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Matt Giraud And Scott MacIntyre Lighten Up A Shocking ‘American Idol’

Season-eight finalists perform a dueling-pianos version of Billy Joel’s ‘Tell Her About It.’ By James Montgomery, with additional reporting by Gil Kaufman Matt Giraud on “American Idol” on Thursday Photo: Fox Amid the carnage and genuinely confusing results on Thursday night’s (March 11) “American Idol” (Aaron Kelly? Katie Stevens? Paige Miles?!?), two of last year’s hopefuls took the stage to lighten the mood with a sunny, dueling-pianos duet. Matt Giraud and Scott MacIntyre — who just released a brand-new album called Heartstrings — joined forces on an upbeat version of Billy Joel’s “Tell Her About It,” trading verses and runs up and down the keys. Backed by the “Idol” house band, the duo muscled their way through the song, with Giraud hitting a few falsetto spots, each ripping off rocking , fleet-fingered solos. The performance earned a standing ovation from the “Idol” crowd, and as Ryan Seacrest approached the two grand pianos, the host gave MacIntyre a chance to plug Heartstrings and asked Giraud about the status of his new EP, which he said is well under way. When MTV News spoke to Giraud last month, he told us about the EP, which he’s working on in Nashville with songwriters like Marcus Hummon (Rascal Flatts, the Dixie Chicks) and Monty Powell (Keith Urban). But he made sure to let us know that — unlike fellow season-eight hopeful Danny Gokey — he wasn’t about to get fitted for his 10-gallon hat. “I’m not really going country,” he said. “But they appreciate soul down there, and I’ve been playing with them and making great music. … Really, I’m just learning the craft of songwriting.” And while Giraud and MacIntyre’s version of “Tell Her About It” may have seemed slightly out of place on such a grim night, perhaps the newly departed contestants can take some solace in where each man is today. Giraud especially knows a thing or two about the heart-stopping “Idol” moments. After all, last season, he was voted off the show, only to be rescued by the judges when they used their controversial “save” to keep him around . Were you happy to see Matt and Scott back on the “Idol” stage? Will you check out their new music? Let us know below! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season Nine Performances The ‘American Idol’ Season 9 Top 24

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Matt Giraud And Scott MacIntyre Lighten Up A Shocking ‘American Idol’

‘American Idol’ Shocker: Lilly Scott, Alex Lambert, Katelyn Epperly, Todrick Hall Exit

Shaky singers Aaron Kelly and Paige Miles survive to make it to the season-nine top 12. By Gil Kaufman Lilly Scott on ‘American Idol’ Thursday Photo: Fox After months of auditions, nail-biting Hollywood drama and three sometimes-painful live-performance weeks, America finally got its top 12 on “American Idol” Thursday night (March 11) on a show that provided some of the first true surprises — and shocking exits — of season nine. The handful of singers who appeared certain to end their runs on the show after crash-and-burn performances got miracle reprieves as Katelyn Epperly, Lilly Scott, Todrick Hall and Alex Lambert were voted off. In the first elimination group, host Ryan Seacrest waved through potential singer/songwriter Didi Benami and quirky dark horse Siobhan Magnus. That left Katelyn Epperly and Paige Miles standing center stage, with one facing elimination. It seemed certain that Miles, whom the judges have repeatedly said had the strongest voice in the competition, would be the one to go after her poorly received cover of “Smile,” a song made famous by Michael Jackson. But in a surprise, it was Epperly, who went home after an equally slammed cover of Carole King’s “I Feel the Earth Move.” Miles looked shocked and not quite as elated as one would suspect, while the somewhat emotional Epperly began to well up when she said she’d learned a ton on the show and her elimination was “just a push for me to go do more stuff.” The second go-round for “Earth” was a bit more energetic and had the personality the judges had been missing, though the vocals were still not great. Then it was the guys’ turn, as Tim Urban, Todrick Hall, Lee Dewyze and Casey James lined up on the stage. First to go through was sensitive pinup James, who played it safe with Keith Urban’s “You’ll Think of Me,” followed by this year’s true wild card, Urban, who seemed destined to go home after two horrendous weeks but somehow pulled out a strong vocal on Wednesday night with his cover of Leonard Cohen’s “Hallelujah.” Not surprisingly, the much-praised Dewyze was safe, thanks to his serviceable cover of Owl City’s “Fireflies,” while dancer Hall was sent packing even after his big gamble with a gospel version of Queen’s “Somebody to Love” that drew praise but didn’t seem to endear him to voters. Hall seemed to sense his number was up, staring blank-faced into the camera with a resigned look. He said he was just happy that fans came up to him over the weekend and said they’d voted for him. “This has been an awesome experience,” he said. “I came here to prove that I’m not just a dancer, I can also sing. I think I’ve done that.” The reprise of the bombastic glam-rock tune indeed proved that Hall has a powerful voice and strong performance chops that will likely keep the former Broadway star — who performed with onetime “Idol” Fantasia in “The Color Purple” — gainfully employed. Seacrest mixed it up as he built the second half of the top 12, starting out with leading female contender Crystal Bowersox, who looked more nervous than she should have been as she got the good news, followed by Michael Lynche, who was a shoo-in following his searing, tear-jerking cover of Kate Bush’s “This Woman’s Work.” During her second go-round on the show, Lacey Brown made it further than last year, when she washed out just before the live rounds. This year will be different, as she took a seat, along with jittery teen Aaron Kelly, who managed to make it to the top 12 despite a so-so performance of Lonestar’s “I’m Already There.” That left Alex Lambert and Andrew Garcia standing with their arms around each other’s shoulders awaiting the news. It was another shocking exit, as Lambert, who was beginning to overcome his paralyzing case of stage fright, got the bad news. The men gave each other several deep hugs, and Lambert lamented how nervous he was during his run. “There’s a lot of things America hasn’t seen me do yet,” he said. “And a lot of things I know I’m capable of. … I wish I could have just broken out of my shell.” Magnus was brought to tears, and Bowersox mouthed along as Lambert tried his best to keep his emotions in check during one more run through Ray LaMontagne’s “Trouble,” earning a group hug from the male top six at song’s end. The final pairing featured teen Katie Stevens and Lilly Scott awaiting their fate. Stevens, who was tagged as a potential winner of the whole thing early on, stumbled in the live rounds, unable to find a performance personality and repeatedly getting feedback from the judges that she came off as much older than 17 and needed to get more experience under her belt. But, despite another poorly received performance on Tuesday, this time of Kelly Clarkson’s “Breakaway,” America gave her the nod over Scott, a unique performer who won the judges over with her offbeat style, musical chops and a solid cover of Patsy Cline’s “I Fall to Pieces.” Scott looked dumbfounded at the news and genuinely bummed. “I thought I did really well, I thought I was appealing to a lot of people,” she said, shaking her head while Stevens wiped away tears of joy. “I put my heart into every performance. I really gave it my all every time. … I don’t know what America wants to hear.” Without her mandolin, Scott sang another solid rendition of the 50-year-old country classic, singing it even more powerfully than she did earlier in the week, perhaps leaving the audience with a sense of an opportunity missed. The show opened with one of the blandest group lip-synch numbers in recent memory, a vanilla waltz through Michael Bubl

MTV News Visits Haiti To Track ‘Hope For Haiti Now’ Donations

MTV crew meets with Partners in Health to see how telethon donations are being used. By Gil Kaufman Victims of the Haiti earthquake Photo: MTV News Nearly two months after a massive earthquake leveled thousands of buildings and killed more than 200,000 people in Haiti, MTV News returned to the island in late February to follow the trail of some of the more than $65 million raised during January’s “Hope for Haiti Now” telethon . MTV News’ Sway traveled to Haiti to follow a mission from Partners in Health, which is providing crucially needed food, water and medical supplies to the millions of Haitians displaced by the 7.0 earthquake thanks to an $8 million grant from “Hope for Haiti Now.” From a collection point in Miami to the airport in the Haitian capital of Port-au-Prince, Sway and company tracked the shipment of a pallet of goods tagged with a “Hope for Haiti Now” sticker as it made its way to the Caribbean island. “[This shipment contains] surgical supplies, and especially urgent, we have wound VACs [which clean open wounds to avoid infection], which go to help keep wounds clean, protects against infection, and we need it really urgently up in Cange, which is our main site,” Jonathan Lascher of Partners in Health said on the tarmac in Port-au-Prince as the shipment was unloaded from a cargo plane. The crew then piled into vehicles for the three-hour ride up into the mountains to deliver the kits to Cange, driving past the miles of temporary tent cities and piles of rubble left in the wake of the quake. “The epicenter of the earthquake was just outside of Port-au-Prince, and most of the major destruction was in Port-au-Prince, but as a result of that destruction, hundreds of thousands of people have been fleeing Port-au-Prince out into the other regions of Haiti,” Lascher explained. As a result, the patient load in more remote cities has greatly increased, as has the need for funding to care for the displaced wounded. Upon arrival in Cange, the vital nature of the shipment became immediately clear as doctors in the town said they were needed urgently for surgeries scheduled for that very day. “We only have enough dressings left to finish one or two cases today,” Partners in Health’s Sarah Marsh said. “And we have many, many more children particularly who are in need of VACs and new dressings.” The kits are crucial to saving limbs in danger of being lost, one of the most common medical issues in the wake of the disaster and a mission that Dr. Aaron Glynn said was akin to saving lives in the troubled nation where tens of thousands face amputation due to infection and lack of adequate medical care. Sway then watched as one of the wound VACs was used during a surgery to save the leg of a 13-year-old quake victim. “No VAC, no leg,” he said from the surgical theater. “This is a prime example of positive action here on the ground on the frontlines in Haiti, right now.” Learn more about what you can do to help with earthquake-relief efforts in Haiti , and for more information, see Think MTV . Visit HopeForHaitiNow.org or call (877) 99-HAITI to make a donation now. Related Videos ‘Hope For Haiti Now’ Backstage Interviews MTV News Extended Play: The Story Behind “Hope For Haiti Now” SuChin Pak Visits Haiti Related Photos Hope For Haiti Now | Backstage Hope For Haiti Now | Live Event Coverage ‘Hope For Haiti Now’ Participants Hope For Haiti Now | Performers

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MTV News Visits Haiti To Track ‘Hope For Haiti Now’ Donations

‘American Idol’ Experts Predict Who’s Going Home Tonight

Things aren’t looking good for Paige Miles and Aaron Kelly. By Gil Kaufman Paige Miles Photo: Frank Micelotta/ Getty Images This year’s “American Idol” top 12 will be revealed on Thursday night’s (March 11) show, but not before the final four semifinalists are shown the door. Unlike previous weeks, when it was fairly obvious which two guys and two girls would be leaving the show, the competition has finally begun to get tighter, and making the call this week is a bit harder. The decision seems pretty clear, though, to MTV News’ “Idol in 60 Seconds” honcho Jim Cantiello. “Paige Miles blew it,” he said of the singer who has been touted as having the strongest voice in the competition by the judges during the live shows after getting next-to-zero screen time in Hollywood. “For two weeks, we’ve heard the judges go on and on about her big voice. Then she finally tries to share it with America and chokes!” Cantiello was referring to Miles’ uneven, off-key cover of “Smile,” a song written by silent-movie star Charlie Chaplin, which was one of Michael Jackson’s favorite tunes. “Take her lack of preseason screen time and add it to her dreadful ‘Smile,’ and you have a Paige farewell in the cards.” He suspected Miles would be joined by old-before-her-time teen Katie Stevens, who he said “floundered in the semifinals with bad song choices and a lack of identity.” Cantiello said Stevens’ cover of original “Idol” Kelly Clarkson’s “Breakaway” on Tuesday night “not only had the unfortunate opening spot [on the show] … but it was also Katie’s weakest vocal to date.” He also predicted that fellow identity-deficient high-schooler Aaron Kelly had worn out his welcome on the show with a “goat-y vibrato and a song that swallowed him whole,” speaking of a wobbly take on Lonestar’s “I’m Already There.” On the show, judge Simon Cowell said the vocal wasn’t great, but he liked the song, while Kara DioGuardi felt the 16-year-old didn’t sell her on a lyric about a dad calling home to his kids. “Plus, he’s from a super-small town [Sonestown, Pennsylvania] so he doesn’t have that organized support system some of the other contestants have set up.” Though Todrick Hall surprised everyone with a cover of Queen’s bombastic “Somebody to Love,” Cantiello thinks it’s curtains for the dancer. “I haven’t come across too many Todrick fans on the Web (other than, randomly, season eight’s Matt Giraud), so his days were numbered regardless of how he performed on the boy’s show,” he opined. “Incidentally, I dug what he did with that Queen song but not sure it won him any new fans, though.” Our other “Idol” expert, MJ Santilli, who runs “Idol” fan site MJsBigBlog.com , agreed with Cantiello on Miles and Kelly but diverged on the other two picks. “Stick a fork in her, she’s done,” Santilli said of Miles. “Paige needed to come out this week with a strong performance, but her WTF rendition of ‘Smile’ sealed her deal. A sad waste of potential.” As for Kelly, she said his pitchy performances didn’t really connect emotionally with the audience. “He needed a couple of more years of maturing to be ready for prime time,” she suggested. “And as tween fodder, he’s competing with Tim Urban and Alex Lambert.” Santilli’s pick for the other guy going home was a surprise: Lee Dewyze, a perennial favorite of Cowell’s who sang a Dave Matthews-ish folky version of Owl City’s “Fireflies” that the judges generally agreed was good enough to get him through to the top 12. “The judges like Lee, but the grunge rocker’s pitchy, tentative performances haven’t really connected with ‘Idol’ viewers,” said Santilli, whose site features hundreds of comments from show fanatics on the week’s performances. Santilli also predicted that Texas singer Lacey Brown would be sent packing. “Her excellent performance Tuesday night of Brandi Carlile’s ‘The Story’ was too little, too late.” Do you agree with our experts’ picks? Let us know by leaving your comments below. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol’ In 60 Seconds Related Photos ‘American Idol’ Season Nine Performances

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‘American Idol’ Experts Predict Who’s Going Home Tonight

Siobhan Magnus and Crystal Bowersox Lead Ladies Night on American Idol

It turns out the male favorite and the female favorite on American Idol have something in common: an electric guitar. Last week, Casey James rocked out with this instrument. Last night, similarly, Crystal Bowersox broke it out and, once again, put on the best performance of the evening. But Siobhan Magnus stepped up and sent a message to Crystal: Not so fast! My unique look and sound, combined with confidence and a great voice, will make this a two-woman race! Below, we rank the most recent performances by the ladies and ask readers to name their favorite… Crystal Bowersox : We hate to sound like Kara, but Crystal knows exactly who she is as an artist. She strums along and turns hit songs into her own creations. Siobhan Magnus : Different from Crystal in that we have no idea what to expect each week, but similar in terms of her stage presence and comfort in her ability. Didi Benami : Our favorite after the Hollywood rounds. Finally put on a performance worthy of the finals. Lilly Scott : Yes, it would be nice to hear a modern single from Scott. But she still stands out for her look and her sound. Katelyn Epperly : The earth didn’t move under our feet from this somewhat cheesy rendition. But we’ll be shocked, and sad, if she doesn’t move on. Katie Stevens : Why are the judges so focused on Katie’s age? All their critiques focus on the fact that she’s 17. Relax and just listen to her sing, please. Lacey Brown : Better than the previous two weeks, but also forgettable. Can we get rid of her now? Paige Miles : Solid voice, boring performances. The most likely to be eliminated this week. Who was your favorite? Who would you send home?

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Siobhan Magnus and Crystal Bowersox Lead Ladies Night on American Idol

Crystal Bowersox’s ‘Give Me One Reason’ Dominates ‘American Idol’

‘Right now, you are the one everyone has to beat,’ Simon says after Tracy Chapman cover. By James Montgomery Crystal Bowersox Photo: Fox If her straight-outta-the-hospital performance on last week’s “American Idol” established Crystal Bowersox as the unlikely front-runner, well, her Tuesday night (March 9) performance definitely put some distance between her and the rest of the field. Miles of it. Bowersox roared though a version of Tracy Chapman’s “Give Me One Reason,” armed with an electric guitar and a newfound sense of confidence — perhaps influenced by “Idol” judge Simon Cowell’s praise of her during an appearance on Monday night’s “The Tonight Show With Jay Leno.” She positively blew away the competition, earned a much-deserved standing ovation and absolutely wowed the judges. “I need a new adjective for you; I’m sick and tired of saying you’re amazing,” Ellen DeGeneres enthused. “It was the best performance of the night.” “Now I’m starting to see what the record is you’re making,” Kara DioGuardi said, praising Bowersox’s selection of the song. “And that’s when I get really excited.” Not surprisingly, however, the biggest praise came from Cowell, who complimented her brand-new swagger and all but gave her the season-nine crown. “You are 1 million, billion percent going to be in the top 12 next week,” he said. “What you’ve got now is confidence, and I can see that, and you’re starting to believe in yourself. Right now, you are the one everyone has to beat, I’m telling you. It’s yours to lose.” The song, a mid-’90s staple and Chapman’s biggest U.S. hit to date, allowed Bowersox to show off both her big, soulful vocals and scratchy, worn-in style of guitar playing and new confidence — eyes closed, head back, smile on her face after a particularly tight vocal run. But as soon as she was finished performing it, the old Crystal returned, and she decided to sit down atop her amp to hear the judges’ verdicts. Luckily, there was no reason for her to take a seat (though it was kind of funny to see Ryan Seacrest squat down on that amp), and as each member of the judges’ table rained praise upon on her, she thanked them and laughed. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season Nine Performances The ‘American Idol’ Season 9 Top 24

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Crystal Bowersox’s ‘Give Me One Reason’ Dominates ‘American Idol’

‘American Idol’ Ladies Night: Didi Benami And Crystal Bowersox Shine

Paige Miles and Katie Stevens, however, might not have done enough to make the top 12. By Gil Kaufman Didi Benami Photo: Fox With last week’s medical drama behind them, the top eight ladies took the “American Idol” stage Tuesday night (March 9) in the final performance before this year’s top 12 is chosen. In what is becoming an Adam Lambert-like bit of d

Chick Claims Affair with Engaged Jake Pavelka, Says ABC "Instructed" Vienna Girardi Proposal

Radar Online may have topped itself with this one. Citing an ex-girlfriend with no name, and offering no details of any actual sex, that site says Jake Pavelka cheated on Vienna Girardi with some random ex. His alleged ex-girlfriend says The Bachelor star “made contact” with her after taping the show. Scandalous! He also said that Vienna meant nothing to him. Supposedly. The woman has not been publicly identified, possibly because she does not exist. But whoever it is gave a garbled interview on some Florida radio station. In the interview, the woman says that Jake was forced to propose to Vienna Girardi . From what we know of The Bachelor, that part might really be true! For a guy who’s supposedly cheating on Vienna and in love with some nameless other woman, Jake sure looked happy yesterday in his sit-down with Ellen DeGeneres . “When you get down on one knee and propose marriage to someone I take that very seriously,” she says through distorted audio. “The fact that he did that exclusively because he was instructed to do that, it disappoints me so much.” Instructed. You knowz it. That’s how Chris Harrison rolls. The supposed Jake Pavelka ex reveals that they had made plans together for the future and even had a possible marriage discussion. She feels she was lied to. “His actions are a complete 180 of that person he claims to be,” she says. “I feel like I’m forced to say something for the sole purpose of defending my honor.” Mmm hmm. This is even more absurd than the story yesterday claiming Vienna is an evil mastermind who manipulated Ali and conned Jake into proposing. Jake started calling her after he finished taping The Bachelor, she says, and those phone calls led to an in person meeting and “he told her he loved her.” Whether this is true or complete BS, the question remains: Will Jake Pavelka and Vienna Girardi last, and actually walk down the aisle?

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Chick Claims Affair with Engaged Jake Pavelka, Says ABC "Instructed" Vienna Girardi Proposal

Crystal Bowersox Rocks, and Other American Idol Women Sing Well

She went from the hospital bed to the American Idol stage to the leader of the season nine pack in just 24 hours. Indeed, we aren’t the first website to shower Crystal Bowersox with praise – and we definitely won’t be the last – but it’s well-deserved. On a night of live performances that overshadowed the guys’ lackluster efforts the evening before, Bowersox recovered from a dangerous illness and led the way. We run down the top 10 below… Crystal Bowersox : She gets points for showing up and for not playing the sympathy card. But especially for her unique rendition of Creedence Clearwater Revival’s “Long As I Can See the Light.” Lilly Scott : A close second. Challenged herself with the Sam Cooke classic “A Change is Gonna Come” and was even better than last week. Love her confidence in just who she is. Michelle Delamor : Note to Todrick Hall: this is how you re-arrange a song! Michelle comes across as a professional singer and turned a Creed rock single into a ballad. Siobhan Magnus : The anti-Aretha Franklin sung Franklin’s “Think” and showcased her versatility. The place went nuts when she hit her high notes. Katelyn Epperly : Ellen was off base with this critique. The song was supposed to be slow, and the use of the piano proved that Katelyn has multiple sides to her. Katie Stevens : She has a great voice and a great personality. The judges have to get over the fact that she’s 17 and just let her sing. Paige Miles : It’s always daring to take a song by an American Idol winner, but Miles did Kelly Clarkson’s “Walk Away” sort of proud. Definitely needed more of an edge to it. Didi Benami : We felt terrible for when the tears welled up during the judges’ criticism. But “Lean On Me?” Really? It’s impossible to make that song your own at this point. Lacey Brown: Simply not up to par, vocals-wise, with the other contestants. Haeley Vaughn: We’re all for being happy, but her constant smiling freaks us out. She’s like a doll of some kind.mi It’s a clear choice, in our view: Lacey and Haeley should go home tonight. What do you think?

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Crystal Bowersox Rocks, and Other American Idol Women Sing Well

‘American Idol’ Top 10 Women: What They Need To Do

We have some advice for Katelyn Epperly, Didi Benami and the rest of the ladies. By Gil Kaufman “American Idol” top ten females Photo: FOX By many accounts, it was a rough first week for the top 24 on “American Idol” last week. And while the guys had it a bit tougher than the girls when it came to harsh comments from the judges, it’s not like the ladies got off scot-free. From multiple slags about wrong song choices to the usual litany of complaints about young singers acting too old and pitchy performances, Simon, Ellen, Kara and Randy gave the dozen female contenders plenty to think about. The remaining 10 women got a rare one-day reprieve on Tuesday when leading contender Crystal Bowersox fell ill and caused a one-time-only switcheroo , forcing the boys to perform a day earlier than scheduled. At press time, there was no update on Bowersox’s condition. So what do the girls have to do Wednesday night (March 3) to make sure they’re not in the bottom two come Thursday? Lilly Scott Last week’s breakout performer moved near the front of the line with a quirky acoustic-guitar-driven take on the Beatles’ “Fixing a Hole,” which drew praise from the judges. As long as the 20-year-old platinum blonde keeps mixing it up and surprising the panel — but not too much — she should keep skating along. Michelle Delamor The little-known singer took a chance tackling Alicia Keys’ “Fallin’,” throwing in some bluesy runs that made for a solid live debut. Ellen loved it, and Simon said it was solid, if predictable. Delamor needs to explain to America why they should care and stretch outside her comfort zone to keep the dream alive. Crystal Bowersox The early front-runner among the ladies stumbled a bit last week, landing accusations from Simon that her strummy, harmonica-assisted cover of Alanis Morissette’s “Hand in My Pocket” was a bit too similar to the work of countless subway buskers. Then she fell ill on Monday and forced the postponement of ladies night. Will she pull a Megan Joy and rebound from sickness stronger than ever? She can’t bust out an original, but Bowersox might want to consider showing off something other than her folky credentials to remind the judges why they chose her to begin with. Paige Miles Another virtual stranger to viewers did pretty well in her live debut, kicking off the show with a growling take on Free’s classic-rock staple “All Right Now.” Cowell praised her for having the best voice of all the girls but said her song choice was hacky and cheap. The preschool teacher does indeed have a strong voice, and she, too, needs to use the new “personality snapshot” section unveiled on Tuesday night to give us some clue as to why she should get our vote. Maybe she juggles flaming knives or helped raise a baby seal as a child or speaks Esperanto. Mostly, though, she should really focus on picking the right song to prove it this week. Siobhan Magnus Magnus, 19, went a bit dark with her brooding take on Chris Isaak’s hard-to-sing “Wicked Game,” and Cowell lamented that the glassblowing apprentice didn’t live up to her previous fire. Kara liked the oddball song choice, and Ellen said she was so blown away that she forgot she was watching a reality show for a moment. We didn’t, so for Magnus to keep her spot, she should keep driving the oddball lane even harder and focus on showing the judges some hidden commercial appeal. Katie Stevens The high-schooler nearly blew it with her old-fashioned-sounding Michael Bubl