There’s something about a fully clothed pornstar that I just don’t like, what’s the point. It’s like seeing a stripper in the daylight, no thank you. Anyhow, here’s Jesse Jane doing her thing at some porn convention somewhere. She’s hot, but why is she so covered up? What a waste, let’s see those boobs. If you’re in the mood for some stimulating conversation with a pornstar, I posted a video of her below. Don’t expect to be seeing this chick as a political pundit on CNN any time soon. Maybe Fox News .
I’ve been in the mood for some pictures of Sophie Monk getting out of an SUV in a short skirt for about five years now, so this is a pretty good day for me. Unfortunately, someone thought it would be a good idea to tell her to cover up her lady parts while doing it, because the Tuna might be watching. Thanks a lot. You would think that flashing her junk might help propel her to some sort of career, it’s worked for lesser hotties. At least she wore a dress that’s kind of see through. That’s something. She looks like she’s had a couple of adult beverages. I like it.
‘A lot of her music has a very big influence of everything from rock to pop to hip-hop,’ producer tells Mixtape Daily. By Rob Markman Willow Smith Photo: Getty Images Behind the Beats: Jukebox Willow Smith took music fans by surprise in 2010 when she dropped her debut single, “Whip My Hair.” Will Smith’s swagged-out offspring blended a pop sound with a distinct urban sensibility, and producer Ronald “Jukebox” Jackson was largely responsible for the platinum hit. So what’s next musically for the 10-year-old singer? Jukebox tells Mixtape Daily that Willow is in the process of finishing up her Roc Nation debut . “I did like eight, nine songs on Willow, so right now, we’re in the process of just trying to close out the album,” he said. “It’s just the whole process. You got to think about it: She’s a 10-year old girl. She’s gotta have a life, she’s gotta be a kid.” According to Jukebox, the album will contain a myriad of sounds. “Willow is kind of a combination of what ‘Whip My Hair’ was. Willow just isn’t a pop star, she isn’t just an urban artist; she’s very international,” he explained. “A lot of her music has a very big influence of everything from rock to pop to hip-hop.” On “Rock Star,” fans will hear a different side of Willow, and Jukebox — who also did the music for Swizz Beatz and Chris Brown’s “Dance Like a White Girl” — hopes it will be her next hit. “Next single which I’m praying for is a record I did called ‘Rock Star.’ … She’s been performing it everywhere. It’s getting very great reaction,” he said. “We also did a record with Diggy Simmons that’s incredible. … She’s just a combination of everything pretty much.” For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines . Related Artists Willow Smith Jukebox
Onetime ‘120 Minutes’ host Dave Kendall relives that Sunday night the generation-defining clip debuted. By James Montgomery, with reporting by Andréa Duncan-Mao Kurt Cobain Photo: Frank Micelotta/Getty Images On September 29, 1991, Nirvana’s “Smells Like Teen Spirit” video premiered on MTV’s “120 Minutes,” an event that, in the years that followed, would come to signify the beginning of rock’s great renaissance and usher in a cultural shift that would define a generation. Of course, back then, it was just another video on another Sunday night, and no one — not even “120” host Dave Kendall — thought otherwise. “I have to say, quite honestly, as soon as I heard that record and saw that video, I had no idea they were going to be as huge as they were,” he laughed. “I was very, very impressed. I was moved but I really didn’t have any idea it would explode to the extent it did. There’s the truth.” To be fair, no one did. And so, in celebration of the 20th anniversary of the album “Teen Spirit” was meant to promote — Nevermind, of course — MTV News spoke with Kendall about the days before Nirvana became the biggest band in the world and about the alt-rock explosion that followed in their immediate wake. Needless to say, once “Teen Spirit” hit, everything changed and, as host of “120,” he had a front-row seat for all of it. “At that time, most of the music ‘120’ was playing was quite separate from the rest of MTV. Some stuff had crossed over — like, we played Midnight Oil, we played Sinead O’Connor, we played Depeche Mode, the Cure — but a lot of our stuff was really closeted. It was still in this ‘alternative’ genre,” he explained. “So the mood in the building at that point was ‘Some alternative acts might cross over, the others wouldn’t.’ Like, if MTV had known that Nirvana was going to be as huge as they [were], they would’ve world-premiered the video in prime time, not late-night Sunday on ‘120 Minutes.’ But then, I didn’t know either!” And how could he? After all, since creating “120 Minutes” in 1986 (and beginning hosting duties soon after), Kendall had been focused on trying to find bands he loved — “I was a bit stuck in my Anglo-centric, industrial, techno-pop mode,” he laughed — and hadn’t been paying attention to the storm that was brewing in the Pacific Northwest. So when the “Teen Spirit” video appeared at MTV, he’d never even heard of the band that would subsequently change the world. “I hadn’t heard Bleach, I wasn’t that aware of new, American rock … when I first heard the Nevermind record,” he said. “I thought it was going to be another Seattle record, so I was a little suspicious and a little resistant to it because I thought it was going to be a lot of guitars, sort of a ’70s feel. I didn’t think it was going to be something new,” he continued. “And then when I heard it, I knew I’d been wrong. It wasn’t just heavy, it wasn’t just rock, it was real melancholy, real passion, real vulnerability, the way it married intense rage with deep melancholy and sadness. And that really touched me.” Little did Kendall know that within a year the “Smells Like Teen Spirit” video would help bring “120 Minutes” to the mainstream and forever alter the show’s playlist too. It’s little wonder, then, that he’d leave the show the following year, though, with the benefit of 20 years’ worth of hindsight, he can finally appreciate everything that happened following the premiere of that one little video. And, much like the rest of us, Kendall’s still amazed by it all. “It definitely changed the landscape of alternative music at that point. It had become slightly more guitar-heavy over the previous couple of years, partly because of the Seattle grunge influence, but that was the record that ushered in the ‘grunge era’ into the ‘alternative mainstream,’ ” he said. “It brought guitars back into the music, and took the emphasis away from keyboards and synthesizers. It was gutsy and heavy and authentic, and that’s what changed the landscape. Nirvana opened people’s eyes.” Stick with MTV News as we reveal the Nevermind You Never Knew , celebrating the 20th anniversary of Nirvana’s definitive album with classic footage, new interviews and much more. Related Artists Nirvana
If you were in the mood for a picture of Miley Cyrus hanging out in her panties, you’ve come to the right place. Here she is looking sexy while checking out HollywoodTuna on her mobile phone, I’m just guessing that’s what she’s doing, in her sexy boudoir. That’s french for hump room. I’m going to assume that this was a shot taken while filming a music video, which is kind of a let down, I was hoping that this is how she hung out at home on her days off. In heels, jewelry and some little underwear on her gold sating sheets. Hot. She almost became my new favorite. Next time.
Critics enjoy film’s intensity and performances, especially Ryan Gosling’s. By Kara Warner Ryan Gosling and Carey Mulligan in “Drive” Photo: FilmDistrict What do you get when you cast pretty, popular, Oscar-nominated actor Ryan Gosling in a violent action thriller, directed by gritty director Nicholas Refn, featuring a stirring performance by celebrated writer/director/comedian Albert Brooks? A critically acclaimed potential award candidate, that’s what. “Drive” is the story of an intense, introverted driver-for-hire (Gosling) who is an automobile stuntman for Hollywood pictures by day and a getaway man for armed crooks by night. All is going relatively well until Gosling’s driver becomes involved with his neighbor Irene (Carey Mulligan) and offers to help her estranged ex-convict husband, who wants to rid himself of unpaid debts to a group of dangerous criminals (one of whom is Brooks). Naturally, things get heated and really violent. With a 95 percent fresh rating on Rotten Tomatoes , most critics are enjoying the violent intensity of the film and the performances. So let’s dig a little deeper into the “Drive” reviews : Gosling As Gritty Action Star “Ryan Gosling’s incarnation of the hauntingly lonely Driver is a beautifully realized, complete performance. He understands not just the psychology of the character, but how he fits into the tone and pacing of the film as a whole; he and Refn seem to be partnering as director and actor, the way Laura Dern partners with David Lynch or Julianne Moore with Todd Haynes. I’ve read that Gosling first approached Refn, gave him the James Sallis novel this is based on and proposed turning it into a film. If true, this indicates two promising things about Gosling’s future: He has both good taste and a keen sense of what projects he should take on as an actor. Here, this almost excessively beautiful performer is in complete control of his own considerable magnetism. In a role that could have flattered his vanity and allowed for all manner of ostentatious brooding, Gosling instead quietly dives into the emotional black hole at Driver’s center, and takes us along for the ride.” — Dana Stevens, Slate.com The Direction “Refn, a Danish director whose previous films include ‘Bronson’ and ‘Valhalla Rising,’ is known for his love of blood, and when the plot of ‘Drive’ quickens he finds plenty of chances to indulge in his penchant for lurid, stylized violence. But even his most fetishized flourishes are tempered here, not just with the tender love story between Irene and Driver but with Refn’s newfound restraint (one pivotal murderous episode occurs entirely in shadow).” — Ann Hornaday, The Washington Post The Violence “Less user-friendly is the film’s disturbing violence. ‘Drive’ doesn’t spend a lot of time on mayhem, but what does get put on screen is intense, unsettling and increasingly grotesque and graphic as the film goes on. For fans of director Refn, known among chaos aficionados for made-in-Europe violent fare like ‘The Pusher’ trilogy and ‘Bronson,’ this is bloody business as usual. But the mayhem here so clashes with the high style and traditionalism of the rest of the film that when the bloodletting goes into overdrive, so to speak, it throws you out of the picture, diluting the mood rather than enhancing it.” — Kenneth Turan, Los Angeles Times The Final Word, Pro-Con Style “There will be those who’ll say they liked this movie better when it was ‘Thief,’ Jean-Pierre Melville’s ‘Le Samoura
Ray LaMontagne, Daryl Hall and John Oates, Big Boi and Kendrick Lamar rock Seattle fest over Labor Day weekend. By Matt Elias Wiz Khalifa performs at Bumbershoot on Saturday Photo: Dana Nalbandian/ Getty Images SEATTLE — Nestled in the shadow of the Space Needle, the Bumbershoot Music and Arts Festival boasted an eclectic lineup of headliners, with Ray LaMontagne and the Pariah Dogs, Wiz Khalifa , and Daryl Hall and John Oates topping each night of the three-day festival over Labor Day weekend. But it was Wiz who ran away with the biggest draw of the headliners, packing the Seattle Center’s Key Arena to capacity on night two. The Pittsburgh MC took the stage Saturday night and announced, “My name is Wiz Khalifa. Y’all ready to party tonight?” If the haze of smoke wafting from the crowd was any indicator, then his Taylor Gang was definitely in the mood. And it was impossible for them to avoid a good time — Wiz commanded the stage with the swagger of a rock star and his entire set boomed with bone-rattling bass. The inclusion of “The Thrill,” off 2009’s Burn After Rolling mixtape and set to Empire of the Sun’s “Walking on a Dream,” was definitely a plus. While Wiz held it down on the main stage inside the Key Arena, across the park the Kills unleashed their brand of electro-blues on the Fisher Green Stage. The duo’s latest album, Blood Pressures, dropped recently this spring, but the band shared with MTV News that the new material was already taking on a heavier, more aggressive sound. As far as the stage show, singer Alison Mosshart said, “Well we’re playing kind of a typical Kills, you know, if we were playing in a club. We’re gonna do as much of a club show outside as we possibly can.” Guitarist Jamie Hince added, “It’s gonna be nice actually, ’cause we’ll be able to see that — won’t we? — the Space Needle, from the stage. I’m gonna like that.” The Seattle landmark wasn’t the only iconic presence at the festival. Washington natives the Lonely Forest were in awe of the Key Arena, the previous home of their beloved Seattle Supersonics (frontman John Van Deusen even wore a Sonics jersey onstage). Despite their early set on Sunday, the band pulled a considerably large crowd. Lonely Forest guitarist Tony Ruland was thrilled with the turnout. “It was the first time that we played anything that ends in the word ‘arena,’ ” he said, adding that it was the same venue in which he saw one of his favorite acts, Built to Spill. While Compton rapper Kendrick Lamar was tasked with the same set time the following day, his crowd began much smaller, but it grew as his show went on. “Yeah, I was catching them while they were walking in,” Lamar told MTV News later. “They had a crazy response — had a lot of new Kendrick Lamar fans, as well as day-ones in there — so it was like half and half. But that’s when I like to catch ’em, you know, when they’re early, so I can make them a believer as soon as they walk in. That’s my whole thing, catching them one at a time and building from that.” OutKast’s Big Boi followed Lamar’s set and ripped into a medley of classic hits that included “ATLiens,” “Rosa Parks,” and “So Fresh, So Clean.” Daddy Fat Sax had the large crowd inside the Key Arena moving with him, as they sang along to the duo’s deep catalog. It was barely noticeably that his counterpart, Andre 3000, was absent from the stage. Sir Lucious Leftfoot even threw in Queen’s “We Will Rock You,” no doubt in honor of late frontman Freddie Mercury’s 65th birthday on Monday. Local acts Brite Futures and Macklemore proved to be the hometown heroes at Bumbershoot, each delivering impressive performances over the weekend. Related Artists Wiz Khalifa The Kills
After two incredibly depressing Star Wars posts in a row, I figure I’d lighten the mood with 150 seconds of The Doctor, mostly David Tennant, shown reaching orgasm… while fully clothed (my apologies, nerd girls and gay men). Because I know what the next post is, and the day does not seem to be getting any better. ( Via The Mary Sue ) Broadcasting platform : YouTube Source : Topless Robot Discovery Date : 31/08/2011 17:30 Number of articles : 2
If you are looking for vampires who embrace humans and even fall in love with them, Breaking Dawn opens on November 18. But if you’re in the mood for an old fashioned tale about a blood sucker with pure disdain for our kind, purchase a ticket for Fright Night . It hits theaters tomorrow and it sets Colin Ferrell loose as Jerry (yes, Jerry), a vampire who causes nothing but problems for Anton Yelchin’s Charley Brewster. Fright Night Trailer A retelling of a classic, the movie takes full advantage of its 3D status, according to our pals at Movie Fanatic, resulting in an intense pace and a sinister, enjoyable scariness that is missing from many vampire tales these days. Visit Movie Fanatic now for an extensive Fright Night review !
So you’re sitting on the subway, minding your business, flipping through a new romance novel (or real talk, nodding off to it), when through your car walks an individual in need. Their attire is a bit on the grimy side, and they’re shaking a cup near your face asking you to help them. What do you do? Depends on the person right? It also depends on your mood. You can choose to pull out your dollars, and/or your hard-earned quarters usually reserved for laundry day, OR keep that head down and say to yourself, “maybe next time.” Giving is an awesome thing to do, and it also makes you feel awesome too for the most part, but with scam artists out on the streets begging and then driving off in Volvo’s, people are becoming less and less willing to quickly provide a handout. Here are rules you need to know when dealing with panhandlers, and also some tips to help you determine when to give, how to say no, and how to help someone in need on the streets without going broke or getting played. Click Here To Read The Rest At MadameNoire.com
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