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Film Society Of Lincoln Center Fills Richard Peña Post With 2 Appointments

Ending nearly a year of speculation, the Film Society of Lincoln Center announced two replacements for long-serving Program Director Richard Peña, who is set to step down at the end of 2012 after serving 25 years in the post. Kent Jones will be the new Director of Programming for the annual New York Film Festival , while Robert Koehler will serve as Director of Programming, Year Round. The Film Society of Lincoln Center said that appointing two directors to the programming team will allow the organization, which not only produces the annual NYFF but a host of other programs throughout the year, to “better serve the needs of an organization that has recently expanded its operations with the opening of the Elinor Bunin Munroe Film.” Jones began in programming with Bruce Goldstein at Film Forum, and served as the American representative for the International Film Festival Rotterdam from 1996 to 1998. He was an assumed heir to Peña, serving as Associate Director of Programming at The Film Society of Lincoln Center, and from 2002 to 2009, including the New York Film Festival selection committee from 1998 to 2009 after departing under the organization’s previous Executive Director, Mara Manus. He has also served on juries at film festivals around the world, including Rotterdam, Buenos Aires, San Francisco, Venice and Cannes. In 2009, he was named Executive Director of The World Cinema Foundation. Koehler is a film critic and festival programmer and has served as an instructor and programmer for UCLA Extension’s Sneak Preview program from 2003 to 2007. In 2003, he developed the innovative film program, “The Films That Got Away,” an ongoing series presenting significant recent work that has previously not screened in Los Angeles. Institutions with which the series has collaborated include UCLA Film Archive, the American Cinematheque and the Los Angeles Film Festival. In 2009, he was appointed director of programming at AFI Fest Los Angeles, where he helped create a new and focused competition section titled “New Lights,” as part of AFI Fest’s programming concept as a festival-of-festivals. “Richard Peña has played a fundamental role in defining our organization and its commitment to discovering and supporting the best and most important cinema in the world,” FSLC Executive Director Rose Kuo said. “Kent Jones and Bob Koehler, whose thinking and writing about cinema I deeply respect, are the perfect team to build upon Richard’s vision and carry it forward.” “The New York Film Festival has always been a beacon to me – when I was young and pouring over the yearly schedule in the Sunday Times, when I moved to New York in my 20s and started to actually attend the festival, and later when I served on the selection committee” said Kent Jones in a statement. “It means a lot to me to be entrusted with its stewardship after Richard Peña, to whom I owe a lot – I’m far from alone on that count. I’m excited to be working with Rose Kuo, with Bob Koehler, with Scott Foundas, with Gavin Smith, with Marian Masone, and with the whole team at the Film Society, many of whom are old friends and work colleagues. We’ll be working together to keep our part of cinema culture alive and thriving.” Added Robert Koehler, “I’m delighted and honored to join the country’s finest cinema presentation organization. Especially at a time when it is embarking on a new, exciting and innovative chapter in its history.” Richard Peña will continue his involvement with the Film Society of Lincoln Center after departing his duties as Programming Director at the end of the year, helping to design and organize a new educational initiative. The 50th edition of the New York Film Festival will take place September 28 – October 14.

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Film Society Of Lincoln Center Fills Richard Peña Post With 2 Appointments

49er’s Vernon Davis Goal Post Dunk FAIL [VIDEO]

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Week 1 of the regular NFL season kicked off this weekend and one of the most anticipated games was the San Francisco 49ers vs. the…

49er’s Vernon Davis Goal Post Dunk FAIL [VIDEO]

Gibney, Garbus, Polley and Leto (Yes, Jared!): 10 Toronto Film Festival Documentaries We’re Keen To See

If, like me, you’ve been lamenting the steady bleed of thoughtful, investigative journalism from newspapers and magazines, the Toronto International Film Festival offers hope via visual media.  Scanning the list of documentaries that the festival will be screening, the subject — and the fresh, innovative ways in which the filmmakers are tackling them — calls to mind the original, smart, and, often, great journalism that came from the pages of Harold Hayes’ Esquire magazine in the 1960s and early’70s, arguably, the gold standard of 20th Century magazine writing.  And here are the 10 docs that will have my undivided attention here in Toronto. Now I just have to find the time to see them. 1. Stories We Tell , Sarah Polley:   Initial reports are that the wise-beyond-her-33-years actress and filmmaker has made a stunning auto-documentary by becoming, as she puts it, “a detective in my own life.” Polley — the daughter of the late actress and casting director Diane MacMillan Polley, who died when Sarah was 11, and British actor-turned-insurance-agent Michael Polley — delves into her murky family history to separate fact from fiction. I hear that the answers she unearths resonate like a punch in the gut. 2.  Love, Marilyn , Liz Garbus:  The enduring perception of Marilyn Monroe as a “Candle in the Wind” to use the title of Elton John’s exquisite song, gets an overhaul in Garbus’ close-up of the actress and sex symbol. The Bobby Fischer Against the World filmmaker uses an ensemble of actresses — including Marisa Tomei, Viola Davis, Ellen Burstyn, Evan Rachel Wood and contemporary trouble doll Lindsay Lohan — to give voice to Monroe’s never-before-seen personal papers, diaries and letters which reveal her to be a fiercely ambitious steel magnolia with a poet’s soul. 3.  The Gatekeepers , Dror Moreh: The buzz has been building on this documentary since it debuted on the festival circuit in Jerusalem in July and, according to a couple of sources who’ve seen it, The Gatekeepers is an eye-opening look at the real costs of the Palestine-Israeli conflict told through the unprecedented first-person accounts of six former Shin Bet (Israeli Security Agency) leaders. Word is the film is unflinching, hair-raising and, all the more powerful, because it humanizes the agents who did their government’s dirty work in the interest of homeland security. (Sound familiar?)  As former Shin Bet chief Avraham Shalom says in the film: “In the war against terror, there is no morality.” 4. The Act of Killing , Joshua Oppenheimer, Christine Cynn: That documentary masters Errol Morris and Werner Herzog came aboard as executive producers after seeing this film in various stages of completion should tell you that this is no ordinary documentary. But wait until to you hear its cinematic conceit: Oppenheimer and Cynn filmed Indonesian paramilitary leader Anwar Congo and his cohort — who participated in the murder of more than a million alleged Communists, ethnic Chinese and intellectuals in the 1960s — proudly and chillingly reenacting some of their murders in the style of their favorite movies: westerns, musicals and film noir. This should give new life to the debate over violence in the movies sparked by the Aurora tragedy in July. 5. Reincarnated , Andrew Capper: Capper, the global editor for Vice magazine, chose a compelling subject for his first feature-length documentary: the evolution of pot-loving rapper Snoop Dogg to pot-loving Rastafarian Snoop Lion during a trip to Jamaica to record with the DJ named Diplo. Whether Snoop is merely trying on a new career-rejuvenating persona the way that David Bowie did (multiple times) in the 1970s, or looking for a more spiritual reason to inhale a buttload of chronic, the musical artist born Calvin Broadus has a playful-but-knowing charisma that I bet will play well on camera. I think he’s ready for his close-up. 6. Mea Maxima Culpa: Silence in the House of God , Alex Gibney: The Taxi to the Dark Side director takes on another powder-keg subject — sexual abuse in the Catholic church — and I hear that fireworks ensue. Gibney begins with the headlines-making case of Father Lawrence Murphy, who beginning in the 1950s, is believed to have molested as many as 200 boys at the St. John’s School for the Deaf in St. Francis, Wisconsin. Although the Vatican was made aware of the priest’s actions in 1963, he was never defrocked and, in fact, was allowed to remain at the school until 1974 (when he was transferred). Mea Maxima Culpa , which translates to “My Most Grievous Fault,” takes Gibney all the way to the Vatican where he scrutinizes the roles that the late Pope John Paul II and his successor Pope Benedict XVI (then Cardinal Joseph Ratzinger) played in this tragic tale. 7. Artifact , Bartholomew Cubbins:  Based on the coy picture I found on the Toronto Film Festival’s website,  the Dr. Seuss-monikered director of this film is actually also its subject: actor and Platinum-selling 30 Seconds to Mars front man Jared Leto. (He has used the pseudonym before.)  Since Leto has, so far, defied my predictions that he would be a musical flash in the pan, I’m eager to see whether he can cut it as a filmmaker.  (I like his acting, but let’s say I’m skeptical that he can direct.)   Artifact is about Leto and his band battling their record label Virgin/EMI in court while writing songs for a new album and, according to the TIFF synopsis, “struggling with big questions over art, money and integrity.”  I suspect that droves of pretty young things will want to see this documentary, too, albeit for different reasons. 8. How to Make Money Selling Drugs, Matthew Cooke: With candid assists from Eminem, 50 Cent, Susan Sarandon and other celebrities, Cooke’s directorial debut is getting good word-of-mouth for its satirical Trainspotting -meets- Casino approach to a subject that makes most people’s eyes glaze over: the United States’ ineffectual drug policy. Cooke even employs a video game within the film to make his point. Donkey Bong ? 9. First Comes Love , Nina Davenport: Another auto-doc that taps into the, um, ripe subject of single motherhood as a choice. Unattached at the age of 41, Davenport decided to have a baby on her own — in New York City, no less — and to film the process. I’m hoping that it’s a candid corrective to The Back-Up Plan. 10.  The Central Park Five, Ken Burns, Sarah Burns, David McMahon: I’m not a dedicated fan of Burns. His PBS  Jazz documentary series irritated me, but I get why this particular project, which has been acquired by Sundance Select for distribution, is generating buzz. The subject of this collaborative effort with his daughter Sarah (who wrote a 2011 book about the Central Park Five) and son-in-law, McMahon, speaks volumes about race, crime and politics in New York City. In 1989, five black and Latino teenagers from Harlem were arrested and later convicted of raping a white woman in New York City’s Central Park. They spent between 6 and 13 years in prison before a serial rapist confessed that he alone had committed the crime, leading to their convictions being overturned. For more from Movieline at the Toronto Film Fest, click here. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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Gibney, Garbus, Polley and Leto (Yes, Jared!): 10 Toronto Film Festival Documentaries We’re Keen To See

Natalie Wood’s Death Certificate Amended; LL Cool J Nabs A Robber At Home: Biz Break

Also in Wednesday morning’s round-up of news briefs, after Robert Pattinson joked he needed a personal publicist, potential reps went into overdrive. And Mila Kunis and Max Martini eye separate upcoming projects. Natalie Wood’s Death Certificate Amended Thirty years later, authorities have changed Natalie Wood’s death certificate from an “accidental drowning” to “drowning and other undetermined factors.” The new document also says that the circumstances of how the actress ended up in the ocean off of Catalina Island in California in 1981 was “not clearly established,” A.P. reports . LL Cool J Captures Robber at L.A. Home He plays a special agent on NCIS: Los Angeles , but he took matters into his own hands in real-life Wednesday morning. L.A. police say the rapper nabbed a burglary suspect in his Studio City home and held him downstairs before 1 a.m. while police arrived, A.P. reports . Publicists Go Head to Head to Rep Robert Pattinson Pattinson said during an appearance on The Daily Show that his “biggest problem in life” was not hiring a publicist, setting off a frenzy among the Hollywood publicity machine to rep the actor, THR reports . Mila Kunis Joins Third Person Kunis is joining the cast of Oscar-winning filmmaker Paul Haggis’ drama set in Rome, New York and Paris centering on three overlapping love stories. James Franco and Casey Affleck are in negotiations to join the project, set to start in mid-October, The Wrap reports . Max Martini Eyes Breacher Martini is in talks to join Breacher playing Pyro, a member of the DEA team, which also stars Arnold Schwarzenegger, Sam Worthington and Terrence Howard and directed by David Ayer, Deadline reports .

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Natalie Wood’s Death Certificate Amended; LL Cool J Nabs A Robber At Home: Biz Break

Kelly Clarkson Tackles Gotye, "Somebody That I Used to Know"

Kelly Clarkson has now covered the two biggest hits of 2012. As the first-ever American Idol makes her way around the country on tour, she’s been taking fan requests at each stop. And just a few days ago that request involved a version of Carly Rae Jepsen’s ” Call Me Maybe .” Last night, meanwhile, Clarkson did her best impression of Gotye and his smash “Somebody That I Used to Know,” tackling both parts of the track and – did you really expect anything else? – knocking the cover out of the park. Or out of the beach, in this case, as the concert was set at Jones Beach in Long Island. Watch the rendition now:

Celebrity Hair Affair: Elisabeth Moss Goes Blonde

Miley Cyrus has apparently started a trend. Within a week of that star going blonde , Richie Sambora of Bon Jovi also dyed his locks … and now Elisabeth Moss of Mad Men has done the same. The multiple-time Emmy nominee walked the red carpet of last night’s For A Good Time, Call… premiere at Regal Union Square in New York City with noticeably short and light hair. Are you down with the fresh look? Compare it to the actress’ past ‘do and vote now:

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Celebrity Hair Affair: Elisabeth Moss Goes Blonde

LL Cool J Takes Down Home Intruder

NCIS: Los Angeles star LL Cool J confronted a burglary suspect in his home early this morning and took the dude down with his own hands … which shouldn’t come as a surprise to anyone who has ever seen LL Cool J. The suspect allegedly broke into LL’s LA-area home around 2 a.m. Unfortunately for him, he tripped the alarm and LL was home at the time. After hearing commotion downstairs and investigating, LL called the cops … then physically took the guy down and restrained him until officers arrived. The actor is reportedly fine, but the suspect, who will be booked for burglary, suffered a few scrapes and bruises. Again, to the surprise of no one. Talk about picking the wrong house to rob. Next time, just do a little research and rob anyone Lindsay Lohan knows. She’ll probably get blamed! [Photo: WENN.com]

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LL Cool J Takes Down Home Intruder

Leah Francis Picture Moment

WATCH: New Trailer For The Master Teases San Francisco Screening

Every frame of this simple but mesmerizing snippet of P.T. Anderson’s The Master throbs with an unnatural hum – in this case, punctuated by the animalistic grunting of Joaquin Phoenix as he books it down a pier in the San Francisco Bay, a panting so odd and startling it jarred my cat out of his sleep, the strangest look on his face. Is there something in Phoenix’s by all accounts bravura performance that vibrates on some feline, feral frequency? The new trailer teases another surprise screening of the film, tomorrow in San Francisco at the Castro Theater (which is, incidentally, where I first saw There Will Be Blood when it similarly sneak-debuted five years ago). The Master debuts on September 12. If anyone happens to make it to the Castro screening, do come back and share your thoughts. Follow Jen Yamato on Twitter.   Follow Movieline on Twitter.

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WATCH: New Trailer For The Master Teases San Francisco Screening

Phyllis Diller Dies at 95

Comedian Phyllis Diller, a groundbreaking comedian who paved the way for female comics in the generations that followed, has died at the age of 95. Diller recently hurt her wrist and hip in a fall, and her health had been on the decline ever since. She had been living in hospice care at her home. The mother of three children, Diller passed away in Brentwood, Calif.