Tag Archives: Lyrics

you are the only exception lyrics by Paramore

Video: Lyrics: When I was younger, I saw my daddy cry And curse at the wind He broke his own heart and I watched As he tried to reassemble it And my momma swore that She would never let herself forget And that was the day that I promised I#39;d never sing of love if it does not exist But darling, you are the only exception You are the only exception You are the only exception You are the only exception Maybe I know, somewhere deep in my soul That love never lasts And we#39;ve got to find othe

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you are the only exception lyrics by Paramore

Yeing Nyok Sea:Koh Seah Wee wife

A $1.55-million Lamborghini and a $300,000 Mercedes- Benz were among the three cars he bought earlier this year. The two vehicles were registered in the name of his wife, Madam Yeing Nyok Sea, 38, while his mother-in-law, Madam Kok A Mui, is said to have received a $140,000 Mercedes-Benz. Former SLA deputy director Koh Seah Wee, 40 – who is already facing 237 counts of cheating – was charged with an additional 12 counts yesterday. Koh Seah Wee returned to IDA in March and quit on June 1. Lim r

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Yeing Nyok Sea:Koh Seah Wee wife

Lil Wayne’s ‘Not A Human Being’ Clip Dissected

‘He’s almost grown into a mythology now,’ director David Rousseau says. By Jayson Rodriguez Lil Wayne Photo: Kevin Winter/ Getty Images Lil Wayne’s otherworldly talents have inspired the rapper to dub himself “a Martian.” And for his latest video , the title track to his forthcoming album I Am Not a Human Being , director David Rousseau explored the reference. “It’s one of those things where you can interpret it like we’re trying to dissect who Lil Wayne is,” Rousseau told MTV News. “How does his mind work? He’s almost grown into a mythology now. He’s not even human. He’s like Michael Jordan. The way Michael Jordan dunks a ball wasn’t even human.” The frenzied video features Lil Wayne and his glow-in-the-dark tattoos contrasted with images of written rhymes splashed across the screen. Rousseau said the images were meant to provoke deeper thought into Wayne’s writing process. Oftentimes, the director said, because of the rapper’s personality, the ideas of his lyrics aren’t fully comprehended. “It’s just that dissection of the myth and the man, separating him from the lyrics,” he explained. “Because he’s one of those artists where people hang onto every lyric. He’s not just rapping about anything, you know? Read between the lines and find out what his message is about and stuff. It’s kind of pointing fans at doing that. There’s a deeper meaning to what he’s rapping about, and you gotta get in there.” A leaked version of the video hit the Web last week, but the complete “I Am Not a Human Being” clip was released Wednesday. Related Artists Lil Wayne

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Lil Wayne’s ‘Not A Human Being’ Clip Dissected

30 Seconds To Mars Call Kanye West Collabo An ‘Unexpected Surprise’

‘It’s one of the strongest things that he’s done,’ Jared Leto tells MTV News of ‘Hurricane.’ By James Montgomery 30 Seconds to Mars’ Jared Leto Photo: Sohyung Kang/ MTV News Last year, when 30 Seconds to Mars were still laboring on This Is War, more than a few eyebrows were raised when Kanye West posted a photo on his blog of him, Jared Leto and the Killers’ Brandon Flowers in the studio, where the trio had apparently just finished recording a “dope-ass song.” Later, Leto explained to MTV News that the “dope-ass song” was called “Hurricane,” and it featured West singing, minus the Auto-Tune he’d been dabbling with at the time (there was no mention of Flowers’ involvement). It sounded like a promising collaboration, but, sadly, fans never actually got to hear it: When This Is War hit stores, “Hurricane” was on there, but West’s work wasn’t. Leto explained that the band had to remove Kanye from the track at the last minute, due to some rather restrictive deadlines and a lot of back-and-forth between record labels, but he and his 30STM mates were so impressed with West’s contributions that they pledged that someday, somehow, the song would see the light of day. And, as it turns out, they kept their promise. On November 2, 30STM will release a deluxe edition of This Is War, featuring a DVD, a pair of live tracks recorded for the BBC (including a version of Lady Gaga’s “Bad Romance”) and, at long last, the full, Kanye West-ified version of “Hurricane.” It’s been a long time in the making, but, as Leto told MTV News on Friday (September 24), the song is worth the wait. “Let’s put it this way: It’s a collision of two worlds, and I think it’s a completely unexpected surprise. He’s not only on the track, but he’s phenomenal on the track. … It’s one of the strongest things that he’s done, in my opinion,” he said. “His singing is incredible on it, and he’s done a lot of really wonderful work, and I think this only adds to his work as a whole. … Working with him was an incredible experience.” Leto said the new/old version of “Hurricane” (he prefers to call it “an alternative experience”) doesn’t stray all that far from the version that ended up on This Is War — they’re both decidedly bleak ruminations on death and lust and sacrifice — but it does feature West getting darker than he’s ever gotten before. “It was an interesting time. … I remember, he started here at the house, where we made the record, and then we finished in Hawaii,” Leto said. “It is a song that’s on the darker side of things. It’s the flipside of ‘Kings and Queens’ — which has a through line of optimism and hope, and a really strong spirit to it — this song explores a different territory, and his lyrics do the same.” Leto added that, if it were up to him and West, the song would’ve ended up on the original version of This Is War, but now that 30STM are gearing up to shoot a video for the track , it does present a rather interesting opportunity — perhaps a cameo by Kanye? “I think that would be an interesting element to add for sure,” Leto laughed. “We’ll just have to see.” Are you happy the Kanye/30STM collabo is finally seeing the light of day? Let us know in the comments! Related Artists Kanye West 30 Seconds To Mars

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30 Seconds To Mars Call Kanye West Collabo An ‘Unexpected Surprise’

New Boyz Move On From ‘Jerkin’ ‘ With Too Cool to Care

‘It may not be jerk tracks, but it’s a lot better than the first album,’ Legacy says of group’s sophomore album. By Steven Roberts The New Boyz Photo: Steve Granitz/ WireImage The New Boyz broke onto the scene in early 2009 with their hit song “You’re a Jerk,” becoming, for all intents and purposes, the face of SoCal’s skinny-jeaned, bright-colored, fun-going jerkin’ culture. Their song helped to spread “jerkin’ ” around the country and was responsible for your younger siblings, cousins, aunt, uncles and everyone else doing the Roger Rabbit and dropping it low to the ground last summer. But like most artists, the New Boyz felt the need to either evolve or be remembered as the soundtrack to an embarrassing moment at a family BBQ. MTV News caught up with the New Boyz ahead of the release of their sophomore album, Too Cool to Care, and the duo said it was difficult telling die-hard jerkin’ fans that their new album wouldn’t have much jerkin’ music. “When we announced that the new album isn’t going to have too much jerkin’ stuff on it, they were kind of shocked,” Legacy said. “But I think they are going to be really, really satisfied with this album because it may not be jerk tracks, but it’s a lot better than the first album, which was full of jerk tracks. I promise ya’ll we’re not going to let ya’ll down with this one.” Legacy promised that they were not abandoning their jerkin’ roots, however. He said the group wanted to show themselves as artists, but also plan to release a mixtape geared more toward partying and dancing. “The album is more important,” Ben J said. “That’s the one you really look at. When you put out a mixtape, that’s the one you have fun with. So we’re going to put out the mixtape and put the club bangers, the dance tracks, whatever [on it].” Their debut album, Skinny Jeanz and a Mic, was critically well-received, as the duo impressed with their lyrics and delivery. But Legacy said he felt that many detractors were more concerned with clothes and the dance-y beats. “One of the things with Skinny Jeans and a Mic, bar-wise, delivery, we were getting off, but the tracks were so different, crazy and dance record-y that people kind of ignored that,” said Legacy. “They were more focused on these dudes wearing skinny jeans, ‘they are making jerk stuff,’ so that’s why we made sure on this second album, we let it be known that we can go in.” Related Artists New Boyz

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New Boyz Move On From ‘Jerkin’ ‘ With Too Cool to Care

Lil Wayne’s Glow-In-The-Dark Tattoos Are ‘For Real,’ Director Says

Black-light ‘I Am Not a Human Being’ video shows off Weezy’s fluorescent ink. By Jayson Rodriguez Lil Wayne Photo: Kevin Winter/ Getty Images For music-video director David Rousseau, working with Lil Wayne was a gift and a curse. A curse because the Cash Money Records superstar is incarcerated and not readily available to approve changes or edits; a gift, though, because the rapper is exuberant and camera-friendly, ready to offer concepts and suggestions for his clips. For his “I Am Not a Human Being” visual — which is still not ready; the version that landed online Wednesday wasn’t finished — Wayne came up with the idea to showcase his glow-in-the-dark tattoos. “The thing about this video, it was his concept to shoot the black light, ’cause that way the tats that he has, they glow in the dark. That’s actually for real; that’s not a camera trick or post-production,” Rousseau told MTV News. “The tattoos that he has on him when you put the black light on him, they glow in the dark. He came up with that idea. So really, the rest of the video was a springboard on that.” The song is the title track from Weezy’s forthcoming EP, which is set to drop later this month for free on the Web. The footage from the clip was shot earlier this year, when Wayne and Rousseau worked on upward of 12 videos the rapper hoped to finish before his incarceration, including numbers for his Rebirth album and portions of Drake’s “Miss Me” clip . When Rousseau sat down to work with all the material after Wayne turned himself in to a New York City prison, the director said his work was easier after the foundation was already laid. Rousseau said he just had to listen to the lyrics and portray the MC in an abstract sense, which includes contrasting shots of his writing process and flashes of money. “After listening to the track, he’s talking about just not being a human being, being totally different, is he an alien,” Rousseau explained. “So the idea grew from that. It wasn’t that hard, because we already had a base of what the concept would be when we shot his performance earlier this year.” Are you looking forward to the official “I Am Not a Human Being” video? Let us know in the comments! Related Artists Lil Wayne

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Lil Wayne’s Glow-In-The-Dark Tattoos Are ‘For Real,’ Director Says

Taylor Swift, Kanye West Have Critics Debating VMAs Again

The media weighs in on what ‘Innocent’ and ‘Runaway’ are saying about last year’s incident. By Paul Cantor Taylor Swift and Kanye West at the 2010 Video Music Awards Photo: Kevin Winter/ Kevin Mazur/ Getty Images/ WireImage Oscar Wilde once wrote, “Always forgive your enemies; nothing annoys them so much.” Taylor Swift definitely got that memo. At the 2010 MTV Video Music Awards, she seemed to be forgiving someone, maybe Kanye West , as she crooned, “Who you are is not what you did. … You’re still an innocent.” Kanye, who apologized to Swift via Twitter earlier this month, seemed to be acknowledging his wrongdoing in the lyrics of his new song, “Runaway.” Though the pair didn’t appear onstage together on Sunday night, as some hoped, many in the media took the opportunity to weigh in on whether the evening’s performances had settled the score between them. “She seems to have forgiven him,” Jennifer Armstrong wrote in Entertainment Weekly. “She looked gorgeous, as she is wont to do, but, um, the actual song was a pretty opaque.” Kanye’s performance was looked upon more favorably. “It was a complete victory,” EW ‘s Brad Wete wrote, “addressing his character flaws and acknowledging public opinion without relinquishing any of his power.” Spin ‘s Steve Kandell thinks the two stars reluctantly met somewhere in the middle. “Kanye implored a toast to the douche bags and jerkoffs, among whom he undoubtedly counts himself, albeit with reservations,” he wrote. “She thinks he isn’t what he did, but he’s putting the lie to that — no, I am that, it’s just a shame you got in the crossfire. But, to paraphrase another great poet of the VMA era, he’s not that innocent.” Over at The New York Times, Jon Caramanica wrote of West, “Wearing a red suit, he looked amateurish and vulnerable, and also affecting. At the end, Mr. West’s knowing, bombastic humility won.” With respect to Taylor Swift, Caramanica continued, “Ms. Swift — a victim, but no na

Kanye West runaway lyrics(new song)

Video: Lyrics: Runaway Lyrics (Look at you x 14) (Look at you x eight) (Ladies and gentlemen, la-ladies and gentlemen) (And I want to show you how you all look like beautiful stars tonight) (And I want to show you how you all look like beautiful stars tonight) (And I want to show you how you all look like beautiful stars tonight) And I always find, yeah, I always find somethin’ wrong You been puttin’ up wit’ my shit just way too long I’m so gifted at findin’ what I don’t like the most So I th

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Kanye West runaway lyrics(new song)

Drake Brings Out Mary J. Blige, Swizz Beatz For VMA Performance

The heavyweights performed sophisticated rendition of Thank Me Later track ‘Fancy.’ By Mawuse Ziegbe Mary J. Blige and Drake perform during the 2010 MTV Video Music Awards Photo: Kevin Winter/ Getty If we have learned anything at the 2010 MTV Video Music Awards , it’s that Drake really knows how to spiff up a joint. Mining the same midcentury swagger the Toronto MC worked in his VMA promo, Drizzy side-stepped the outrageous antics the big show is known for in favor of a sophisticated rendition of his Thank Me Later track “Fancy.” Following an introduction by stars of the movie “The Social Network” — including Justin Timberlake, who dubbed Drake the “most exciting artist in music” — the set opened with Mary J. Blige channeling her “I’m Going Down” video in an all-black suit and fedora, as a similarly dressed Swizz Beatz manned a grand piano. Then Drizzy descended an illuminated staircase in a white dinner jacket below a sign that read “Drake” in bold lights. He began to spit, and the MC didn’t let the grown-man look slow him down, rattling off the lyrics with energetic abandon. Mary then broke it down, belting out rhymes about ladies with “their nails done, hair done, everything did” with an effortless power that reminded the audience why she’s the Queen of Hip-Hop Soul. During rehearsals, Drizzy dished that the performance was inspired by the midcentury cool of the Rat Pack, an iconic crew of entertainers that included stars like Dean Martin, Sammy Davis Jr. and Frank Sinatra. “I watched the Rat Pack live at the Copa Room,” Drake, who was nominated for Best Male Video and Best Hip-Hop Video awards , told MTV News. “It was just so relaxed. They were smoking cigarettes and drinking Jack. It was women everywhere. It wasn’t, ‘Let’s just rap and be epic and be huge.’ They were like, ‘I really run this. Me and Sammy and Dean.’ I wanted to get up there and look fly.” It’s fitting that Drizzy was joined by Mary J. and Swizz for his VMA performance, as “Fancy,” which was crafted by the superproducer, was originally slated to be a joint for the Queen. But Drake knows a hit when he hears it. “He was like, ‘That’s the record I need,’ ” Swizz told MTV News about Drake’s reaction upon first hearing the song. Swizzy initially offered to re-create the song’s feel on a different track. “I said, ‘OK, I’ll make you that.’ ” Apparently Drizzy wasn’t having it and insisted on the actual “Fancy” song, not a replacement. “No. That’s the record I need,” Drake said. What did you think of Drake, Mary J. Blige and Swizz Beatz’s VMA performance? Sound off in the comments below! The Moonmen have all been handed out and the stars have gone home, but there’s plenty of news, interviews, behind-the-scenes scoop, party reports and more still to come, so keep it locked on MTVNews.com. Related Videos VMA 2010: Most Talked About Moments Related Photos VMA 2010: Show Highlights Related Artists Drake Mary J. Blige Swizz Beatz

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Drake Brings Out Mary J. Blige, Swizz Beatz For VMA Performance

Linkin Park Promise ‘Epic’ VMA Performance

‘This is a very unique kind of opportunity for us to play this particular location,’ Chester Bennington says. By James Montgomery Mike Shinoda and Chester Bennington Photo: MTV News LOS ANGELES — When Linkin Park signed on to perform at the Video Music Awards , they only had one request: They wanted it to be big.

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Linkin Park Promise ‘Epic’ VMA Performance