Every once in a while we get to see someone stand up to being talked over. This time MSNBC’s Chris Matthews, famed for shouting down guests with whom he disagrees, had a run for his money when he was challenged by Congressman Joe Walsh. During a segment on the debt ceiling debate, the Republican congressman asked the Hardball host what President Obama has done in the last six months to remedy the… Broadcasting platform : YouTube Source : The Blaze Discovery Date : 20/07/2011 04:36 Number of articles : 2
Every once in a while we get to see someone stand up to being talked over. This time MSNBC’s Chris Matthews, famed for shouting down guests with whom he disagrees, had a run for his money when he was challenged by Congressman Joe Walsh. During a segment on the debt ceiling debate, the Republican congressman asked the Hardball host what President Obama has done in the last six months to remedy the… Broadcasting platform : YouTube Source : The Blaze Discovery Date : 20/07/2011 04:36 Number of articles : 2
Duo hit on songs by Vanilla Ice, Cypress Hill and 50 Cent on ‘Late Night With Jimmy Fallon’ on Tuesday. By Gil Kaufman Jimmy Fallon and Justin Timberlake Photo: NBC We already know Justin Timberlake can do funny on “Saturday Night Live,” and serious in “The Social Network.” He can obviously sing (though he doesn’t seem that interested in doing it lately), and now he’s top-lining his first motion picture with “Friends With Benefits.” But the dude can also rap, which he proved again on Tuesday night when he visited old pal Jimmy Fallon on “Late Night With Jimmy Fallon” and dropped a blazing sequel to their first road trip through hip-hop with an equally head-spinning “History of Rap 2.” Though he made it seem like he was once again reluctant to pick up the mic, it took very little convincing to get Timberlake to lace up. “No, no, no stop. It’s not gonna happen, we can’t do it again, we can’t top …” Timberlake told the cheering crowd before locking eyes with Fallon and grabbing a conveniently hidden microphone from behind his chair and strutting to the stage. Over the next five minutes, he and Fallon ripped through two dozen classics, opening with Kurtis Blow’s legendary “The Breaks,” before segueing into another early rap totem, Grandmaster Flash and the Furious Five’s “The Message,” complete with both men busting out their best robot dance moves. It’s easy to sound great when you’ve got the Roots backing you up, and the band was more than up to the task, hitting the right bass-heavy tone for N.W.A.’s “Express Yourself,” as Fallon and Timberlake traded off on a verse, then nimbly pivoting into a peek at Public Enemy’s “Bring the Noise.” Curiously, it was Fallon who did most of the heavy vocal lifting, taking on the chorus to Rob Base and DJ EZ Rock’s “It Takes Two” as Timberlake jived behind him and added the song’s indelible yelps. From there they busted through a variety of hip-pop standards: Salt n’ Pepa’s pelvic-thrusting “Push It,” a tiny taste of Vanilla Ice’s “Ice Ice Baby,” Black Sheep’s “The Choice Is Yours,” Cypress Hills’ “Insane in the Brain” and a hip-swiveling throwdown of DJ Kool’s party anthem, “Let Me Clear My Throat.” The pair had clearly rehearsed the bit to a T, because neither stumbled even for a moment during the routine. Whether it was their thuggish ruggish take on DMX’s thudding “Up in Here,” Timberlake’s swishing falsetto break on Nelly’s “Hot in Herre” (which lead to an awkward moment where both men seemed to question their sexuality for a brief second), or their intertwined duet on 50 Cent’s “In da Club,” the music just flowed seamlessly. Timberlake gave the crowd a bit of sugar during Outkast’s “Hey Ya,” shaking his booty while Fallon sang the verse, before both men took on the falsetto chorus. They then teased Lil Wayne’s “A Milli” and got their Auto-Tune on for DJ Khaled’s “All I Do Is Win.” While Fallon needs a bit of work, clearly nobody has to school Timberlake in the finer art of Cali Swag District’s “Teach Me How to Dougie,” though the former boy-band star did have to ease his co-star back a bit when Jimmy got a tad too into character and in the cameraman’s face during a menacing trip through Rick Ross’ “Blowing Money Fast.” “Jimmy, Jimmy, stop … why do you always do that?” a concerned Timberlake said as he pulled his pal back. The whole shebang ended with the boys trading lines on Biz Markie’s “Just a Friend” and then rolling out into the studio and getting the audience to help them sing the chorus. “Clap your hands, everybody, if you got what it takes, cuz I’m Justin, I’m Jimmy and we want you to know that these are the breaks,” they chanted as they brought it all home. Related Photos The Evolution Of: Justin Timberlake Related Artists Jimmy Fallon Justin Timberlake
Duo hit on songs by Vanilla Ice, Cypress Hill and 50 Cent on ‘Late Night With Jimmy Fallon’ on Tuesday. By Gil Kaufman Jimmy Fallon and Justin Timberlake Photo: NBC We already know Justin Timberlake can do funny on “Saturday Night Live,” and serious in “The Social Network.” He can obviously sing (though he doesn’t seem that interested in doing it lately), and now he’s top-lining his first motion picture with “Friends With Benefits.” But the dude can also rap, which he proved again on Tuesday night when he visited old pal Jimmy Fallon on “Late Night With Jimmy Fallon” and dropped a blazing sequel to their first road trip through hip-hop with an equally head-spinning “History of Rap 2.” Though he made it seem like he was once again reluctant to pick up the mic, it took very little convincing to get Timberlake to lace up. “No, no, no stop. It’s not gonna happen, we can’t do it again, we can’t top …” Timberlake told the cheering crowd before locking eyes with Fallon and grabbing a conveniently hidden microphone from behind his chair and strutting to the stage. Over the next five minutes, he and Fallon ripped through two dozen classics, opening with Kurtis Blow’s legendary “The Breaks,” before segueing into another early rap totem, Grandmaster Flash and the Furious Five’s “The Message,” complete with both men busting out their best robot dance moves. It’s easy to sound great when you’ve got the Roots backing you up, and the band was more than up to the task, hitting the right bass-heavy tone for N.W.A.’s “Express Yourself,” as Fallon and Timberlake traded off on a verse, then nimbly pivoting into a peek at Public Enemy’s “Bring the Noise.” Curiously, it was Fallon who did most of the heavy vocal lifting, taking on the chorus to Rob Base and DJ EZ Rock’s “It Takes Two” as Timberlake jived behind him and added the song’s indelible yelps. From there they busted through a variety of hip-pop standards: Salt n’ Pepa’s pelvic-thrusting “Push It,” a tiny taste of Vanilla Ice’s “Ice Ice Baby,” Black Sheep’s “The Choice Is Yours,” Cypress Hills’ “Insane in the Brain” and a hip-swiveling throwdown of DJ Kool’s party anthem, “Let Me Clear My Throat.” The pair had clearly rehearsed the bit to a T, because neither stumbled even for a moment during the routine. Whether it was their thuggish ruggish take on DMX’s thudding “Up in Here,” Timberlake’s swishing falsetto break on Nelly’s “Hot in Herre” (which lead to an awkward moment where both men seemed to question their sexuality for a brief second), or their intertwined duet on 50 Cent’s “In da Club,” the music just flowed seamlessly. Timberlake gave the crowd a bit of sugar during Outkast’s “Hey Ya,” shaking his booty while Fallon sang the verse, before both men took on the falsetto chorus. They then teased Lil Wayne’s “A Milli” and got their Auto-Tune on for DJ Khaled’s “All I Do Is Win.” While Fallon needs a bit of work, clearly nobody has to school Timberlake in the finer art of Cali Swag District’s “Teach Me How to Dougie,” though the former boy-band star did have to ease his co-star back a bit when Jimmy got a tad too into character and in the cameraman’s face during a menacing trip through Rick Ross’ “Blowing Money Fast.” “Jimmy, Jimmy, stop … why do you always do that?” a concerned Timberlake said as he pulled his pal back. The whole shebang ended with the boys trading lines on Biz Markie’s “Just a Friend” and then rolling out into the studio and getting the audience to help them sing the chorus. “Clap your hands, everybody, if you got what it takes, cuz I’m Justin, I’m Jimmy and we want you to know that these are the breaks,” they chanted as they brought it all home. Related Photos The Evolution Of: Justin Timberlake Related Artists Jimmy Fallon Justin Timberlake
I remember Christina Aguilera when she was a tiny little thing….with tiny little tits…and a tiny little ass…in a time long before she raped her uterus with pregnancy and raped the all you can eat buffet of all the food everyday for the last two years cuz that’s the only thing that can explain how far gone she is…it’s like she threw it all away and for no really reason….other than possible internal torment…maybe her daddy used to touch her…I don’t know…but I do know she needs to take some of her money and hire a fucking trainer cuz I believe in her…and believe there’s another chance for this mom pussy to win me over instead of the restaurant owner of every restaurant she walks into ready to make his month with her one order…if you know what I mean…. Maybe I’m just wishful thinking, maybe I just hate fat chicks who look like retired strippers at the trailer park, I guess I could just move onto the many many other not tainted vagina out there to post pictures of…an that’s just what I am going to do…
Atlanta rapper confirms on MTV News’ ‘RapFix Live’ that he signed a $10 million deal with Fif’s G-Unit. By Alvin Blanco, with reporting by Sway Calloway 50 Cent Photo: Ray Tamarra/ Getty Images Shawty Lo is already a boss in his own right, thanks to his D4L Records, but now he has partnered with 50 Cent’s G-Unit brand and label . The Atlanta trap star visited MTV News’ “RapFix Live” on Wednesday and revealed more details about his and 50’s venture, which is worth a reported $10 million. “Basically, 50 is like my major behind me,” Shawty said. “I still kept my label, D4L, I just joined forces with G-Unit, so it’s D4L/G-Unit. 50 got more outlets to take me to more places. I could’ve signed with a lot of labels, but I feel like 50 is a marketing genius and we have similar lifestyles coming up, and I feel like he knows what it’s going to take to get me where I need to be.” Shawty Lo was in discussions with other labels, but “RapFix” host Sway Calloway asked the “Dey Know” rapper what the conversation was like when he sat down with 50 Cent to discuss their future business plans. “It was fun. We ate, we kicked it,” Shawty said. “The meeting, it was a seven-hour meeting. I had seven meetings on the table, but when me and 50 sat down, it was like a seven -hour meeting. It was very crazy, man. We had one break, and it was just thought of the minds, man. That’s where I took my talents to, G-Unit.” A big reason Shawty Lo decided to partner with G-Unit was his disdain for 360 deals. In these deals, instead of just profits from record sales, labels also claim a percentage of an artist’s proceeds from merchandise and touring. “That was my main reason to go do the deal with 50 is because I hate the 360 situation,” Lo said. “I signed a 50/50 deal with 50. It was for a very large amount of money. But the money, it ain’t for me to flex and spend it; it’s for me to run a label down in the South. Instead of the artists having to fly all the way up to New York or fly to the West Coast to get a deal, I’m based in the South, so they can come and see me.” It was reported that the D4L/G-Unit deal was worth even more than what a “large amount” suggests, which Shawty Lo confirmed: “Yes, it’s a $10 million deal.” What do you think of Shawty teaming up with Fif? Let us know in the comments! Related Videos ‘RapFix Live’ With Cali Swag District Related Artists 50 Cent Shawty Lo
‘They’re like $80 million in the hole,’ Fif jokes to MTV News about Def Jam. By Rob Markman, with reporting by James Smith 50 Cent When 50 Cent signed G-Unit artists Lloyd Banks and Tony Yayo over to EMI , the plan was to set up his longtime Queens, New York, cohorts as artists who could work independently, without his help. Fif told MTV News that Banks’ The Hunger for More 2, which was released last November, was the project that set the trend. “Banks’ project is the beginning of them flying solo, flying without my assistance so much,” 50 said on the Atlanta set of Tony Yayo’s upcoming “Haters” video. In the past, Fif lent his guidance as well as his voice to his artists’ albums. Back in 2004, the G-Unit General appeared alongside Banks on “On Fire,” the first single from the Punch Line King’s platinum debut. He did the same with Yayo’s first single, “So Seductive,” the following year. “Like on all their other albums and singles, I was featured on their projects to help bring attention to it and get ’em off into the right space,” he said. “This go-around is, like, for them to go away from me and do it on their own. They’re setting up shop on their own on this project.” It’s been reported that Banks’ and Yayo’s EMI deal is structured much like an indie. Even though EMI is a major distributor, G-Unit has taken the reins when it comes to positioning both rappers in the marketplace. Even though 50 has championed G-Unit’s independence, speculation has swirled about whether Banks would sign to Def Jam where former G-Unit president Sha Money XL now resides as the Senior VP of A&R . 50, without saying it directly, shot down the notion of a Def Jam deal, citing the label’s supposed-financial woes. Recently, the legendary rap label has gone through a bit of restructuring with former head honcho L.A. Reid leaving and Barry Weiss stepping in as chairman and CEO. Regardless, Fif doesn’t seem too optimistic for a future at the label. “Well, Def Jam, I’m not even sure what that system — that system is not in a good space right now. They’re like $80 million in the hole,” he said, before laughing, “Don’t tell them I told you.” Related Artists 50 Cent Lloyd Banks
No this performance isn’t at her old folks home, you know to keep them busy and their brains working pre-death and it is not the grand entrance at some over the top 60th birthday party she’s put on for herself….this is Christie Brinkley actually tapping into her crossover talents of song and dance she left behind when she decided to spend her life getting her great tits into a bikini, marrying Billy Joel and raising an ugly daughter….only to realize when those great tits, and hot model figure slowly turn menopausal, it’s time to channel to outlets to pay the fucking rent, I mean other than living off Billy Joel’s pile of money, and her own pile of money, making me think this is less about finances, but more about finding purpose in some vain, irritating, not naked enough way. Good times. She’s too old for this nonsense…bitch needs to become a nudist and retire on a paparazzi filled nudist beach…. Here’s a clip from a VHS featuring Christie Brinkley that I used to Jerk off to……back when she mattered….
Here are some pictures I can only assume are staged for the paparazzi because I don’t know anyone who has a pool built like an aquarium, even though I know a few bitches who should only swim in aquariums, you know as the featured whale or some shit…. I can only assume things were done this way, because looking at a bitch through water is the number one cure for cellulite…cuz she gets all distorted and worth fucking…not the Britney’s mom has ever not been worth fucking, I mean being Britney’s stepdad is fucking porn to me….that’s one shower I’d “accidentally walk in on” and one bed I’d “acidentally crawl into when drunk”….and one spanking I’d be more than happy to give…all while spending all her money….amazing…well not really amazing…but worth looking at for the depth of the fantasy this offers…. To See the Rest of the Pics Follow this Link
We may not know who the man who laid hands on Nicki was or how it all went down, but we know one thing: Nicki ‘s not being honest. According to TMZ , not only does the police report confirm that Nicki did in fact get swung on in Dallas, it also confirms that Scaff Beezy did the swinging. TMZ broke the story … Nicki and Samuels were arguing at a hotel pool in Dallas Monday night and took it upstairs to the room. According to the police report, Nicki followed Samuels up to the room they were sharing, to make sure he didn’t take any of her stuff. Nicki was in the room looking into her suitcase, which had some of Samuels’ belongings, when she says he “grabbed the suitcase and as he was picking it up, he shoved the suitcase across [Nicki’s] chin and lower lip.” The police report goes on: “[Nicki’s] teeth struck the inside of her lower lip, causing the inside of the lower lip to cut and start to bleed.” According to the report, a paramedic arrived on scene, but Nicki decided she didn’t want to press charges so the case was closed. SMH. Sometimes, you’re better off just not saying anything than lying to accuse someone else of making sh*t up. Flip through to check out the police report.
