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High And Low: Wenders’ ‘Pina’ Is Less Stodgy & Travis’ ‘For A Good Time, Call…’ Less Stupid Than You Might Think

This week’s High and Low celebrates the sublime and the obscene. But though the two movies I’ve spotlighted couldn’t be more different, they’re both a lot of fun. Perhaps the case could be made that both movies celebrate female artists and their unique voices, but that might be stretching things a tad. Still, you might find yourself surprised by these titles — one’s less stodgy, and the other less stupid, than the casual observer might at first realize. HIGH: Pina (The Criterion Collection; DVD $29.95, Blu-Ray/3D Blu-Ray Combo Pack, $49.95) WHO’S RESPONSIBLE: Directed by Wim Wenders ; featuring dancers from the Tanztheater Wuppertal Pina Bausch. WHAT’S IT ALL ABOUT: A celebration of the work of revolutionary dancer and choreographer Pina Bausch , whose visionary ideas about dance ranged from the kinds of movement that could be incorporated into performance pieces to the use of water, dirt and rocks onstage. (If you’ve seen Pedro Almodóvar’s Talk to Her , the dance pieces that bookend that film are Bausch works.) The interviews aren’t particularly illuminating, but the dance comes alive for Wenders’ camera, particularly since he shot in 3-D, which in this case helps make the cinematic experience more like being there live. WHY IT’S SCHMANCY: Even if the words “modern dance” send chills down your spine, Wenders makes this work very approachable, mixing performance with occasional narration from the late Bausch’s collaborators and acolytes in a way that brings us in and lets even dance newbies understand why this work is so groundbreaking and extraordinary. WHY YOU SHOULD BUY IT: Criterion goes 3-D for the first time with this release, and they couldn’t have picked a better movie to show off the process. There’s not a lot leaping out at you. Wenders instead goes for depth, and the effect both highlights the movement of the dancers and creates a physical context for their movement. There’s also the usual truckload of Criterion extras, including an interview with and commentary by Wenders, deleted scenes and a booklet that makes up for one of the movie’s minor shortcomings by identifying the dancers. LOW: For a Good Time, Call… (Universal Studios Home Entertainment; DVD $29.89, Blu-Ray $34.98) WHO’S RESPONSIBLE: Directed by Jamie Travis ; written by Lauren Miller and Katie Anne Naylon; starring Miller, Ari Graynor , Justin Long , Seth Rogen, Kevin Smith. WHAT’S IT ALL ABOUT: Recently dumped and between gigs, Lauren (Miller) is forced to share digs with her old college nemesis Katie (Graynor). The two become best pals after Lauren discovers that Katie is working as a phone-sex operator — and that the strait-laced Lauren, much to the surprise of both, is a natural at talking dirty for 99 cents a minute. WHY IT’S FUN: I know, the idea of a phone sex comedy feels at least a decade and a half out of date, but For a Good Time, Call… does a convincing job of making the idea of hot telephone chat seem contemporary, even in the Internet age. What’s such a treat about the movie is the way that it explores the intimacy of female friendships, while also allowing its leading ladies to be bawdy and outrageous in a way that never feels like a man’s idea of what a potty-mouth woman would sound like. WHY YOU SHOULD BUY IT: Given the film’s racy premise, it’s not surprising that they’ve got a longer, “unrated” cut that features even more smutty humor than the theatrical version. If you’ve got the time, they’ve got the funny. Alonso Duralde has written about film for The Wrap, Salon  and MSNBC.com . He also co-hosts the Linoleum Knife  podcast and regularly appears on  What the Flick?! (The Young Turks Network) .  He is a senior programmer for the Outfest Film Festival in Los Angeles and a pre-screener for the Sundance Film Festival. He also the author of 101 Must-See Movies for Gay Men  (Advocate Books). Follow Alonso Duralde on  Twitter. Follow Movieline on  Twitter. 

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High And Low: Wenders’ ‘Pina’ Is Less Stodgy & Travis’ ‘For A Good Time, Call…’ Less Stupid Than You Might Think

The Bachelor: Simply AMAZING!

The Bachelor is a pretty amazing experience for everyone involved. Discussing his network’s hit reality show this week, ABC’s Jimmy Kimmel bragged / lamented that he’s talked to more Bachelor stars than anyone on the planet. He said he knows exactly how his interview with Sean Lowe will go before it happens, and that the word “amazing” will be spoken at least 15 times per episode. Was he right? Watch his “Amazing Counter” in action below: AMAZING Bachelor Recap Will Sean find a truly AMAZING ending to his journey? Read The Bachelor spoilers we’ve compiled so far for hints as to the outcome of this 17th season.

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The Bachelor: Simply AMAZING!

Django Unchained Figures: Pulled from Shelves in Response to Controversy

While debate rages on regarding various Django Unchained quotes from this Oscar-nominated movie, the debate is now over regarding Django Unchained action figures . These items have been discontinued. Many advocacy ordinations – such as Project Islamic Hope and Al Sharpton’s National Action Network – had spoken out against the figures because they didn’t believe it was appropriate for the topic of slavery to be marketed to children. In response, the Weinsten Company reportedly reached out to the toy manufacturer, which didn’t hesitate to quell the uproar and pull the items. Only about 1,000 dolls have been produced since the film premiere anyway.

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Django Unchained Figures: Pulled from Shelves in Response to Controversy

Jodi Arias Nude Photos: Shown at Trial!

It’s been an interesting week in the Jodi Arias trial. Nude photos of the murder defendant were displayed for the jury – and the live feed – as was a video in which she said she would welcome the death penalty. If she killed Travis Alexander , that is. “If I am found guilty, I won’t have a life … If I killed Travis, I would beg for the death penalty,” Arias told Esteban Flores, a Mesa, Ariz., police detective, in a 2008 interview. As for the Jodi Arias nude photos? Jurors were shown pigtailed Arias’ breasts, as well as explicit front and rear angles of her genitalia (NSFW, after jump). Photos of a nude Travis Alexander in bed were also shown. It’s unclear exactly why these were entered into evidence. The photos were shown during testimony by Michael Melendez, a police department member who analyzed electronic devices collected during the investigation. The images were broadcast on a live feed of the trial during a court recess; the network that showed the images has yet to offer an explanation for how or why. Arias is accused of killing Alexander, her ex-boyfriend, more than four years ago. She allegedly stabbed him 26 times, slit his throat and shot him. She pleaded not guilty, claiming self-defense; previously, she had claimed she was not involved in his death whatsoever, later changing her account. Here’s one of the Jodi Arias photos in question:

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Jodi Arias Nude Photos: Shown at Trial!

Directors Guild Names Its Noms For Documentary Directorial Achievement

Three Oscar nominees including Kirby Dick ( The Invisible War ), Malik Bendjelloul ( Searching for Sugar Man ) and David France ( How to Survive a Plague ) are among the five nominees for the Directors Guild of America’s “Outstanding Directorial Achievement in Documentary” award. The winners will be unveiled at the 65th annual DGA Awards Dinner on February 2nd at the Ray Dolby Ballroom at Hollywood and Highland in Los Angeles. Kelsey Grammar will host the DGA Awards. “Whether shining a light on sweeping injustice or bringing us along on an intimate journey, the best documentaries challenge and enlighten us and this year’s nominees are no exception,” said DGA president Taylor Hackford in a statement. “The powerful work of these nominated directors is a true testament to the skill and significance of non-fiction storytellers.” The nominees for the 2012 Directors Guild of America Award for Outstanding Directorial Achievement in Documentary: Kirby Dick , The Invisible War , (First-time nomination) Rise Films, ITVS, Fork Films, Cuomo Cole Productions, Canal Plus, Chain Camera Pictures Malik Bendjelloul , Searching for Sugar Man , (First-time nomination) Sony Pictures Entertainment, Passion Pictures Production, Canfield Pictures & The Documentary Company, Red Box Films Lauren Greenfield , The Queen of Versailles , (First-time nomination) Magnolia Pictures, Evergreen Pictures, BBC Storyville, Impact Partners, Candescent Films, Plus Pictures, DR, VPRO, Queen of Versailles LLC David France , How to Survive a Plague , (First-time nomination) Public Square Films, Ford Foundation/Justfilms Impact Partners, How to Survive a Plague LLC Alison Klayman , Ai WeiWei: Never Sorry , (First-time nomination) United Expression Media, Muse Film and Television, Never Sorry LLC

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Directors Guild Names Its Noms For Documentary Directorial Achievement

After Golden Globes Win, Is ‘Argo’ The People’s Film?

Last night’s Golden Globes cemented Argo as the People’s Film from an awards season stand-point, setting the scrappy underdog to stand toe-to-toe with the monolithic Lincoln . Theoretically, the “People’s Film” would be The Hunger Games , which won Favorite Movie at the People’s Choice Awards, but in the context of the Oscars, the populism is relative to the awards — and none of the elite awards are more populist than the Golden Globes. The Hollywood Foreign Press Association established the annual Golden Globes as an opportunity to gather Hollywood’s elite, and the awards create the appearance of a competitive event instead of simply another gala. The goal is TV revenue, ostensibly to fund the HFPA’s philanthropic endeavors. The voting is dubious, with a body of less than 100 journalists with a penchant for press junkets that hinge on the interviewee’s charisma and charm. This is why the Globes live up to their reputation of grinning, drunken swagger: they can be loose and fun, because at the end of the day, it’s not about the awards, it’s about the audience. So the HFPA awarded Argo the title of Best Motion Picture – Drama, as well as giving Ben Affleck the award for Best Director — something he cannot replicate at the Oscars, where he’s not nominated for Best Director. But the narrative is shifting in Argo ’s direction. The film has always been a contender. With just three directed films and a severe image challenge as a personality, actor-turned-director Affleck has reconfigured himself as a filmmaker who demands respect. The fictionalized true story behind Argo , tying a Middle Eastern thriller to Hollywood in-jokes, was always the sort of smart film audiences could embrace. The box office reflected this, earning more than $111 million in the United States (ignoring a probable post-Globe, pre-Oscar rerelease), which is less than Lincoln to date but still nothing to scoff at for an R-rated political thriller. Along the way, Argo has quietly been picking up awards from various critics groups. It was one of the AFI Films of the Year and made the National Board of Review’s Top Films list. It won ensemble awards from the Hollywood Film Festival and Palm Springs International Film Festial, took the top prize from the San Diego critics and took 2nd place from the New York critics. This past week, it scored a major win at the Critics’ Choice Awards, taking Best Picture and Best Director on the same day the AMPAS directing wing blocked Affleck out. Like the Globes, the Critics’ Choice flexed the populism muscle, despite the assumed prestige from an umbrella group of critics. The Critics’ Choice tried something new this year by being broadcast on the CW, awkwardly combining the general intelligence of film critics with the popcorn atmosphere of the network. The organization received flack for poor decisions such as cutting away from the screenplay award (which went to Lincoln ‘s Tony Kushner) and for focusing on less prestigious nominees in favor of name recognition. What all of this amounts to, however, is a critics award that was aiming for Golden Globe-style populism. Argo winning both Critics’ Choice and the Golden Globe for Best Drama has set its tone and changed the popular conversation, commanding awards-watchers to take the film seriously again after losing momentum earlier in the season thanks to the thunder-stealing Zero Dark Thirty . What remains to be seen are the results of the Screen Actors Guild and the BAFTAs . Argo has received ensemble attention, so SAG’s big award isn’t out of the realm of possibility, but Argo has not received the individual acting attention that Les Miserables , Silver Linings Playbook , or even Lincoln have. This makes SAG the biggest landmark on Argo ’s horizon, because a win there would solidify the film’s narrative as the People’s Film, and the one that people want to win it all. Chime in below with your Oscar musings: With all this populist momentum, does Argo have a shot at Best Picture? MORE ON THE GOLDEN GLOBES: WATCH: Jodie Foster Wins The Golden Globes With Her ‘Coming Out’ Speech ‘Argo’ & ‘Les Misérables’ Take Top Movie Prizes At Golden Globes – WINNERS LIST High Five! The Best GIFs Of The 2013 Golden Globes John Hendel is a playwright from Los Angeles. Follow him on Twitter @hendyhendel . Follow Movieline on Twitter .

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After Golden Globes Win, Is ‘Argo’ The People’s Film?

Vampire Diaries Spinoff: Coming to The CW!

The CW is reportedly spinning off The Vampire Diaries into a new series called The Originals, starring Joseph Morgan (Klaus) and Phoebe Tonkin (Hayley). An upcoming episode of The Vampire Diaries , the network’s biggest hit, will serve as a “backdoor pilot” for The Originals . Tentatively, that’s set for April 25. The title refers to Klaus’ status as one of the original vampires in the show’s mythology. Guy has been doing his badass, yet charming thing for a long time . Also prominently featured will be werewolf Hayley, introduced in the current fourth season. She and Klaus return to the French Quarter of New Orleans. There, in the city he helped build centuries earlier, Klaus will reportedly be reunited with a Marcel, a former protege. No other details are available. Vampire Diaries show-runner Julie Plec will write and produce; no word on any involvement from Klaus’ Original siblings Elijah, Kol or Rebekah. Daniel Gillies and Claire Holt (Elijah and Rebekah) also recur on TVD . What do you think? Good idea by the CW? Or would you miss them too much on the Ian Somerhalder, Paul Wesley and Nina Dobrev-anchored hit?   Yes! Love Klaus, and great idea for a show! Maybe. I’d check out the pilot. NO! Terrible idea! View Poll »

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Vampire Diaries Spinoff: Coming to The CW!

Django Unchained Action Figures: Offensive to African-Americans?

Controversy surrounding Django Unchained and its use of the N-word may have subsided, but a new scandal has erupted over Quentin Tarantino’s thriller. No, not over its inclusion among the 2013 Academy Awards nominees . But over the action figures that recently went on sale, and which Al Sharpton’s National Action Network believes are an insult to African-Americans everywhere. “Selling this doll is highly offensive to our ancestors and the African American community,” Rev. K.W. Tulloss, NAC’s president in Los Angeles, told The New York Daily News . “The movie is for adults, but these are action figures that appeal to children. We don’t want other individuals to utilize them for their entertainment, to make a mockery of slavery.” Such a sentiment echoes Spike Lee’s take on the film in general, which he believes is “disrespectful to [his] ancestors.” Also like Lee, Tulloss admits he has not actually seen the movie. No word yet from the National Entertainment Collectibles Association or the Weinstein Company, but what about you, THGers? Do you think marketing figures from Django Unchained to children is offensive?   Yes, they are inappropriate for children! No, not at all! View Poll »

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Django Unchained Action Figures: Offensive to African-Americans?

Kim Kardashian and Kanye West Baby: Headed for Reality Television?

With Kim Kardashian pregnant , only one real question remains: The gender of the baby? The name? Please. Whether or not the child will be featured on the family’s reality show, of course! Network President Suzanne Kolb told The Hollywood Reporter that “we love it when this close-knit family gets even bigger,” implying producers would love to film every waking second of Baby Kimye. But will the parents sign off on raising their child in front of the camera? No, according to TMZ sources, which allege Kim and Kanye actually plan to be protective of their offspring. No spinoff, no E! special, no series regular status on Keeping Up with the Kardashians . Is this a good idea? You tell us: Should Kardashian and West feature their kid on reality television?   Yes, that’s so healthy for kids! No, it’s a bad idea View Poll »

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Kim Kardashian and Kanye West Baby: Headed for Reality Television?

Hannah Storm Burn Photos Reveal Graphic Injuries

ESPN’s Hannah Storm was horribly burned in a gas grill accident last month, suffering first- and second-degree burns on her face, hand and chest. On New Year’s Day, she was back at work, hosting the network’s Rose Parade coverage with a bandaged hand and some additional cosmetic help. ABC News released some of photos of Hannah Storm in the aftermath of the accident as part of this video, and let’s just say they are not for the faint of heart: Hannah Storm Burn Photos The fire burned off Storm’s eyebrows, eyelashes, and hair (now replaced by an artificial substitute). She’s lucky to be alive, let alone back at work so soon.

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Hannah Storm Burn Photos Reveal Graphic Injuries