leave em And disappear right after this song. So give me the night To show you, hold you Dont leave me out here dancin alone You cant make up your mind, mind, mind, mind, mind Please dont waste my time, time, time, time, time Im not tryin to rewind, wind, wind, wind, wind I wish our hearts could come together as one Causeshawty is a eenie meenie miney mo lova Shawty is a eenie meenie miney mo lova Shawty is a eenie meenie miney mo lova Shawty is a eenie meenie miney mo lova (Justin) Let me show you what your missin Paradise With me youre winning girl You dont have to roll the dice Tell me what youre really here for Them other guys? I can see right through ya You seem like the type To love em and leave em And disappear right after the song. So give me the night To show you, hold you Dont leave me out here dancin alone Cant make up your mind Please dont waste my time Not tryin to rewind I wish our hearts could come together as one Cause shawty is a eenie meenie miney mo lova Shawty is a eenie meenie … http://www.youtube.com/v/h0jNAS7mQb8?f=videos&app=youtube_gdata See the original post here: Eenie Meenie – Sean Kingston & Justin Bieber + Lyrics

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Eenie Meenie – Sean Kingston & Justin Bieber + Lyrics

One time – Justin Bieber + Lyrics

Tribute to my Sis, Shari Love you lots :] ♥ Please Subscribe and Rate :] **I DO NOT OWN THIS SONG** ———-IGNORE BELOW LINE———- Extra Tags IGNORE…RoyalHKP Hello Kitty Experience Walkthrough Gametrailers posted a Xbox 360 Dashboard Walkthrough Hacking GamerTag Suspened PayPal Free Xbox Live Generator HALO 3 General Instantly Easy 50 boosting Service free money Recon Armor PS3 Microsoft ELITE Master Chief machinima THE NEW XBOX DASHBOARD COMING END OF SEPTEMBER. DEMO BY MAJOR NELSON. Call Xbox LIVE sims 2 Dash Board came early beta version cheatsboring program software demo major nelson blog free xbox live codes everydat prizerebel rewards1 hack generated generate online google virus unblock WII E3 2008 New Xbox 360 Dashboard Walkthrough Gametrailers posted penguin a Xbox 360 points coins change Dashboard armor halo 3 skulls Walkthrough Extra Tags] IGNORE [Extra Tags] E3 2008 New Xbox 360 Dashboard Hacking Club GamerTag Suspened PayPal reconFree Xbox Live Generator HALO 3 General mrwaterfalls Instantly Easy 50 boosting Service GWA Gator360 Supposed cp 1 Wwe Adam free money Recon Armor Master Chief PS3 Microsoft ELITE Master Chief machinima As Xbox 360® readies What is machinima for the next wave of audience gamertag change expansion, Microsoft today announced usa a new Xbox free habbo credits experience that will canada reinvent home entertainment from the inside out, changing the way we play games, watch movies and TV shows, and even become contestants … http://www.youtube.com/v/ueKcjAg50Cs?f=videos&app=youtube_gdata See original here: One time – Justin Bieber + Lyrics

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One time – Justin Bieber + Lyrics

Hollaback Girl (Justin Bieber Video) With Lyrics

A Video I made for Justin Bieber using the song Hollaback Girl by Gwen Stefani. Thanks to the sites i got the pics and videos from. Lyrics: Uh huh, this is my shit All the girls stomp your feet like this A few times I’ve been around that track So it’s not just gonna happen like that Because I ain’t no hollaback girl I ain’t no hollaback girl [x2] Ooooh ooh, this my shit, this my shit [x4] I heard that you were talking shit And you didn’t think that I would hear it People hear you talking like that, getting everybody fired up So I’m ready to attack, gonna lead the pack Gonna get a touchdown, gonna take you out That’s right, put your pom-poms downs, getting everybody fired up A few times I’ve been around that track So it’s not just gonna happen like that Because I ain’t no hollaback girl I ain’t no hollaback girl [x2] Ooooh ooh, this my shit, this my shit [x4] So that’s right dude, meet me at the bleachers No principals,no student-teachers Both of us want to be the winner, but there can only be one So I’m gonna fight, gonna give it my all Gonna make you fall, gonna sock it to you That’s right I’m the last one standing, another one bites the dust A few times I’ve been around that track So it’s not just gonna happen like that Because I ain’t no hollaback girl I ain’t no hollaback girl [x2] Ooooh ooh, this my shit, this my shit [x4] Let me hear you say this shit is bananas BANANAS (This shit is bananas) (BANANAS) Again This shit is bananas BANANAS (This shit is bananas … http://www.youtube.com/v/cNAayB1ni7g?f=videos&app=youtube_gdata Visit link: Hollaback Girl (Justin Bieber Video) With Lyrics

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Hollaback Girl (Justin Bieber Video) With Lyrics

Baby – Justin Bieber ft. Ludacris (Music Video) – Yoonha Hwang Piano Cover with lyrics (Official)

★Tweet It ★ tiny.cc ★Share It on Facebook ★ on.fb.me – Baby – Justin Bieber ft. Ludacris (Music Video) – Yoonha Hwang Piano Acoustic Cover with lyrics (Official) – Link – ★Myspace : mysp.ac ★Facebook : fb.me ★Twitter : twitter.com – Lyrics – You know you love… http://www.youtube.com/v/1qSNmUJW44Q?f=videos&app=youtube_gdata See original here: Baby – Justin Bieber ft. Ludacris (Music Video) – Yoonha Hwang Piano Cover with lyrics (Official)

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Baby – Justin Bieber ft. Ludacris (Music Video) – Yoonha Hwang Piano Cover with lyrics (Official)

Prodigy Used To Think Biggie Was Corny

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In Prodigy ‘s new autobiography, My Infamous Life , he reveals that his partner in Mobb Deep , Havoc, had asked him to drop a verse on a song he was producing for The Notorious B.I.G. called “Last Day.”  Prodigy responded by saying that he thought Biggie was corny. Complex Magazine recently caught up with Prodigy and asked him about that portion of the book, and Prodigy graciously explained his train of thought at the time. When Havoc was talking about producing “Last Dayz” in the book and he was telling you to get on it, I was surprised that your reaction was that Biggie was corny. A lot of people was feeling him, I just wasn’t feeling him. Another thing is that, I used to take things real personal. I was real serious when it came to rapping. I still do, but even more so when I was real young. I was on some other sh*t dun. I wasn’t f*cking with nobody else but Mobb Deep. I had tunnel-vision, straight up. I ain’t see nothing but Mobb Deep. I ain’t hear nothing but Mobb Deep. And n*ggas can’t f*ck with Mobb Deep. That was my opinion, how I was thinking, and my life. Mobb Deep, f*ck everybody else. So when I used to hear certain sh*t that Biggie used to say, he used to take some of my lines from my lyrics, and use them. That used to p*ss me off, because I was like, “Damn, this n*gga just bit my sh*t.” Like what lines? Like “N*ggas bleed just like us,” that’s my sh*t, and certain other things. But at that time it would p*ss me off, but now when I look back at it, it’s a compliment. He wasn’t trying to steal. He was basically kind of like a fan. And now I realize because I feel the same way about him. And I feel the same way about certain other rappers too. Just had a different mentality back then. It was little things like that. Prodigy’s autobiography, My Infamous Life , is in stores tomorrow, April 19th. RELATED: Mobb Deep “Love Y’all More” [NEW MUSIC] RELATED: Prodigy From Mobb Deep’s First Post-Prison Interview [VIDEO]

Prodigy Used To Think Biggie Was Corny

Lady Gaga’s "Judas" – Awesome or Offensive?

Leave it to Lady Gaga, no stranger to getting people talking as it is, to up the ante tenfold this weekend with a controversial new song about “Judas.” Told through the perspective of Mary Magdelene, the lyrics go like this: “In the most Biblical sense / I am beyond repentance / Fame hooker, prostitute wench, vomits her mind / But in the cultural sense / I just speak in future tense / Judas kiss me if offensed / Or wear ear condom next time…” Okay then … Lady Gaga – Judas Gaga’s creative director, Laurieann Gibson, who is religious herself, says they made sure to not offend anyone. Here’s how she describes the song : “It was amazing to have that conversation about salvation, peace and the search for the truth in a room of non-believers and believers, to me, that was saying God is active in a big way. And the place that it came to is surreal.” “We don’t touch on things that we have no right touching upon, but the inspiration, the soul and idea that out of your oppression, your darkness, your Judas, you can come into the marvelous light. So it’s about the inspiration and to never give up.” In conclusion, she says Lady Gaga has “created a new Jerusalem.” Has she? Tell us: What do you think of Gaga’s “Judas”?

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Lady Gaga’s "Judas" – Awesome or Offensive?

Joachim Garraud Set To Bring Invasion 2011 To Coachella

David Guetta’s ex-producer also talks to MTV News about teaming up with Perry Farrell for Lollapalooza. By Adam Stewart Joachim Garraud Photo: Getty Images If you’re familiar with David Guetta , then you’re probably already familiar with Frenchman Joachim Garraud — even if you didn’t know it. In fact, Garraud’s largely responsible for what is widely considered a house music primer for today’s aficionados: Guetta’s 2002 mega-smash album, Just a Little More Love. Guetta fans also may be unaware that Garraud co-produced and wrote many of the album’s marquee tracks, including the title cut and “Love Don’t Let Me Go.” But Garraud’s hits don’t stop there. Joachim is also responsible for the ’04 club smash “The World Is Mine” and, perhaps most notably, one of the first and biggest club-friendly tracks to hit mainstream U.S. radio, 2007’s “Love Is Gone.” Now, after spending nearly a decade as a key player on Guetta’s production team, Garraud has stepped out on his own, putting out his second studio album, Invasion 2011, and heading out on a world tour. “We made tracks on production for three of David Guetta’s albums, and that was a pretty long and very cool story,” Garraud told MTV News recently in Miami. “[But] we stopped working together a few months ago, as [Guetta’s] choice was to focus more on the U.S. market by working with a lot of vocal artists. I was not very excited about this choice as a DJ. I was thinking that it’s maybe moving a little too far away from [that] area. But his choice was good. I mean, look at how successful the David Guetta project is!” That’s not to say Garraud has left behind his original style and influence. When listening to Invasion 2011, one can distinctly hear what his contributions to the various Guetta projects have been. His edgy, stab synths, the bone-crushing low ends, his superb timing and use of a wide range of effects and filters, all with the surgical precision we would expect from a producer of his ilk, bring all of the elements together for a thumping, underground, infectious set of grooves meant to take the listener back into the club. “I’m very excited about this new album, Invasion 2011, because it’s very focused on the DJ thing; it’s really for the DJ,” he said. “It’s not really [meant] to be played on the radio, because all the tracks are meant to be massive on the dance floor.” Steering clear of the mainstream-radio crossover vibe, Garraud hand-selected vocalists and collaborators who would fit his signature sound. “I worked with Roland Clark on a track called ‘Stop’ and another, ‘Bang Bang,’ [and] a girl named Ze from Kuala Lumpur [on ‘I’m Invaded’].” (Clark is known for his vocals with acts like Fatboy Slim and Prodigy.) Garraud also paired up with Black Eyed Peas super producer and touring DJ, Poet Name Life, on “Everybody Is in the Place,” which was most recently remixed by AutoErotique. The quality of Garraud’s collaborators and remixers garnishes the album with an array of future sounds. However, his reach and ability extend beyond the studio and the DJ booth. Partnering with Jane’s Addiction frontman and Lollapalooza founder Perry Farrell, the duo are bringing electro to the big stage. “When Perry saw [my set] at Lollapalooza Chicago last summer, he was shocked. So [he] came to me and was like, ‘OK, I want exactly the same. You have to produce tracks for me and produce video and produce the show,’ ” he recalled. Garraud was humbled by the ask, and the wheels were soon set in motion. “We’ve produced 12 tracks together, and all the tracks are very cool, because the lyrics are so cool. He sings all of the tracks with his heart, so they’re very beautiful tracks, and on the dance floor, it’s very, very powerful.” Garraud and Farrell recently took the stage at Chile’s inaugural version of Lollapalooza, where the DJ/producer helmed Perry’s stage show, putting together the music, tracks, video and what he refers to as the overall “stage attitude.” Garraud said fans will get to see their set on the Chicago leg of his tour and, possibly, on a future iteration of the Lollapalooza festival in Europe. In the meantime, he can be seen next on Saturday at the increasingly electro-friendly Coachella music festival , alongside a flurry of other big name DJs, including Axwell, Steve Angello, Laidback Luke, Skrillex and many others. What do you think of Joachim’s Invasion 2011 album? Let us know in the comments below! Related Videos Pump Your Fist For Miami Music Week Related Photos Miami Music Week Related Artists Joachim Garraud

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Joachim Garraud Set To Bring Invasion 2011 To Coachella

‘American Idol’ Report Card: Who Starred On Movie Night?

Watch ‘Idol Party Live’ for more on why we’re giving Lauren Alaina high marks this week. By Eric Ditzian Lauren Alaina Photo: FOX The question heading into Wednesday’s “American Idol” was no longer why Pia Toscano was booted off so prematurely, but whether the judges would learn a much-needed lesson from her departure. Would Randy, Jennifer and Steven realize their jobs are to dole out expert critiques and sagacious notes, shaping public opinion and letting contestants know what’s working and what needs overhauling? Any hope the judges had recalibrated their critical approach was pretty much lost when J.Lo announced, after a competent but hardly revelatory tune from Scotty McCreery, “Everybody wants us to be tough with you guys, but the truth is y’all are so damn good. All I really want to say is wow.” And our last bit of optimism was flushed away as Lopez, during her review of Haley Reinhart, essentially exposed herself as a judge who will place sentiment (in this case, mealy-mouthed girl-power favoritism) ahead of objective reality. In past seasons, even when Simon Cowell would confess to personally liking an “Idol” hopeful, he’d still have no problem laying down some hard truths. No wonder, as Ryan Seacrest put it last night, this season is clouded by an “insane level of uncertainty.” But there’s nothing ambiguous about our “Idol” report card. The fact is, Wednesday’s night show — theme: songs of the cinema — wasn’t much to behold. No one bombed, but no one blew us away either. If the judges won’t lay down some truth, we will. Excellent Lauren Alaina : We’re not sure what Miley Cyrus did to earn Jimmy Iovine’s enmity, but the guy seemed almost as concerned with ripping the Disney starlet as he was with anointing Lauren as a superstar. In any event, saying Lauren is better than Miley is kind of a backhanded compliment, no? During “The Climb,” she struggled with some pitch problems but showed off an emotive voice and been-doing-this-all-my-life comfort level on stage. One question though: What happened to the country-infused Lauren we’ve come to know? We dig the ballads, but we want that light Southern twang back in the mix. In the end, Lauren lands a top grade, not because her performance was astonishing but because a) she was a pleasure to listen to, and b) there’s no way James Durbin gets an “excellent” just because he shared the stage with shred-master Zakk Wylde. Good Scotty McCreery : Let’s put aside the laughable thesis that Scotty was returning to his country roots on Wednesday, because he’s showed next to no genre growth all season. That’s not meant as a knock. In fact, he presents quite an interesting “Idol” model: the fully formed artist who does one thing so well, there’s little reason to test uncharted artistic waters. And hey, during his George Strait tune, Scotty let his vocals stretch further than they have on the show, even holding one note long enough for us to think, “Geez, he’s actually holding a note.” James Durbin : We knew this was coming . James couldn’t be expected to go all sensitive-rocker for a second consecutive week, even though we continue to argue that’s when he’s at his best. Alas, his heavy metal take on Sammy Hager left us feeling much as we did during his cover of Elton John’s “Saturday Night’s Alright for Fighting” a few weeks ago: tons of fun to watch, but useless as an example of vocal expertise — something he has hardly established he possesses. Haley getting beat up for not giving her vocals an opportunity to sparkle while James didn’t is a deep injustice, a sign that some singers continue to get free passes while others can’t catch a break. Satisfactory Paul McDonald : We knew we should worry as soon as Paul showed up onstage without a guitar and was free to wobble around like that spinning top from “Inception.” It never works out well, does it? Paul’s energy was high and his ability to pump up a crowd remained intact, but we just didn’t get a very good chance to assess Paul the singer, rather than Paul the showman. We fear he’ll end up in the bottom three this week; we hope he doesn’t get sent home. Haley Reinhart : Haley! Haley! Why? Why Blondie’s “Call Me” and why that arrangement? Listen, we actually enjoyed it. Or maybe we just enjoy her. But the judges were correct that the song didn’t allow Haley to showcase her vocals — those great soulful growls. Any momentum she had accrued over the last few weeks likely fizzled away, perhaps not because her performance was worse than anyone else’s (it wasn’t, not by a long shot), but because she doesn’t seem to have worked her way into a permanent, do-no-wrong place in the judges’ hearts. How can she possibly be the only contestant to get slammed, when no one else gets so much as had an unkind word tossed his or her way? We can only hope voters see through the judges’ transparent cheerleading for everyone and bullying of Haley and give her enough support to rediscover her artistic sweet spot. Stefano Langone : This one’s tricky. Was Stefano’s take on Boyz II Men’s “End of the Road” his finest performance on the season — a notch above his surprising showstopper last month of Simply Red’s “If You Don’t Know Me By Now”? That’s up for debate. What is clear is Stefano showed more vocal and emotional abandon on Wednesday night than he has since coming on the show. Yet it’s also clear he generally doesn’t possess a particularly powerful instrument. The judges did their best to make Haley into this week’s fall gal, but there’s no doubting who is the more compelling artist between the two. Hint: It ain’t Stefano. Casey Abrams : Did we fall asleep and miss five weeks of this competition? Since when did Casey remake his artistic identity into some pop-jazz fusion of Adele and Michael Bubl

Crooked I: “On The West Coast It Ain’t All About Chuck Taylors And Six-Fours No More”

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Between, signing to Shady, starting C.O.B. clothing and dropping The Million Dollar Story ep, the West Coast arm of Slaughterhouse, Crooked I has been one busy hustler. But between sips of Slaughter Water, the Long Beach bomber took some time to share shed some light on his latest moves. Check the technique. Words by MC TUD: I know you’ve had to answer this question a million times, but inquiring minds gotta know. How’s it feel to sign to Shady Records as a member of Slaughterhouse? Crooked I: I’m gonna be real with you, I just got back from Hawaii and as soon as I landed and went to the baggage claim a couple dudes started taking pictures of me! I’m like “Yo, this didn’t happen the last time I came to Hawaii! (Laughs) It’s crazy man, the power of Shady records? I could get used to this! You and Joell have had the most experience with the Interscope machine. Even though it’s through Shady, did any of the horror stories ever cross your mind when you were signing up? Actually when I got on Death Row they were just cutting ties with Interscope. But to answer it’s never a bad day walking into Interscope Records! (Laughs) That almost sounds like the politically correct answer! Nah man! (Laughs) They are the “machine” and if they believe in a project and push the button it’s going somewhere! It was a testament to my character too. Because when I was on Death Row I was asked to make songs dissin Em and Dre. I always thought, “you don’t even know these n*ggas, you don’t have no real beef with them, why you dissing them?” If I had, I wouldn’t be in this equation! (Laughs) You mentioned earlier you were in Hawaii, what was cracking out there? I was out there with my dude G-Dub, we forming a new company called “The Commission” and I got this new clothing line coming. So we was out there discussing that, get away from everything and just strategize … Mecca man the doors are open. I got a shot, I’m taking my shot cause it’s been a long tome coming, so I’m going! Lets talk on the clothing line… Circle Of Bosses. It started off family and friends and it spread to different parts of the world. I decided to bring the movement to the clothing culture because I’ve always been fascinated by that. It’s not a rapper trying to have a clothing line, it’s a movement with a clothing line. One of out big t-shirts right now is “Do Not Cock-Block.” I was able to give a special hoody version to Bun B on his birthday at SXSW. Speaking of SXSW, How’d that go? We really popped it off. We had EPMD, DJ Quik on stage, DJ Premiere on the turntables. Hip-Hop was in the building. Just to have Erick Sermon saying “Yo, Yall give it up for Slaughterhouse!” I remember being a kid watching “Erick & Parrish Makin Dollars.” So to have acknowledgement from legends is always dope. Well you’re going the right way for legendary status. The Brisk campaign shows that. What’s the name of this new drink you guys have? “Slaughter Water” which is the Brisk Ice tea of your choice with some vodka. Brisk brought a big truck to the middle of the street and were giving out free tacos and Brisk. We had that truck popping! (Laughs) But yeah it’s been great working with major corporations on a level like that and still be true to our art form. You know Slaughter is real raw and uncut. That’s why Shady is the perfect fit. NOBODY says crazier shit than Em … so we good. (Laughs) The corporations are just one of the perks and that’s a beautiful thing. Ok business aside, with Em stamping Slaughterhouse in a time where lyrics are on the upswing, do you feel any pressure to produce results or else lyricist may have to take a backseat again? I think we have the ability to really inspire the next generation to get back into their lyrics. Niggas done came up to me and said “I been rapping for years but I fell victim and started making booty clap songs because I thought I was never gonna get my career off the ground,” and that’s some bullsh*t to have to go through. We still gone have that middle layer that’s full of successful wack sh*t but lyricism has always been at the top but I think now it’s going to be a little more crowded. I think you’re starting off right with Million Dollar Story Yeah man, Million Dollar Story EP that I just dropped is the pre-album to Million Dollar Story the album. Niggas might know me in the “almost famous” atmosphere but now it’s time to go to a whole new stratosphere. I’m putting this product out as an introduction and a re-introduction. I aint trippin on sales, as long as I can get the visibility to show how we doing it in 2011 on the west coast cause it ain’t all about Chuck Taylors and six-fours no more. That’s no disrespect to what the legends put down but it’s time for a new day. N*ggas is stepping they bars up, n*ggas is getting fresh, the Hip-Hop energy feels good right now. Well speaking of legends, I can’t let you get outta here without a chance to speak on one we just lost, the big homie Nate Dogg. Word, RIP to Nate, I wish I could have worked more with him. We definitely got joints that we did years back, we got joints that we were planning to do. It’s a big tragedy for Hip-Hop and a humongous loss for the west. He did classic shit that the whole fuckin club will stop and sing along to with him. Nate was just that dude man, because after moving out to the nice neighborhood, he would still come out and be visible. I really respected that because he inspired a lot of people with his presence. And 41 is no time to die. I’m gonna have a shot of Henny for him cause that was his shit and keep his family in my prayers. RELATED POSTS: Eminem, Slaughterhouse, Yelawolf “2.0 Boys” [NEW MUSIC] Slaughterhouse And Yelawolf Sign To Eminem’s Shady Records VIDEO: Crooked I Warns Benzino To Leave Royce Alone

Crooked I: “On The West Coast It Ain’t All About Chuck Taylors And Six-Fours No More”