Ryan Gosling and Jessica Chastain have each had a well-documented great year, each no fewer than three well-received films — and all their corresponding buzz — arriving in theaters in 2011. Investigate slightly below the radar, however, and you’ll find screenwriter John Logan faring just as well — if not better.
‘Breaking Dawn – Part 1,’ which has ruled the box office since its premiere, is followed by kid flicks ‘The Muppets’ and ‘Hugo.’ By Ryan J. Downey Robert Pattinson and Kristen Stewart in “Twilight: Breaking Dawn – Part 1” Photo: Summit Entertainment Four movies in, the “Twilight” franchise continues to achieve new “firsts.” Over the weekend, “The Twilight Saga: Breaking Dawn – Part 1” became the first entry in the romantic vampires-and-werewolves series to maintain the top spot at the box office three weekends in a row. “Breaking Dawn” collected another $16.9 million, easily besting the $11.2 million claimed by expected champion “The Muppets” during a soft post-Thanksgiving weekend. The latest numbers are the highest third-weekend gross of any “Twilight” film. However, the $247.3 million gross of “Breaking Dawn Part 1” is still behind where “New Moon” had landed after the same amount of time in theaters. Unlike the critically reviled “Breaking Dawn,” film reviewers have been overwhelmingly positive about “The Muppets.” But the family-friendly film still declined 62 percent in its second weekend of release toward a total haul of $56.1 million. The franchise reboot of sorts will likely outgross “The Muppet Movie,” but it has a less than slim chance of ever beating the 1979 film’s attendance numbers. Two more well-reviewed kid flicks made the box-office top five. Martin Scorsese’s 3-D period piece “Hugo” was #3 with $7.6 million as it expanded from 1,277 theaters to 1,840. The filmmaker’s first family film has made an estimated $25.2 million thus far. The animated “Arthur Christmas” was #4 with $7.4 million, which reflects a second-weekend drop of only 39 percent. That’s the best post-Thanksgiving decline of any film since “Just Friends” in 2005. “Arthur” has made $25.3 million overall. “Happy Feet Two” wasn’t able to do anything to shake off its reputation as one of the year’s biggest flops as it landed at #5 with $6 million. The animated sequel’s $51.7 million gross is just 43 percent of what its predecessor made in the same period. And critics haven’t been kind. “It’s hard to resist dancing penguins, but ‘Happy Feet Two’ may make you want to try,” the Los Angeles Times wrote. In stark contrast to the teen-friendly “Twilight” sequel and the four family movies that comprise the top five, director Steve McQueen’s sex addiction drama “Shame” enjoyed the third-highest debut ever for a limited NC-17-rated release (behind “Bad Education” and “Lust, Caution”). Playing at just 10 locations, “Shame” had the weekend’s best per-screen averages on its way to collecting $361,000. Next weekend’s new releases will include director Garry Marshall’s celebrity-filled follow-up to “Valentine’s Day,” “New Year’s Eve”; a pair of R-rated comedies — Jonah Hill’s “The Sitter” and Charlize Theron’s “Young Adult”; and the well-reviewed Cold War espionage drama “Tinker, Tailor, Soldier, Spy,” which stars Gary Oldman as George Smiley, the fictitious hero of British author John le Carr
Breaking Dawn sparkled to the top slot yet again on the quietest weekend of the season, but just take a gander at the healthy size of Shame ‘s art house opening! Meanwhile, the latest offerings from Martin Scorsese and Alexander Payne enjoyed a boost. But I’ve got to ask: What happened to the Muppets’ mojo?
Happy Monday! Also in today’s edition of The Broadsheet: Christian Bale makes his Dark Knight Rise exit officially, officially official… Scarlett Johansson talks about overexposure to, uh, Interview … 3-D-ing the Martin Scorsese canon… Skyfall gets its gadget guy… and more.
‘One tries to do the best you can with each picture, hopefully continue making them,’ renowned filmmaker tells us. By Kara Warner with reporting by Josh Horowitz Asa Butterfield in “Hugo” Photo: Paramount Pictures Martin Scorsese ‘s career is one of such significance and acclaim that the Oscar-winning director could retire from the business at any moment given all the groundbreaking work under his belt and his living-legend status. It is clear he has no plans for slowing down, however, due to the fact that in the last year alone, he’s been involved in five feature film and documentary projects, the most recent being his first family-oriented film, the critically acclaimed “Hugo.” When MTV News caught up with Scorsese recently, we asked him to explain the secrets behind his productivity. “There seems to be a sort of urgency, an interest in making comments on certain aspects of life and the world around me, the people, culture today,” Scorsese said when asked if he’s working under his own self-imposed deadlines or urgency to complete projects. “Whether it’s trying to deal with how art inspires a young person — and that is ‘A Letter to Elia’ — or trying to create a spectacle of American enterprise and corruption as [with] Terry Winter and his show that I’m working on with him, ‘Boardwalk Empire,’ or people speaking their minds and very strong opinions, like Fran Lebowitz in ‘Public Speaking,’ but even more so was working for five or six years on ‘George Harrison: Living in the Material World,’ with David Tedeschi. That is interesting because that was finished at the same time as ‘Hugo.’ Those five projects were finally released all within one year.” We then asked if with this sudden urgency, Scorsese is conscious or concerned with preserving his legacy as a filmmaker. “Not really, maybe I did at one point,” he admitted. “I’m not quite sure anymore. I don’t really know. I think at one point in the early ’90s, there seemed to be a lot of films being made here in America and in China and around the world that had been inspired by ‘Mean Streets’ … that may still be the case that may not be the case, I don’t know anymore. One tries not to think of that. One tries to do the best you can with each picture, hopefully continue making them and that they mean something, that they matter to people.” Check out everything we’ve got on “Hugo.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: ‘Hugo’
The Twilight Saga: Breaking Dawn might have held onto the #1 slot during the Thanksgiving frame, but holiday buzz lifted those plucky Muppets to a strong second place showing; with $24.7 million over three days, Jason Segel, Kermit, and Co. should ride the Rainbow Connection all the way to a very nice pile of green by weekend’s end. Meanwhile, Happy Feet Two continues to slide and Aardman Animation’s fellow wintry offering Arthur Christmas opened with a modest $4.5 million Friday. Martin Scorsese’s 3-D fall family flick Hugo , on the other hand, enjoyed a strong debut on a fraction of the screens. Maybe audiences weren’t quite ready to ring in the yuletide cheer?
God help filmmakers who become legendary: Even if they manage to avoid becoming prisoners of their own high standards, there’s no escaping those of their audience. And so Martin Scorsese has taken perhaps one of the biggest risks of his career — bigger, even, than making a radiant, low-key movie about the origins of the Dalai Lama — in adapting Brian Selznick’s subtle and wondrous children’s novel The Invention of Hugo Cabret . You just know there’s going to be some asshole at the dinner party asking, “Yes, but how does it compare with Taxi Driver ?”
Happy Monday! Also in today’s edition of The Broadsheet: The latest on the reopened Natalie Wood investigation… Martin Scorsese may have his next project lined up… Joel Coen digs China… and more.
A busy weekend of awards-driven screenings greeted Hugo director Martin Scorsese, including Q&A s hosted by Paul Thomas Anderson and James Cameron — the latter of whom reportedly called the sweeping 3-D family flick a “masterpiece.” “‘[F]inally there is a Scorsese film I can take my kids to,'” Cameron was quoted as saying by Pete Hammond, who added: “And Cameron also told Scorsese it was the best use of 3-D he had seen, including his own films.” The 2011 Oscar Index will never be the same. [ Deadline ]
Even before Hugo got solid buzz coming out of [1] the New York Film Festival [2], Martin Scorsese’s whimsical, 3D family film was poised to be a must-see. Now only a month away from release, anticipation is building and Paramount has released a second trailer that, yes, features plenty of fantastic elements but also reveals that Hugo isn’t all about hovering robots and Sacha Baron Cohen chasing kids… Broadcasting platform : YouTube Source : /Film Discovery Date : 24/10/2011 19:43 Number of articles : 2